Fernando Perdomo born Fernando Jose Perdomo on August 17, 1980, is an American musician and producer. He is best known as one of the guitarists in the acclaimed music documentary, Echo in the Canyon, where he backed up Jakob Dylan, Fiona Apple, Beck. Nora Jones, Regina Spektor, Brian Wilson and Cat Power. He is currently a member of The Dave Kerzner Band, the highly regarded progressive rock ensemble that performs annually on the sold-out Cruise to the Edge. It was aboard a floating city in the middle of the Caribbean where I first encountered Fernando. He was laying down some mind-blowing riffs on the windy outdoor pool stage. I approached him after the set wearing a rare Kate Bush “Cloudbusting” shirt. “That’s the best Kate tee I’ve ever seen!” he shouted. “You and I are gonna be friends.” The session here was conducted in his cabin on the 2025 CTTE where he lent his formidable chops to three different groups.

Suzanne Doucet got her start as a successful pop-star in Germany before moving to the US and embarking on her new-age career, releasing over 40 records in the states.

Seattle rock band La Luz finds their lineup and their sound in flux on their latest record News of the Universe, allowing them to explore new sonic territory.

The frontman of slowcore giants Low branches out on his own with a collection of original and eclectic songs that show him grappling with the death of his long-time collaborator Mimi Parker.

Danish punk stalwarts Iceage formed as a group in 2008, fronted by Ellias Bender Rønnefelt with guitarist Johan Suurballe Wieth, Jakob Tvilling Pless on bass and drummer Dan Kjær Nielsen. Known for their abrasive but ever developing sound, their most recent record Seek Shelter arrived in May of 2021, their fifth full-length and first for Mexican summer. Recorded over a 12 day period in a run down studio in Lisbon, Seek Shelter features production by Peter Kember, aka Sonic Boom, and incorporates a gospel choir, seemingly signaling the group’s slide away from the nihilism of it’s earlier records in favor of resigned but comforting melodies.

Australian indie rockers Girl and Girl make their Sub Pop debut with tuneful and grandiose songs about the struggles of mental health in the modern world.

In early 1980s Finland, Belaboris were in their own peculiar, undefinable no-woman’s-land between the Finnish Futu and Gothic scenes.

Michele Mercure is an electronic artist who has made music for film, television, dance and theater. Her “arresting dream-music” demonstrates a “transportive attitude within and beyond the limited sound recording medium.”

Today we’re looking at independent record label Sacred Bones, including music videos from Lust for Youth, Lathe of Heaven and Khanate.

Dean Hurley is a sound and music supervisor who has worked with Daivd Lynch and Zola Jesus. Gloria de Oliveira is a multidisciplinary visual artist and musician who has composed for the theater and for London Fashion week. Their collaboration Oceans of Time combines impressionistic synths, shimmering guitars, and ethereal sonics in a beautiful dream-pop synthesis.

Horse Lords is Owen Gardner, Andrew Bernstein, Max Eilbacher, and Sam Haberman, an instrumental quartet formed in 2010. Its music is defined by repetition and complexity, “humanized with exploration and passion.”

The late Portland, Oregon composer Ernest Hood is known for his landmark 1975 album Neighborhoods, which combines field recordings with Hood’s synthesizer and zither playing.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. bass and piano. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Seattle-based grunge foursome Mudhoney. Featuring 1991's "Good Enough" and more.

Latvian composer and artist Sign Libra's Sea of Islands and Sea Of Nectar.

Jeremiah Sand was the charismatic leader of the Children of the New Dawn, a cult that descended upon a California recording studio in the 1970s to create Sand’s ultimate, psychedelic masterpiece. Not much is known of what transpired at the recording studio where these sessions took place, except that one night, Sand awoke the studio owner in the middle of the night at gunpoint and forced him to hide the master tapes in a lockbox until he returned. Decades passed and Sand was never heard from again, but in 2018 wildfires revealed a box in the ruins of the studio that contained a short film, esoteric artwork, and 50 year old album, Lift It Down.

