Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

The current band of the Stereolab frontwoman, Laetitia Sadier Source Ensemble incorporates some of Sadier’s longest and closest collaborators, Emmanuel Mario, Nina Savary and Xavi Munoz.

Altres are an electronic band from Dundee, Scotland originally formed in 1983. With influences ranging from Faust to Philip Glass, Altres’s unique brand of instrumental, improvised electronic music was all recorded live, with no overdubs.

Nuke Watch is an amorphous entity emanating out of Bog 65, Beat Detective’s former headquarters. Its 2020 album Countdown is a “rippling, multi-sensory experience that warms, beguiles, puzzles, tickles and eases the listener,” developed in the improvisational and exploratory aura of the studio.

SRSQ (pronounced seer-skew), is a synesthesia of sound and feeling taking cues from the delicate miasma of Cocteau Twins, My Bloody Valentine, and Dead Can Dance.

Formed in New Brunswick, NJ in 2005, Screaming Females is Marissa Paternoster, Mike Abbate, and Jarrett Dougherty, known for a hearty mix of indie, alt, punk and stoner-rock. Their latest album, Desire Pathway, is bright and full, capturing the band at a time when nothing was certain other than their abiding desire to make music together.

“What do you do when a guy puts Mayonnaise on your shoulder?... Do the Watusi!" — Howie Mandel circa 1986.  And so goes 3 minutes of towering cringe (even by '80s standards) in tonight’s "Take Off" episode to Comedy in Music Videos from 1988 that also features the legendary Max Headroom, Father Guido Sarducci, Bette Midler, Will Smith and more!

“In 1977, the Sex Pistol’s Johnny Rotten was the most famous man in Rock 'n' Roll…” Pat Prescott tells us, “then he went to work on Public Image Ltd… a group that called everything to question.” A cadre of PiL’s music videos and candid interview segments with Lydon are the backbone of this epic episode. Let John's disdain for music industry and all it’s hypocrisy, bureaucracy and bullshit be your guide to this episode of CLASSIC NIGHT FLIGHT. “You feel pressured into being outrageous… and that’s not good at all is it? It’s unhealthy.”

Welcome to Night Flight's 1986 exclusive video profile of Black Sabbath. "They were the most successful and controversial metal band of the mid ‘70s. Hated by critics, adored by their fans, Black Sabbath mixed a taste for the occult with bone crushing volume,” Pat Prescott proclaims. This special episode features Night Flight’s iconic interviews with both Ozzy and Tony Iommi, and covers over a decade of the band's output and individual members' solo careers. Absolute essential viewing for Night Flight and Sabbath fans alike!

Starting off with Michael Jackson's iconic Pepsi commercial, this full 3 hour special of Night Flight from 1984 truly has it all with a top ten video pick featuring Dead or Alive, The Cars and George Kranz and an excellent Radio 1990 clip with a Van Halen profile and interview. We finish with a cult classics section of UBU, Space Cadet, Santana and Stephen Stills' Manassas

"New Age music is a global sound that reaches for the stars," says Pat Prescott in tonight's brand new Night Flight Short Cut. The best in New Age music is rounded up in this bite-sized Night Flight episode, featuring classics from Bowie collaborator Carlos Alomar as well as Yellow Jackets and Al Di Meola.

It's 1984. A Friday night. Maybe you're flipping through the channels thinking about how to crush it at the upcoming High School formal and BAM, you stumble upon Night Flight's special "Take Off to Dance," a special segment exploring dance in pop and rock through the ages. Featuring Electric Light Orchestra, Kool and the Gang and more, this episode is just what you needed. 

Episode #1 of Midnight Rider, a late-night DirecTV series that brought Night Flight creator Stuart S. Shapiro back to producing an irreverent mix of music, comedy, and cult programming.

Episode 285. An episode of Radio 1990 from 1984 featuring Kool & The Gang, The Cars, and more.

