“Take Off” to independent label Dais Records featuring music videos from Cold Showers, Pierce with Arrow, ADULT., and Xeno & Oaklander.

Silver Jews was an American rock band formed in Hoboken by David Berman and Pavement members Stephen Malkmus and Bob Nastanovich. Inspired by the conceptual art at the Whitney Museum where Berman worked as a security guard, they would record their earliest tracks on the answering machines of friends.

Xeno & Oaklander is an American electronic group from Brooklyn regarded as a key act in the coldwave and minimal electronic revival of the 21st century. The duo combine crisp analog synths with poetic lyrics to weave dark synth-pop soundscapes that are ultimately greater than the sum of their parts.

Haunting folk noise and cinematic textures from experimental producer Michael Anderson.

Sunshine Soup, directed by multitalented designers / artists Misha Hollenbach and Johann Rashid, is a non-linear film keyed to the outer-boundary music created by Robert Aiki Aubrey Lowe & Ariel Kalma Hollenbach and Rashid captured extensive footage surrounding the recording of We Know Each Other Somehow. Using handheld HD and 8 mm cameras, they later processed the images with a Fairlight Computer Video Instrument (CVI). With its responsive, meditative perspectives and refracted, sun-bleached compositions, Sunshine Soup becomes the visual companion to the transformative musical principles explored throughout the collaborative album.

Blanck Mass uses fast paced beats, clipped vocal samples and mesmerising synths to create music that is emotionally and sonically intense. Dumb Flesh, his first album with Sacred Bones, saw Power’s incorporate more danceable beats around the chopped-up vocals and drones which were built upon in subsequent releases like 2017’s political World Eater and 2019’s melodic Animated Violence Mild.

Jackie Lynn, the fictional, long-haul trucking, drug dealing stage persona of Circuit des Yeux’sHaley Fohr, developed as a way to compartmentalize Fohr’s introspective, avant-folk sound from the more playful fusion of country and synth pop on releases like Jackie Lynn and Jacqueline.

A potent blend of nostalgia-laced romantic pop from Choir Boy on Dais Records.

The current band of the Stereolab frontwoman, Laetitia Sadier Source Ensemble incorporates some of Sadier’s longest and closest collaborators, Emmanuel Mario, Nina Savary and Xavi Munoz.

After releasing a variety of offerings with friends under the nebulous Palace moniker and his own name, Will Oldham began his prolific streak of recording and performing his brand of Americana under the pseudonym Bonnie “Prince” Billy in the late 90s. His songs feature haunting lyrics over instrumentals that draw from numerous American musical traditions.

“Take Off” to independent label Dais Records featuring music videos from Space Africa, Choir Boy, Xeno & Oakland and Death Bells.

Tonight’s video profile shines a light on Brooklyn’s Sacred Bones Records, and artists such as SQÜRL and Xmal Deutschland.

More than four decades ago, "one of the strangest and most shocking martial arts movies ever witnessed" (DVD Talk) drove 42nd Street audiences into a stunned frenzy. Newly restored by Severin Films, the legendary kung fu oddity The Crippled Masters is now streaming. When a crime boss chops off the arms of a peasant (Sung-Chuan Shen, born with Thalidomide Syndrome) and acid-dissolves the limbs of a henchman (Chao-Ming Kang, born with deformed legs), the two men train to combine themselves into one unstoppable fighting machine!

Luca Yupanqui began recording music when she was literally in the womb. The child of musicians Elizabeth Hart and Iván Diaz Mathé, the pair began recording their unborn child with biosonic MIDI technology Diaz Mathé compared to a polygraph. After her parents spent 2020 mixing the album “respecting the sounds as they were produced”, Luca made her Sacred Bone’s debut in 2021 with Sounds of the Unborn, described as an “expression of life in its cosmic state.”

Sub Pop band from the grunge era. Featuring "Stumblin' Man," and more

Folk artist Meg Baird comes from a long family tradition of Appalachian folk roots, her great-great uncle was folk-singer and regional historian Isaac Garfield Greer. Her solo work features soft, airy vocals that float above otherworldly folk arrangements and her band Espers draws upon the baroque pop/chamber folk sound of the late 1960s, creating an intoxicating psychedelic sound.

Seattle based avant garde and experimental musician K. Leimer.

CMON, which stands for Confusing Mix of Nations, is a pop duo born out of the ashes of Brooklyn indie rock group Regal Degal. Shifting the focus towards more danceable tracks, the duo carried the atmospherics from their previous project into CMON, only now incorporating more elements of disco and pop into their recordings.

John Carpenter, the American director, producer and screenwriter has made a name for himself as a master of horror and science fiction with film scores just as memorable, and haunting as the violence they accompany. Directing and composing over a dozen features, Carpenter, along with his son Cody and his godson Daniel Davies, teamed up with Sacred Bones to release his debut studio album Lost Themes in 2015 and then the sequential Lost Themes II in 2016. Following the success of these albums, as well as a series of rerecordings of his most iconic cinematic themes, Carpenter and family returned in 2021 with Lost Themes III: Alive after death.

The Sub Pop music of Riot Grrrl veterans Sleater-Kinney. Featuring "Jumpers" and more.

Norwegian singer/songwriter, producer and novelist, Jenny Hval, made her solo debut in 2006 as Rockettothesky with the dreamy, folk-pop album To Sing You Apple Trees. Hval began releasing music with Sacred Bones under her own name with 2015’s experimental, art pop/spoken word album Apocalypse, Girl, influenced by Norwegian jazz singers of the 1960s and her upbringing in Norway’s Southwestern Bible Belt.