Chicago-baed electronic / dark industrial duo HIDE on Dais Records.

Suzy Poling's latest record uses sounds and samples collected from the Vintage Synthesizer Museum in Oakland, CA.

Slowcore pioneers Low on Sub Pop Records. Featuring music from 2018's "Double Negative" and more.

Molchat Doma (translated as “Houses Are Silent”), was founded in 2017 in Minsk, Belarus, with a dark yet danceable sound that stands at the intersection of post-punk, new-wave and synth-pop. Their second LP Etazhi (meaning “Floors”) became a global phenomenon, leading Sacred Bones to sign the band in early 2020.

Tonight we take off to Sub Pop, one of the most legendary names in alternative music, with songs by Bully, J. Mascis, and Washed Out.

A Shoegaze pedigree with smoky compulsions of post-punk and no-wave influences.

The son of a truck stop preacher, raised and home-schooled in a “super religious family” (his own words), the acoustic guitarist and soundscape composer from Amarillo, Texas, first record for Mexican Summer arrived in 2021.

Sub Pop-signed Bully from "Take Off" to Indie Labels. Featuring "Guess There," and more.

Sic Alps was a San Francisco-based lofi garage rock band started by Matt Hartman and Mike Donnovan, who met on tour with their previous bands in the 90s. The group drew as equally from noise pop as they did from art rock luminaries the Velvet Underground.

Welcome to the video profile for Brooklyn-based independent record label Sacred Bones, whose roster of artists includes John Carpenter, Hillary Woods and Constant Smiles.

São Paulo-born multi-instrumentalist Sergio Sayeg, aka Sessa, releases his sophomore album and Mexican Summer debut Estrela Acesa. The enchanting album evokes a "deep reverence for the rich musical heritage of Brazil," according to label Mexican Summer and the artist's exclusive Night Flight Video Profile is streaming now with two whimsical videos featuring a combination of hand-drawn traditional animation and rotoscoped performance footage.  

Kiwi oddball Connan Hosford, better known as Connan Mockasin, made a name for himself in the New Zealand psych scene in the early 2000s playing in a group called Connan & the Mockasins, known for their trippy, bluesy and whimsical indie pop. His most recent album, Jassbusters, arrived in 2018 on Mexican Summer accompanied by his absurdist film Bostyn ‘n Dobsyn.

Zola Jesus is the decade-long solo project of Nika Roza Danilova, featuring dark, haunting lyrics and mesmerizing and ever changing electronic production. Danilova’s earliest output was characterized by noisy, lofi percussion and synths paired with her airy, ascendant vocal. She would quickly begin moving away from this sound, instead opting to create her own interpretations of pop music, progressively experimenting with cleaner production and working with artists like M83 and Prefuse 73. A longtime friend of Sacred Bones, her most recent release for the label, Okovi, arrived in 2017.

Industrial punk band Pop. 1280, named after a pulpy Jim Thompson story about a corrupt, deceptive and murderous Texas lawman, was founded by Chris Bug and Ivan Lip as a method of exploring their darker, somewhat sinister musical ideas. Their first song, “Bedbugs” would lay the groundwork for their next release, an EP called The Grid, which they followed up with the full-length The Horror, both on Sacred Bones. Their haunting, guitar heavy sound would slowly give way to more refined harmonies and clean polished keys, especially on their grim 2020 album Way Station.

The sonic world Helado Negro builds an aura vivid enough to be seen.

Sub Pop's Father John Misty, the alter-ego of multi-instrumentalist and songwriter Josh Tillman. Featuring the 25-minute album trailer for 2017's "Pure Comedy."

High Vis, led by enigmatic front person Graham Sayle, play “aggressive, gripping, and artful punk” that is sonically beyond the parameters of any single genre or scene. On their second album Blending, they bring a more introspective focus to their political lyrics.

“Take Off” to Seattle-based independent label Sub Pop featuring music videos from Chai, Mudhoney, clipping., and Ya Tseen.

