Queens-based experimental rock duo Blues Control, composed of Russ Waterhouse on guitars and electronics and keyboardist Lea Cho, established themselves in NY with exciting live shows and a series of self released cassettes and vinyl.

Dope Body are a Baltimore area post-punk noise rock group. Their Drag City debut, Natural History, a reference to the venue that first hosted the group for a one-off, meshed the band’s myriad sonic influences into an intense 35 minute experience. After briefly breaking up in 2016, the band reformed in 2019, culminating in two full length releases in 2020.

Prolific artist Ty Segall rose to prominence with his own brand of psych-influenced garage rock in the late 2000s. His near nonstop output over the last decade spans multiple bands, collaborations and solo records, weaving a variety of sonic influences into each of his projects.

Chicago-based psychedelic Krautrock group Cave began seriously recording music together in 2008. Cave is known for their hypnotic and droning instrumentals which have invited comparisons to bands like Can and Funkadelic.

Drawing inspiration from the fingerplucking, East-meets-West guitar solos of the 60s and 70s psychedelic folk scene, Six Organs of Admittance was the primary project of NorCal guitarist Ben Chansy. Combining new folk and drone music with Eastern bells and chimes, Six Organs of Admittance began releasing music on Drag City in 2006.

Masaki Batoh, founding member of Japanese experimental rock band Ghost, struck out on his own after closing the door on Ghost’s 30 year tenure in the psychedelic and progressive scenes. His more recent projects include his psychedelic 5-piece the Silence and his more spiritual solo output, such as Nowhere, and Smile Jesus Loves You!, released on Drag City.

What world, REALLY are Matt Sweeney and Bonnie ‘Prince’ Billy from? A place of all-music, knowing no borders, no morals other than natural tribal lines to be violated in the name of love and light, for all together.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. bass and piano. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Drag City releases veteran noisemakers Dean Spunt and John Wiese's (No Age) debut EP, The Echoing Shell. The label aptly describes the experimental noise release as a "conception in contemporary musique concrète," and you can stream two surrealist, cut-up technique music videos now in their new Night Flight Video Profile.

Singer Cory Hanson returns with 2023’s Western Cum, which combines conventional country with an eclectic mix of prog, balladry and nu-hardcore.

Legendary singer-songwriter Bonnie “Prince” Billy’s new album Keeping Secrets will Destroy You is for keeping people together, and for listening together.

Ty Segall has made filthy, distorted rock n roll for much of his prolific career. His 2024 album Three Bells takes us into “a land nearly beyond song,” pushing his songwriting and sound further than ever before.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Bill Callahan, Ty and Denée Segall, Circuit des Yeux and Smog.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Bill Callahan, Ty and Denée Segall, Circuit des Yeux and Smog.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Eiko Ishibashi, Rangda, Ty Segall and Bill MacKay.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Joanna Newsom, Palace, Silver Jews and White Fence.

Eiko Ishibashi’s blend of jazz, funk and even noise gives her work a singular voice

Up-and-coming duo Sharpie Smile brings sugary synth pop!

Australian superduo Mess Esque create warm, open-hearted indie soundscapes, combining abstract vocals and looping guitars.

Tonight we take off to indie label Drag City, home of artists such as Cory Hanson, Prison, Edith Frost and Dean Spun.

Welcome back to our profile of indie label Drag City, featuring Ty Segall, Whitney Johnston & Lia Kohl, Geologist & Doug Shaw and Prison. Here’s “Buildings,” from prolific psych-rock legend Ty Segall.

Let’s return to Drag City, whose roster includes Natural Information Society & Bitchin Bajas, Geologist & Doug Shaw, Faun Fables and Jim White.

Tonight we profile indie label Drag City, with artists like Glyders, Sir Richard Bishop, Bill MacKay & Ryley Walker, Jim White, and Jill Fraser.

Banned in 20 countries! This outrageous “midnight show” film follows a cult of devil worshiping killers as they go on their rampage of hair raising terror through Chicago. 1985, Directed by John Henry Timmis IV

It’s the year 1990. America is on the verge of another Great Depression. A Hitler-like President puts into action his mad scheme to wipe out the federal deficit by dispatching extermination squads. Can the terribly violent genocide be stopped before all non-conformists are destroyed? 1984, Directed by John Henry Timmis IV

A compilation of J.T.’s films, “live” performance footage and home movies which was included in Drag City’s 2008 reissue of the J.T. IV album Cosmic Lightning, originally released in 1987. Directed by John Henry Timmis IV

“It’s a quiet storm…” Nigerian-born fashion designer turned singer Sade is the subject of tonight’s Video Profile. Pat Prescott starts us off with an introduction to the “smooth and sexy high priestess of soul,” before jumping into a Sade mega-mix cut with exclusive interviews with the artist from the Night Flight studio (originally filmed in 1985). In her interview segment, Sade talks about her record Diamond Life and finally provides instructions to the American audience on how to pronounce her name.

Molchat Doma (translated as “Houses Are Silent”), was founded in 2017 in Minsk, Belarus, with a dark yet danceable sound that stands at the intersection of post-punk, new-wave and synth-pop. Their second LP Etazhi (meaning “Floors”) became a global phenomenon, leading Sacred Bones to sign the band in early 2020.

Noise-rock group Uniform pull from a range of discordant influences including industrial, thrash metal and power electronics. Their debut album, Perfect World, released in 2015 pushed this minimalist setup to its limit, followed later that year by the EP Ghosthouse which appeared on Sacred Bones. On their sophomore effort, Wake In Fright, the group focused on sampling and programming sounds of violence from movies and field recordings, including using gunshots and explosions as percussion. In 2020 the group released their first album with drummer Mike Sharp, Shame.

Alan Vega, visual artist and frontman of punk pioneer duo Suicide, passed away in 2016 after a 50 year career in art and music. In addition to his musical output, Vega’s sculpture work gave him a notorious reputation in the New York art world, later opening a 24-hour gallery space that would go on to serve as an early venue for bands like the New York Dolls, Television and Blondie.

Zola Jesus is the decade-long solo project of Nika Roza Danilova, featuring dark, haunting lyrics and mesmerizing and ever changing electronic production. Danilova’s earliest output was characterized by noisy, lofi percussion and synths paired with her airy, ascendant vocal. She would quickly begin moving away from this sound, instead opting to create her own interpretations of pop music, progressively experimenting with cleaner production and working with artists like M83 and Prefuse 73. A longtime friend of Sacred Bones, her most recent release for the label, Okovi, arrived in 2017.

John Carpenter, the American director, producer and screenwriter has made a name for himself as a master of horror and science fiction with film scores just as memorable, and haunting as the violence they accompany. Directing and composing over a dozen features, Carpenter, along with his son Cody and his godson Daniel Davies, teamed up with Sacred Bones to release his debut studio album Lost Themes in 2015 and then the sequential Lost Themes II in 2016. Following the success of these albums, as well as a series of rerecordings of his most iconic cinematic themes, Carpenter and family returned in 2021 with Lost Themes III: Alive after death.

San Francisco psych rock band Moon Duo, composed of Ripley Johnson and Sanae Yamada began playing and recording together in 2009, making their Sacred Bones debut with the EP Killing Time that year. The pair have continued touring, recording, exploring “all things Magick and supernatural” while incorporating new sounds and elements to their music, the 2019 album Stars Are the Light brought in sonic aspects from disco, madchester and 90s rave music while dialing back their use of the guitars mechanical rhythms.

Born to a family of fiddlers in Texas, film actor Caleb Landry Jones was instead drawn to the psychedelia of Syd Barrett’s solo work. Throughout his acting career he remained steadfast in his commitment to recording music, amassing hundreds of demos out of his family barn. Director, musician and Sacred Bones collaborator Jim Jarmusch heard these demos and suggested Jones approach the label, culminating in the release of his debut album The Mother Stone in 2020.

Chilean psych band Föllakzoid, known for their hypnotic rhythms and Andean folk and krautrock influences, was formed by childhood friends Diego Lorca, Domingo García-Huidobro, and Juan Pablo Rodríguez in 2008 as a trance experience, jamming on a single song for two hours in their first practice session. This free-form approach to playing and performing influenced their early output, working for years on their self-titled Sacred Bones debut EP released in 2011.

