Xeno & Oaklander is an American electronic group from Brooklyn regarded as a key act in the coldwave and minimal electronic revival of the 21st century. The duo combine crisp analog synths with poetic lyrics to weave dark synth-pop soundscapes that are ultimately greater than the sum of their parts.

Nebulous and with an ever-changing roster of collaborators, Palace, was an anti-folk folk rock project. As the musical debut of influential Louisville singer/songwriter Will Oldham, the “group’s” inconsistent name scheme reflects the constant ebb and flow of collaborators in Oldham’s life.

Silver Jews was an American rock band formed in Hoboken by David Berman and Pavement members Stephen Malkmus and Bob Nastanovich. Inspired by the conceptual art at the Whitney Museum where Berman worked as a security guard, they would record their earliest tracks on the answering machines of friends.

After releasing a variety of offerings with friends under the nebulous Palace moniker and his own name, Will Oldham began his prolific streak of recording and performing his brand of Americana under the pseudonym Bonnie “Prince” Billy in the late 90s. His songs feature haunting lyrics over instrumentals that draw from numerous American musical traditions.

Tempers is a New York based synth-pop duo whose rigorous electronic production is paired with instinctual, unleashed vocals. The pair released their debut album Services on the cult German imprint Aufnahme + Wiedergabe and quickly became staples in both European and American synth-pop scenes.

Jackie Lynn, the fictional, long-haul trucking, drug dealing stage persona of Circuit des Yeux’sHaley Fohr, developed as a way to compartmentalize Fohr’s introspective, avant-folk sound from the more playful fusion of country and synth pop on releases like Jackie Lynn and Jacqueline.

Wand is a metal-influenced psych rock band based in Los Angeles, California. Formed in 2013 by Cory Hanson, the group’s early releases feature hints of sludge and heavy metal, later giving way to more melodic synths. A lineup expansion in 2016 brought an improvised, jam-style to the band’s songwriting which coincided with a transition towards a more expansive, classic rock sound.

Queens-based experimental rock duo Blues Control, composed of Russ Waterhouse on guitars and electronics and keyboardist Lea Cho, established themselves in NY with exciting live shows and a series of self released cassettes and vinyl.

Alasdair Roberts is a Scottish folk musician based in Glasgow who has released a number of albums under his name as well as the stage moniker, Appendix Out. Roberts is also noted for his frequent collaborations with other musicians, writers and filmmakers.

Initially getting its start as a noisy and abrasive solo project in the basement of Philadelphia guitarist Mike Polizze, before expanding into a power trio, Purling Hiss made their name in the sceen playing alongside acts like the War on Drugs.

Chicago-based psychedelic Krautrock group Cave began seriously recording music together in 2008. Cave is known for their hypnotic and droning instrumentals which have invited comparisons to bands like Can and Funkadelic.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

LA psych scene veteran Michael Collins, formerly of Run DMT and Salvia Plath, surfaced as Drugdealer in 2016 with the warm and melodic The End of Comedy. Dialing back the psychedelia that had defined the first half of his career, Drugdealer reflected a shift towards 70s soft rock and Baroque pop influences that would continue to emerge on his next album, Raw Honey, released in 2019 on Mexican Summer.

Dan Lopatin aka Oneohtrix Point Never’s releases for Mexican Summer are sample-based meditations that are as lyrical as they are ecological, featuring re-purposed “ghost vocals” which serve as narration for Lopatin’s signature amorphous, ambient passages. His 2010 album Returnal’s placid, synthetic surroundings are accelerated through darker, more unpredictable terrains via Lopatin’s use of samplers, analog filtering, tape-op, piano, plate reverb and sub-bass.

This is Unusual Sounds: A deep dive into the mysterious world of library music; the extraordinary stock recordings that soundtracked the heyday of B movies, low-budget television, and scrappy genre filmmaking curated by David Hollander and released by independent label Mexican Summer.

Kiwi oddball Connan Hosford, better known as Connan Mockasin, made a name for himself in the New Zealand psych scene in the early 2000s playing in a group called Connan & the Mockasins, known for their trippy, bluesy and whimsical indie pop. His most recent album, Jassbusters, arrived in 2018 on Mexican Summer accompanied by his absurdist film Bostyn ‘n Dobsyn.

