Night Flight celebrates the creative life and career of GWAR founding member Chuck Varga with this special segment on the band from Gorgon Video Magazine (1989). Hail Varga! Hail Sexicutioner!

Sub Pop-signed Bully from "Take Off" to Indie Labels. Featuring "Guess There," and more.

Natalie Mering's orchestral folk project, signed to Sub Pop records. Songs from 2019's Titanic Rising.

Pennsylvania post-hardcore band Pissed Jeans on Sub Pop Records. Featuring Lydia Lunch produced "The Bar Is Low" and more.

Folk artist signed to Sub Pop records. Featuring 2019's "Nowhere" and more.

The Sub Pop music of Riot Grrrl veterans Sleater-Kinney. Featuring "Jumpers" and more.

Imaginative visual art and music from Calgary, Alberta Sub Pop artist Chad Van Gaalen. Featuring "Monster" and more.

Sub Pop's Father John Misty, the alter-ego of multi-instrumentalist and songwriter Josh Tillman. Featuring the 25-minute album trailer for 2017's "Pure Comedy."

Dinosaur Jr. frontman's project for Sub Pop records. Featuring music from 2018's "Elastic Days" and more.

Slowcore pioneers Low on Sub Pop Records. Featuring music from 2018's "Double Negative" and more.

Sub Pop band from the grunge era. Featuring "Stumblin' Man," and more

Toronto-bred, 3-piece noise punk band METZ. Featuring "Pure Auto" and more.

Inspired by Buddhist tales and set to the tune of Pauline Anna Strom’s astral electronic soundscapes; Ether Antenna is a short film following the journey of some 10 robot characters through Nepal. Fusing spirituality with robotics this cybernetic tale exploits humanity’s fascination with technology and religion. Designed and built on residency at RAN (the Robotics Association of Nepal), all robot characters were developed to act specifically as puppets and carry out precise interactions through different scenes and scenarios. The film begins as robots are birthed from a sacred tree into the pure streams of water at Muktinath and follows their journey toward the polluted rivers of Kathmandu.

Atlanta, Georgia post-punk trio Omni. Featuring 2019's "Skeleton Key" and more.

Seattle-based grunge foursome Mudhoney. Featuring 1991's "Good Enough" and more.

Latvian composer and artist Sign Libra's Sea of Islands and Sea Of Nectar.

Minimal electronic abstraction and '80s Japanese-inspired pop from Kate NV.

Few Traces surveys a near decade of Mark Renner’s scarcely released and unreleased material from 1982 to 1990, embracing and evoking the timelessness of his artistic statement: a wordless translation of the individual’s musical experience, met with the poetic expression of being here. Mark Renner first encountered punk while a teenager in Upperco, a country town in rural Maryland. Growing up on his family farm, he became a young acolyte of the British exports hitting not-so-distant Baltimore record store shelves in 1979 / 1980 and was baited by an area musician-wanted ad declaring Ultravox a primary touchstone.

For the tenth volume of RVNG's FRKWYS series, composer, percussionist and sound designer David Van Tieghem alongside ten younger artists from across the avant spectrum become a bulletin of Fits & Starts. Directed by Jordan Kinle

Sub-Pop signed horror-core act clipping. Featuring music from 2019's concept album "There Existed an Addiction to Blood" and more.

Generative tools and software-based sonics from duo Visible Cloaks.

Seattle based avant garde and experimental musician K. Leimer.

Producer on The Ramones and Suicide’s debut albums during the downtown NY zeitgeist of the late 1970.

The sonic world Helado Negro builds an aura vivid enough to be seen.

The ‘intuitive gesture’ of action painting in drum form from Greg Fox.

Breadwoman & Other Tales are the collected recordings of a language arising. It is the sound and document of Anna Homler divining speech, lyrical fragments, and melody for music composed, mixed, and engineered by Steve Moshier.

Sunshine Soup, directed by multitalented designers / artists Misha Hollenbach and Johann Rashid, is a non-linear film keyed to the outer-boundary music created by Robert Aiki Aubrey Lowe & Ariel Kalma Hollenbach and Rashid captured extensive footage surrounding the recording of We Know Each Other Somehow. Using handheld HD and 8 mm cameras, they later processed the images with a Fairlight Computer Video Instrument (CVI). With its responsive, meditative perspectives and refracted, sun-bleached compositions, Sunshine Soup becomes the visual companion to the transformative musical principles explored throughout the collaborative album.

"Syrupy, space-case dance music” from electronic duo Blondes.

“intertwined etymologies of spirit and breath” from RVNG Intl.'s Ka Baird.

Composer Tashi Wada's “ancient and futuristic" compositions with his father.

Enigmatic cowboy crooner Orville Peck. Featuring songs from his 2019 Sub Pop debut "Pony."

