"The sound of surf, sand and Sunset Strip..." Coming to you direct from the nerve center of the entertainment industry, tonight Night Flight "Takes Off" to the City of Angels. In this special syndication episode from 1992, we explore the troubadours and minstrels that help shape the musical legacy of Los Angeles and the California sound, from Folk to Surf, Rockabilly to Punk. Featuring The Beach Boys, The Doors, LA Guns, The Motels and more!

This video profile on Simple Minds features backstory on the Scottish act and multiple videos throughout the bands career arc. Night Flight mines the video vault for select cuts from the Pretenders.

In this 1983 Video Gallery, Night Flight Take’s Off to Politics. “Rock Music has always had a strong political connection,” Pat Prescott says. This tour of rock politics takes us through the '60s with Bob Dylan, Hendrix, and The Plastic Ono Band’s “Give Peace A Chance.” After this tour of protest rock Night Flight, takes on Politics in the Nuclear Era with campy twist, fast forwarding to the ‘80s where we find ourselves enjoying the incredible experimental animation of Donald Fagen’s “New Frontier,” Men at Work’s ominous tune “It’s A Mistake,” and a little known promotional clip for the 1982 film WarGames by Crosby, Stills and Nash.

Welcome to Night Flight! Tonight, we “Take Off” to Elvis. Ever since his 1956 debut, Elvis Aaron Presley has provoked more passion, more controversy and more adoration than anyone else in the history of Rock. Literally, the King. Fine Young Cannibal's Roland Gift sits down with Night Flight to discuss the sacredness of Elvis and the riskiness of their cover "Suspicious Minds."

What’s on the menu for tonight? Fish Heads! Our 1988 “Take Off” episode of Night Flight is a special salute to… Food? “Whether you slice it or dice it, chew it or spew it” Pat Prescott proclaims, “you can’t live without it!” Kicking off with Weird Al Yankovich’s “Eat It,” and including tunes from The Fat Boys, Tom Petty, Barnes and Barnes and a myriad of food-related, public domain interstitials, this episode is a pure cup of instant weird. Including the the notorious 'pot brownie' recipe from 'The Alice B. Toklas Cookbook!

In this original episode from October 30th, 1987 Night Flight presents two independent shorts as a part of our "Short Film Showcase" segment. The first up is the criminal-comedy “The Lemon Man,” by Super 8 auteur Michael Legge, followed by the mysterious experimental animation called “Xidu,” by Australian filmmaker Michelle Mahrer.

Eclectic music video magic from Amazulu, The Clash, Big Audio Dynamite & Thrashing Doves

Born Innocent makes the case for Redd Kross as the seminal West Coast band of the last half century. Their influence reaches across the genres of punk, college rock, grunge, metal and indie rock. Through more than four decades Redd Kross have been nothing but happily, outrageously, and courageously themselves. Director Andrew Reich conducted dozens of new interviews and had unfettered access to home movies and archival footage featuring the Runaways, X, and Nirvana, and members of Melvins, the Go-Go’s, and Black Flag.

Born to a family of fiddlers in Texas, film actor Caleb Landry Jones was instead drawn to the psychedelia of Syd Barrett’s solo work. Throughout his acting career he remained steadfast in his commitment to recording music, amassing hundreds of demos out of his family barn. Director, musician and Sacred Bones collaborator Jim Jarmusch heard these demos and suggested Jones approach the label, culminating in the release of his debut album The Mother Stone in 2020.

Los Angeles, CA-based Electro-punk act on Dais Records.

Experimental hip hop group Shabazz Palaces makes a foray into “final-days funk” on Exotic Birds of Prey, an unsettling exploration of the coldest and darkest edges of their sound.

Axis: Sova began as the experimental psych-rock solo project of Chicago artist Brett Sova, who wrote and recorded much of the bands early output before settling on a full lineup. Since 2018 the band has consisted of Sova with Tim Kaiser on guitar and Jeremy Freeze on bass.

Vår, formerly known as War, was a lofi post-punk act from Copenhagen. The group drew influences from darkwave and goth groups of the early 80s with blown-out, lo-fi recording techniques associated with the early 2010s. Vår’s Sacred Bones, No One Dances Quite Like My Brothers, arrived in 2013 and the group disbanded the following year.

Born and raised in Bucharest, Romania, Borusiade aka Miruna Boruzescu started DJing in 2002 as one of the very few female DJs in the city’s emerging alternative clubbing scene.

Tonight we take off to indie label Drag City, home of artists such as Cory Hanson, Prison, Edith Frost and Dean Spun.

