Suzanne Doucet got her start as a successful pop-star in Germany before moving to the US and embarking on her new-age career, releasing over 40 records in the states.

Michael Angelo Nigro is a Kansas City multi-instrumentalist who recorded his first album in 1977, the self-titled Michael Angelo. Recorded during his off hours at his job as a session man at Liberty Recording, the original release was only 500 copies. In 2015, Anthology Recordings remastered and re-released the album and produced a short documentary about the artist, now streaming on Night Flight.

Horse Lords is Owen Gardner, Andrew Bernstein, Max Eilbacher, and Sam Haberman, an instrumental quartet formed in 2010. Its music is defined by repetition and complexity, “humanized with exploration and passion.”

Patrick Cowley was an innovative American disco producer and composer originating from Buffalo, NY. Best known for his production on Sylvester’s explosive hit “You Make Me Feel (Mighty Real)” as well as his own chart topping dance tracks.

Prolific artist Ty Segall rose to prominence with his own brand of psych-influenced garage rock in the late 2000s. His near nonstop output over the last decade spans multiple bands, collaborations and solo records, weaving a variety of sonic influences into each of his projects.

Bézier is the moniker of all-live-analog electronic wizard Robert Yang from San Francisco. Yang’s studio set up includes a variety of vintage Roland and Korg synthesizers as well as the Italo Disco favorite LinnDrum.

In 2016, Mexican Summer's sister label Anthology reissued two essential live albums from Träd, Gräs och Stenar (Tr-ad Grass Ah-k Sta-Nar), a 70s underground Swedish psych rock export, whose records have been hidden gems for collectors worldwide. To commemorate the reissues, Anthology Recordings produced a short, two-part documentary revealing rare interviews with surviving members of the band, presented together here on Night Flight.

Settle into Tonstartssbandht’s music and let it rock heavy from all sides. The music melds with the personal, tangible nature of the city climate, telling a stunning tale. Discovered on the road and distilled at home, the music conveys experience and subtlety, scars exposed to carry the chronicle. The music, the music, the fucking music.

Experimental hip hop group Shabazz Palaces makes a foray into “final-days funk” on Exotic Birds of Prey, an unsettling exploration of the coldest and darkest edges of their sound.

Formed in New Brunswick, NJ in 2005, Screaming Females is Marissa Paternoster, Mike Abbate, and Jarrett Dougherty, known for a hearty mix of indie, alt, punk and stoner-rock. Their latest album, Desire Pathway, is bright and full, capturing the band at a time when nothing was certain other than their abiding desire to make music together.

Harassor are a Los Angeles based metal band influenced by Southern California’s rich history of distinguished metal acts. Fronted by Pete Majors, the group evokes the consummate hallmarks of black, death and doom metal without surrendering to any established order.

Oliver Coates is a British cellist, composer and producer who has played with Thom Yorke and appeared on scores for Paul Thomas Anderson. His 2020 album skins n slime sees him leading “an impassioned performance of strings through viscous, synthetic modulation.”

A potent blend of nostalgia-laced romantic pop from Choir Boy on Dais Records.

“intertwined etymologies of spirit and breath” from RVNG Intl.'s Ka Baird.

When punk first broke in the UK in 1976, music journalist John Ingham was on hand to document the rupture and the rowdiness. Fascinated by the music, fashion, and intrinsic iconoclasm of a little-known outfit called the Sex Pistols, Ingham conducted the band’s first interview, partied with its members, and even bailed Sid Vicious out of jail. Ingham also documented the group's early evolution at legendary gigs shared with other pioneering punk bands including The Damned, The Clash, The Buzzcocks, and more. Spirit of 76: London Punk Eyewitness is the revelatory collection of Ingham’s photography and fly-on-the-spray-painted-wall reporting of the punk movement from its most raucous, bewildering beginnings. Containing the only color photos from British punk’s first wave alongside Ingham’s inimitable prose, this volume constitutes a rare from-the-floor report on the UK punk explosion from one of its original participants.

Today we’re looking at independent record label Sacred Bones, including music videos from Lust for Youth, Lathe of Heaven and Khanate.

French artist Laetitia Sadier, best known as a founder and lead vocalist of indie pop groups Stereolab and Monade , began releasing music as a solo artist with 2010’s The Trip, a tragic dream pop odyssey that drew upon experiences of grief. She followed this effort up with the intimate, yet politically charged albums Silencio in 2012 and Something Shines in 2014.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Joanna Newsom, Palace, Silver Jews and White Fence.

Folk artist Meg Baird comes from a long family tradition of Appalachian folk roots, her great-great uncle was folk-singer and regional historian Isaac Garfield Greer. Her solo work features soft, airy vocals that float above otherworldly folk arrangements and her band Espers draws upon the baroque pop/chamber folk sound of the late 1960s, creating an intoxicating psychedelic sound.

