Night Flight finally makes it to Alt Rock this weekend in a new addition to our “Take Off” features. This 1994 showcase appeared in the twilight of Night Flight’s 90s syndication. The music videos and concert footage included (The Breeders, Pearl Jam, Soundgarden, Afghan Whigs, Rage Against the Machine, and more) is as accurate a snapshot of the era as one could ask for, but it’s still a bit uncanny to see the NF chyron next to quintessential 90s acts.

Ya'll are watching Night Flight, the late night place to be. In this original episode, we saddle up and Take Off to Country Music with Waylon Jennings, Johnny Cash, Crystal Gayle, Ronnie Milsap, the Judds and much more. Let Pat Prescott be your guide, reliving the classics and bringing you up to speed on peak ‘80s country and crossover.

Night Flight looks at the roots of Irish rock 'n' roll tonight in this original “Take Off” special from the mid-1980s. With Bodhrán, Fiddles, Uilleann pipes and Irish Harps in hand, we kick off with the Chieftans' "Irish Anthem" before looking at the Ireland’s strong music tradition. Dating back to Celtic culture, when poets were elevated to the status of aristocrats, we take a closer look at the island that produced '80s era acts like the Pogues, Van Morrison, Cactus World News, Bob Geldof, Zerra 1 and more. Stick around afterwards for some very rare animated cartoons & short films, including Ellen Foley in "Headshot."

Night Flight’s 1985 “Take Off” to Animation Vol. 4 is a perfect mid-decade snapshot of the remarkable evolution of technology and creativity in animation happening in the 1980s. Featuring super-group The Power Station's composited cutout acid trip for their T-Rex cover, Machinations rotoscoped “Pressure Sway” (above), Steve Miller’s early 3D animation effort “Bongo Bongo," and even some interview segments with animators working on Disney's The Black Cauldron.

On tonight’s episode of “20 Years of Rock ’n’ Roll Style” Night Flight covers Glam Rock. “Twilight fell on the grassroots hippie sixties, and it was time to put the glitz and glamor back into rock,” Pat Prescott tells us before introducing T. Rex. From there we travel through Freddie Mercury solo cuts, D.A. Pennebaker’s live video for Bowie’s “White Light, White Heat” cover and much more.

Your perfect Oscar weekend companion has arrived... 35 years late. Tonight's Night Flight Original Episode is a preview for the 1985's Award's show! Ray Parker Jr. tells us about writing the Ghostbuster's theme, master filmmaker David Lean discusses Passage to India, up for Best Picture (lost to Amadeus) and much more.

Night Flight's "Take Off" to Guitar Rock is a syndication special with host Tom Juarez from 1994. This video mix includes Stevie Ray Vaughan, Jeff Beck, John Lee Hooker and more. Roots guitar music was probably the last thing on a young person's late night TV mind in the grunge era, but Night Flight could always be relied on to celebrate culture and not follow trends. Right?

Welcome to Night Flight! Tonight, we “Take Off” to Elvis. Ever since his 1956 debut, Elvis Aaron Presley has provoked more passion, more controversy and more adoration than anyone else in the history of Rock. Literally, the King. Fine Young Cannibal's Roland Gift sits down with Night Flight to discuss the sacredness of Elvis and the riskiness of their cover "Suspicious Minds."

“What do you do when a guy puts Mayonnaise on your shoulder?... Do the Watusi!" — Howie Mandel circa 1986.  And so goes 3 minutes of towering cringe (even by '80s standards) in tonight’s "Take Off" episode to Comedy in Music Videos from 1988 that also features the legendary Max Headroom, Father Guido Sarducci, Bette Midler, Will Smith and more!

"One of the sturdiest trends in rock videos," Pat Prescott says, "is the use of 'high art' to elevate down and dirty Rock 'n' Roll." Tonight's original episode of Night Flight from the archives is a "Take off" to Art in Music Videos! The episode highlights art and music collaborations like New Order and William Wegman (and the dog supermodel Fay Ray), Grace Jones's cadre of counter-culture luminaries in "I'm Not Perfect," Warhol's video for The Car's "Hello Again," and Roberto Longo's for The Golden Palominos (feat. Michael Stipe).

