Brooklyn-based noise-punk band, The Men was formed in 2008 by Nick Chiericozzi, and Mark Perro, later adding drummer Rich Samis and bassist Kevin Faulkner to the lineup. Drawing on a myriad of influences including new wave, country, psych, and surf, The Men released their ambitious 2014 album, Tomorrow’s Hits before returning to their roots with the confrontational and abrasive noise rock LP Devil Music. Their most recent release, Mercy, arrived in 2020.

Norwegian singer/songwriter, producer and novelist, Jenny Hval, made her solo debut in 2006 as Rockettothesky with the dreamy, folk-pop album To Sing You Apple Trees. Hval began releasing music with Sacred Bones under her own name with 2015’s experimental, art pop/spoken word album Apocalypse, Girl, influenced by Norwegian jazz singers of the 1960s and her upbringing in Norway’s Southwestern Bible Belt.

Lust For Youth is a synth pop duo currently composed of Swedish and Danish producers Hannes Norrvide and Malthe Fischer. As a solo act Norrvide’s Lust For Youth was largely dark and lonely minimalist synth that verged on harsh noise, but with the expansion of the lineup the group’s releases on Sacred Bones are more associated with the catchy songs about heartbreak, most notably channeling elements of New Order and Pet Shop Boys.

Constant Smiles, the collective led by Ben Jones, began in 2009 on his home of Martha’s Vineyard, inspired by the music scene centered around the island’s now defunct community record store, Aboveground Records. Their new record on Sacred Bones, Paragons, arrives in November of 2021.

Industrial punk band Pop. 1280, named after a pulpy Jim Thompson story about a corrupt, deceptive and murderous Texas lawman, was founded by Chris Bug and Ivan Lip as a method of exploring their darker, somewhat sinister musical ideas. Their first song, “Bedbugs” would lay the groundwork for their next release, an EP called The Grid, which they followed up with the full-length The Horror, both on Sacred Bones. Their haunting, guitar heavy sound would slowly give way to more refined harmonies and clean polished keys, especially on their grim 2020 album Way Station.

Dublin musician and former JJ72 bassist Hilary Woods returned to music after over a decade of hiatus in 2014 with melodic and airy keyboard-based songs inspired by the cinematic works of auteurs like Wong Kar-Wai and Chris Marker. Expanding on these ideas and incorporating more atmospheric electronic sounds, her full-length solo debut Colt arrived on Sacred Bones in 2018, followed by 2020’s Birthmarks.

Black Marble, Chris Stewart’s 80s influenced synth-pop group, began releasing music in 2012 with the EP The Weight Against the Door and later the gloomy full length A Different Arrangement. This moody atmosphere, created by an arsenal of analog synths, would later give way to lighter and warmer sounds on Stewart’s successive releases, including 2019’s Bigger Than Life and 2021’s Fast Idol, both on Sacred Bones.

Vår, formerly known as War, was a lofi post-punk act from Copenhagen. The group drew influences from darkwave and goth groups of the early 80s with blown-out, lo-fi recording techniques associated with the early 2010s. Vår’s Sacred Bones, No One Dances Quite Like My Brothers, arrived in 2013 and the group disbanded the following year.

Australian Singer/Songwriter Indigo Sparke was born into a musical family and knew from a young age she wanted to perform. After teaching herself guitar, Indigo began establishing herself in the Sydney-music scene with quiet but commanding folk music, releasing her debut EP Night Bloom in 2016. Over the next few years Sparke would continue to build her profile in the contemporary folk world. Her first full-length album Echo arrived in 2021 on Sacred Bones.

Sonically dense and inspired by art rockers like Scott Walker and Robert Wyatt, The Fresh & Only’s guitarist Wymond Miles’ solo output is decidedly somber and draped in layers of reverb. In 2012 Miles’ released his first pieces of material including his debut album Under The Pale Moon, returning the following year with the similarly psychedelic, Cut Yourself Free. After a brief hiatus, he returned to the studio with a new creative direction, recording 2016’s Call by Night, drawing influences from gospel and country.

Luis Vasquez's industrial, post-punk solo project, the Soft Moon, marries the haunting sounds of Bauhaus and Joy Division with a stripped-down approach to production and recording. Channeling his Afro-Cuban heritage and upbringing in the Mojave Desert, Vasquez’ first full-length, a self-titled LP arrived shortly after his debut singles “Breathe the Fire” and “Parallels'' in 2010. Honing his singing and songwriting over the decade with consistent and ambitious records, the Soft Moon’s first album with Sacred Bones, Criminal, was released in 2018.

Formed by singer and guitarist Ryan Rousseau, Jay Reatard and Alicja Trout in 2000, Destruction Unit are a psychedelic punk band based out of Phoenix known for their tumultuous sound featuring distorted, fuzzy-guitars, loud vocals and aggressive drums.

Margaret Chardiet’s industrial noise project Pharmakon blends slow rhythmic beats with guttural synth blasts and wailing vocals that are as disquieting as they are hypnotizing. Her live shows have been described as confrontational, interrogating the division between performer and audience, an emotional trance-like experience she has attempted to recreate on her more recent albums, 2017’s Contact and 2019’s Devour, released on Sacred Bones.