Today we take off to Brooklyn record label Mexican Summer, with music from Photay, Sessa, and Jessica Pratt.

Dark analog dance songs for the post-modern era.

Margaret Chardiet’s industrial noise project Pharmakon blends slow rhythmic beats with guttural synth blasts and wailing vocals that are as disquieting as they are hypnotizing. Her live shows have been described as confrontational, interrogating the division between performer and audience, an emotional trance-like experience she has attempted to recreate on her more recent albums, 2017’s Contact and 2019’s Devour, released on Sacred Bones.

SRSQ (pronounced seer-skew), is a synesthesia of sound and feeling taking cues from the delicate miasma of Cocteau Twins, My Bloody Valentine, and Dead Can Dance.

Welcome to Night Flight’s DAIS Records Video Profile, highlighting the New York and Los Angeles based label featuring artists such as Cold Showers, Merzbow and Space Afrika.

Magik Markers member Elisa Ambrogio released her pop-influenced solo debut The Immoralist on Drag City in 2014. The album paired her soft and distant vocals with pop arrangements, all imparted with the rough textures of her noise rock roots.

“Anti-hero, artist, and Pandrogenist.” Genesis P-Orridge was an icon of experimentation.

Inspired by Buddhist tales and set to the tune of Pauline Anna Strom’s astral electronic soundscapes; Ether Antenna is a short film following the journey of some 10 robot characters through Nepal. Fusing spirituality with robotics this cybernetic tale exploits humanity’s fascination with technology and religion. Designed and built on residency at RAN (the Robotics Association of Nepal), all robot characters were developed to act specifically as puppets and carry out precise interactions through different scenes and scenarios. The film begins as robots are birthed from a sacred tree into the pure streams of water at Muktinath and follows their journey toward the polluted rivers of Kathmandu.

Brooding romanticism expressed through unforgettable hooks and expansive sounds from Dais Record's Death Bells.

Atlanta, Georgia post-punk trio Omni. Featuring 2019's "Skeleton Key" and more.

Chilean psych band Föllakzoid, known for their hypnotic rhythms and Andean folk and krautrock influences, was formed by childhood friends Diego Lorca, Domingo García-Huidobro, and Juan Pablo Rodríguez in 2008 as a trance experience, jamming on a single song for two hours in their first practice session. This free-form approach to playing and performing influenced their early output, working for years on their self-titled Sacred Bones debut EP released in 2011.

“Take Off” to Seattle-based independent label Sub Pop featuring music videos from Weyes Blood, Metz, Wolf Parade and Bully.

Blanck Mass uses fast paced beats, clipped vocal samples and mesmerising synths to create music that is emotionally and sonically intense. Dumb Flesh, his first album with Sacred Bones, saw Power’s incorporate more danceable beats around the chopped-up vocals and drones which were built upon in subsequent releases like 2017’s political World Eater and 2019’s melodic Animated Violence Mild.

In a time rife with alienation, Magic Touch, the latest album by the ubiquitous and mysterious Jack Name to be released on Mexican Summer, offers the comfort of contact. With a body of work that ranges from the catchy to the cacophonous, Name has earned the reputation of a musician who’s difficult to define and has been a fixture in the Los Angeles underground for over a decade.

Composer Tashi Wada's “ancient and futuristic" compositions with his father.

Xeno & Oaklander is an American electronic group from Brooklyn regarded as a key act in the coldwave and minimal electronic revival of the 21st century. The duo combine crisp analog synths with poetic lyrics to weave dark synth-pop soundscapes that are ultimately greater than the sum of their parts.

Producer on The Ramones and Suicide’s debut albums during the downtown NY zeitgeist of the late 1970.

Damon McMahon started his solo musical project Amen Dunes in 2006, recording atmospheric, lo-fi psych-folk alone in the Catskills before moving to Beijing and further honing this dark sound and recording occasionally. These would become his debut Sacred Bones EP Murder Dull Mind.

Brooklyn-based noise-punk band, The Men was formed in 2008 by Nick Chiericozzi, and Mark Perro, later adding drummer Rich Samis and bassist Kevin Faulkner to the lineup. Drawing on a myriad of influences including new wave, country, psych, and surf, The Men released their ambitious 2014 album, Tomorrow’s Hits before returning to their roots with the confrontational and abrasive noise rock LP Devil Music. Their most recent release, Mercy, arrived in 2020.