Sunergy brings together synthesists Kaitlyn Aurelia Smith and Suzanne Ciani for the thirteenth installment of FRKWYS, RVNG Intl.’s intergenerational collaboration series. For this edition, a panorama of the Pacific Coast provides the place and head space for a musical appreciation and consideration of a life-giving form vast and volatile with change.

Sixties psych, Shoegaze, and ’90s indie come together in the music of folk-pop artist Dylan Moon.

RVNG Intl’s 2019 release "Becoming Peter Ivers" collects 25 songs transferred from a survey of over 500 reels and cassettes along with an incredible amount of unseen photos and ephemera.

Formed in 2013, RVNG Intl. has consistently released compelling sounds in the form of extravagant reissues, daring new signings and rising avant-garde stars.

Dark-synth pop act Riki from Dais Records.

Warped tape loops, aging VHS home-movie samples, and processed vocals tinged with harmonic specters from Body of Light on Dais Records.

An Evolutionary Music (Original Recordings: 1972 - 1979) compiles unreleased recordings from the archives of multiversal artist Ariel Kalma. Concerned as much with musicality as spiritual facility, Kalma’s work vibrates aside fellow travelers along the great rainbow in curved air of the 1970s avant-garde. Directed by Matthew McGuigan

Philly post-punk outfit Death of Lovers on Dais Records.

Art rock outfit of multi-instrumentalist Graeme Jefferies.

Drew McDowall's work mines the hallucinatory spaces that exist between reality and celestial otherness.

Cellist Oliver Coates's "ambient braindance" compositions.

SRSQ (pronounced seer-skew), is a synesthesia of sound and feeling taking cues from the delicate miasma of Cocteau Twins, My Bloody Valentine, and Dead Can Dance.

Soft-focus sounds from painter and an ambient composer Tor Lundvall on Dais Records.

Suzy Poling's latest record uses sounds and samples collected from the Vintage Synthesizer Museum in Oakland, CA.

"An experiment in the identity of creativity…" Tune in for an exclusive visit to Night Flight from Drab Majesty's Deb Demure: a unique delight and another timeless entry to Night Flight cultural canon.

Tragic beauty from Dais-signed duo from the Bay Area.

Audio/visual provocateurs who transpose the identifiers of death rock, synth punk, post-punk, ambient, and ethereal soundscapes. Aka, VR Sex.

A potent blend of nostalgia-laced romantic pop from Choir Boy on Dais Records.

A Shoegaze pedigree with smoky compulsions of post-punk and no-wave influences.

Haunting folk noise and cinematic textures from experimental producer Michael Anderson.

Los Angeles, CA-based Electro-punk act on Dais Records.

Brooding romanticism expressed through unforgettable hooks and expansive sounds from Dais Record's Death Bells.

Spice shares the authoritative drive of Jawbreaker, J Church, and Fugazi, but set in their own world of unrest.

Dark analog dance songs for the post-modern era.

Stephen Mallinder, co-founder and frontman of the iconic Cabaret Voltaire, returned with his first solo album in over 35 years: Um Dada, for Dais Records. Laced with leftfield house and cut-up sound collages, Um Dada is a melding of energies that are an exercise in simplicity and motion.

“Anti-hero, artist, and Pandrogenist.” Genesis P-Orridge was an icon of experimentation.

Former geotechnical engineer Lucrecia Dalt's experimental compositions.

Chicago-baed electronic / dark industrial duo HIDE on Dais Records.

X RAY POP are the French synth-pop duo that began as part of the no wave art group Bocal 5 in 1981. Referring to their sound as “minimum naive new wave” their songs feature rich textures on concise but relentless arrangements with playful lyrics and a general tongue-in-cheek of humor that’s as catchy as it is eccentric.

Born and raised in Bucharest, Romania, Borusiade aka Miruna Boruzescu started DJing in 2002 as one of the very few female DJs in the city’s emerging alternative clubbing scene.

Executive Slacks was spawned in Philadelphia by three restless art students in the early 1980s. Starting out with performance art in subways, they soon took their angst-ridden act to galleries and nightclubs. Dripping in nihilism, Executive Slacks' unique brew of primitive electronics, harsh guitars and aggressive vocals inspired many bands like Ministry, Front 242 and Skinny Puppy.

In early 1980s Finland, Belaboris were in their own peculiar, undefinable no-woman’s-land between the Finnish Futu and Gothic scenes.