Magik Markers member Elisa Ambrogio released her pop-influenced solo debut The Immoralist on Drag City in 2014. The album paired her soft and distant vocals with pop arrangements, all imparted with the rough textures of her noise rock roots.

Don Giovanni is an independent record label from New Brunswick, New Jersey whose catalog includes Paisley Fields, Screaming Females, and Weakened Friends.

Seattle rock band La Luz finds their lineup and their sound in flux on their latest record News of the Universe, allowing them to explore new sonic territory.

Today we’re looking at independent record label Sacred Bones, including music videos from Lust for Youth, Lathe of Heaven and Khanate.

Today we’re looking at DAIS Records, whose roster of emerging and influential artists include AURAGRAPH, Cold Gawd, and Body of Light.

Chilean psych band Föllakzoid, known for their hypnotic rhythms and Andean folk and krautrock influences, was formed by childhood friends Diego Lorca, Domingo García-Huidobro, and Juan Pablo Rodríguez in 2008 as a trance experience, jamming on a single song for two hours in their first practice session. This free-form approach to playing and performing influenced their early output, working for years on their self-titled Sacred Bones debut EP released in 2011.

Georgia-based Robert Lester Folsom released his first studio album, Music and Dreams, in 1978. Although it did receive some local attention on its initial release, the record had limited pressings and Folsom was unable to complete a follow-up album during that time. Here’s the Anthology Records documentary about the artist, created to accompany the label’s reissues projecs.

The current band of the Stereolab frontwoman, Laetitia Sadier Source Ensemble incorporates some of Sadier’s longest and closest collaborators, Emmanuel Mario, Nina Savary and Xavi Munoz.

Flore Laurentienne is the vessel of Quebec-based composer, multi-instrumentalist, and producer Mathieu David Gagnon. The classically trained musician incorporates elements of post-minimalism, early progressive rock, and the compositional art of fugue into his work.

The sonic world Helado Negro builds an aura vivid enough to be seen.

Sunshine Soup, directed by multitalented designers / artists Misha Hollenbach and Johann Rashid, is a non-linear film keyed to the outer-boundary music created by Robert Aiki Aubrey Lowe & Ariel Kalma Hollenbach and Rashid captured extensive footage surrounding the recording of We Know Each Other Somehow. Using handheld HD and 8 mm cameras, they later processed the images with a Fairlight Computer Video Instrument (CVI). With its responsive, meditative perspectives and refracted, sun-bleached compositions, Sunshine Soup becomes the visual companion to the transformative musical principles explored throughout the collaborative album.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. bass and piano. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

The Los Angeles-based quartet Allah-Las came together in 2008 while its members were working at Amoeba records. Allah-Las eventually found their way to Mexican Summer for the release of Calico Review in 2016, cultivating an array of global influences. These disparate and collected sounds would come together on the band’s fourth full-length, Lahs, an ode to the band's traveling lifestyle, released on Mexican Summer in 2019.

Dope Body are a Baltimore area post-punk noise rock group. Their Drag City debut, Natural History, a reference to the venue that first hosted the group for a one-off, meshed the band’s myriad sonic influences into an intense 35 minute experience. After briefly breaking up in 2016, the band reformed in 2019, culminating in two full length releases in 2020.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Settle into Tonstartssbandht’s music and let it rock heavy from all sides. The music melds with the personal, tangible nature of the city climate, telling a stunning tale. Discovered on the road and distilled at home, the music conveys experience and subtlety, scars exposed to carry the chronicle. The music, the music, the fucking music.

Today we’re covering DAIS Records, who focuses on artists “new and old,” including SPICE and Stephen Mallinder.

Danish rock band Marching Church began as a side project of solo musical experiments for Elias Bender Rønnenfelt of Iceage. After the success of the band’s debut album on Sacred Bones, This World is Not Enough Rønnenfelt brought in Iceage bandmate Johan Weith and trumpeter Jakob Emil Lamdahl.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Bill Callahan, Ty and Denée Segall, Circuit des Yeux and Smog.

“Take Off” to independent label Dais Records featuring music videos from Cold Showers, Pierce with Arrow, ADULT., and Xeno & Oaklander.

Dark analog dance songs for the post-modern era.

CMON, which stands for Confusing Mix of Nations, is a pop duo born out of the ashes of Brooklyn indie rock group Regal Degal. Shifting the focus towards more danceable tracks, the duo carried the atmospherics from their previous project into CMON, only now incorporating more elements of disco and pop into their recordings.

