Chilean psych band Föllakzoid, known for their hypnotic rhythms and Andean folk and krautrock influences, was formed by childhood friends Diego Lorca, Domingo García-Huidobro, and Juan Pablo Rodríguez in 2008 as a trance experience, jamming on a single song for two hours in their first practice session. This free-form approach to playing and performing influenced their early output, working for years on their self-titled Sacred Bones debut EP released in 2011.

Georgia-based Robert Lester Folsom released his first studio album, Music and Dreams, in 1978. Although it did receive some local attention on its initial release, the record had limited pressings and Folsom was unable to complete a follow-up album during that time. Here’s the Anthology Records documentary about the artist, created to accompany the label’s reissues projecs.

The current band of the Stereolab frontwoman, Laetitia Sadier Source Ensemble incorporates some of Sadier’s longest and closest collaborators, Emmanuel Mario, Nina Savary and Xavi Munoz.

Flore Laurentienne is the vessel of Quebec-based composer, multi-instrumentalist, and producer Mathieu David Gagnon. The classically trained musician incorporates elements of post-minimalism, early progressive rock, and the compositional art of fugue into his work.

The sonic world Helado Negro builds an aura vivid enough to be seen.

Sunshine Soup, directed by multitalented designers / artists Misha Hollenbach and Johann Rashid, is a non-linear film keyed to the outer-boundary music created by Robert Aiki Aubrey Lowe & Ariel Kalma Hollenbach and Rashid captured extensive footage surrounding the recording of We Know Each Other Somehow. Using handheld HD and 8 mm cameras, they later processed the images with a Fairlight Computer Video Instrument (CVI). With its responsive, meditative perspectives and refracted, sun-bleached compositions, Sunshine Soup becomes the visual companion to the transformative musical principles explored throughout the collaborative album.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. bass and piano. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

The Los Angeles-based quartet Allah-Las came together in 2008 while its members were working at Amoeba records. Allah-Las eventually found their way to Mexican Summer for the release of Calico Review in 2016, cultivating an array of global influences. These disparate and collected sounds would come together on the band’s fourth full-length, Lahs, an ode to the band's traveling lifestyle, released on Mexican Summer in 2019.

Dope Body are a Baltimore area post-punk noise rock group. Their Drag City debut, Natural History, a reference to the venue that first hosted the group for a one-off, meshed the band’s myriad sonic influences into an intense 35 minute experience. After briefly breaking up in 2016, the band reformed in 2019, culminating in two full length releases in 2020.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Settle into Tonstartssbandht’s music and let it rock heavy from all sides. The music melds with the personal, tangible nature of the city climate, telling a stunning tale. Discovered on the road and distilled at home, the music conveys experience and subtlety, scars exposed to carry the chronicle. The music, the music, the fucking music.

Today we’re covering DAIS Records, who focuses on artists “new and old,” including SPICE and Stephen Mallinder.

Danish rock band Marching Church began as a side project of solo musical experiments for Elias Bender Rønnenfelt of Iceage. After the success of the band’s debut album on Sacred Bones, This World is Not Enough Rønnenfelt brought in Iceage bandmate Johan Weith and trumpeter Jakob Emil Lamdahl.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Bill Callahan, Ty and Denée Segall, Circuit des Yeux and Smog.

“Take Off” to independent label Dais Records featuring music videos from Cold Showers, Pierce with Arrow, ADULT., and Xeno & Oaklander.

Dark analog dance songs for the post-modern era.

CMON, which stands for Confusing Mix of Nations, is a pop duo born out of the ashes of Brooklyn indie rock group Regal Degal. Shifting the focus towards more danceable tracks, the duo carried the atmospherics from their previous project into CMON, only now incorporating more elements of disco and pop into their recordings.

Margaret Chardiet’s industrial noise project Pharmakon blends slow rhythmic beats with guttural synth blasts and wailing vocals that are as disquieting as they are hypnotizing. Her live shows have been described as confrontational, interrogating the division between performer and audience, an emotional trance-like experience she has attempted to recreate on her more recent albums, 2017’s Contact and 2019’s Devour, released on Sacred Bones.