Evan Shornstein, known as Photay, has a talent for melody, but rhythm is at the heart of everything he does. He’s been playing the drums since elementary school, and the name Photay actually stems from an eye- opening trip to Guinea with his drum teachers. As a producer, he combines digital and analog, blurring the lines between “real” and electronic instrumentation.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. bass and piano. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

In a time rife with alienation, Magic Touch, the latest album by the ubiquitous and mysterious Jack Name to be released on Mexican Summer, offers the comfort of contact. With a body of work that ranges from the catchy to the cacophonous, Name has earned the reputation of a musician who’s difficult to define and has been a fixture in the Los Angeles underground for over a decade.

When punk first broke in the UK in 1976, music journalist John Ingham was on hand to document the rupture and the rowdiness. Fascinated by the music, fashion, and intrinsic iconoclasm of a little-known outfit called the Sex Pistols, Ingham conducted the band’s first interview, partied with its members, and even bailed Sid Vicious out of jail. Ingham also documented the group's early evolution at legendary gigs shared with other pioneering punk bands including The Damned, The Clash, The Buzzcocks, and more. Spirit of 76: London Punk Eyewitness is the revelatory collection of Ingham’s photography and fly-on-the-spray-painted-wall reporting of the punk movement from its most raucous, bewildering beginnings. Containing the only color photos from British punk’s first wave alongside Ingham’s inimitable prose, this volume constitutes a rare from-the-floor report on the UK punk explosion from one of its original participants.

CMON, which stands for Confusing Mix of Nations, is a pop duo born out of the ashes of Brooklyn indie rock group Regal Degal. Shifting the focus towards more danceable tracks, the duo carried the atmospherics from their previous project into CMON, only now incorporating more elements of disco and pop into their recordings.

In 2016, Mexican Summer's sister label Anthology reissued two essential live albums from Träd, Gräs och Stenar (Tr-ad Grass Ah-k Sta-Nar), a 70s underground Swedish psych rock export, whose records have been hidden gems for collectors worldwide. To commemorate the reissues, Anthology Recordings produced a short, two-part documentary revealing rare interviews with surviving members of the band, presented together here on Night Flight.

Actor, screenwriter and artist Karen Black cemented a place for herself in the New Hollywood movement of the 60s and 70s with starring turns in films like Easy Rider (1969) and Five Easy Pieces (1970). During an acting career that spans 5 decades and over 200 credits, Black began writing and recording music with notable producers Bones Howe and Elliot Mazer. Decades later under the oversight of Cass McCombs, her work has been restored from the original tapes for release on Mexican Summer’s Anthology Records label.

After a collection of demos and early studio recordings earned her a dedicated audience, songwriter Jessica Pratt moved from San Francisco to Los Angeles and recorded her first intentional album in her bedroom. That album, On Your Own Love Again (released by Night Flight indie label partner Drag City in 2015), would bring her around the world many times, leading many to fall under the spell of Jessica Pratt the performer, the songwriter, the singer with the heavy-lidded voice that feels alien and familiar at the same time. Quiet Signs, the artist’s debut record for Mexican Summer, finds Pratt's songwriting and accompanying guitar work refined -- more distinct and direct.

Georgia-based Robert Lester Folsom released his first studio album, Music and Dreams, in 1978. Although it did receive some local attention on its initial release, the record had limited pressings and Folsom was unable to complete a follow-up album during that time. Here’s the Anthology Records documentary about the artist, created to accompany the label’s reissues projecs.

Danish punk stalwarts Iceage formed as a group in 2008, fronted by Ellias Bender Rønnefelt with guitarist Johan Suurballe Wieth, Jakob Tvilling Pless on bass and drummer Dan Kjær Nielsen. Known for their abrasive but ever developing sound, their most recent record Seek Shelter arrived in May of 2021, their fifth full-length and first for Mexican summer. Recorded over a 12 day period in a run down studio in Lisbon, Seek Shelter features production by Peter Kember, aka Sonic Boom, and incorporates a gospel choir, seemingly signaling the group’s slide away from the nihilism of it’s earlier records in favor of resigned but comforting melodies.