Margaret Chardiet’s industrial noise project Pharmakon blends slow rhythmic beats with guttural synth blasts and wailing vocals that are as disquieting as they are hypnotizing. Her live shows have been described as confrontational, interrogating the division between performer and audience, an emotional trance-like experience she has attempted to recreate on her more recent albums, 2017’s Contact and 2019’s Devour, released on Sacred Bones.

In 2016, Mexican Summer's sister label Anthology reissued two essential live albums from Träd, Gräs och Stenar (Tr-ad Grass Ah-k Sta-Nar), a 70s underground Swedish psych rock export, whose records have been hidden gems for collectors worldwide. To commemorate the reissues, Anthology Recordings produced a short, two-part documentary revealing rare interviews with surviving members of the band, presented together here on Night Flight.

Born on the island of Crete and raised in Athens, Platonos was one of the pioneers in the Greek electronic music scene of the 1980s, and remains active today.

Built to Spill’s frontman Doug Martsch recruited a new Brazilian backing band for Built to Spill’s latest record, When The Wind Forgets Your Name.

Founded in 2010 by Robert Alfons and Maya Postepski, the group uses ethereal synth pop tones mixed over surging industrial beats. With the release of their first album TRST in 2012, the duo went their separate ways and Alfons continued to record and tour under the name. As a solo project Alfons began incorporating more elements of acid house and techno into his next release Joyland in 2014, which debuted to massive critical and commercial success.

Australian Singer/Songwriter Indigo Sparke was born into a musical family and knew from a young age she wanted to perform. After teaching herself guitar, Indigo began establishing herself in the Sydney-music scene with quiet but commanding folk music, releasing her debut EP Night Bloom in 2016. Over the next few years Sparke would continue to build her profile in the contemporary folk world. Her first full-length album Echo arrived in 2021 on Sacred Bones.

Today we’re highlighting Sacred Bones Records, including music videos by SQÜRL, Mort Garson and Maria BC.

Altres are an electronic band from Dundee, Scotland originally formed in 1983. With influences ranging from Faust to Philip Glass, Altres’s unique brand of instrumental, improvised electronic music was all recorded live, with no overdubs.

Today’s video profile covers Brooklyn-based record label Sacred bones, featuring Mort Garson, Sextile and Maria BC.

“Take Off” to independent label Dais Records featuring music videos from Space Africa, Choir Boy, Xeno & Oakland and Death Bells.

Queens-based experimental rock duo Blues Control, composed of Russ Waterhouse on guitars and electronics and keyboardist Lea Cho, established themselves in NY with exciting live shows and a series of self released cassettes and vinyl.

Chicago-based psychedelic Krautrock group Cave began seriously recording music together in 2008. Cave is known for their hypnotic and droning instrumentals which have invited comparisons to bands like Can and Funkadelic.

Brooklyn-born and based experimentalist and multi-instrumentalist Taja Cheek, aka L’Rain’s, 2021 album Fatigue demands introspection from ready ears with an array of keyboards, synths, and hauntingly delicate vocals while blending the sounds of gospel, jazz, and neo-soul to create a genre entirely her own. Cheek has dipped her toes in every corner of the arts, through her work at some of the most prestigious art institutions in NYC and collaborations with the likes of Naama Tsabar and Kevin Beasley.

Former geotechnical engineer Lucrecia Dalt's experimental compositions.

“Take Off” to Seattle-based independent label Sub Pop featuring music videos from Shabazz Palaces, Sunny Day Real Estate, Weyes Blood and TV Priest.

Cursive’s core trio of Tim Kasher, Matt Maginn, and Ted Stevens formed in 1995 and has since developed into one of the most consistent and ambitious bands in post-hardcore. Their latest album Devourer, the first for stalwart indie label Run for Cover, explores new territory within their iconic sound and features a suite of horror-themed music videos including the one for “Bloodbather” directed by Chelsea Stardust and starring Stranger Things’ Shannon Purser and Westworld’s Aurora Perrineau.

“Take Off” to Seattle-based independent label Sub Pop featuring music videos from Father John Misty, Tad, The Jesus and Mary Chain and more.

Drab Majesty, the project of Deb DeMure, blends New Wave and early 4AD sound into a “hypnotic and futuristic originality.”

Toronto-bred, 3-piece noise punk band METZ. Featuring "Pure Auto" and more.

Seattle-based grunge foursome Mudhoney. Featuring 1991's "Good Enough" and more.