In 2016, Mexican Summer's sister label Anthology reissued two essential live albums from Träd, Gräs och Stenar (Tr-ad Grass Ah-k Sta-Nar), a 70s underground Swedish psych rock export, whose records have been hidden gems for collectors worldwide. To commemorate the reissues, Anthology Recordings produced a short, two-part documentary revealing rare interviews with surviving members of the band, presented together here on Night Flight.

Born on the island of Crete and raised in Athens, Platonos was one of the pioneers in the Greek electronic music scene of the 1980s, and remains active today.

Built to Spill’s frontman Doug Martsch recruited a new Brazilian backing band for Built to Spill’s latest record, When The Wind Forgets Your Name.

Founded in 2010 by Robert Alfons and Maya Postepski, the group uses ethereal synth pop tones mixed over surging industrial beats. With the release of their first album TRST in 2012, the duo went their separate ways and Alfons continued to record and tour under the name. As a solo project Alfons began incorporating more elements of acid house and techno into his next release Joyland in 2014, which debuted to massive critical and commercial success.

Australian Singer/Songwriter Indigo Sparke was born into a musical family and knew from a young age she wanted to perform. After teaching herself guitar, Indigo began establishing herself in the Sydney-music scene with quiet but commanding folk music, releasing her debut EP Night Bloom in 2016. Over the next few years Sparke would continue to build her profile in the contemporary folk world. Her first full-length album Echo arrived in 2021 on Sacred Bones.

Today we’re highlighting Sacred Bones Records, including music videos by SQÜRL, Mort Garson and Maria BC.

Altres are an electronic band from Dundee, Scotland originally formed in 1983. With influences ranging from Faust to Philip Glass, Altres’s unique brand of instrumental, improvised electronic music was all recorded live, with no overdubs.

Today’s video profile covers Brooklyn-based record label Sacred bones, featuring Mort Garson, Sextile and Maria BC.

“Take Off” to independent label Dais Records featuring music videos from Space Africa, Choir Boy, Xeno & Oakland and Death Bells.

Queens-based experimental rock duo Blues Control, composed of Russ Waterhouse on guitars and electronics and keyboardist Lea Cho, established themselves in NY with exciting live shows and a series of self released cassettes and vinyl.

Chicago-based psychedelic Krautrock group Cave began seriously recording music together in 2008. Cave is known for their hypnotic and droning instrumentals which have invited comparisons to bands like Can and Funkadelic.

Brooklyn-born and based experimentalist and multi-instrumentalist Taja Cheek, aka L’Rain’s, 2021 album Fatigue demands introspection from ready ears with an array of keyboards, synths, and hauntingly delicate vocals while blending the sounds of gospel, jazz, and neo-soul to create a genre entirely her own. Cheek has dipped her toes in every corner of the arts, through her work at some of the most prestigious art institutions in NYC and collaborations with the likes of Naama Tsabar and Kevin Beasley.

Former geotechnical engineer Lucrecia Dalt's experimental compositions.

“Take Off” to Seattle-based independent label Sub Pop featuring music videos from Shabazz Palaces, Sunny Day Real Estate, Weyes Blood and TV Priest.

Cursive’s core trio of Tim Kasher, Matt Maginn, and Ted Stevens formed in 1995 and has since developed into one of the most consistent and ambitious bands in post-hardcore. Their latest album Devourer, the first for stalwart indie label Run for Cover, explores new territory within their iconic sound and features a suite of horror-themed music videos including the one for “Bloodbather” directed by Chelsea Stardust and starring Stranger Things’ Shannon Purser and Westworld’s Aurora Perrineau.

“Take Off” to Seattle-based independent label Sub Pop featuring music videos from Father John Misty, Tad, The Jesus and Mary Chain and more.

Drab Majesty, the project of Deb DeMure, blends New Wave and early 4AD sound into a “hypnotic and futuristic originality.”

Toronto-bred, 3-piece noise punk band METZ. Featuring "Pure Auto" and more.

Seattle-based grunge foursome Mudhoney. Featuring 1991's "Good Enough" and more.

Cellist Oliver Coates's "ambient braindance" compositions.

Blanck Mass uses fast paced beats, clipped vocal samples and mesmerising synths to create music that is emotionally and sonically intense. Dumb Flesh, his first album with Sacred Bones, saw Power’s incorporate more danceable beats around the chopped-up vocals and drones which were built upon in subsequent releases like 2017’s political World Eater and 2019’s melodic Animated Violence Mild.

“Take Off” to independent label Dais Records featuring music videos from ADULT., Choir Boy, Body of Light and Getting The Fear.

Horse Lords is Owen Gardner, Andrew Bernstein, Max Eilbacher, and Sam Haberman, an instrumental quartet formed in 2010. Its music is defined by repetition and complexity, “humanized with exploration and passion.”

Composer Tashi Wada's “ancient and futuristic" compositions with his father.

Danish punk stalwarts Iceage formed as a group in 2008, fronted by Ellias Bender Rønnefelt with guitarist Johan Suurballe Wieth, Jakob Tvilling Pless on bass and drummer Dan Kjær Nielsen. Known for their abrasive but ever developing sound, their most recent record Seek Shelter arrived in May of 2021, their fifth full-length and first for Mexican summer. Recorded over a 12 day period in a run down studio in Lisbon, Seek Shelter features production by Peter Kember, aka Sonic Boom, and incorporates a gospel choir, seemingly signaling the group’s slide away from the nihilism of it’s earlier records in favor of resigned but comforting melodies.

Black Marble, Chris Stewart’s 80s influenced synth-pop group, began releasing music in 2012 with the EP The Weight Against the Door and later the gloomy full length A Different Arrangement. This moody atmosphere, created by an arsenal of analog synths, would later give way to lighter and warmer sounds on Stewart’s successive releases, including 2019’s Bigger Than Life and 2021’s Fast Idol, both on Sacred Bones.

Wand is a metal-influenced psych rock band based in Los Angeles, California. Formed in 2013 by Cory Hanson, the group’s early releases feature hints of sludge and heavy metal, later giving way to more melodic synths. A lineup expansion in 2016 brought an improvised, jam-style to the band’s songwriting which coincided with a transition towards a more expansive, classic rock sound.

Chicago-baed electronic / dark industrial duo HIDE on Dais Records.

Alasdair Roberts is a Scottish folk musician based in Glasgow who has released a number of albums under his name as well as the stage moniker, Appendix Out. Roberts is also noted for his frequent collaborations with other musicians, writers and filmmakers.

Sub-Pop signed horror-core act clipping. Featuring music from 2019's concept album "There Existed an Addiction to Blood" and more.

“There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night." Singer/songwriter Cate Le Bon began her career collaborating with fellow Welsh musicians Gruff Rhys and Richard James before releasing her first EP, the Welsh language Looking in the Eyes of a Borrowed Horse in 2008. In 2019 Cate Le Bon signed with Mexican Summer for her fifth album, Reward, released to critical acclaim. Here's the video for "Home To You."

The Soft Moon is the project by American singer-songwriter Luis Vasquez. 2022’s Exister is a powerful, vulnerably therapeutic post-punk masterpiece.

SRSQ is the moniker of Oakland singer and musician Kennedy Ashlyn, who has steadily honed her songcraft to create a “music of tumult and triumph.” Her 2022 LP “Ever Crashing” is an “aching, reverent” dream-pop creation.

Exploded View’s surreal mix of post-punk and krautrock reflects the makeup of the band and it’s member’s solo projects. Founded by British-German singer-songwriter Annika Henderson and Mexico City-based musicians Martin Thulin and Hugo Quezada the group made it’s haunting self-titled debut on Sacred Bones in 2016, followed by the more focused sophomore release Obey in 2018.

Dinosaur Jr. frontman's project for Sub Pop records. Featuring music from 2018's "Elastic Days" and more.

Sub Pop's Father John Misty, the alter-ego of multi-instrumentalist and songwriter Josh Tillman. Featuring the 25-minute album trailer for 2017's "Pure Comedy."

Amen Dunes’ Sub Pop debut, Death Jokes, sees the artist take a sharp left turn to the more electronica and rave-influenced sounds of his youth.

Atlanta, Georgia post-punk trio Omni. Featuring 2019's "Skeleton Key" and more.

Harassor are a Los Angeles based metal band influenced by Southern California’s rich history of distinguished metal acts. Fronted by Pete Majors, the group evokes the consummate hallmarks of black, death and doom metal without surrendering to any established order.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Kate NV is the multifaceted solo persona of Moscow-based artist Kate Shilonosova. Her third album with RVNG Intl, WOW, offers listeners a prismatic shift in perspective and scale, a parallel dimension in which the mundane becomes funny, familiar and altogether sensational.

Lust For Youth is a synth pop duo currently composed of Swedish and Danish producers Hannes Norrvide and Malthe Fischer. As a solo act Norrvide’s Lust For Youth was largely dark and lonely minimalist synth that verged on harsh noise, but with the expansion of the lineup the group’s releases on Sacred Bones are more associated with the catchy songs about heartbreak, most notably channeling elements of New Order and Pet Shop Boys.

The Sub Pop music of Riot Grrrl veterans Sleater-Kinney. Featuring "Jumpers" and more.

"Syrupy, space-case dance music” from electronic duo Blondes.

When punk first broke in the UK in 1976, music journalist John Ingham was on hand to document the rupture and the rowdiness. Fascinated by the music, fashion, and intrinsic iconoclasm of a little-known outfit called the Sex Pistols, Ingham conducted the band’s first interview, partied with its members, and even bailed Sid Vicious out of jail. Ingham also documented the group's early evolution at legendary gigs shared with other pioneering punk bands including The Damned, The Clash, The Buzzcocks, and more. Spirit of 76: London Punk Eyewitness is the revelatory collection of Ingham’s photography and fly-on-the-spray-painted-wall reporting of the punk movement from its most raucous, bewildering beginnings. Containing the only color photos from British punk’s first wave alongside Ingham’s inimitable prose, this volume constitutes a rare from-the-floor report on the UK punk explosion from one of its original participants.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Eiko Ishibashi, Rangda, Ty Segall and Bill MacKay.

After releasing a variety of offerings with friends under the nebulous Palace moniker and his own name, Will Oldham began his prolific streak of recording and performing his brand of Americana under the pseudonym Bonnie “Prince” Billy in the late 90s. His songs feature haunting lyrics over instrumentals that draw from numerous American musical traditions.

This is Unusual Sounds: A deep dive into the mysterious world of library music; the extraordinary stock recordings that soundtracked the heyday of B movies, low-budget television, and scrappy genre filmmaking curated by David Hollander and released by independent label Mexican Summer.

Phil Soussan, proper birthname Philip Raphael Soussan was born June 23. 1961 in London, England. A successful veteran bass guitarist, songwriter and producer, his resume boasts tours and tracks with Last in Line, the Vince Neil Band, Big Noize and most famously for slapping the fat stings during Ozzy Osbourne’s historic 1986 Ultimate Sin campaign. He co-authored the hit single, “Shot in the Dark.” I’ve always found him to be immensely intelligent and well-spoken, like a couple other not so mad Englishmen whose company I long enjoyed, Bruce Dickinson and Lemmy Kilmister.

Luis Vasquez's industrial, post-punk solo project, the Soft Moon, marries the haunting sounds of Bauhaus and Joy Division with a stripped-down approach to production and recording. Channeling his Afro-Cuban heritage and upbringing in the Mojave Desert, Vasquez’ first full-length, a self-titled LP arrived shortly after his debut singles “Breathe the Fire” and “Parallels'' in 2010. Honing his singing and songwriting over the decade with consistent and ambitious records, the Soft Moon’s first album with Sacred Bones, Criminal, was released in 2018.

Formed in New Brunswick, NJ in 2005, Screaming Females is Marissa Paternoster, Mike Abbate, and Jarrett Dougherty, known for a hearty mix of indie, alt, punk and stoner-rock. Their latest album, Desire Pathway, is bright and full, capturing the band at a time when nothing was certain other than their abiding desire to make music together.

Borghesia is an electronic music group from Slovenia formed in 1982. Borghesia is one of the most successful bands from former Yugoslavia known for turning sexual freedom into an important political issue by creating the New Slovenian Art scene.