Join us as Night Flight "Takes Off" to the Sounds of South, from the Bayou and beyond. A mix of country music, blues and old time religion: the sounds that define the south are echoed in many of Rock’s key pioneers. Tonight, Night Flight takes this geographic prompt to explore a broad range of ‘80s acts that carried the torch and established a sound inspired by southern roots, including: Jason and the Scorchers, Blackfoot, Molly Hatchet, 38 Special and more. 

Keep those cards and letters coming in, because this is what you've been asking for. Featuring Nina Hagen's "New York New York," Paul Simon's "You Can Call Me Al," a full version of Dire Straits' "Brothers in Arms," clips from Genesis and of course, Prince. You can't ask for a better snapshot of the musical times than this special edition of Night Flight viewers choice.

It's time for more video flash tracks. Presenting video portraits of The Style Council, Fields of The Nephilim and Aztec Camera. First, we point the viewfinder at Glasgow act Aztec Camera's folk fusion of jazz chords and bossanova rhythms. Then it's on to our next act: Rising like ghosts from a swamp, the London band Fields of the Nephilim combine the dusty, lawless legacy of the west with a lot of post apocalyptic dread. Councilman Paul Weller lead one of England’s original punk band’s: The Jam. By 1983, he needed a new direction so formed The Style Council, whose videos cap this excellent episode of Flash Tracks.

Tonight we Take Off to some of the "best bets of ’86!” That’s right, we’re talking about the mid-decade buzz bands (was that even a term in the '80s?) that landed on our radar. As you'll see, Night Flight was prescient in it's curation—many of these prospects went on to become massive acts. The episode includes The Hooters, Waterboys, Charlie Sexton, Tom Petty approved Del Fuegos and we think this episode is pretty special for its interview with Mr. Mister. Watch it tonight!

Welcome to Radio 1990, bringing you the latest news from the world of entertainment and today's best music videos. In this episode, Lisa Robinson shares sad news for any The Who fans out there, previews a new Mel Brooks episode and videos from Hall and Oates, Men at Work and 1983's #2 power cut from "The Album Network" countdown.

A series of gruesome and gory horror shorts, including Alex Winter and Tom Stern's wacky "Aisles of Doom," and the hilarious zombie parody "Dawn of the Night of the Dead: The Musical."

Tonight, fly around the globe with us while sampling the sounds of (nearly) every continent circa 1985 along the way. In this two hour block (featuring a treasure trove of original commercials) we ride the wave of cultural globalization as it arrives in Jamaica, Japan, Australia, and South Africa. Featuring global hits and b-sides from Nile Rodgers, Malcolm Mclaren, Juluka, Sipho "Hotstix" Mabuse, and many many more.

A bar mitsvah band director searches for a new singer.

Tonight, we "Take Off" to the Motown Sound, the most successful independent record label in the world. Former boxer and auto mobile assembly line worker, Berry Gordy Jr. founded Motown in 1959 and created the sound of young America with Smokey Robinson, The Temptations, Marvin Gaye, Little Stevie Wonder (pictured above), and Diana Ross and the Supremes. Gordy ran Motown like an assembly plant, churning out hits all through the 1960s, eventually making Motown the largest black-owned corporation in America. Unlike most music television programming, Night Flight went beyond genre when curating and tonight’s episode is one of our crown jewels!

Hottt videos from heavy headliners Madonna, Rod Stewart, Frankie Goes to Hollywood, Queen and Van Halen are highlights from this epic installment of Night Flight's "Take Off" from late 1984.

Night Flight profiles sonic wizard Thomas Dolby in this special episode of Video Flash Tracks. Cut with some of Dolby's best tracks, Pat Prescott brings us up to speed with Thomas Dolby's history in pop and status as one of its best collaborators with the inclusion of his 1988 George Clinton collaboration "Hot Sauce." This episode also features extra coverage on White Lion and Level 42. Night Flight gets some Metal In Your Face with clips and stories from Suicidal Tendencies, Britny Fox, Nuclear Assault, Overkill and more. Enjoy!