Cellist Oliver Coates's "ambient braindance" compositions.

Blanck Mass uses fast paced beats, clipped vocal samples and mesmerising synths to create music that is emotionally and sonically intense. Dumb Flesh, his first album with Sacred Bones, saw Power’s incorporate more danceable beats around the chopped-up vocals and drones which were built upon in subsequent releases like 2017’s political World Eater and 2019’s melodic Animated Violence Mild.

“Take Off” to independent label Dais Records featuring music videos from ADULT., Choir Boy, Body of Light and Getting The Fear.

Horse Lords is Owen Gardner, Andrew Bernstein, Max Eilbacher, and Sam Haberman, an instrumental quartet formed in 2010. Its music is defined by repetition and complexity, “humanized with exploration and passion.”

Composer Tashi Wada's “ancient and futuristic" compositions with his father.

Danish punk stalwarts Iceage formed as a group in 2008, fronted by Ellias Bender Rønnefelt with guitarist Johan Suurballe Wieth, Jakob Tvilling Pless on bass and drummer Dan Kjær Nielsen. Known for their abrasive but ever developing sound, their most recent record Seek Shelter arrived in May of 2021, their fifth full-length and first for Mexican summer. Recorded over a 12 day period in a run down studio in Lisbon, Seek Shelter features production by Peter Kember, aka Sonic Boom, and incorporates a gospel choir, seemingly signaling the group’s slide away from the nihilism of it’s earlier records in favor of resigned but comforting melodies.

Black Marble, Chris Stewart’s 80s influenced synth-pop group, began releasing music in 2012 with the EP The Weight Against the Door and later the gloomy full length A Different Arrangement. This moody atmosphere, created by an arsenal of analog synths, would later give way to lighter and warmer sounds on Stewart’s successive releases, including 2019’s Bigger Than Life and 2021’s Fast Idol, both on Sacred Bones.

Wand is a metal-influenced psych rock band based in Los Angeles, California. Formed in 2013 by Cory Hanson, the group’s early releases feature hints of sludge and heavy metal, later giving way to more melodic synths. A lineup expansion in 2016 brought an improvised, jam-style to the band’s songwriting which coincided with a transition towards a more expansive, classic rock sound.

Chicago-baed electronic / dark industrial duo HIDE on Dais Records.

Alasdair Roberts is a Scottish folk musician based in Glasgow who has released a number of albums under his name as well as the stage moniker, Appendix Out. Roberts is also noted for his frequent collaborations with other musicians, writers and filmmakers.

Sub-Pop signed horror-core act clipping. Featuring music from 2019's concept album "There Existed an Addiction to Blood" and more.

“There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night." Singer/songwriter Cate Le Bon began her career collaborating with fellow Welsh musicians Gruff Rhys and Richard James before releasing her first EP, the Welsh language Looking in the Eyes of a Borrowed Horse in 2008. In 2019 Cate Le Bon signed with Mexican Summer for her fifth album, Reward, released to critical acclaim. Here's the video for "Home To You."

The Soft Moon is the project by American singer-songwriter Luis Vasquez. 2022’s Exister is a powerful, vulnerably therapeutic post-punk masterpiece.

SRSQ is the moniker of Oakland singer and musician Kennedy Ashlyn, who has steadily honed her songcraft to create a “music of tumult and triumph.” Her 2022 LP “Ever Crashing” is an “aching, reverent” dream-pop creation.

Exploded View’s surreal mix of post-punk and krautrock reflects the makeup of the band and it’s member’s solo projects. Founded by British-German singer-songwriter Annika Henderson and Mexico City-based musicians Martin Thulin and Hugo Quezada the group made it’s haunting self-titled debut on Sacred Bones in 2016, followed by the more focused sophomore release Obey in 2018.

Dinosaur Jr. frontman's project for Sub Pop records. Featuring music from 2018's "Elastic Days" and more.

Sub Pop's Father John Misty, the alter-ego of multi-instrumentalist and songwriter Josh Tillman. Featuring the 25-minute album trailer for 2017's "Pure Comedy."

Amen Dunes’ Sub Pop debut, Death Jokes, sees the artist take a sharp left turn to the more electronica and rave-influenced sounds of his youth.

Atlanta, Georgia post-punk trio Omni. Featuring 2019's "Skeleton Key" and more.

Harassor are a Los Angeles based metal band influenced by Southern California’s rich history of distinguished metal acts. Fronted by Pete Majors, the group evokes the consummate hallmarks of black, death and doom metal without surrendering to any established order.