Jeremiah Sand was the charismatic leader of the Children of the New Dawn, a cult that descended upon a California recording studio in the 1970s to create Sand’s ultimate, psychedelic masterpiece. Not much is known of what transpired at the recording studio where these sessions took place, except that one night, Sand awoke the studio owner in the middle of the night at gunpoint and forced him to hide the master tapes in a lockbox until he returned. Decades passed and Sand was never heard from again, but in 2018 wildfires revealed a box in the ruins of the studio that contained a short film, esoteric artwork, and 50 year old album, Lift It Down.

Noise-rock group Uniform pull from a range of discordant influences including industrial, thrash metal and power electronics. Their debut album, Perfect World, released in 2015 pushed this minimalist setup to its limit, followed later that year by the EP Ghosthouse which appeared on Sacred Bones. On their sophomore effort, Wake In Fright, the group focused on sampling and programming sounds of violence from movies and field recordings, including using gunshots and explosions as percussion. In 2020 the group released their first album with drummer Mike Sharp, Shame.

The garage rock trio of Timmy Vulgar, Blake Hill and Jeff Fournier better known as Timmy’s Organism started as an experimental solo project for the group’s frontman that quickly twisted and morphed into a full-fledged punk band. Their first full-length, Rise of the Green Gorilla, arrived on Sacred Bones in 2010 followed by the 2012 album Raw Sewage Roq.

Sub Pop's Father John Misty, the alter-ego of multi-instrumentalist and songwriter Josh Tillman. Featuring the 25-minute album trailer for 2017's "Pure Comedy."

An extraordinary intimate performance and conversation with Buddy Guy, filmed September 3, 1991, in one of the final sessions for Stuart S. Shapiro's Metal Head Video Magazine. The guitar legend trades stories and riffs with fellow player John Jorgenson and reflects on the mentorship of Muddy Waters, Chicago’s legendary jam sessions, and the art of playing by instinct. A powerful snapshot of a blues master, only on Night Flight Plus.

Tonight we profile indie label Drag City, with artists like Glyders, Sir Richard Bishop, Bill MacKay & Ryley Walker, Jim White, and Jill Fraser.

Let’s return to Drag City, whose roster includes Natural Information Society & Bitchin Bajas, Geologist & Doug Shaw, Faun Fables and Jim White.

Night Flight’s 1985 “Take Off” to Animation Vol. 4 is a perfect mid-decade snapshot of the remarkable evolution of technology and creativity in animation happening in the 1980s. Featuring super-group The Power Station's composited cutout acid trip for their T-Rex cover, Machinations rotoscoped “Pressure Sway” (above), Steve Miller’s early 3D animation effort “Bongo Bongo," and even some interview segments with animators working on Disney's The Black Cauldron.

Join us as Night Flight "Takes Off" to the Sounds of South, from the Bayou and beyond. A mix of country music, blues and old time religion: the sounds that define the south are echoed in many of Rock’s key pioneers. Tonight, Night Flight takes this geographic prompt to explore a broad range of ‘80s acts that carried the torch and established a sound inspired by southern roots, including: Jason and the Scorchers, Blackfoot, Molly Hatchet, 38 Special and more. 

Ann Magnuson's performance art video piece in character as "Fallopia," the latest in a line of sexy Prince protégés — which she describes as "a classroom lesson in "How to Become a New Wave Video Slut"-- was produced exclusively for Night Flight in the 1980s, and you can now watch it in its entirety in this episode from 1986. "My rise to the top was pretty much standard stuff, same as everyone else's. First there was the live sex acts, then the stag parties, then the sleazy piano bars and conventions, then "Star Search." And then after, gosh, I don't know how many 'dates' with record company executives, I was signed to a major label, and my own rock video, and today I'm one of the BIGGEST New Wave Sluts in the industry!!"

A psychedelic, hand-drawn theatre of the absurd.

This special ‘90s syndication episode feature host Tom Juarez introducing multiple classic Night Flight segments. PAL Tape 7 profiles Paul McCartney.

“She was born Norma Jeane Baker in 1926,” Pat Prescott says at the start of tonight’s new Video Profile, “but as Marilyn Monroe, she became a sex symbol that millions of women modeled themselves after and millions of men dreamed about.” Night Flight’s tribute to the icon features Monroe’s 1950 original screen test with Richard Conte for 20th Century Fox’s “Cold Shoulder" and a mix ‘80s musicians that carried the torch: including the Night Flight-staple "She Went Pop" from Synth Pop from Iam Siam in the Zbigniew Rybczyński-directed video (below), 'Blitz Clubber' and Boy George associate Marilyn's single "You Don't Love Me," and more.