“Female impersonator Divine portrays women from the sleazy to the sublime,” Pat Prescott says at the start of Night Flight’s “Take Off to Drag.” The episode is another timeless Night Flight classic that also features Joey Arias, David Bowie and more. It begins with scenes from 80s Canadian Drag star Craig Russell in clips from the film Too Outrageous! (1987), also featuring impersonations of Mae West and Barbara Streisand.

"Boy isn't heavy metal a lot of fun!" says Mr. Bill at the start of Night FLight's special "Take Off" to Heavy Metal Comedy, (before an untimely death by anvil.) And Mr. Bill is right: Heavy Metal is a reliably comedic genre, intentional or not. This episode kicks off with Alcatrazz's "God Blessed," a satire of MTV that doomed its chances of airplay on that channel, (but of course got play on Night Flight), Keel's "Right to Rock", Accept's kaleidoscopic video for "Midnight Mover," Japanese rockers Loudness and Ireland's Mama's Boys.

“Millions have seen their work,” host Pat Prescott says, “but only a handful of people know who they are.” Tonight, we “Take Off” to Music Video Directors circa 1983 on Night Flight. The episode covers the music video work of two prolific leaders of the art form: American Bob Giraldi (Michael Jackson, Diana Ross) and British David Mallett (David Bowie, Joan Jett).

This '90s syndication episode of Night Flight is dedicated exclusively to duets featuring a match made in art-pop heaven: Peter Gabriel and Kate Bush, KLF and Tammy Wynette's idiosyncratic country/dance-pop hybrid of pedal steel guitar & drum machines "Justified & Ancient," UB40 & Chrissie Hynde, and finally, Cher hits on Butthead in "I Got You Babe," the mega-crossover event of music television history we all needed. It's a bonafide hit-parade and a perfect specimen of our unique "Take Off" format, indeed.

“They’re the flashiest bands in Rock ’n’ Roll” Pat Prescott says at the start of tonight’s new ‘Take Off’ arrival from the archives, “Musicians who express themselves as much through packaging as playing.” What follows is a high chroma, technicolor video mix featuring Fishbone’s “Modern Industry,” We've Got a Fuzzbox and We're Gonna Use It!, Kid Creole and The Coconuta, and more.

This 1983 episode of Night Flight marks an early iteration of the now-iconic Take Off format. Night Flight’s genre-focus programming block stood apart from anything else on music TV at the time, a true to form, "Take Off" to Heavy Metal delivers an exhaustive, decade-spanning survey of the genre’s evolution! “Heavy Metal is a musical reaction to the mellow love generation,” host Pat Prescott explains, taking us through a hard-driving journey through two decades of heavy metal mainstays. Featuring exclusive Night Flight interviews with Blue Öyster Cult, Creatures-era Kiss, and more.

This new Night Flight Video Profile arrival from the vault traces the Afrobeat sound as a revolutionary sound and a political force, linking African rhythm to global pop and protest.  “I have death in my pouch… I can't die, you can’t kill me,” says Nigerian artist and social dissident Fela Aníkúlápó Kuti at the start of this episode. The profile also features Senegalese group Touré Kunda, juju pioneer King Sunny Adé & His African Beats, and sounds from the wider Pan-African musical movement.

Fresh from the Night Flight vault: a white hot half hour of heavy metal madness featuring Europe, Great White, Rough Cutt, and more. From arena-sized bangers like “The Final Countdown” to the Sunset Strip’s signature swagger, this episode captures ’80s metal at its loud, unapologetic peak.

“Take Off” to Animation is one of the most beloved original Night Flight formats, as true today as it was in the 1980s. Like our other animation specials, this 1987 arrival from the vault is a one-of-a-kind time capsule from an era when music videos and animation technologies were evolving side by side. Featuring Grace Jones’ multi-media visual spectacle, vibrant cel animation for Wally Badarou’s “Highlife,” and David Bowie’s rotoscoped video for “Underground” from Labyrinth (also streaming on Night Flight Plus), the episode highlights hybrid formats and emerging tools like early 3D computer animation at the height of the cultural zeitgeist.

