Oz Fox, born Richard Alfonso Martinez on June 18, 1961, is a founding member and lead guitarist of the Christian metal band Stryper. He was recruited by childhood pals, Robert and Michael Sweet, in 1983. He has recorded and toured with the band – through breakups and brain surgery – for forty years. Our friendship has grown since the pandemic when we began meeting monthly for brunch at his beloved Cracker Barrel. Oz is partial to pancakes with sliced apples. He brings his own special Canadian maple syrup.

Georgia-based Robert Lester Folsom released his first studio album, Music and Dreams, in 1978. Although it did receive some local attention on its initial release, the record had limited pressings and Folsom was unable to complete a follow-up album during that time. Here’s the Anthology Records documentary about the artist, created to accompany the label’s reissues projecs.

Born and raised in Bucharest, Romania, Borusiade aka Miruna Boruzescu started DJing in 2002 as one of the very few female DJs in the city’s emerging alternative clubbing scene.

Sic Alps was a San Francisco-based lofi garage rock band started by Matt Hartman and Mike Donnovan, who met on tour with their previous bands in the 90s. The group drew as equally from noise pop as they did from art rock luminaries the Velvet Underground.

Zola Jesus is the alter ego of Nika Roza Danilova, known for her expressive and powerful voice and dark, atmospheric music. Her latest album Arkhon unleashes her “submerged, stalled pain.”

When punk first broke in the UK in 1976, music journalist John Ingham was on hand to document the rupture and the rowdiness. Fascinated by the music, fashion, and intrinsic iconoclasm of a little-known outfit called the Sex Pistols, Ingham conducted the band’s first interview, partied with its members, and even bailed Sid Vicious out of jail. Ingham also documented the group's early evolution at legendary gigs shared with other pioneering punk bands including The Damned, The Clash, The Buzzcocks, and more. Spirit of 76: London Punk Eyewitness is the revelatory collection of Ingham’s photography and fly-on-the-spray-painted-wall reporting of the punk movement from its most raucous, bewildering beginnings. Containing the only color photos from British punk’s first wave alongside Ingham’s inimitable prose, this volume constitutes a rare from-the-floor report on the UK punk explosion from one of its original participants.

Michele Mercure is an electronic artist who has made music for film, television, dance and theater. Her “arresting dream-music” demonstrates a “transportive attitude within and beyond the limited sound recording medium.”

Kate NV is the multifaceted solo persona of Moscow-based artist Kate Shilonosova. Her third album with RVNG Intl, WOW, offers listeners a prismatic shift in perspective and scale, a parallel dimension in which the mundane becomes funny, familiar and altogether sensational.

For the tenth volume of RVNG's FRKWYS series, composer, percussionist and sound designer David Van Tieghem alongside ten younger artists from across the avant spectrum become a bulletin of Fits & Starts. Directed by Jordan Kinle

“Take Off” to Chicago-based independent label Drag City featuring music videos from Bill Callahan, Ty and Denée Segall, Circuit des Yeux and Smog.

Night Flight Plus and Mute present a special Night Flight Video Profile dedicated to the "revered countercultural musician" (The Guardian) and enduringly influential artist, Mark Stewart. Across an illustrious career that began with post-punk icons The Pop Group and evolved into a prolific solo output, Stewart produced a seminal body of work that frequently stood at the bleeding edge of genre innovation and social upheaval, while inspiring the likes of Nick Cave, Nine Inch Nails, and more. Stewart's ninth solo album, The Fateful Symmetry, was released by Mute in July 2025. Completed shortly before his passing in 2023, the record captures "the fearless creative energy that defined his entire career," the label says. For this special episode, the Night Flight team worked closely with Mute to highlight a collection of crucial materials from Stewart's nearly five-decade career, including a never-before-seen live performance from Mark in 2022.

Generative tools and software-based sonics from duo Visible Cloaks.

Oliver Coates is a British cellist, composer and producer who has played with Thom Yorke and appeared on scores for Paul Thomas Anderson. His 2020 album skins n slime sees him leading “an impassioned performance of strings through viscous, synthetic modulation.”

Born to a family of fiddlers in Texas, film actor Caleb Landry Jones was instead drawn to the psychedelia of Syd Barrett’s solo work. Throughout his acting career he remained steadfast in his commitment to recording music, amassing hundreds of demos out of his family barn. Director, musician and Sacred Bones collaborator Jim Jarmusch heard these demos and suggested Jones approach the label, culminating in the release of his debut album The Mother Stone in 2020.