This time capsule compilation from Night Flight creator Stuart Shapiro and Laurie Dolphin celebrates the work of 40 innovative media artists using Flash in the early 2000s. At the time, Flash animation was the heartbeat of a new generation of pop culture enthusiasts at the beginning of the Internet. Whether creating their own independent animated clips or working with some of the biggest names in the music world, such as Beck, Jimi Hendrix, Todd Rundgren, Dr Dre and Phish, these Flash artists used the medium's unique quality to make art that defined a pivotal internet era.

"Take Off To Animation" takes a colorful look at the use of animation in music video over the previous few years in styles ranging from experimental camera technique to 'Saturday morning cartoon'. Many of the videos compiled for this episode first became well-known due to their repeat exposure on Night Flight. Bona fide Night Flight classics here include Tom Tom Club's "Pleasure of Love", Randy Andy's "The People (Livin' in the USA)", Machinations: "Pressure Sway" & Will Powers: "Adventures In Success". Night Flight's innovative "Take Off" series dispensed with playlists, bland VJ set-ups and the usual tired video countdown format and instead cleverly programmed music videos and performance clips by theme. The series regularly featured hits from Eighties pop icons juxtaposed against obscurities from not-ready-for-MTV cult favorites. Original Air Date: 2-17-84

“They’re the flashiest bands in Rock ’n’ Roll” Pat Prescott says at the start of tonight’s new ‘Take Off’ arrival from the archives, “Musicians who express themselves as much through packaging as playing.” What follows is a high chroma, technicolor video mix featuring Fishbone’s “Modern Industry,” We've Got a Fuzzbox and We're Gonna Use It!, Kid Creole and The Coconuta, and more.

Tonight we’ve got a comprehensive survey of the music and visuals of Australian band INXS. (“The band from down under who've come out on top!” - Pat Prescott.) In 1983, Farriss brothers and co. came out of Sydney to become part of America’s “Aussie Invasion.” This episode tracks the band’s rise to the top with excellent visuals (like Director Richard Lowenstein's clip above), concert footage and a one-off interview with the the Farriss brothers brainstorming a future music video. Watch with us tonight.

August, 1983. The reassuring voice of Pat Prescott is summoning you through the TV into an alternative dimension of wonder that is... Night Flight. “Def Leppard is still out on tour supporting the Pyromania album, and Night Flight has ALL the latest information.” Tonight's episode contains a lost Alan Vega video for “Video Babe,” a new “Video Artist” segment with analog experimenter Steve Sattler, Space Patrol and more. P.S. Make sure to check out the interactive component of the episode, where viewers could call toll-free numbers to vote on their favorite segments!

Tonight's new Short Cut dives into the theme of money in music, showcasing cash-and-capitalism themed videos from Talking Heads, the pioneering 3D-animated classic "Adventures in Success" by Will Powers, playwright Sarah Tuft's commercial collage, and the Pheromones' send-up of the '80s yuppie class in "Yuppiedrone."

1985's "Take Off" to street music featuring Chaka Khan, Grand Master Flash, Run DMC and more...

"One of the sturdiest trends in rock videos," Pat Prescott says, "is the use of 'high art' to elevate down and dirty Rock 'n' Roll." Tonight's original episode of Night Flight from the archives is a "Take off" to Art in Music Videos! The episode highlights art and music collaborations like New Order and William Wegman (and the dog supermodel Fay Ray), Grace Jones's cadre of counter-culture luminaries in "I'm Not Perfect," Warhol's video for The Car's "Hello Again," and Roberto Longo's for The Golden Palominos (feat. Michael Stipe).

This Night Flight "Short Cut" features an exclusive interview with Miles Davis, who shares his unique musical outlook and more. “I go with my feelings… that’s in my system, my soul, in my body—my body’s full of rhythm.” Davis reflects on his affinity for the Yamaha DX7, the tactile experience of painting, the importance of his visual style, and the “street sound” of the era. The episode then features jazz pianist Chick Corea, who describes his creative philosophy in a short interview segment before Night Flight showcases his collaboration with vibraphonist Gary Burton in “Finale.”