Uncanny Valley
- 13:32
This video is only available with Night Flight+.
synopsis
Paul Wenninger traces the arc of representational history to representation-critical parable: he straddles the Uncanny Valley with motifs from found footage material from World War I, which he connects to the actors´ performances, to bring them into the image again using techniques from animation and then, with a diorama, to land in a museum-like ambiance. What the film documents is a parable about the difficulty of making present what one wants to show: in this film, the soldiers´ fear and wounds also applies to the distance, which is injured here, in order to gapingly gaze in the semblance of illusion. The stop-motion aesthetics jiggles at the seamless course of images, making the representation stutter: the body language follows the media´s staccato, which intrudes in the dance to perforate the movements, punch holes through the appearance of humanity. What is then shown is a distance, which affects us deeply, the impossibility of backing away, an iconoclastic dance. (Andreas Spiegl)
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