In a time rife with alienation, Magic Touch, the latest album by the ubiquitous and mysterious Jack Name to be released on Mexican Summer, offers the comfort of contact. With a body of work that ranges from the catchy to the cacophonous, Name has earned the reputation of a musician who’s difficult to define and has been a fixture in the Los Angeles underground for over a decade.

Zsela is a singer-songwriter whose 2024 debut album is a raw, versatile record from an exciting young artist.

“Take Off” to Seattle-based independent label Sub Pop featuring music videos from Orville Peck, Shannon Lay, Father John Misty and Lael Neale.

Initially getting its start as a noisy and abrasive solo project in the basement of Philadelphia guitarist Mike Polizze, before expanding into a power trio, Purling Hiss made their name in the sceen playing alongside acts like the War on Drugs.

Today’s video profile covers Brooklyn-based record label Sacred bones, featuring Mort Garson, Sextile and Maria BC.

“Take Off” to Seattle-based independent label Sub Pop featuring music videos from Chai, Mudhoney, clipping., and Ya Tseen.

Tonight we take off to Sub Pop, one of the most legendary names in alternative music, with songs by Bully, J. Mascis, and Washed Out.

Singer Cory Hanson returns with 2023’s Western Cum, which combines conventional country with an eclectic mix of prog, balladry and nu-hardcore.

Red Axes are the Tel Aviv-based electronic duo of Dori Sadovnik and Niv Arzi whose sound is heavily influenced by the music of post-punk and new wave bands from the 80s.

Toronto-bred, 3-piece noise punk band METZ. Featuring "Pure Auto" and more.

Spice shares the authoritative drive of Jawbreaker, J Church, and Fugazi, but set in their own world of unrest.

In early 1980s Finland, Belaboris were in their own peculiar, undefinable no-woman’s-land between the Finnish Futu and Gothic scenes.

The Soft Moon is the project by American singer-songwriter Luis Vasquez. 2022’s Exister is a powerful, vulnerably therapeutic post-punk masterpiece.

Welcome back to our profile of indie label Drag City, featuring Ty Segall, Whitney Johnston & Lia Kohl, Geologist & Doug Shaw and Prison. Here’s “Buildings,” from prolific psych-rock legend Ty Segall.

Bézier is the moniker of all-live-analog electronic wizard Robert Yang from San Francisco. Yang’s studio set up includes a variety of vintage Roland and Korg synthesizers as well as the Italo Disco favorite LinnDrum.

Zola Jesus is the decade-long solo project of Nika Roza Danilova, featuring dark, haunting lyrics and mesmerizing and ever changing electronic production. Danilova’s earliest output was characterized by noisy, lofi percussion and synths paired with her airy, ascendant vocal. She would quickly begin moving away from this sound, instead opting to create her own interpretations of pop music, progressively experimenting with cleaner production and working with artists like M83 and Prefuse 73. A longtime friend of Sacred Bones, her most recent release for the label, Okovi, arrived in 2017.

Australian superduo Mess Esque create warm, open-hearted indie soundscapes, combining abstract vocals and looping guitars.

The first thing you notice about Weyes Blood’s third record for Mexican Summer, Front Row Seat to Earth, is its closeness. The music is immediate and warm with an intimate feeling. Active in underground music since 2006, Natalie Mering [MER-RING], the being behind Weyes Blood, sings sublimely. There is a faded California beauty to Merin’s music and a gentle honesty that recalls the finest folk music made on the West Coast of the ‘70s.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Drab Majesty, the project of Deb DeMure, blends New Wave and early 4AD sound into a “hypnotic and futuristic originality.”

Founded in 2010 by Robert Alfons and Maya Postepski, the group uses ethereal synth pop tones mixed over surging industrial beats. With the release of their first album TRST in 2012, the duo went their separate ways and Alfons continued to record and tour under the name. As a solo project Alfons began incorporating more elements of acid house and techno into his next release Joyland in 2014, which debuted to massive critical and commercial success.

Suzy Poling's latest record uses sounds and samples collected from the Vintage Synthesizer Museum in Oakland, CA.

Vår, formerly known as War, was a lofi post-punk act from Copenhagen. The group drew influences from darkwave and goth groups of the early 80s with blown-out, lo-fi recording techniques associated with the early 2010s. Vår’s Sacred Bones, No One Dances Quite Like My Brothers, arrived in 2013 and the group disbanded the following year.

Axis: Sova began as the experimental psych-rock solo project of Chicago artist Brett Sova, who wrote and recorded much of the bands early output before settling on a full lineup. Since 2018 the band has consisted of Sova with Tim Kaiser on guitar and Jeremy Freeze on bass.