This classic episode of Night Flight's venerable "Take Off" series which premiered in 1984 features music videos featuring flashy female rock icons such as Debbie Harry, Grace Slick, Tina Turner, Wendy O. Williams & Stevie Nicks.

1985's "Take Off" to street music featuring Chaka Khan, Grand Master Flash, Run DMC and more...

For tonight's Night Flight Originals, we start with a “Take Off” to LA Rock. Since the ‘60s, LA’s been a mecca for the music industry. Night Flight brings us up to date (1987) with LA’s bustling music scene that finds us watching and listening to videos from The Untouchables in their award-winning video for “Free Yourself,” Oingo Boingo, Concrete Blonde, Suicidal Tendencies, and Thelonius Monster. For part two tonight we take a look at a strange phenomenon of the 80s, Sport Rock! “Today’s fitness craze even spreads to rock,” Pat Prescott declares, as she introduces the first videos, including the Los Angeles Rams’ theme song, questionably named “Let’s Ram It,” and The Chicago Bears’ “Super Bowl Shuffle.” Both worth the price of admission alone. Next up, the wrestling mania of the '80s peaked with this Allstar line up known simply as The Wrestlers. “Land of A Thousand Dances,” the euphoric, almost mystical work from seminal 1985 album “The Wrestling Album,” will go down in history as an icon of the vibrant period we now refer to as the Rock ’n’ Wrestling connection. This is Night Flight, pure and true. We thank you for watching!

Night Flight's 1988 New Metal Special spans the globe - covering bands from Japan, Germany and at home in the USA. Acts included in this essential Night Flight Take Off are Megadeth, Zodiac Mindwarp, Ezo, Warlock and more... Not to be missed!

This week, Night Flight puts the focus on the visionaries behind some of the most experimental and interesting music videos of the 80s. This unique ‘Take Off’ takes music video directors as it’s subject, focusing specifically on the work of Creme & Godley and Zbigniew Rybczyński, including candid and creative interviews with the directors. Lol Creme and Kevin Godley (originally of the band 10cc) discuss the videos they created for Visage, The Police, Herbie Hancock (the excellent robotics video for "Rock-it"), the uncensored Night Flight favorite “Girls on Film” for Duran Duran and gorgeous video for their own song "Cry." For Part 2 of this special, Night Flight takes off to the work of Academy Award winning Polish director Zbigniew Rybczyński, featuring videos the surreal, groundbreaking music video classics for Art Of Noise, Chuck Mangione, Grandmaster Flash, and mysterious Columbia Records supergroup Iam Siam .

From Boston to LA, New York to DC, a musical explosion is taking place in Rock and Roll. Traditionally, success for bands came from touring, but today, the video explosion has given local bands national exposure sparking a renaissance in music and reinforcing the original roots of Rock 'n roll. Featuring 'Til Tuesday, Run DMC, REM and more...

We suggest you Take Off To The Beach with this Night Flight episode from 1986. This segment takes you through a video vignette series covering the land of the surf, sand and sun with videos include Y&T, The Beach Boys, Joe King Carrasco and Beastie Boys. Side B of this episode is a mix of videos loosely held together by the theme: 'Crime.' There's a topnotch selection of videos ranging from Art of Noise, Paul Hardcastle, Golden Earring, Tony Powers and David Bowie's Labyrinth cut "Underground."

Welcome to Night Flight's Take Off to Rock Legends! Tonight we'll look at those performers who had a profound influence on popular music including Chuck Berry, Elvis, Smokey Robinson and more classics. In true Night Flight fashion, this episode explains the influences and cultural context of Rock and Roll through the decades and up to more contemporary (for the time) artists. This is an original episode not to be missed.

