"Tonight, a trip into terror, a journey through the macabre," Pat Prescott explains at the beginning of tonight's episode. In this 1986 Halloween special, Night Flight looks at the past and future of Horror. Part 1 finds in-depth previews of multiple cult films of that year including "From Beyond," "Deadly Friend," metal monster movie "Trick or Treat," and "Texas Chainsaw Massacre 2." Next, Night Flight presents an hour-long mashup session of Horror throughout 40 years of film history, titles range are as exotic as "Beast With A Thousand Eyes," surreal as Buñuel's "Un Chien Andalou" and classic as "Nosferatu."

"Rockabilly is a strange brew," Pat Prescott announces, "part Rhythm & Blues, Country & Western, Gospel and even Pop. It's a style that takes us back..." Continuing with our recent theme of looking at the history of rock and roll, this week we've got Night Flight's 1984 Take Off To Rockabilly. With Jerry Lee Lewis, Stray Cats, Robert Gordon, The Blasters and X, this episode is pure americana music history, Night Flight style.

“I don't need the Daytime, all I want is Nighttime.” Take off to the creation of Heaven 17’s music video for “Let Me Go” in this Night Flight special that goes on set (a closed-off train station in the middle of the night) and behind the scenes with the band. This early Night Flight Video Profile (1983) shows off an impressive suite of big budget music videos from ex-Human League synth rockers including “Penthouse and Pavement” and the German Expressionism-themed video for “Temptation.”

A wimpy young boy becomes obsessed with gangster films.

Your original Night Flight programming returns with a 1988 episode of Flash Tracks. Tonight we have neo-60s psychedelia Australian style with Hoodoo Gurus, gritty english rock Flesh for Lulu, and from Bradford, England it's "Sanctuary” for your soul with The Cult! And for a timely bonus, stay tuned at the end of this episode for Australia's roaming reporter Norman Gunston who pays a visit to the 1979 Grammys!

Tonight Night Flight profiles one of Rock’s great renegades: Neil Young. The essential episode features a candid NF studio interview with Young discussing his origins and inspirations and features some of Young’s more esoteric deep cuts on Geffen Records in the '80s including 1982’s techno track “Sample and Hold” and his Rockabilly ballad “Wonderin'.” Night Flight creator Stuart S. Shapiro's independent film distribution company International Harmony distributed Young's film "Rust Never Sleeps," a regular title in our early days on the air. It’s great to have the icon back on Night Flight.

Episode 270. An original episode of Radio 1990 from 1984 featuring Cyndi Lauper, Blondie and Modern English.

"Good Evening, ladies and gentlemen," 1990s syndication host Tom Juarez exclaims, "and welcome to Night Flight: a beacon of fun, fantasy, and pure entertainment..." What follows is a hand-picked rerun of some classic Night Flight segments including a Bruce Springsteen Video Profile and an hour of cult classics. "You may as well put on another cup of coffee, because no matter how sleepy you think you're feeling, you're going to want to stay up for tonight's wild ride." You bet!

1988's "Take Off" to Hardcore (and more!)  You gotta hand it to the original Night Flight writers. Every weekend for over seven years, the team put together 8 hours of cutting-edge television—mixing a complex blend of avant-garde, undiscovered and obscure visual/audio art. The amount of work this took on a weekly basis back in the 1980s is staggering.   Tonight’s episode is a one-two punch of amazing Night Flight curation. Take Off to Hardcore begins fittingly with Bad Brains and Bl'ast!’s “Surf and Destroy,” before taking a detour off the Hardcore Highway into Euro-Industrial tracks from Alien Sex Fiend and Nitzer Ebb, only to end with an awesome Peter Murphy clip and solo track. It’s disorienting for sure, but one hell of a watch!

“Millions have seen their work,” host Pat Prescott says, “but only a handful of people know who they are.” Tonight, we “Take Off” to Music Video Directors circa 1983 on Night Flight. The episode covers the music video work of two prolific leaders of the art form: American Bob Giraldi (Michael Jackson, Diana Ross) and British David Mallett (David Bowie, Joan Jett).

This Night Flight segment from one of our early seasons ('81-83 era) features a 1955 episode of "Showtime at the Apollo," featuring an ensemble of African American performers live from the the landmark Apollo Theater in Harlem. The show is hosted by "Mayor of Harlem" Willie Bryant and features incredible performances from Bill Bailey, Ruth Brown ("Have a Good Time"), Cab Calloway and his Orchestra ("Minnie the Moocher"), Lionel Hampton ("Cobb's Idea"), Leonard Reed, "Big" Joe Turner ("Oke-She-Moka-She-Pop") and Sarah Vaughan ("Perfidio").