Borghesia is an electronic music group from Slovenia formed in 1982. Borghesia is one of the most successful bands from former Yugoslavia known for turning sexual freedom into an important political issue by creating the New Slovenian Art scene.

"Syrupy, space-case dance music” from electronic duo Blondes.

An Evolutionary Music (Original Recordings: 1972 - 1979) compiles unreleased recordings from the archives of multiversal artist Ariel Kalma. Concerned as much with musicality as spiritual facility, Kalma’s work vibrates aside fellow travelers along the great rainbow in curved air of the 1970s avant-garde. Directed by Matthew McGuigan

Axis: Sova began as the experimental psych-rock solo project of Chicago artist Brett Sova, who wrote and recorded much of the bands early output before settling on a full lineup. Since 2018 the band has consisted of Sova with Tim Kaiser on guitar and Jeremy Freeze on bass.

Breadwoman & Other Tales are the collected recordings of a language arising. It is the sound and document of Anna Homler divining speech, lyrical fragments, and melody for music composed, mixed, and engineered by Steve Moshier.

Oliver Coates is a British cellist, composer and producer who has played with Thom Yorke and appeared on scores for Paul Thomas Anderson. His 2020 album skins n slime sees him leading “an impassioned performance of strings through viscous, synthetic modulation.”

Father John Misty, the alter ego of songwriter Josh Tillman, embarks on his sixth album with a more rock-influenced edge.

Sub-Pop signed horror-core act clipping. Featuring music from 2019's concept album "There Existed an Addiction to Blood" and more.

Pennsylvania post-hardcore band Pissed Jeans on Sub Pop Records. Featuring Lydia Lunch produced "The Bar Is Low" and more.

Alan Vega, visual artist and frontman of punk pioneer duo Suicide, passed away in 2016 after a 50 year career in art and music. In addition to his musical output, Vega’s sculpture work gave him a notorious reputation in the New York art world, later opening a 24-hour gallery space that would go on to serve as an early venue for bands like the New York Dolls, Television and Blondie.

Experimental hip hop group Shabazz Palaces makes a foray into “final-days funk” on Exotic Birds of Prey, an unsettling exploration of the coldest and darkest edges of their sound.

Red Axes are the Tel Aviv-based electronic duo of Dori Sadovnik and Niv Arzi whose sound is heavily influenced by the music of post-punk and new wave bands from the 80s.

Dublin musician and former JJ72 bassist Hilary Woods returned to music after over a decade of hiatus in 2014 with melodic and airy keyboard-based songs inspired by the cinematic works of auteurs like Wong Kar-Wai and Chris Marker. Expanding on these ideas and incorporating more atmospheric electronic sounds, her full-length solo debut Colt arrived on Sacred Bones in 2018, followed by 2020’s Birthmarks.

Institute, the Austin based punk outfit founded by Moses Brown and Arak Avakian of Glue, Adam Cahoon of Wiccans, exploded onto the Texas punk scene in 2013 with lyrics of personal struggles and a dark and streamlined sound that they would continue to hone over the years. Their debut full-length, Catharsis, arrived on Sacred Bones in 2015 and featured cleaner production with broader influences, expanding on their anarchic post-punk sound.

From Nursery to Misery were three teenagers who grew up together on the same street in Basildon Essex. Formed in 1987, the band was comprised of vocalists (and identical twins) Gina and Tina Fear, along with keyboard player and producer Lee Stevens.

Lucrecia Dalt, a former geotechnical engineer, crafts experimental compositions with contemporary electronic sounds, traditional South American rhythms and evocative lyrics. Her latest album, ¡Ay!, channels innate sensory echoes of growing up in Colombia.

Today we’re covering eclectic Brooklyn-based record label Sacred Bones, featuring videos from Constant Smiles, Follakzoid and Hillary Woods.

Queens-based experimental rock duo Blues Control, composed of Russ Waterhouse on guitars and electronics and keyboardist Lea Cho, established themselves in NY with exciting live shows and a series of self released cassettes and vinyl.

Veteran folk artist Devendra Banhart teams up with Mexican Summer labelmate Cate le Bon for spare new direction on Flying Wig, his eleventh album.

Toronto-bred, 3-piece noise punk band METZ. Featuring "Pure Auto" and more.

Up-and-coming duo Sharpie Smile brings sugary synth pop!

“Take Off” to independent label Dais Records featuring music videos from Cold Showers, Pierce with Arrow, ADULT., and Xeno & Oaklander.

Silver Jews was an American rock band formed in Hoboken by David Berman and Pavement members Stephen Malkmus and Bob Nastanovich. Inspired by the conceptual art at the Whitney Museum where Berman worked as a security guard, they would record their earliest tracks on the answering machines of friends.

Xeno & Oaklander is an American electronic group from Brooklyn regarded as a key act in the coldwave and minimal electronic revival of the 21st century. The duo combine crisp analog synths with poetic lyrics to weave dark synth-pop soundscapes that are ultimately greater than the sum of their parts.

Haunting folk noise and cinematic textures from experimental producer Michael Anderson.

Sunshine Soup, directed by multitalented designers / artists Misha Hollenbach and Johann Rashid, is a non-linear film keyed to the outer-boundary music created by Robert Aiki Aubrey Lowe & Ariel Kalma Hollenbach and Rashid captured extensive footage surrounding the recording of We Know Each Other Somehow. Using handheld HD and 8 mm cameras, they later processed the images with a Fairlight Computer Video Instrument (CVI). With its responsive, meditative perspectives and refracted, sun-bleached compositions, Sunshine Soup becomes the visual companion to the transformative musical principles explored throughout the collaborative album.

Blanck Mass uses fast paced beats, clipped vocal samples and mesmerising synths to create music that is emotionally and sonically intense. Dumb Flesh, his first album with Sacred Bones, saw Power’s incorporate more danceable beats around the chopped-up vocals and drones which were built upon in subsequent releases like 2017’s political World Eater and 2019’s melodic Animated Violence Mild.

Jackie Lynn, the fictional, long-haul trucking, drug dealing stage persona of Circuit des Yeux’sHaley Fohr, developed as a way to compartmentalize Fohr’s introspective, avant-folk sound from the more playful fusion of country and synth pop on releases like Jackie Lynn and Jacqueline.

A potent blend of nostalgia-laced romantic pop from Choir Boy on Dais Records.

The current band of the Stereolab frontwoman, Laetitia Sadier Source Ensemble incorporates some of Sadier’s longest and closest collaborators, Emmanuel Mario, Nina Savary and Xavi Munoz.

After releasing a variety of offerings with friends under the nebulous Palace moniker and his own name, Will Oldham began his prolific streak of recording and performing his brand of Americana under the pseudonym Bonnie “Prince” Billy in the late 90s. His songs feature haunting lyrics over instrumentals that draw from numerous American musical traditions.

“Take Off” to independent label Dais Records featuring music videos from Space Africa, Choir Boy, Xeno & Oakland and Death Bells.

Tonight’s video profile shines a light on Brooklyn’s Sacred Bones Records, and artists such as SQÜRL and Xmal Deutschland.

More than four decades ago, "one of the strangest and most shocking martial arts movies ever witnessed" (DVD Talk) drove 42nd Street audiences into a stunned frenzy. Newly restored by Severin Films, the legendary kung fu oddity The Crippled Masters is now streaming. When a crime boss chops off the arms of a peasant (Sung-Chuan Shen, born with Thalidomide Syndrome) and acid-dissolves the limbs of a henchman (Chao-Ming Kang, born with deformed legs), the two men train to combine themselves into one unstoppable fighting machine!

Luca Yupanqui began recording music when she was literally in the womb. The child of musicians Elizabeth Hart and Iván Diaz Mathé, the pair began recording their unborn child with biosonic MIDI technology Diaz Mathé compared to a polygraph. After her parents spent 2020 mixing the album “respecting the sounds as they were produced”, Luca made her Sacred Bone’s debut in 2021 with Sounds of the Unborn, described as an “expression of life in its cosmic state.”