When punk first broke in the UK in 1976, music journalist John Ingham was on hand to document the rupture and the rowdiness. Fascinated by the music, fashion, and intrinsic iconoclasm of a little-known outfit called the Sex Pistols, Ingham conducted the band’s first interview, partied with its members, and even bailed Sid Vicious out of jail. Ingham also documented the group's early evolution at legendary gigs shared with other pioneering punk bands including The Damned, The Clash, The Buzzcocks, and more. Spirit of 76: London Punk Eyewitness is the revelatory collection of Ingham’s photography and fly-on-the-spray-painted-wall reporting of the punk movement from its most raucous, bewildering beginnings. Containing the only color photos from British punk’s first wave alongside Ingham’s inimitable prose, this volume constitutes a rare from-the-floor report on the UK punk explosion from one of its original participants.

Taos-based artist Diatom Deli, or Delisa Paloma-Sisk, is an experimental multi-instrumentalist and vocalist whose work is driven by ethereal sonic experimentation that comprises hypnotic loops, bright samples, and subtle melodies. Her third album, Time~Lapse Nature, is a transportive continuation of the blooming sincerity that characterizes Deli’s musical inclinations.

Chilean psych band Föllakzoid, known for their hypnotic rhythms and Andean folk and krautrock influences, was formed by childhood friends Diego Lorca, Domingo García-Huidobro, and Juan Pablo Rodríguez in 2008 as a trance experience, jamming on a single song for two hours in their first practice session. This free-form approach to playing and performing influenced their early output, working for years on their self-titled Sacred Bones debut EP released in 2011.

In 2020 Kentucky-based singer-songwriter Emma Ruth Rundle, known for her brand of dark and expressive post-rock, teamed up with Louisiana metal band Thou for one of the most interesting collaborative projects of the year. May Our Chambers Be Full, released on Sacred Bones, channelling Rundle’s brooding lyrics and Thou’s atmospheric sludge into a record that showcases the DIY versatility of both parties.

Tokyo-based artist Satomimagae weaves subtle songs for guitar, voice and noise, propagating variant folk strains that flicker between organic and mechanistic, personal and environmental, warm and cool. Satomi’s latest offering, Hanazono, is a work of both simplicity and intricacy, a veritable biosphere of unfiltered artistry.

Over time, through his vast collection of pure and cinematic ambient hymns, Tor Lundvall has steadily established himself as one of ambient music’s most familiar faces.

Wand is a metal-influenced psych rock band based in Los Angeles, California. Formed in 2013 by Cory Hanson, the group’s early releases feature hints of sludge and heavy metal, later giving way to more melodic synths. A lineup expansion in 2016 brought an improvised, jam-style to the band’s songwriting which coincided with a transition towards a more expansive, classic rock sound.

French artist Laetitia Sadier, best known as a founder and lead vocalist of indie pop groups Stereolab and Monade , began releasing music as a solo artist with 2010’s The Trip, a tragic dream pop odyssey that drew upon experiences of grief. She followed this effort up with the intimate, yet politically charged albums Silencio in 2012 and Something Shines in 2014.

Executive Slacks was spawned in Philadelphia by three restless art students in the early 1980s. Starting out with performance art in subways, they soon took their angst-ridden act to galleries and nightclubs. Dripping in nihilism, Executive Slacks' unique brew of primitive electronics, harsh guitars and aggressive vocals inspired many bands like Ministry, Front 242 and Skinny Puppy.

Resuscitating The '80s Underground. Inspired by the DIY nature of the 80s underground, Dark Entries founder Josh Cheon launched the label in 2009 to release out of print and unreleased underground music as well as contemporary bands, with a mission to preserve sound quality and respecting the aesthetics of its artists. With over 100 releases under our belt from Severed Heads, Crash Course In Science, Patrick Cowley to the Dark Entries Editions series focusing on hard to find Italo Disco and Synthpop 12”s. And yes, Josh took the name from Bauhaus's first 7″release,

In 2016, Mexican Summer's sister label Anthology reissued two essential live albums from Träd, Gräs och Stenar (Tr-ad Grass Ah-k Sta-Nar), a 70s underground Swedish psych rock export, whose records have been hidden gems for collectors worldwide. To commemorate the reissues, Anthology Recordings produced a short, two-part documentary revealing rare interviews with surviving members of the band, presented together here on Night Flight.

LA psych scene veteran Michael Collins, formerly of Run DMT and Salvia Plath, surfaced as Drugdealer in 2016 with the warm and melodic The End of Comedy. Dialing back the psychedelia that had defined the first half of his career, Drugdealer reflected a shift towards 70s soft rock and Baroque pop influences that would continue to emerge on his next album, Raw Honey, released in 2019 on Mexican Summer.

Don Giovanni is an independent record label from New Brunswick, New Jersey whose catalog includes Paisley Fields, Screaming Females, and Weakened Friends.

Los Angeles’s Geneva Jacuzzi has been combining high art and avant-pop since her 2010 debut Lamaze. Her third album, Triple Fire, came out in August of 2024.

Man Man’s charismatic frontman Honus Honus felt a renewed sense of creative purpose on 2024’s Carrot on Strings, with clever and sharp new songs.

Greg Turkington’s fictional persona Neil Hamburger, a misanthropic, anti-comedian was introduced to the world in 1992 on the album Great Phone Calls Featuring Neil Hamburger, a self-deprecating assault on the expectations that had developed in stand-up.

Damon McMahon started his solo musical project Amen Dunes in 2006, recording atmospheric, lo-fi psych-folk alone in the Catskills before moving to Beijing and further honing this dark sound and recording occasionally. These would become his debut Sacred Bones EP Murder Dull Mind.

This is Unusual Sounds: A deep dive into the mysterious world of library music; the extraordinary stock recordings that soundtracked the heyday of B movies, low-budget television, and scrappy genre filmmaking curated by David Hollander and released by independent label Mexican Summer.