The first thing you notice about Weyes Blood’s third record for Mexican Summer, Front Row Seat to Earth, is its closeness. The music is immediate and warm with an intimate feeling. Active in underground music since 2006, Natalie Mering [MER-RING], the being behind Weyes Blood, sings sublimely. There is a faded California beauty to Merin’s music and a gentle honesty that recalls the finest folk music made on the West Coast of the ‘70s.

The Texas-born, L.A.-based singer and songwriter Jess Williamson makes deeply felt songs that orbit around her powerful voice. In her most recent album for Mexican Summer, 2020's Sorceress, that voice is surrounded by a deep-hued kaleidoscope of dusty ‘70s cinema, ‘90s country music, and breezy West Coast psychedelia. Here's the video for "Wild Rain," directed by Williamson herself.

Swedish psych rock band Dungen was founded by composer and vocalist Gustav Ejstes in 2001. Their most recent studio album Häxan, is the first all-instrumental work the group released and was inspired by and exists as a score for The Adventures of Prince Achmed, believed to be the oldest surviving animated feature film.

“The best songs in the world come from a feeling” says the artist known as Ilian, whose life and career is documented in this short film created by Mexican Summer's Anthology records for the their reissue of artist's long lost 70’s album, Love Me Crazy.

“There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night." Singer/songwriter Cate Le Bon began her career collaborating with fellow Welsh musicians Gruff Rhys and Richard James before releasing her first EP, the Welsh language Looking in the Eyes of a Borrowed Horse in 2008. In 2019 Cate Le Bon signed with Mexican Summer for her fifth album, Reward, released to critical acclaim. Here's the video for "Home To You."

Brooklyn-born and based experimentalist and multi-instrumentalist Taja Cheek, aka L’Rain’s, 2021 album Fatigue demands introspection from ready ears with an array of keyboards, synths, and hauntingly delicate vocals while blending the sounds of gospel, jazz, and neo-soul to create a genre entirely her own. Cheek has dipped her toes in every corner of the arts, through her work at some of the most prestigious art institutions in NYC and collaborations with the likes of Naama Tsabar and Kevin Beasley.

Arp is Brooklyn-based electronic producer and composer Alexis Georgopolous’ ambient solo project, first unveiled in 2006. While Georgopolous’ early work as Arp is largely defined by minimalist soundscapes made on synthesizers, each consecutive release remains untethered from the former, with later works exploring Glam, art pop and field recordings. The fifth Arp album, Zebra, arrived in 2018 and features elements of jazz and traditional folk music paired with Alexis’ signature ambient stylings.

The Los Angeles-based quartet Allah-Las came together in 2008 while its members were working at Amoeba records. Allah-Las eventually found their way to Mexican Summer for the release of Calico Review in 2016, cultivating an array of global influences. These disparate and collected sounds would come together on the band’s fourth full-length, Lahs, an ode to the band's traveling lifestyle, released on Mexican Summer in 2019.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Michael Angelo Nigro is a Kansas City multi-instrumentalist who recorded his first album in 1977, the self-titled Michael Angelo. Recorded during his off hours at his job as a session man at Liberty Recording, the original release was only 500 copies. In 2015, Anthology Recordings remastered and re-released the album and produced a short documentary about the artist, now streaming on Night Flight.

In 2020 Kentucky-based singer-songwriter Emma Ruth Rundle, known for her brand of dark and expressive post-rock, teamed up with Louisiana metal band Thou for one of the most interesting collaborative projects of the year. May Our Chambers Be Full, released on Sacred Bones, channelling Rundle’s brooding lyrics and Thou’s atmospheric sludge into a record that showcases the DIY versatility of both parties.

Exploded View’s surreal mix of post-punk and krautrock reflects the makeup of the band and it’s member’s solo projects. Founded by British-German singer-songwriter Annika Henderson and Mexico City-based musicians Martin Thulin and Hugo Quezada the group made it’s haunting self-titled debut on Sacred Bones in 2016, followed by the more focused sophomore release Obey in 2018.

Alan Vega, visual artist and frontman of punk pioneer duo Suicide, passed away in 2016 after a 50 year career in art and music. In addition to his musical output, Vega’s sculpture work gave him a notorious reputation in the New York art world, later opening a 24-hour gallery space that would go on to serve as an early venue for bands like the New York Dolls, Television and Blondie.