Sub Pop band from the grunge era. Featuring "Stumblin' Man," and more

Folk artist Meg Baird comes from a long family tradition of Appalachian folk roots, her great-great uncle was folk-singer and regional historian Isaac Garfield Greer. Her solo work features soft, airy vocals that float above otherworldly folk arrangements and her band Espers draws upon the baroque pop/chamber folk sound of the late 1960s, creating an intoxicating psychedelic sound.

Seattle based avant garde and experimental musician K. Leimer.

CMON, which stands for Confusing Mix of Nations, is a pop duo born out of the ashes of Brooklyn indie rock group Regal Degal. Shifting the focus towards more danceable tracks, the duo carried the atmospherics from their previous project into CMON, only now incorporating more elements of disco and pop into their recordings.

John Carpenter, the American director, producer and screenwriter has made a name for himself as a master of horror and science fiction with film scores just as memorable, and haunting as the violence they accompany. Directing and composing over a dozen features, Carpenter, along with his son Cody and his godson Daniel Davies, teamed up with Sacred Bones to release his debut studio album Lost Themes in 2015 and then the sequential Lost Themes II in 2016. Following the success of these albums, as well as a series of rerecordings of his most iconic cinematic themes, Carpenter and family returned in 2021 with Lost Themes III: Alive after death.

The Sub Pop music of Riot Grrrl veterans Sleater-Kinney. Featuring "Jumpers" and more.

Norwegian singer/songwriter, producer and novelist, Jenny Hval, made her solo debut in 2006 as Rockettothesky with the dreamy, folk-pop album To Sing You Apple Trees. Hval began releasing music with Sacred Bones under her own name with 2015’s experimental, art pop/spoken word album Apocalypse, Girl, influenced by Norwegian jazz singers of the 1960s and her upbringing in Norway’s Southwestern Bible Belt.

When punk first broke in the UK in 1976, music journalist John Ingham was on hand to document the rupture and the rowdiness. Fascinated by the music, fashion, and intrinsic iconoclasm of a little-known outfit called the Sex Pistols, Ingham conducted the band’s first interview, partied with its members, and even bailed Sid Vicious out of jail. Ingham also documented the group's early evolution at legendary gigs shared with other pioneering punk bands including The Damned, The Clash, The Buzzcocks, and more. Spirit of 76: London Punk Eyewitness is the revelatory collection of Ingham’s photography and fly-on-the-spray-painted-wall reporting of the punk movement from its most raucous, bewildering beginnings. Containing the only color photos from British punk’s first wave alongside Ingham’s inimitable prose, this volume constitutes a rare from-the-floor report on the UK punk explosion from one of its original participants.

Taos-based artist Diatom Deli, or Delisa Paloma-Sisk, is an experimental multi-instrumentalist and vocalist whose work is driven by ethereal sonic experimentation that comprises hypnotic loops, bright samples, and subtle melodies. Her third album, Time~Lapse Nature, is a transportive continuation of the blooming sincerity that characterizes Deli’s musical inclinations.

Chilean psych band Föllakzoid, known for their hypnotic rhythms and Andean folk and krautrock influences, was formed by childhood friends Diego Lorca, Domingo García-Huidobro, and Juan Pablo Rodríguez in 2008 as a trance experience, jamming on a single song for two hours in their first practice session. This free-form approach to playing and performing influenced their early output, working for years on their self-titled Sacred Bones debut EP released in 2011.

In 2020 Kentucky-based singer-songwriter Emma Ruth Rundle, known for her brand of dark and expressive post-rock, teamed up with Louisiana metal band Thou for one of the most interesting collaborative projects of the year. May Our Chambers Be Full, released on Sacred Bones, channelling Rundle’s brooding lyrics and Thou’s atmospheric sludge into a record that showcases the DIY versatility of both parties.