This Night Flight original episode from our 1983 season is rife with deep cuts and nostalgic video gems from a lost era. The highlight is of course, Nameneko Punk Rock Kittens which features cats in punk outfits on cat-sized diorama sets (known as Perlorian cats in the US) created by photographer and artist Satoru Tsuda. These feline punkers join the ranks of other zoological video oddities like Dog Police and Fish Heads that were seared into the dazed minds of teenagers up way past their bedtime in the '80s.

Night Flight rocks regional tonight as we travel to Asbury Park and beyond to explore the sounds of The Garden State. Featuring music from, of course, the Boss, blues revivalist Southside Johnny, Hackensack’s Joe Lynn Turner, Clarence Clemons and more!

Oz Fox, born Richard Alfonso Martinez on June 18, 1961, is a founding member and lead guitarist of the Christian metal band Stryper. He was recruited by childhood pals, Robert and Michael Sweet, in 1983. He has recorded and toured with the band – through breakups and brain surgery – for forty years. Our friendship has grown since the pandemic when we began meeting monthly for brunch at his beloved Cracker Barrel. Oz is partial to pancakes with sliced apples. He brings his own special Canadian maple syrup.

Episode 266. An episode of Radio 1990 from 1984 featuring Billy Joel, the president of CBS Records and a Summer movie preview.

Directed by Yen Tan and Hutch Crane. A congressman is haunted by an outfit that won't go away.

Welcome to Night Flight. Tonight we Take Off to Rock and Roll Cowboys, original air date 1988. Sharpen your spurs and saddle up as Night Flight shows you how many of today’s rockers take their musical and visual style from the Wild Wild West. Kicking off with Martini Ranch’s “Reach,” The Damned’s Cinescope spaghetti-western themed cover “Alone Again Or,” and more from Robbie Robertson, Kool Moe Dee, and more!

A man in the desert encounters a soda fountain.

“Here’s a look at the second British Invasion of America…” says Pat Prescott ahead of this brand new arrival from the vault featuring music videos from Adam Ant, Heaven 17, and Eurythmics. The first British music invasion was of course lead by The Beatles in 1964, so we start the show tonight with a rare performance from a 1982 documentary called The Compleat Beatles.

Kicking off with Lisa Robinson's inside scoop on Debbie Harry's 1983 Broadway debut, this April 12th, 1983 is definitive Radio 1990.  Tracks from Culture Club, Gary Numan, and a flashback to Ike and Tina Turner's epic performance of Honky Tonk Woman on BeatClub, soundtrack this excellent episode.

We suggest you Take Off To The Beach with this Night Flight episode from 1986. This segment takes you through a video vignette series covering the land of the surf, sand and sun with videos include Y&T, The Beach Boys, Joe King Carrasco and Beastie Boys. Side B of this episode is a mix of videos loosely held together by the theme: 'Crime.' There's a topnotch selection of videos ranging from Art of Noise, Paul Hardcastle, Golden Earring, Tony Powers and David Bowie's Labyrinth cut "Underground."

Night Flight's 1988 video tribute to John Lennon includes "Instant Karma," "Stepping Out," "Living on borrowed time" and more, with introductions and back story from Pat Prescott

Blue Oyster Cult stops by the Night Flight studio in this fantastic early NF special from 1983. Band members Allen Lanier and Joe Bouchard (we know, we know, their names are spelled wrong!) sit down for a lengthy and informative conversation about the band with tracks including the somewhat controversial and oft-banned “Joan Crawford” and “Veteran of the Psychic Wars,” a dark, brooding track featured on the Heavy Metal soundtrack.

Night Flight takes you for an exclusive look inside "Joe Coleman’s Carnival," the artist’s curated exhibition at Jeffrey Deitch Projects in New York City. Filmed on-site in June 2025, this special hour-long presentation follows Coleman as he personally guides Night Flight through the gallery, revealing works that directly connect him to the carnival world, including his portrait of Tod Browning (Freaks) and a world-renowned collection from sideshow legend Johnny Eck, all culminating in his magnum opus: a life-size biographical portrait of his wife and muse, Whitney Ward. “I believe that the carnival is a kind of profane, holy place,” Coleman says, “where the private desires, fantasies, and fears of a society are given uninhibited free expression.”

Episode 272. An original episode of Radio 1990 from 1984 featuring Tracy Ullman, Devo and Lisa Robinson's interview with Mick Jagger.

In this original episode from October 30th, 1987 Night Flight presents two independent shorts as a part of our "Short Film Showcase" segment. The first up is the criminal-comedy “The Lemon Man,” by Super 8 auteur Michael Legge, followed by the mysterious experimental animation called “Xidu,” by Australian filmmaker Michelle Mahrer.

A Yugoslavian cat and mouse animation by director Darko Cesar, who went on to become a veteran Disney animator.

1985's "Take Off" to street music featuring Chaka Khan, Grand Master Flash, Run DMC and more...