Jeremiah Sand was the charismatic leader of the Children of the New Dawn, a cult that descended upon a California recording studio in the 1970s to create Sand’s ultimate, psychedelic masterpiece. Not much is known of what transpired at the recording studio where these sessions took place, except that one night, Sand awoke the studio owner in the middle of the night at gunpoint and forced him to hide the master tapes in a lockbox until he returned. Decades passed and Sand was never heard from again, but in 2018 wildfires revealed a box in the ruins of the studio that contained a short film, esoteric artwork, and 50 year old album, Lift It Down.

The garage rock trio of Timmy Vulgar, Blake Hill and Jeff Fournier better known as Timmy’s Organism started as an experimental solo project for the group’s frontman that quickly twisted and morphed into a full-fledged punk band. Their first full-length, Rise of the Green Gorilla, arrived on Sacred Bones in 2010 followed by the 2012 album Raw Sewage Roq.

Longtime collaborators David Lynch and Angelo Badalamenti started recording under the name Thought Gang in 1991. 25 years later, the spiritual jazz and spoken word recordings have resurfaced as a self-titled album on Sacred Bones.

Luca Yupanqui began recording music when she was literally in the womb. The child of musicians Elizabeth Hart and Iván Diaz Mathé, the pair began recording their unborn child with biosonic MIDI technology Diaz Mathé compared to a polygraph. After her parents spent 2020 mixing the album “respecting the sounds as they were produced”, Luca made her Sacred Bone’s debut in 2021 with Sounds of the Unborn, described as an “expression of life in its cosmic state.”

Exploded View’s surreal mix of post-punk and krautrock reflects the makeup of the band and it’s member’s solo projects. Founded by British-German singer-songwriter Annika Henderson and Mexico City-based musicians Martin Thulin and Hugo Quezada the group made it’s haunting self-titled debut on Sacred Bones in 2016, followed by the more focused sophomore release Obey in 2018.

Formed in 2003, Brooklyn based indie band Crystal Stilts has cultivated a myriad of influences over the last decade and half playing and recording together. In 2011 they made their Sacred Bones debut with the EP Radiant Door, following it up with the soul and folk influenced album Nature Noir in 2013.

Founding member of Cyrpress Hill, DJ Muggs, a producer synonymous with hazy, horror-tinged hip hop of the 1990s, has made a name for himself over the years with his prolific and varied output across genres including dancehall, alt rock and trip-hop. Born Lawrence Muggerud in Queens before moving to LA as a teenager, Muggs began DJing in the 1980s, producing seminal rap hits like House of Pain’s “Jump Around” and Ice Cube’s “Check Yo Self.” His debut record on Sacred Bones, Dies Occidendum was released in 2021.

Brisbane garage rock band Slug Guts exploded onto the australian punk scene with the first album Down on the Meat, recorded and released only months after they started playing together in 2009. The band returned in 2011 on Sacred Bones with the full-length Howlin’ Gang, self-described as “menacingly desperate, ugly, and malnourished” this ethos would carry the band into their final LP, Playin’ in Time With the Deadbeat. Recorded in a year in which many of the band's members experienced significant personal turmoil, the group finally called it quits in 2013.

Institute, the Austin based punk outfit founded by Moses Brown and Arak Avakian of Glue, Adam Cahoon of Wiccans, exploded onto the Texas punk scene in 2013 with lyrics of personal struggles and a dark and streamlined sound that they would continue to hone over the years. Their debut full-length, Catharsis, arrived on Sacred Bones in 2015 and featured cleaner production with broader influences, expanding on their anarchic post-punk sound.

In 2020 Kentucky-based singer-songwriter Emma Ruth Rundle, known for her brand of dark and expressive post-rock, teamed up with Louisiana metal band Thou for one of the most interesting collaborative projects of the year. May Our Chambers Be Full, released on Sacred Bones, channelling Rundle’s brooding lyrics and Thou’s atmospheric sludge into a record that showcases the DIY versatility of both parties.

Legendary Japanese heavy rock group Boris “continue their musical creation and destruction” with 2022’s W, their first release with Sacred Bones.

Texas-born musician and actor Caleb Landry Jones makes psychedelic music that “reaches into the cosmic realm of imagination.”

Dean Hurley is a sound and music supervisor who has worked with Daivd Lynch and Zola Jesus. Gloria de Oliveira is a multidisciplinary visual artist and musician who has composed for the theater and for London Fashion week. Their collaboration Oceans of Time combines impressionistic synths, shimmering guitars, and ethereal sonics in a beautiful dream-pop synthesis.

The Soft Moon is the project by American singer-songwriter Luis Vasquez. 2022’s Exister is a powerful, vulnerably therapeutic post-punk masterpiece.

Zola Jesus is the alter ego of Nika Roza Danilova, known for her expressive and powerful voice and dark, atmospheric music. Her latest album Arkhon unleashes her “submerged, stalled pain.”

Let’s “Take Off” to Sacred Bones, an American indie label founded in 2007 in Brooklyn, New York by Caleb Braaten. Throughout much of the label's history the focus was on dark, experimental sounds, signing Braaten’s friends dark punk bands and reissuing 80s post-punk from acts like 13th Chime and The Cultural Decay. The label’s current roster represents a wide-range of international artists creating music in a variety of genres and styles, with a focus on psych, folk, punk and experimental music.