Night Flight profiles sonic wizard Thomas Dolby in this special episode of Video Flash Tracks. Cut with some of Dolby's best tracks, Pat Prescott brings us up to speed with Thomas Dolby's history in pop and status as one of its best collaborators with the inclusion of his 1988 George Clinton collaboration "Hot Sauce." This episode also features extra coverage on White Lion and Level 42. Night Flight gets some Metal In Your Face with clips and stories from Suicidal Tendencies, Britny Fox, Nuclear Assault, Overkill and more. Enjoy!

Welcome to tonight’s new original arrival: a 1988 special profile of The Traveling Wilbury’s. The a British–American supergroup consisting of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison and Tom Petty, gets the complete Night Flight treatment with a look at the groups signature songs and individual output from the 80s.

Welcome back to Night Flight. Tonight, we jump into the world of Slapstick Comedy. “Drawing on the theatrical tradition of Vaudeville, Slapstick Comedy is one of America’s most enduring traditions in cinema history,” syndication host Tom Juarez tells us. Its visual, it’s physical, and tonight we present collected the masters of the genre: Chaplin, W.C Fields, The Three Stooges, Jerry Lewis in drag and more.

Welcome to Night Flight circa 1993. “Ten years ago,” Pat Prescott tells us “The Replacements played their first ragtag gig in a church basement in Minneapolis. Much to everyone’s surprise, including their own, the ‘Mats became one of the hottest underground bands in the world.” Tonight’s Video Profile shows off some of the band’s finest moments and features ultra-candid interviews with Paul Westerberg. Part B of Night Flight's Original Episode tonight is the German-surrealist short film "Balance." Created by twin brothers Wolfgang and Christoph Lauenstein, this stark experimental animation allegory won the Academy Award for Best Animated Short in 1989. Another treasure of the archive.

Night Flight’s full episode from June 30th, 1984 kicks off hot and heavy with a bold “Take Off” to Sex. “Music videos use phallic and vaginal symbols,” Pat Prescott tells us as she introduces videos from INXS, Berlin, Mary Jane Girls and of course, Prince. Then we get into a Heavy Metal Half Hour with Ratt, Divinyls and Def Leppard. Dig into more music videos from Rush, The Go Go’s, Nick Lowe, and a strange short film called The Speed of Light, starring Sally Norvell (later cast by Wim Wenders as “Nurse Bibs” in Paris, Texas).

Heavy Metal Meltdown Welcome to Hit Parader Magazine's Heavy Metal Meltdown, the hottest show on TV. This week we take you up close and personal with Kip Winger of Winger, then we'll journey into the home of Faster Pussycat's Taime Downe. We'll also bring you a once in a lifetime performance from Kingdom Come, metal advice from Black Sabbath's Tony Iommi and a look at tour life with Anthrax.

Part 2 of this special 2 hour original Night Flight episode, where you’ll see the artists who made headlines in 1985, the latest trends in video music from the year’s top performers. This is a bona-fide who’s who of what was popular in the mid ‘80s scene. Featuring interviews with Lionel Richie, Peter Wolf and music, and clips from Phil Collins, Julien Lennon, Til Tuesday, Chuck Mangione, Wham, and Frankie Goes to Hollywood. Part 2 Bonus: Sade tells Night Flight how to correctly pronounce her name.

"Hi, I'm Divine. And tonight we're going to be taking a looking at my career, from the early years in Pink Flamingos, to my performances and right up to my current hollywood film." He was one of america's most glamorous, campiest, and outrageous movie queens and Night Flight's interview is one of the most treasured parts of our library. Watch Divine discuss the legacy of Pink Flamingos, meeting John Waters and more, tonight!

Rapid-fire stand-up from unsung comics like Steve O, Adrienne Tolsch, Stevie Ray Fromstein, Frankie Pace and future Conan O'Brien talk show producer Mike Sweeney, taped on-location at the world famous Comic Strip in NYC.

Night Flight's celebrating Independence Day (in 1988 and today!) with a Red, White and Blue Take Off Special to Freedom. We'll take a musical look at the many faces of Freedom, at home and abroad with Billy Bragg, Robbie Robertson, Hulk Hogan, and Aztec Two Step.

This sexy Short Cut compiles music videos and interviews featuring the most transgressive figures in the business, including Prince, Frankie Goes to Hollywood, and Queen.

Traffic's Jim Capaldi sat down with Night Flight for a 1983 Video Profile to promote his new solo record, Fierce Heart. He talks about meeting Steve Winwood in a record shop, coming from a musical family, and his love for Little Richard. Capaldi reminisces about the "16-century cottage" years and a jam session with Bonzo: "I stood in the room and it was another world." Indeed.

Australian pop singer John Farnham discusses his career and personal life in this 1993 interview.