Let’s return to Drag City, whose roster includes Natural Information Society & Bitchin Bajas, Geologist & Doug Shaw, Faun Fables and Jim White.

Today Night Flight covers independent record label Mexican Summer, including videos from L’Rain, Sessa and Photay.

Legendarily loud post-punks METZ take a more atmospheric approach on their new record Up On Gravity Hill, still bursting eardrums, but with a new emotional resonance and nuance.

Veteran folk artist Devendra Banhart teams up with Mexican Summer labelmate Cate le Bon for spare new direction on Flying Wig, his eleventh album.

Norwegian singer/songwriter, producer and novelist, Jenny Hval, made her solo debut in 2006 as Rockettothesky with the dreamy, folk-pop album To Sing You Apple Trees. Hval began releasing music with Sacred Bones under her own name with 2015’s experimental, art pop/spoken word album Apocalypse, Girl, influenced by Norwegian jazz singers of the 1960s and her upbringing in Norway’s Southwestern Bible Belt.

After a collection of demos and early studio recordings earned her a dedicated audience, songwriter Jessica Pratt moved from San Francisco to Los Angeles and recorded her first intentional album in her bedroom. That album, On Your Own Love Again (released by Night Flight indie label partner Drag City in 2015), would bring her around the world many times, leading many to fall under the spell of Jessica Pratt the performer, the songwriter, the singer with the heavy-lidded voice that feels alien and familiar at the same time. Quiet Signs, the artist’s debut record for Mexican Summer, finds Pratt's songwriting and accompanying guitar work refined -- more distinct and direct.

Dinosaur Jr. frontman's project for Sub Pop records. Featuring music from 2018's "Elastic Days" and more.

Today we’re covering DAIS Records, who focuses on artists “new and old,” including SPICE and Stephen Mallinder.

Art rock outfit of multi-instrumentalist Graeme Jefferies.

Blanck Mass uses fast paced beats, clipped vocal samples and mesmerising synths to create music that is emotionally and sonically intense. Dumb Flesh, his first album with Sacred Bones, saw Power’s incorporate more danceable beats around the chopped-up vocals and drones which were built upon in subsequent releases like 2017’s political World Eater and 2019’s melodic Animated Violence Mild.

“There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night." Singer/songwriter Cate Le Bon began her career collaborating with fellow Welsh musicians Gruff Rhys and Richard James before releasing her first EP, the Welsh language Looking in the Eyes of a Borrowed Horse in 2008. In 2019 Cate Le Bon signed with Mexican Summer for her fifth album, Reward, released to critical acclaim. Here's the video for "Home To You."

Greg Turkington’s fictional persona Neil Hamburger, a misanthropic, anti-comedian was introduced to the world in 1992 on the album Great Phone Calls Featuring Neil Hamburger, a self-deprecating assault on the expectations that had developed in stand-up.

Nebulous and with an ever-changing roster of collaborators, Palace, was an anti-folk folk rock project. As the musical debut of influential Louisville singer/songwriter Will Oldham, the “group’s” inconsistent name scheme reflects the constant ebb and flow of collaborators in Oldham’s life.

Nuke Watch is an amorphous entity emanating out of Bog 65, Beat Detective’s former headquarters. Its 2020 album Countdown is a “rippling, multi-sensory experience that warms, beguiles, puzzles, tickles and eases the listener,” developed in the improvisational and exploratory aura of the studio.

The late Portland, Oregon composer Ernest Hood is known for his landmark 1975 album Neighborhoods, which combines field recordings with Hood’s synthesizer and zither playing.

Arp is Brooklyn-based electronic producer and composer Alexis Georgopolous’ ambient solo project, first unveiled in 2006. While Georgopolous’ early work as Arp is largely defined by minimalist soundscapes made on synthesizers, each consecutive release remains untethered from the former, with later works exploring Glam, art pop and field recordings. The fifth Arp album, Zebra, arrived in 2018 and features elements of jazz and traditional folk music paired with Alexis’ signature ambient stylings.

Danish rock band Marching Church began as a side project of solo musical experiments for Elias Bender Rønnenfelt of Iceage. After the success of the band’s debut album on Sacred Bones, This World is Not Enough Rønnenfelt brought in Iceage bandmate Johan Weith and trumpeter Jakob Emil Lamdahl.

Purple Mountains, the last project of late Silver Jews singer David Berman, released after a decade of absence from the music industry and a month prior to his tragic passing, was a clever, occasionally somber tribute to the country-rock traditions that had guided much of Berman’s career.

Liverpool-based artist Dialect, or Andrew PM Hunt, explores unusual source synthesis, electro-acoustic arrangements, and sound found in foreign environments.