Resuscitating The '80s Underground. Inspired by the DIY nature of the 80s underground, Dark Entries founder Josh Cheon launched the label in 2009 to release out of print and unreleased underground music as well as contemporary bands, with a mission to preserve sound quality and respecting the aesthetics of its artists. With over 100 releases under our belt from Severed Heads, Crash Course In Science, Patrick Cowley to the Dark Entries Editions series focusing on hard to find Italo Disco and Synthpop 12”s. And yes, Josh took the name from Bauhaus's first 7″release,

Xymox, later known as Clan of Xymox, was founded in the Netherlands, in 1983 by Ronny Moorings (Vocals, Guitars, Synthesizers) and Anka Wolbert (Vocals, Bass). In 2014, Dark Entries reissued the band's pre-4AD EP, Subsequent Pleasures, a unique fusion of lush psychedelia and dark, angular atmospherics.

Suzanne Doucet got her start as a successful pop-star in Germany before moving to the US and embarking on her new-age career, releasing over 40 records in the states.

Altres are an electronic band from Dundee, Scotland originally formed in 1983. With influences ranging from Faust to Philip Glass, Altres’s unique brand of instrumental, improvised electronic music was all recorded live, with no overdubs.

Bézier is the moniker of all-live-analog electronic wizard Robert Yang from San Francisco. Yang’s studio set up includes a variety of vintage Roland and Korg synthesizers as well as the Italo Disco favorite LinnDrum.

Borghesia is an electronic music group from Slovenia formed in 1982. Borghesia is one of the most successful bands from former Yugoslavia known for turning sexual freedom into an important political issue by creating the New Slovenian Art scene.

Born on the island of Crete and raised in Athens, Platonos was one of the pioneers in the Greek electronic music scene of the 1980s, and remains active today.

Patrick Cowley was an innovative American disco producer and composer originating from Buffalo, NY. Best known for his production on Sylvester’s explosive hit “You Make Me Feel (Mighty Real)” as well as his own chart topping dance tracks.

Red Axes are the Tel Aviv-based electronic duo of Dori Sadovnik and Niv Arzi whose sound is heavily influenced by the music of post-punk and new wave bands from the 80s.

Geneva Jacuzzi is well known for her uncompromisingly obtuse synth-driven pop and one-of-a-kind performance art that is comprised of one time only spectacles and installations. Her works have been presented in famous art institutions such as the Museum of Contemporary Art, MOCA, The Broad Museum, Vooruit, Kampnagel, and numerous other venues across the globe. Her videos and live performances depict the shattering of self into a variety of personas, all played by Jacuzzi. Introducing Geneva Jacuzzi's Lamaze Video Special. From Geneva Jacuzzi herself: "Ever see a video materialize into human flesh? Its not a pretty picture. It takes time and money and 12 epic music music videos simultaneously broadcasting life into the first non-dimensional humanoid born in "video-vitro" Set in a Bozzio Bizaro Video Laboratory, Geneva Jacuzzi (a chronic procrastinator/still in video form) was late to the flesh party. Trapped inside a TV screen, she does her best to host the video special while her newly materialized body struggles to come to life. Watch the drama unfold around 12 surreal and colorful music videos from the album "Lamaze"." It's Frankenstien meets Cronenberg meets MTV in the Future Past. And the music is really cool too. Enjoy.

From Nursery to Misery were three teenagers who grew up together on the same street in Basildon Essex. Formed in 1987, the band was comprised of vocalists (and identical twins) Gina and Tina Fear, along with keyboard player and producer Lee Stevens.

Cheerful West Coast punk rock trio Flat Worms are known for combining garage punk sensibilities and energy with indie rocker wit. Will Ivy recruited bassist Tim Hellman, formerly of Thee Oh Sees, and Babies drummer Justin Sullivan for their debut 7 inch “Red Hot Sand” before following it up a year later with a positively received self titled full-length.

Folk artist Meg Baird comes from a long family tradition of Appalachian folk roots, her great-great uncle was folk-singer and regional historian Isaac Garfield Greer. Her solo work features soft, airy vocals that float above otherworldly folk arrangements and her band Espers draws upon the baroque pop/chamber folk sound of the late 1960s, creating an intoxicating psychedelic sound.

Purple Mountains, the last project of late Silver Jews singer David Berman, released after a decade of absence from the music industry and a month prior to his tragic passing, was a clever, occasionally somber tribute to the country-rock traditions that had guided much of Berman’s career.

Drawing inspiration from the fingerplucking, East-meets-West guitar solos of the 60s and 70s psychedelic folk scene, Six Organs of Admittance was the primary project of NorCal guitarist Ben Chansy. Combining new folk and drone music with Eastern bells and chimes, Six Organs of Admittance began releasing music on Drag City in 2006.

Born in 1954 in Versailles, France, Philippe Krootchey was a musician, DJ, radio and television host at the forefront of the gay liberation movement in France.

