A Shoegaze pedigree with smoky compulsions of post-punk and no-wave influences.

Tonight we take off to Sub Pop, one of the most legendary names in alternative music, with songs by Bully, J. Mascis, and Washed Out.

Liverpool-based artist Dialect, or Andrew PM Hunt, explores unusual source synthesis, electro-acoustic arrangements, and sound found in foreign environments.

A conversation with Genesis Breyer P-Orridge discussing he/r friendship with William S. Burroughs and the original creation of the album "Nothing Here Now but the Recordings." Dais Records reissues of William S. Burrough's experimental works are available now.

Industrial punk band Pop. 1280, named after a pulpy Jim Thompson story about a corrupt, deceptive and murderous Texas lawman, was founded by Chris Bug and Ivan Lip as a method of exploring their darker, somewhat sinister musical ideas. Their first song, “Bedbugs” would lay the groundwork for their next release, an EP called The Grid, which they followed up with the full-length The Horror, both on Sacred Bones. Their haunting, guitar heavy sound would slowly give way to more refined harmonies and clean polished keys, especially on their grim 2020 album Way Station.

Ski Patrol were a band formed in 1979 in the Brixton area in response to the darkwave and post-punk bands that were gaining popularity in England at the time.

Oz Fox, born Richard Alfonso Martinez on June 18, 1961, is a founding member and lead guitarist of the Christian metal band Stryper. He was recruited by childhood pals, Robert and Michael Sweet, in 1983. He has recorded and toured with the band – through breakups and brain surgery – for forty years. Our friendship has grown since the pandemic when we began meeting monthly for brunch at his beloved Cracker Barrel. Oz is partial to pancakes with sliced apples. He brings his own special Canadian maple syrup.

The uncompromisingly heavy Seattle pioneers Mudhoney return with a sharp and funny new album about “the connection we make with other living things.”

The Texas-born, L.A.-based singer and songwriter Jess Williamson makes deeply felt songs that orbit around her powerful voice. In her most recent album for Mexican Summer, 2020's Sorceress, that voice is surrounded by a deep-hued kaleidoscope of dusty ‘70s cinema, ‘90s country music, and breezy West Coast psychedelia. Here's the video for "Wild Rain," directed by Williamson herself.

Black Marble, Chris Stewart’s 80s influenced synth-pop group, began releasing music in 2012 with the EP The Weight Against the Door and later the gloomy full length A Different Arrangement. This moody atmosphere, created by an arsenal of analog synths, would later give way to lighter and warmer sounds on Stewart’s successive releases, including 2019’s Bigger Than Life and 2021’s Fast Idol, both on Sacred Bones.

Margaret Chardiet’s industrial noise project Pharmakon blends slow rhythmic beats with guttural synth blasts and wailing vocals that are as disquieting as they are hypnotizing. Her live shows have been described as confrontational, interrogating the division between performer and audience, an emotional trance-like experience she has attempted to recreate on her more recent albums, 2017’s Contact and 2019’s Devour, released on Sacred Bones.

Alan Vega, visual artist and frontman of punk pioneer duo Suicide, passed away in 2016 after a 50 year career in art and music. In addition to his musical output, Vega’s sculpture work gave him a notorious reputation in the New York art world, later opening a 24-hour gallery space that would go on to serve as an early venue for bands like the New York Dolls, Television and Blondie.

Horse Lords is Owen Gardner, Andrew Bernstein, Max Eilbacher, and Sam Haberman, an instrumental quartet formed in 2010. Its music is defined by repetition and complexity, “humanized with exploration and passion.”

Flore Laurentienne is the vessel of Quebec-based composer, multi-instrumentalist, and producer Mathieu David Gagnon. The classically trained musician incorporates elements of post-minimalism, early progressive rock, and the compositional art of fugue into his work.

Executive Slacks was spawned in Philadelphia by three restless art students in the early 1980s. Starting out with performance art in subways, they soon took their angst-ridden act to galleries and nightclubs. Dripping in nihilism, Executive Slacks' unique brew of primitive electronics, harsh guitars and aggressive vocals inspired many bands like Ministry, Front 242 and Skinny Puppy.

“Take Off” to Seattle-based independent label Sub Pop featuring music videos from Orville Peck, Shannon Lay, Father John Misty and Lael Neale.

Lust For Youth is a synth pop duo currently composed of Swedish and Danish producers Hannes Norrvide and Malthe Fischer. As a solo act Norrvide’s Lust For Youth was largely dark and lonely minimalist synth that verged on harsh noise, but with the expansion of the lineup the group’s releases on Sacred Bones are more associated with the catchy songs about heartbreak, most notably channeling elements of New Order and Pet Shop Boys.

Tempers is a New York based synth-pop duo whose rigorous electronic production is paired with instinctual, unleashed vocals. The pair released their debut album Services on the cult German imprint Aufnahme + Wiedergabe and quickly became staples in both European and American synth-pop scenes.

The Soft Moon is the project by American singer-songwriter Luis Vasquez. 2022’s Exister is a powerful, vulnerably therapeutic post-punk masterpiece.

Enigmatic cowboy crooner Orville Peck. Featuring songs from his 2019 Sub Pop debut "Pony."

Death Bells is the longtime musical collaboration of Will Canning and Remy Veselis, two Australians who moved to Los Angeles in 2018. Their music blurs the lines between post-punk and grunge, and their latest EP “Take My Spirit Now” explores “love, paranoia and destiny.”

Formed in New Brunswick, NJ in 2005, Screaming Females is Marissa Paternoster, Mike Abbate, and Jarrett Dougherty, known for a hearty mix of indie, alt, punk and stoner-rock. Their latest album, Desire Pathway, is bright and full, capturing the band at a time when nothing was certain other than their abiding desire to make music together.

Man Man’s charismatic frontman Honus Honus felt a renewed sense of creative purpose on 2024’s Carrot on Strings, with clever and sharp new songs.