Like a Black Mirror episode from 1980, here’s Sing For Your Life the kind of Night Flight vault discovery we love the most. What kind is that you ask? The kind that has absolutely no internet trail whatsoever. This 18 minute short finds an out-of-town Rockabilly crooner hoping to hit it big on a talent show that gives the “Axe” to the bad act! We won't give any more away!

Night Flight’s 1985 Video Profile of The Eagles begins with Pat Prescott introducing an epic performances of “Hotel California,” the ultra-hit that was the beginning of the end for the band. What follows is likely the most comprehensive and thorough review of the former member's solo careers before the band’s reunion in 1994. Patt Prescott takes us through Glenn Frey’s Miami Vice spin-off special single “Smugglers Blues,” Timothy Schmit’s 1983 “Playing It Cool,” Joe Walsh’s psychedelic cowboy odyssey “The Confessor,” (above) and of course Don Henley’s French New Wave-influenced video for the massive hit “Boys of Summer.” 

Episode 269. An original episode of Radio 1990 from 1984 featuring The Go-Go's, Yes and Van Halen.

Phil Morrison directed "Tater Tomater" for his NYU Film School Senior Project. It started out as a short skit written by Angus MacLachlan, who like Morrison was a graduate of the North Carolina School of the Arts in 1979-1980. It then appeared in several comedic revues, and whenever it was performed, Beth Bostic -- who played "Doris," the not-quite-all-there cafeteria worker -- never failed to bring down the house. "Tater Tomater" was screened at a film festival in New York and reviewed -- by Frank Rich in March of 1990 and by Jami Bernard -- in the New York Times. In January of 1992, it was shown at the Sundance Film Festival, and before then we believe it made its national broadcast debut on PBS's "American Playhouse," before appearing during the '90s syndication era of "Night Flight."

“Hot Music and Hollywood Movies are coming together in the new phenomena of Movie Music Videos” - Pat Prescott. Night Flight’s Film Music special is a bonafide who’s who of movie soundtrack anthems from 1984. Whether it’s a close look at Prince’s Purple Rain ("the hottest movie film of 1984)," a heartfelt Karate Kid soundtrack video from Survivor or Police guitarist Andy Summer’s update to the 2001: A Space Odyssey anthem, this episode is a stylish, free-form recap of the merge between Hollywood and the music industry.

Where else on television could you find 1950s cult video segments like 'Space Cadet' followed by a pure Lynchian unknown filmmakers showcase into Kaiju Midnight Movie trailers? Blue Oyster Cult interviews back to back with Depeche Mode videos or Black Sabbath’s iconic Beat Club performance following The Belle Stars? Where on television could you be challenged, excited and inspired all at once? Night Flight of course!

“She was born Norma Jeane Baker in 1926,” Pat Prescott says at the start of tonight’s new Video Profile, “but as Marilyn Monroe, she became a sex symbol that millions of women modeled themselves after and millions of men dreamed about.” Night Flight’s tribute to the icon features Monroe’s 1950 original screen test with Richard Conte for 20th Century Fox’s “Cold Shoulder" and a mix ‘80s musicians that carried the torch: including the Night Flight-staple "She Went Pop" from Synth Pop from Iam Siam in the Zbigniew Rybczyński-directed video (below), 'Blitz Clubber' and Boy George associate Marilyn's single "You Don't Love Me," and more.

“They’re the flashiest bands in Rock ’n’ Roll” Pat Prescott says at the start of tonight’s new ‘Take Off’ arrival from the archives, “Musicians who express themselves as much through packaging as playing.” What follows is a high chroma, technicolor video mix featuring Fishbone’s “Modern Industry,” We've Got a Fuzzbox and We're Gonna Use It!, Kid Creole and The Coconuta, and more.

Tonight we present another edition of Politics in Music Video with John Lennon, Nena, U2, Men at Work and the Fixx. As we dig through the massive vault of Night Flight tapes, we see more and more that politics were a recurring theme for our 1980s writers. This doesn’t come as much of a surprise if you read Night Flight creator Stuart S. Shapiro’s recent book "Identifi Yourself" where he reminisces about his time as “one of the go-to concert organizers from D.C. to Boston for the anti-war movement.” Night Flight was born from the inextricable connection between art and politics.

This new Night Flight Video Profile arrival from the vault traces the Afrobeat sound as a revolutionary sound and a political force, linking African rhythm to global pop and protest.  “I have death in my pouch… I can't die, you can’t kill me,” says Nigerian artist and social dissident Fela Aníkúlápó Kuti at the start of this episode. The profile also features Senegalese group Touré Kunda, juju pioneer King Sunny Adé & His African Beats, and sounds from the wider Pan-African musical movement.

Episode 285. An episode of Radio 1990 from 1984 featuring Kool & The Gang, The Cars, and more.