Cellist Oliver Coates's "ambient braindance" compositions.

Borghesia is an electronic music group from Slovenia formed in 1982. Borghesia is one of the most successful bands from former Yugoslavia known for turning sexual freedom into an important political issue by creating the New Slovenian Art scene.

Father John Misty, the alter ego of songwriter Josh Tillman, embarks on his sixth album with a more rock-influenced edge.

Legendary Japanese heavy rock group Boris “continue their musical creation and destruction” with 2022’s W, their first release with Sacred Bones.

Formed by singer and guitarist Ryan Rousseau, Jay Reatard and Alicja Trout in 2000, Destruction Unit are a psychedelic punk band based out of Phoenix known for their tumultuous sound featuring distorted, fuzzy-guitars, loud vocals and aggressive drums.

“Take Off” to independent label Dais Records featuring music videos from Death Bells, SPICE, Choir Boy, and Death of Lovers.

For Iron & Wine’s seventh record, Light Verse, songwriter Sam Beam takes a more playful turn with songs borne out of joy and lightness.

Today we’re looking at independent record label Sacred Bones, including music videos from Lust for Youth, Lathe of Heaven and Khanate.

Seattle based avant garde and experimental musician K. Leimer.

Fernando Perdomo born Fernando Jose Perdomo on August 17, 1980, is an American musician and producer. He is best known as one of the guitarists in the acclaimed music documentary, Echo in the Canyon, where he backed up Jakob Dylan, Fiona Apple, Beck. Nora Jones, Regina Spektor, Brian Wilson and Cat Power. He is currently a member of The Dave Kerzner Band, the highly regarded progressive rock ensemble that performs annually on the sold-out Cruise to the Edge. It was aboard a floating city in the middle of the Caribbean where I first encountered Fernando. He was laying down some mind-blowing riffs on the windy outdoor pool stage. I approached him after the set wearing a rare Kate Bush “Cloudbusting” shirt. “That’s the best Kate tee I’ve ever seen!” he shouted. “You and I are gonna be friends.” The session here was conducted in his cabin on the 2025 CTTE where he lent his formidable chops to three different groups.

Chicago-baed electronic / dark industrial duo HIDE on Dais Records.

Night Flight presents a special 30 minute video documentary profiling Cabaret Voltaire, who original host Pat Prescott describes as “England’s most provocative experimental band.” This seminal 1984 Video Profile features interviews with members Steven Mallinder and Richard H. Kirk, as well as exclusive edits of the Sheffield band's enigmatic music videos.

Prolific artist Ty Segall rose to prominence with his own brand of psych-influenced garage rock in the late 2000s. His near nonstop output over the last decade spans multiple bands, collaborations and solo records, weaving a variety of sonic influences into each of his projects.

Philly post-punk outfit Death of Lovers on Dais Records.

Man Man’s charismatic frontman Honus Honus felt a renewed sense of creative purpose on 2024’s Carrot on Strings, with clever and sharp new songs.

Haunting folk noise and cinematic textures from experimental producer Michael Anderson.

LA psych scene veteran Michael Collins, formerly of Run DMT and Salvia Plath, surfaced as Drugdealer in 2016 with the warm and melodic The End of Comedy. Dialing back the psychedelia that had defined the first half of his career, Drugdealer reflected a shift towards 70s soft rock and Baroque pop influences that would continue to emerge on his next album, Raw Honey, released in 2019 on Mexican Summer.

Born on the island of Crete and raised in Athens, Platonos was one of the pioneers in the Greek electronic music scene of the 1980s, and remains active today.

Evan Shornstein, known as Photay, has a talent for melody, but rhythm is at the heart of everything he does. He’s been playing the drums since elementary school, and the name Photay actually stems from an eye- opening trip to Guinea with his drum teachers. As a producer, he combines digital and analog, blurring the lines between “real” and electronic instrumentation.

Dean Hurley is a sound and music supervisor who has worked with Daivd Lynch and Zola Jesus. Gloria de Oliveira is a multidisciplinary visual artist and musician who has composed for the theater and for London Fashion week. Their collaboration Oceans of Time combines impressionistic synths, shimmering guitars, and ethereal sonics in a beautiful dream-pop synthesis.

"An experiment in the identity of creativity…" Tune in for an exclusive visit to Night Flight from Drab Majesty's Deb Demure: a unique delight and another timeless entry to Night Flight cultural canon.

Xylouris White is the folk duo of Greek lute player George Xylouris and Australian drummer Jim White. Their 2014 album, Goats, features a fluid mix of regional folk traditions with psych and rock inspirations. They would expand on this with subsequent releases, including their punk influenced Drag City debut The Sisypheans

Cheerful West Coast punk rock trio Flat Worms are known for combining garage punk sensibilities and energy with indie rocker wit. Will Ivy recruited bassist Tim Hellman, formerly of Thee Oh Sees, and Babies drummer Justin Sullivan for their debut 7 inch “Red Hot Sand” before following it up a year later with a positively received self titled full-length.

Drag City releases veteran noisemakers Dean Spunt and John Wiese's (No Age) debut EP, The Echoing Shell. The label aptly describes the experimental noise release as a "conception in contemporary musique concrète," and you can stream two surrealist, cut-up technique music videos now in their new Night Flight Video Profile.

Sixties psych, Shoegaze, and ’90s indie come together in the music of folk-pop artist Dylan Moon.

Formed in 2003, Brooklyn based indie band Crystal Stilts has cultivated a myriad of influences over the last decade and half playing and recording together. In 2011 they made their Sacred Bones debut with the EP Radiant Door, following it up with the soul and folk influenced album Nature Noir in 2013.

The ‘intuitive gesture’ of action painting in drum form from Greg Fox.

This is Unusual Sounds: A deep dive into the mysterious world of library music; the extraordinary stock recordings that soundtracked the heyday of B movies, low-budget television, and scrappy genre filmmaking curated by David Hollander and released by independent label Mexican Summer.

“Anti-hero, artist, and Pandrogenist.” Genesis P-Orridge was an icon of experimentation.

Margaret Chardiet’s industrial noise project Pharmakon blends slow rhythmic beats with guttural synth blasts and wailing vocals that are as disquieting as they are hypnotizing. Her live shows have been described as confrontational, interrogating the division between performer and audience, an emotional trance-like experience she has attempted to recreate on her more recent albums, 2017’s Contact and 2019’s Devour, released on Sacred Bones.

Ty Segall has made filthy, distorted rock n roll for much of his prolific career. His 2024 album Three Bells takes us into “a land nearly beyond song,” pushing his songwriting and sound further than ever before.

Tokyo-based artist Satomimagae weaves subtle songs for guitar, voice and noise, propagating variant folk strains that flicker between organic and mechanistic, personal and environmental, warm and cool. Satomi’s latest offering, Hanazono, is a work of both simplicity and intricacy, a veritable biosphere of unfiltered artistry.

Sub Pop band from the grunge era. Featuring "Stumblin' Man," and more

The frontman of slowcore giants Low branches out on his own with a collection of original and eclectic songs that show him grappling with the death of his long-time collaborator Mimi Parker.

Black Marble, Chris Stewart’s 80s influenced synth-pop group, began releasing music in 2012 with the EP The Weight Against the Door and later the gloomy full length A Different Arrangement. This moody atmosphere, created by an arsenal of analog synths, would later give way to lighter and warmer sounds on Stewart’s successive releases, including 2019’s Bigger Than Life and 2021’s Fast Idol, both on Sacred Bones.

Xeno & Oaklander is an American electronic group from Brooklyn regarded as a key act in the coldwave and minimal electronic revival of the 21st century. The duo combine crisp analog synths with poetic lyrics to weave dark synth-pop soundscapes that are ultimately greater than the sum of their parts.

Over time, through his vast collection of pure and cinematic ambient hymns, Tor Lundvall has steadily established himself as one of ambient music’s most familiar faces.

A Shoegaze pedigree with smoky compulsions of post-punk and no-wave influences.

SRSQ (pronounced seer-skew), is a synesthesia of sound and feeling taking cues from the delicate miasma of Cocteau Twins, My Bloody Valentine, and Dead Can Dance.

After releasing a variety of offerings with friends under the nebulous Palace moniker and his own name, Will Oldham began his prolific streak of recording and performing his brand of Americana under the pseudonym Bonnie “Prince” Billy in the late 90s. His songs feature haunting lyrics over instrumentals that draw from numerous American musical traditions.

Sunshine Soup, directed by multitalented designers / artists Misha Hollenbach and Johann Rashid, is a non-linear film keyed to the outer-boundary music created by Robert Aiki Aubrey Lowe & Ariel Kalma Hollenbach and Rashid captured extensive footage surrounding the recording of We Know Each Other Somehow. Using handheld HD and 8 mm cameras, they later processed the images with a Fairlight Computer Video Instrument (CVI). With its responsive, meditative perspectives and refracted, sun-bleached compositions, Sunshine Soup becomes the visual companion to the transformative musical principles explored throughout the collaborative album.