In this 1983 Video Gallery, Night Flight Take’s Off to Politics. “Rock Music has always had a strong political connection,” Pat Prescott says. This tour of rock politics takes us through the '60s with Bob Dylan, Hendrix, and The Plastic Ono Band’s “Give Peace A Chance.” After this tour of protest rock Night Flight, takes on Politics in the Nuclear Era with campy twist, fast forwarding to the ‘80s where we find ourselves enjoying the incredible experimental animation of Donald Fagen’s “New Frontier,” Men at Work’s ominous tune “It’s A Mistake,” and a little known promotional clip for the 1982 film WarGames by Crosby, Stills and Nash.

The Ramones, Cabaret Voltaire, J. Geils Band, Rockwell, and The Monsters all make an appearance in Night Flight's Take Off to Rock and Horror from October 25th, 1986. On the flip side of this seasonal episode, Night Flight includes filmmaker Dan Carbone's post-apocalyptic title DOT in its short horror film collection of "Mini Chillers" a surrealist b&w film sought after by Night Flight purists.

In Take Off To Self Destruction (1986), Night Flight focuses on some of the darker elements that defined the 1980s, looking at music that dealt with topics like drug abuse and crime. Featured songs like “Stop The Madness” and “Just Say No” convey a conflicted range of emotion when watched today. The videos are definitely humorous in their categorically ‘80s presentation but they also require a somber reflection of the ineffective and corrosive drug policies promoted by the Reagans. Along with artist interviews and PSA style interstitials (including a brilliant one from Frank Zappa), this episode features videos from Armband, Jazzy Jeff, Fine Young Cannibals and more. A closing video of David Bowie’s “Ashes To Ashes” for this segment proves that Night Flight was willing to take on uncomfortable topics like drug abuse and suicide with an elegance you couldn’t find anywhere else on TV at the time. That’s a fact.

When you think of party time in the '80s... what comes to mind? It's totally understandable if a dark void exists for those of you who really found the time party. If the faint lingering echo of Gap Band's "Party Train," or Madness' "Our House" is ringing in your ears, then welcome - please step inside our time capsule to Night Flight's "Take Off To Party Time" from 1984. This version of Party Time mixes the elegant side of the soirée, with cuts from Lionel Richie and Huey Lewis and The News to the get out of your chair dance tunes from Men Without Hats and the Pointer Sisters. From the Kinks, to Prince, this is not a Party Time you want to miss!

Night Flight salutes the Women of Rock in this original episode from June, 1988. "Today," Pat Prescott tells us, "women's voices are more powerful than ever in new music, neo-folk and down & dirty Rock n Roll." Featuring Sinéad O'Connor with MC Lyte, Joan Jett, Lita Ford, and Annie Lennox.

Sports! Tonight, we're kicking off with a 1988 “Take Off” to Sports Rock and Roll that is pure Original Night Flight. Almost every popular sport, from Basketball to Boxing get’s it’s ‘80s anthem in this 50 minute classic segment. You could say that Wrestling is over-represented in this episode, but that really all depends on how much you love or hate ‘80s wrestling. Here at Night Flight, based on our selection of specifically that genre, you could say we love it. A lot. With slam dunks like Dazz Band’s “Let It All Blow,” Pro Wrestling’s supremely weird “Land of 1000 Dances,” Kurtis Blow’s “Basketball,” Manfred Mann's Earth Band’s “Runner” and of course, the timely Chicago Bears’ “Super Bowl Shuffle," we really can't recommend this enough.

Kicking off with a clip from the U.S. Senate's 1985 "Porn Rock" hearings, Night Flight Takes Off to Right-Wing Rock in this classic episode. "Parents hate it and politicians ban it, but ironically today's Rock is not the subversive cry of revolutionaries it once was..." Pat Prescott laments, while pointing to the right-wing co-option of rock in the '80s. The episode weaves a unique tongue and cheek video playlist featuring Van Halen/Blue Angels, the "Top Gun" Anthem, Christian Rockers Stryper and unabashed capitalist image makers Sigue Sigue Sputnik's homage to the Military Industrial Complex "Love Missile F1-11."