Zola Jesus is the decade-long solo project of Nika Roza Danilova, featuring dark, haunting lyrics and mesmerizing and ever changing electronic production. Danilova’s earliest output was characterized by noisy, lofi percussion and synths paired with her airy, ascendant vocal. She would quickly begin moving away from this sound, instead opting to create her own interpretations of pop music, progressively experimenting with cleaner production and working with artists like M83 and Prefuse 73. A longtime friend of Sacred Bones, her most recent release for the label, Okovi, arrived in 2017.

Red Axes are the Tel Aviv-based electronic duo of Dori Sadovnik and Niv Arzi whose sound is heavily influenced by the music of post-punk and new wave bands from the 80s.

The son of a truck stop preacher, raised and home-schooled in a “super religious family” (his own words), the acoustic guitarist and soundscape composer from Amarillo, Texas, first record for Mexican Summer arrived in 2021.

Rimarimba is the brainchild of Robert Cox, a British self-taught classical guitarist. His music is built on synth loops, interesting electronic sonorities, melodic counterpoint and humor.

Fernando Perdomo born Fernando Jose Perdomo on August 17, 1980, is an American musician and producer. He is best known as one of the guitarists in the acclaimed music documentary, Echo in the Canyon, where he backed up Jakob Dylan, Fiona Apple, Beck. Nora Jones, Regina Spektor, Brian Wilson and Cat Power. He is currently a member of The Dave Kerzner Band, the highly regarded progressive rock ensemble that performs annually on the sold-out Cruise to the Edge. It was aboard a floating city in the middle of the Caribbean where I first encountered Fernando. He was laying down some mind-blowing riffs on the windy outdoor pool stage. I approached him after the set wearing a rare Kate Bush “Cloudbusting” shirt. “That’s the best Kate tee I’ve ever seen!” he shouted. “You and I are gonna be friends.” The session here was conducted in his cabin on the 2025 CTTE where he lent his formidable chops to three different groups.

American singer Chrystabell reunites with legendary director and musician David Lynch for “Cellophane Memories,”a haunting and atmospheric new collection of songs for Night Flight indie label partner Sacred Bones. We're featuring two Lynch-directed videos for the project and a Super 8 video directed by Eden Tijerina in this exclusive Video Profile.

Tonight we take off to Sub Pop, one of the most legendary names in alternative music, with songs by Bully, J. Mascis, and Washed Out.

Dark-synth pop act Riki from Dais Records.

Silver Jews was an American rock band formed in Hoboken by David Berman and Pavement members Stephen Malkmus and Bob Nastanovich. Inspired by the conceptual art at the Whitney Museum where Berman worked as a security guard, they would record their earliest tracks on the answering machines of friends.

Over time, through his vast collection of pure and cinematic ambient hymns, Tor Lundvall has steadily established himself as one of ambient music’s most familiar faces.

Brooklyn-based noise-punk band, The Men was formed in 2008 by Nick Chiericozzi, and Mark Perro, later adding drummer Rich Samis and bassist Kevin Faulkner to the lineup. Drawing on a myriad of influences including new wave, country, psych, and surf, The Men released their ambitious 2014 album, Tomorrow’s Hits before returning to their roots with the confrontational and abrasive noise rock LP Devil Music. Their most recent release, Mercy, arrived in 2020.

An Evolutionary Music (Original Recordings: 1972 - 1979) compiles unreleased recordings from the archives of multiversal artist Ariel Kalma. Concerned as much with musicality as spiritual facility, Kalma’s work vibrates aside fellow travelers along the great rainbow in curved air of the 1970s avant-garde. Directed by Matthew McGuigan

Father John Misty, the alter ego of songwriter Josh Tillman, embarks on his sixth album with a more rock-influenced edge.

Legendary Japanese heavy rock group Boris “continue their musical creation and destruction” with 2022’s W, their first release with Sacred Bones.

Minimal electronic abstraction and '80s Japanese-inspired pop from Kate NV.

Spice shares the authoritative drive of Jawbreaker, J Church, and Fugazi, but set in their own world of unrest.

Veteran folk artist Devendra Banhart teams up with Mexican Summer labelmate Cate le Bon for spare new direction on Flying Wig, his eleventh album.