Brisbane garage rock band Slug Guts exploded onto the australian punk scene with the first album Down on the Meat, recorded and released only months after they started playing together in 2009. The band returned in 2011 on Sacred Bones with the full-length Howlin’ Gang, self-described as “menacingly desperate, ugly, and malnourished” this ethos would carry the band into their final LP, Playin’ in Time With the Deadbeat. Recorded in a year in which many of the band's members experienced significant personal turmoil, the group finally called it quits in 2013.

Sean Ragon’s dark, post-punk neofolk band Cult of Youth, began as a solo project with the release 2008’s A Stick to Bind, a Seed to Grow. Recruiting a supporting band, Ragon expanded the group’s sound on its 2011 self-titled Sacred Bones debut. This would be followed by 2012’s chamber-pop like Love Will Prevail, then 2014s Final Days.

Settle into Tonstartssbandht’s music and let it rock heavy from all sides. The music melds with the personal, tangible nature of the city climate, telling a stunning tale. Discovered on the road and distilled at home, the music conveys experience and subtlety, scars exposed to carry the chronicle. The music, the music, the fucking music.

Luca Yupanqui began recording music when she was literally in the womb. The child of musicians Elizabeth Hart and Iván Diaz Mathé, the pair began recording their unborn child with biosonic MIDI technology Diaz Mathé compared to a polygraph. After her parents spent 2020 mixing the album “respecting the sounds as they were produced”, Luca made her Sacred Bone’s debut in 2021 with Sounds of the Unborn, described as an “expression of life in its cosmic state.”

Formed by singer and guitarist Ryan Rousseau, Jay Reatard and Alicja Trout in 2000, Destruction Unit are a psychedelic punk band based out of Phoenix known for their tumultuous sound featuring distorted, fuzzy-guitars, loud vocals and aggressive drums.

Institute, the Austin based punk outfit founded by Moses Brown and Arak Avakian of Glue, Adam Cahoon of Wiccans, exploded onto the Texas punk scene in 2013 with lyrics of personal struggles and a dark and streamlined sound that they would continue to hone over the years. Their debut full-length, Catharsis, arrived on Sacred Bones in 2015 and featured cleaner production with broader influences, expanding on their anarchic post-punk sound.

Founded in 2010 by Robert Alfons and Maya Postepski, the group uses ethereal synth pop tones mixed over surging industrial beats. With the release of their first album TRST in 2012, the duo went their separate ways and Alfons continued to record and tour under the name. As a solo project Alfons began incorporating more elements of acid house and techno into his next release Joyland in 2014, which debuted to massive critical and commercial success.

Luis Vasquez's industrial, post-punk solo project, the Soft Moon, marries the haunting sounds of Bauhaus and Joy Division with a stripped-down approach to production and recording. Channeling his Afro-Cuban heritage and upbringing in the Mojave Desert, Vasquez’ first full-length, a self-titled LP arrived shortly after his debut singles “Breathe the Fire” and “Parallels'' in 2010. Honing his singing and songwriting over the decade with consistent and ambitious records, the Soft Moon’s first album with Sacred Bones, Criminal, was released in 2018.

Born to a family of fiddlers in Texas, film actor Caleb Landry Jones was instead drawn to the psychedelia of Syd Barrett’s solo work. Throughout his acting career he remained steadfast in his commitment to recording music, amassing hundreds of demos out of his family barn. Director, musician and Sacred Bones collaborator Jim Jarmusch heard these demos and suggested Jones approach the label, culminating in the release of his debut album The Mother Stone in 2020.

Sonically dense and inspired by art rockers like Scott Walker and Robert Wyatt, The Fresh & Only’s guitarist Wymond Miles’ solo output is decidedly somber and draped in layers of reverb. In 2012 Miles’ released his first pieces of material including his debut album Under The Pale Moon, returning the following year with the similarly psychedelic, Cut Yourself Free. After a brief hiatus, he returned to the studio with a new creative direction, recording 2016’s Call by Night, drawing influences from gospel and country.

The son of a truck stop preacher, raised and home-schooled in a “super religious family” (his own words), the acoustic guitarist and soundscape composer from Amarillo, Texas, first record for Mexican Summer arrived in 2021.