Tokyo-based artist Satomimagae weaves subtle songs for guitar, voice and noise, propagating variant folk strains that flicker between organic and mechanistic, personal and environmental, warm and cool. Satomi’s latest offering, Hanazono, is a work of both simplicity and intricacy, a veritable biosphere of unfiltered artistry.

Over time, through his vast collection of pure and cinematic ambient hymns, Tor Lundvall has steadily established himself as one of ambient music’s most familiar faces.

Wand is a metal-influenced psych rock band based in Los Angeles, California. Formed in 2013 by Cory Hanson, the group’s early releases feature hints of sludge and heavy metal, later giving way to more melodic synths. A lineup expansion in 2016 brought an improvised, jam-style to the band’s songwriting which coincided with a transition towards a more expansive, classic rock sound.

French artist Laetitia Sadier, best known as a founder and lead vocalist of indie pop groups Stereolab and Monade , began releasing music as a solo artist with 2010’s The Trip, a tragic dream pop odyssey that drew upon experiences of grief. She followed this effort up with the intimate, yet politically charged albums Silencio in 2012 and Something Shines in 2014.

Executive Slacks was spawned in Philadelphia by three restless art students in the early 1980s. Starting out with performance art in subways, they soon took their angst-ridden act to galleries and nightclubs. Dripping in nihilism, Executive Slacks' unique brew of primitive electronics, harsh guitars and aggressive vocals inspired many bands like Ministry, Front 242 and Skinny Puppy.

Resuscitating The '80s Underground. Inspired by the DIY nature of the 80s underground, Dark Entries founder Josh Cheon launched the label in 2009 to release out of print and unreleased underground music as well as contemporary bands, with a mission to preserve sound quality and respecting the aesthetics of its artists. With over 100 releases under our belt from Severed Heads, Crash Course In Science, Patrick Cowley to the Dark Entries Editions series focusing on hard to find Italo Disco and Synthpop 12”s. And yes, Josh took the name from Bauhaus's first 7″release,

In 2016, Mexican Summer's sister label Anthology reissued two essential live albums from Träd, Gräs och Stenar (Tr-ad Grass Ah-k Sta-Nar), a 70s underground Swedish psych rock export, whose records have been hidden gems for collectors worldwide. To commemorate the reissues, Anthology Recordings produced a short, two-part documentary revealing rare interviews with surviving members of the band, presented together here on Night Flight.

LA psych scene veteran Michael Collins, formerly of Run DMT and Salvia Plath, surfaced as Drugdealer in 2016 with the warm and melodic The End of Comedy. Dialing back the psychedelia that had defined the first half of his career, Drugdealer reflected a shift towards 70s soft rock and Baroque pop influences that would continue to emerge on his next album, Raw Honey, released in 2019 on Mexican Summer.

Don Giovanni is an independent record label from New Brunswick, New Jersey whose catalog includes Paisley Fields, Screaming Females, and Weakened Friends.

Los Angeles’s Geneva Jacuzzi has been combining high art and avant-pop since her 2010 debut Lamaze. Her third album, Triple Fire, came out in August of 2024.

Man Man’s charismatic frontman Honus Honus felt a renewed sense of creative purpose on 2024’s Carrot on Strings, with clever and sharp new songs.

Greg Turkington’s fictional persona Neil Hamburger, a misanthropic, anti-comedian was introduced to the world in 1992 on the album Great Phone Calls Featuring Neil Hamburger, a self-deprecating assault on the expectations that had developed in stand-up.

Damon McMahon started his solo musical project Amen Dunes in 2006, recording atmospheric, lo-fi psych-folk alone in the Catskills before moving to Beijing and further honing this dark sound and recording occasionally. These would become his debut Sacred Bones EP Murder Dull Mind.

This is Unusual Sounds: A deep dive into the mysterious world of library music; the extraordinary stock recordings that soundtracked the heyday of B movies, low-budget television, and scrappy genre filmmaking curated by David Hollander and released by independent label Mexican Summer.