As Spellling, Oakland-based artist Tia Cabral creates experimental synth pop that is born from the haunting images and ethereal messages from her dreams. Blending hypnotic folk with darkwave and elements of soul, Cabral’s first self-released record, Pantheon of Me, arrived in 2017 and quickly raised her profile beyond the Bay Area. Her third album for Sacred Bones, The Turning Wheel, was released in 2021 to critical acclaim.

Founded in 2010 by Robert Alfons and Maya Postepski, the group uses ethereal synth pop tones mixed over surging industrial beats. With the release of their first album TRST in 2012, the duo went their separate ways and Alfons continued to record and tour under the name. As a solo project Alfons began incorporating more elements of acid house and techno into his next release Joyland in 2014, which debuted to massive critical and commercial success.

Blanck Mass uses fast paced beats, clipped vocal samples and mesmerising synths to create music that is emotionally and sonically intense. Dumb Flesh, his first album with Sacred Bones, saw Power’s incorporate more danceable beats around the chopped-up vocals and drones which were built upon in subsequent releases like 2017’s political World Eater and 2019’s melodic Animated Violence Mild.

Experimental psych rock band Psychic Ills, formed in 2003 by the late Tres Warren with guitarist Tom Gluibizzi and later bassist Elizabeth Hart and drummer Brian Tamborello, evolved over their 15 plus year career from creating trance-like noise rock to their more recent, subtle releases that rely on more traditional psychedelic songwriting. Highly respected by their peers, the group is known for their work on indie labels Social Registry and Sacred Bones. In March of 2020 Tres Warren tragically passed away.

Damon McMahon started his solo musical project Amen Dunes in 2006, recording atmospheric, lo-fi psych-folk alone in the Catskills before moving to Beijing and further honing this dark sound and recording occasionally. These would become his debut Sacred Bones EP Murder Dull Mind.

American singer/songwriter and artist Marissa Nadler’s creates a fusion of folk, gothic americana and ethereal dream pop that calls back to traditional country and folk music with aspects of indie rock, black metal and experimental music. In her over 15 year career she has released dozens of records including 6 full-lengths with Sacred Bones.

Danish rock band Marching Church began as a side project of solo musical experiments for Elias Bender Rønnenfelt of Iceage. After the success of the band’s debut album on Sacred Bones, This World is Not Enough Rønnenfelt brought in Iceage bandmate Johan Weith and trumpeter Jakob Emil Lamdahl.

Sean Ragon’s dark, post-punk neofolk band Cult of Youth, began as a solo project with the release 2008’s A Stick to Bind, a Seed to Grow. Recruiting a supporting band, Ragon expanded the group’s sound on its 2011 self-titled Sacred Bones debut. This would be followed by 2012’s chamber-pop like Love Will Prevail, then 2014s Final Days.

The Holydrug Couple, the duo of Ives Sepúlveda and Manuel Parra, began playing together in 2008 and emerged from the Santiago psychedelic rock scene in 2011 with their LP Awe, attracting the attention and support of Sacred Bones. The group’s pop influences and vocally driven songwriting continued to blossom on their 2013 beachy, dreamlike release Nocutary. After touring extensively over the years that followed, the group returned in 2015 with Moonlust, a record heavily indebted to French film music from the 70’s and 80s. Their most recent full-length, Hyper Super Mega, arrived in 2018.

Brooklyn-based noise-punk band, The Men was formed in 2008 by Nick Chiericozzi, and Mark Perro, later adding drummer Rich Samis and bassist Kevin Faulkner to the lineup. Drawing on a myriad of influences including new wave, country, psych, and surf, The Men released their ambitious 2014 album, Tomorrow’s Hits before returning to their roots with the confrontational and abrasive noise rock LP Devil Music. Their most recent release, Mercy, arrived in 2020.

Norwegian singer/songwriter, producer and novelist, Jenny Hval, made her solo debut in 2006 as Rockettothesky with the dreamy, folk-pop album To Sing You Apple Trees. Hval began releasing music with Sacred Bones under her own name with 2015’s experimental, art pop/spoken word album Apocalypse, Girl, influenced by Norwegian jazz singers of the 1960s and her upbringing in Norway’s Southwestern Bible Belt.

Lust For Youth is a synth pop duo currently composed of Swedish and Danish producers Hannes Norrvide and Malthe Fischer. As a solo act Norrvide’s Lust For Youth was largely dark and lonely minimalist synth that verged on harsh noise, but with the expansion of the lineup the group’s releases on Sacred Bones are more associated with the catchy songs about heartbreak, most notably channeling elements of New Order and Pet Shop Boys.

Constant Smiles, the collective led by Ben Jones, began in 2009 on his home of Martha’s Vineyard, inspired by the music scene centered around the island’s now defunct community record store, Aboveground Records. Their new record on Sacred Bones, Paragons, arrives in November of 2021.

Industrial punk band Pop. 1280, named after a pulpy Jim Thompson story about a corrupt, deceptive and murderous Texas lawman, was founded by Chris Bug and Ivan Lip as a method of exploring their darker, somewhat sinister musical ideas. Their first song, “Bedbugs” would lay the groundwork for their next release, an EP called The Grid, which they followed up with the full-length The Horror, both on Sacred Bones. Their haunting, guitar heavy sound would slowly give way to more refined harmonies and clean polished keys, especially on their grim 2020 album Way Station.

Dublin musician and former JJ72 bassist Hilary Woods returned to music after over a decade of hiatus in 2014 with melodic and airy keyboard-based songs inspired by the cinematic works of auteurs like Wong Kar-Wai and Chris Marker. Expanding on these ideas and incorporating more atmospheric electronic sounds, her full-length solo debut Colt arrived on Sacred Bones in 2018, followed by 2020’s Birthmarks.

Black Marble, Chris Stewart’s 80s influenced synth-pop group, began releasing music in 2012 with the EP The Weight Against the Door and later the gloomy full length A Different Arrangement. This moody atmosphere, created by an arsenal of analog synths, would later give way to lighter and warmer sounds on Stewart’s successive releases, including 2019’s Bigger Than Life and 2021’s Fast Idol, both on Sacred Bones.

Vår, formerly known as War, was a lofi post-punk act from Copenhagen. The group drew influences from darkwave and goth groups of the early 80s with blown-out, lo-fi recording techniques associated with the early 2010s. Vår’s Sacred Bones, No One Dances Quite Like My Brothers, arrived in 2013 and the group disbanded the following year.

Australian Singer/Songwriter Indigo Sparke was born into a musical family and knew from a young age she wanted to perform. After teaching herself guitar, Indigo began establishing herself in the Sydney-music scene with quiet but commanding folk music, releasing her debut EP Night Bloom in 2016. Over the next few years Sparke would continue to build her profile in the contemporary folk world. Her first full-length album Echo arrived in 2021 on Sacred Bones.

Sonically dense and inspired by art rockers like Scott Walker and Robert Wyatt, The Fresh & Only’s guitarist Wymond Miles’ solo output is decidedly somber and draped in layers of reverb. In 2012 Miles’ released his first pieces of material including his debut album Under The Pale Moon, returning the following year with the similarly psychedelic, Cut Yourself Free. After a brief hiatus, he returned to the studio with a new creative direction, recording 2016’s Call by Night, drawing influences from gospel and country.

Luis Vasquez's industrial, post-punk solo project, the Soft Moon, marries the haunting sounds of Bauhaus and Joy Division with a stripped-down approach to production and recording. Channeling his Afro-Cuban heritage and upbringing in the Mojave Desert, Vasquez’ first full-length, a self-titled LP arrived shortly after his debut singles “Breathe the Fire” and “Parallels'' in 2010. Honing his singing and songwriting over the decade with consistent and ambitious records, the Soft Moon’s first album with Sacred Bones, Criminal, was released in 2018.

Formed by singer and guitarist Ryan Rousseau, Jay Reatard and Alicja Trout in 2000, Destruction Unit are a psychedelic punk band based out of Phoenix known for their tumultuous sound featuring distorted, fuzzy-guitars, loud vocals and aggressive drums.

Margaret Chardiet’s industrial noise project Pharmakon blends slow rhythmic beats with guttural synth blasts and wailing vocals that are as disquieting as they are hypnotizing. Her live shows have been described as confrontational, interrogating the division between performer and audience, an emotional trance-like experience she has attempted to recreate on her more recent albums, 2017’s Contact and 2019’s Devour, released on Sacred Bones.

Jeremiah Sand was the charismatic leader of the Children of the New Dawn, a cult that descended upon a California recording studio in the 1970s to create Sand’s ultimate, psychedelic masterpiece. Not much is known of what transpired at the recording studio where these sessions took place, except that one night, Sand awoke the studio owner in the middle of the night at gunpoint and forced him to hide the master tapes in a lockbox until he returned. Decades passed and Sand was never heard from again, but in 2018 wildfires revealed a box in the ruins of the studio that contained a short film, esoteric artwork, and 50 year old album, Lift It Down.

The garage rock trio of Timmy Vulgar, Blake Hill and Jeff Fournier better known as Timmy’s Organism started as an experimental solo project for the group’s frontman that quickly twisted and morphed into a full-fledged punk band. Their first full-length, Rise of the Green Gorilla, arrived on Sacred Bones in 2010 followed by the 2012 album Raw Sewage Roq.

Longtime collaborators David Lynch and Angelo Badalamenti started recording under the name Thought Gang in 1991. 25 years later, the spiritual jazz and spoken word recordings have resurfaced as a self-titled album on Sacred Bones.

Luca Yupanqui began recording music when she was literally in the womb. The child of musicians Elizabeth Hart and Iván Diaz Mathé, the pair began recording their unborn child with biosonic MIDI technology Diaz Mathé compared to a polygraph. After her parents spent 2020 mixing the album “respecting the sounds as they were produced”, Luca made her Sacred Bone’s debut in 2021 with Sounds of the Unborn, described as an “expression of life in its cosmic state.”

Exploded View’s surreal mix of post-punk and krautrock reflects the makeup of the band and it’s member’s solo projects. Founded by British-German singer-songwriter Annika Henderson and Mexico City-based musicians Martin Thulin and Hugo Quezada the group made it’s haunting self-titled debut on Sacred Bones in 2016, followed by the more focused sophomore release Obey in 2018.

Formed in 2003, Brooklyn based indie band Crystal Stilts has cultivated a myriad of influences over the last decade and half playing and recording together. In 2011 they made their Sacred Bones debut with the EP Radiant Door, following it up with the soul and folk influenced album Nature Noir in 2013.

Founding member of Cyrpress Hill, DJ Muggs, a producer synonymous with hazy, horror-tinged hip hop of the 1990s, has made a name for himself over the years with his prolific and varied output across genres including dancehall, alt rock and trip-hop. Born Lawrence Muggerud in Queens before moving to LA as a teenager, Muggs began DJing in the 1980s, producing seminal rap hits like House of Pain’s “Jump Around” and Ice Cube’s “Check Yo Self.” His debut record on Sacred Bones, Dies Occidendum was released in 2021.

Brisbane garage rock band Slug Guts exploded onto the australian punk scene with the first album Down on the Meat, recorded and released only months after they started playing together in 2009. The band returned in 2011 on Sacred Bones with the full-length Howlin’ Gang, self-described as “menacingly desperate, ugly, and malnourished” this ethos would carry the band into their final LP, Playin’ in Time With the Deadbeat. Recorded in a year in which many of the band's members experienced significant personal turmoil, the group finally called it quits in 2013.

Institute, the Austin based punk outfit founded by Moses Brown and Arak Avakian of Glue, Adam Cahoon of Wiccans, exploded onto the Texas punk scene in 2013 with lyrics of personal struggles and a dark and streamlined sound that they would continue to hone over the years. Their debut full-length, Catharsis, arrived on Sacred Bones in 2015 and featured cleaner production with broader influences, expanding on their anarchic post-punk sound.

In 2020 Kentucky-based singer-songwriter Emma Ruth Rundle, known for her brand of dark and expressive post-rock, teamed up with Louisiana metal band Thou for one of the most interesting collaborative projects of the year. May Our Chambers Be Full, released on Sacred Bones, channelling Rundle’s brooding lyrics and Thou’s atmospheric sludge into a record that showcases the DIY versatility of both parties.

Legendary Japanese heavy rock group Boris “continue their musical creation and destruction” with 2022’s W, their first release with Sacred Bones.

Texas-born musician and actor Caleb Landry Jones makes psychedelic music that “reaches into the cosmic realm of imagination.”

Dean Hurley is a sound and music supervisor who has worked with Daivd Lynch and Zola Jesus. Gloria de Oliveira is a multidisciplinary visual artist and musician who has composed for the theater and for London Fashion week. Their collaboration Oceans of Time combines impressionistic synths, shimmering guitars, and ethereal sonics in a beautiful dream-pop synthesis.

The Soft Moon is the project by American singer-songwriter Luis Vasquez. 2022’s Exister is a powerful, vulnerably therapeutic post-punk masterpiece.

Zola Jesus is the alter ego of Nika Roza Danilova, known for her expressive and powerful voice and dark, atmospheric music. Her latest album Arkhon unleashes her “submerged, stalled pain.”

Today we’re covering eclectic Brooklyn-based record label Sacred Bones, featuring videos from Constant Smiles, Follakzoid and Hillary Woods.

Welcome to the video profile for Brooklyn-based independent record label Sacred Bones, whose roster of artists includes John Carpenter, Hillary Woods and Constant Smiles.

Today we’re looking at independent record label Sacred Bones, including music videos from Lust for Youth, Lathe of Heaven and Khanate.

Tonight’s video profile shines a light on Brooklyn’s Sacred Bones Records, and artists such as SQÜRL and Xmal Deutschland.

Today we’re highlighting Sacred Bones Records, including music videos by SQÜRL, Mort Garson and Maria BC.

Today’s video profile covers Brooklyn-based record label Sacred bones, featuring Mort Garson, Sextile and Maria BC.

American singer Chrystabell reunites with legendary director and musician David Lynch for “Cellophane Memories,”a haunting and atmospheric new collection of songs for Night Flight indie label partner Sacred Bones. We're featuring two Lynch-directed videos for the project and a Super 8 video directed by Eden Tijerina in this exclusive Video Profile.

Night Flight returns to record label Sacred Bones and their roster of artists, including videos from Caleb Landry Jones, John Carpenter, Cody Carpenter & Daniel Davies, and Anja Huwe.

Night Flight is profiling Brooklyn record label Sacred Bones, featuring songs from artists such as Uniform, Caleb Landry Jones, and Daniel Davies.

Let’s “Take Off” to Sacred Bones, an American indie label founded in 2007 in Brooklyn, New York by Caleb Braaten. Throughout much of the label's history the focus was on dark, experimental sounds, signing Braaten’s friends dark punk bands and reissuing 80s post-punk from acts like 13th Chime and The Cultural Decay. The label’s current roster represents a wide-range of international artists creating music in a variety of genres and styles, with a focus on psych, folk, punk and experimental music.

“Take Off” to Brooklyn-based independent label Sacred Bones, featuring music videos from Black Marble, Marissa Nadler, Boris, and Spellling.

“Take Off” to Brooklyn-based independent label Sacred Bones featuring music videos from John Carpenter, Black Marble, Molchat Doma, and Zola Jesus.

“Take Off” to Brooklyn-based independent label Sacred Bones featuring music videos from Moon Duo, John Carpenter, Alan Vega, and Amen Dunes.

“Take Off” to Brooklyn-based independent label Sacred Bones featuring music videos from Caleb Landry Jones, John Carpenter, Anika, and DJ Muggs the Black Goat.

Belarusian band Molchat Doma are known for their dark yet danceable approach to post-punk. Their 2024 release Belaya Poloya incorporates elements of 90s dance music into their cold minimalism.