French artist Laetitia Sadier, best known as a founder and lead vocalist of indie pop groups Stereolab and Monade , began releasing music as a solo artist with 2010’s The Trip, a tragic dream pop odyssey that drew upon experiences of grief. She followed this effort up with the intimate, yet politically charged albums Silencio in 2012 and Something Shines in 2014.

Dope Body are a Baltimore area post-punk noise rock group. Their Drag City debut, Natural History, a reference to the venue that first hosted the group for a one-off, meshed the band’s myriad sonic influences into an intense 35 minute experience. After briefly breaking up in 2016, the band reformed in 2019, culminating in two full length releases in 2020.

Greg Turkington’s fictional persona Neil Hamburger, a misanthropic, anti-comedian was introduced to the world in 1992 on the album Great Phone Calls Featuring Neil Hamburger, a self-deprecating assault on the expectations that had developed in stand-up.

Harassor are a Los Angeles based metal band influenced by Southern California’s rich history of distinguished metal acts. Fronted by Pete Majors, the group evokes the consummate hallmarks of black, death and doom metal without surrendering to any established order.

Masaki Batoh, founding member of Japanese experimental rock band Ghost, struck out on his own after closing the door on Ghost’s 30 year tenure in the psychedelic and progressive scenes. His more recent projects include his psychedelic 5-piece the Silence and his more spiritual solo output, such as Nowhere, and Smile Jesus Loves You!, released on Drag City.

Ski Patrol were a band formed in 1979 in the Brixton area in response to the darkwave and post-punk bands that were gaining popularity in England at the time.

Bill Callahan's new album YTI⅃AƎЯ arrives via Drag City on October 14th, '22. Night Flight's official video profile now includes the visual for lead single Coyotes, a so-called "lyric video" with a dark twist. After years of releasing acclaimed lofi folk-rock albums under the name Smog, Bill Callahan has been recording and releasing music under his own name since 2007. This critically-acclaimed work has mixed his largely acoustic sound with elements of gospel, soul and pop.

Xeno & Oaklander is an American electronic group from Brooklyn regarded as a key act in the coldwave and minimal electronic revival of the 21st century. The duo combine crisp analog synths with poetic lyrics to weave dark synth-pop soundscapes that are ultimately greater than the sum of their parts.

Nebulous and with an ever-changing roster of collaborators, Palace, was an anti-folk folk rock project. As the musical debut of influential Louisville singer/songwriter Will Oldham, the “group’s” inconsistent name scheme reflects the constant ebb and flow of collaborators in Oldham’s life.

Silver Jews was an American rock band formed in Hoboken by David Berman and Pavement members Stephen Malkmus and Bob Nastanovich. Inspired by the conceptual art at the Whitney Museum where Berman worked as a security guard, they would record their earliest tracks on the answering machines of friends.

After releasing a variety of offerings with friends under the nebulous Palace moniker and his own name, Will Oldham began his prolific streak of recording and performing his brand of Americana under the pseudonym Bonnie “Prince” Billy in the late 90s. His songs feature haunting lyrics over instrumentals that draw from numerous American musical traditions.

Tempers is a New York based synth-pop duo whose rigorous electronic production is paired with instinctual, unleashed vocals. The pair released their debut album Services on the cult German imprint Aufnahme + Wiedergabe and quickly became staples in both European and American synth-pop scenes.

Jackie Lynn, the fictional, long-haul trucking, drug dealing stage persona of Circuit des Yeux’sHaley Fohr, developed as a way to compartmentalize Fohr’s introspective, avant-folk sound from the more playful fusion of country and synth pop on releases like Jackie Lynn and Jacqueline.

Wand is a metal-influenced psych rock band based in Los Angeles, California. Formed in 2013 by Cory Hanson, the group’s early releases feature hints of sludge and heavy metal, later giving way to more melodic synths. A lineup expansion in 2016 brought an improvised, jam-style to the band’s songwriting which coincided with a transition towards a more expansive, classic rock sound.

Queens-based experimental rock duo Blues Control, composed of Russ Waterhouse on guitars and electronics and keyboardist Lea Cho, established themselves in NY with exciting live shows and a series of self released cassettes and vinyl.

Alasdair Roberts is a Scottish folk musician based in Glasgow who has released a number of albums under his name as well as the stage moniker, Appendix Out. Roberts is also noted for his frequent collaborations with other musicians, writers and filmmakers.

Initially getting its start as a noisy and abrasive solo project in the basement of Philadelphia guitarist Mike Polizze, before expanding into a power trio, Purling Hiss made their name in the sceen playing alongside acts like the War on Drugs.

Chicago-based psychedelic Krautrock group Cave began seriously recording music together in 2008. Cave is known for their hypnotic and droning instrumentals which have invited comparisons to bands like Can and Funkadelic.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez