"Mama warned me about wild music at parties... she said music would lead to loose behavior and uncontrollable urges!" AWW YEAHH. Tonight, get ready video music according to Playboy Magazine on Hot Rocks (circa 1983) featuring uncensored videos from David Bowie, Queen, Doug and The Slugs, The Tubes, Marty Ballin, and newcomer Peter Godwin in a Playboy Exclusive. While the sexuality of these videos was novel for the time and presented in true '80s glory, their are some rarely seen music history gems tucked into this special episode, some of which don't appear to be anywhere near Youtube. Welcome to the hottest party tape on TV -  video music that goes farther than ever to please you.

Welcome to Night Flight’s exclusive Video Profile of Kate Bush. “This multimedia performance artist has combined dance, music, literature and mime on her way to becoming Britain’s most popular female star,” Pat Prescott says to introduce the pop polymath. Featuring Bush’s candid interview from the Night Flight studios (recorded in November 1985), this episode is an immersive survey of her creative vision and premiered as “Running Up That Hill” was topping the charts. A timely treasure from the archive in 2022!

Tonight Night Flight profiles one of Rock’s great renegades: Neil Young. The essential episode features a candid NF studio interview with Young discussing his origins and inspirations and features some of Young’s more esoteric deep cuts on Geffen Records in the '80s including 1982’s techno track “Sample and Hold” and his Rockabilly ballad “Wonderin'.” Night Flight creator Stuart S. Shapiro's independent film distribution company International Harmony distributed Young's film "Rust Never Sleeps," a regular title in our early days on the air. It’s great to have the icon back on Night Flight.

Bill Callahan's new album YTI⅃AƎЯ arrives via Drag City on October 14th, '22. Night Flight's official video profile now includes the visual for lead single Coyotes, a so-called "lyric video" with a dark twist. After years of releasing acclaimed lofi folk-rock albums under the name Smog, Bill Callahan has been recording and releasing music under his own name since 2007. This critically-acclaimed work has mixed his largely acoustic sound with elements of gospel, soul and pop.

Purple Mountains, the last project of late Silver Jews singer David Berman, released after a decade of absence from the music industry and a month prior to his tragic passing, was a clever, occasionally somber tribute to the country-rock traditions that had guided much of Berman’s career.

Magik Markers member Elisa Ambrogio released her pop-influenced solo debut The Immoralist on Drag City in 2014. The album paired her soft and distant vocals with pop arrangements, all imparted with the rough textures of her noise rock roots.

Cheerful West Coast punk rock trio Flat Worms are known for combining garage punk sensibilities and energy with indie rocker wit. Will Ivy recruited bassist Tim Hellman, formerly of Thee Oh Sees, and Babies drummer Justin Sullivan for their debut 7 inch “Red Hot Sand” before following it up a year later with a positively received self titled full-length.

Nebulous and with an ever-changing roster of collaborators, Palace, was an anti-folk folk rock project. As the musical debut of influential Louisville singer/songwriter Will Oldham, the “group’s” inconsistent name scheme reflects the constant ebb and flow of collaborators in Oldham’s life.

Xylouris White is the folk duo of Greek lute player George Xylouris and Australian drummer Jim White. Their 2014 album, Goats, features a fluid mix of regional folk traditions with psych and rock inspirations. They would expand on this with subsequent releases, including their punk influenced Drag City debut The Sisypheans

Silver Jews was an American rock band formed in Hoboken by David Berman and Pavement members Stephen Malkmus and Bob Nastanovich. Inspired by the conceptual art at the Whitney Museum where Berman worked as a security guard, they would record their earliest tracks on the answering machines of friends.

Initially getting its start as a noisy and abrasive solo project in the basement of Philadelphia guitarist Mike Polizze, before expanding into a power trio, Purling Hiss made their name in the sceen playing alongside acts like the War on Drugs.

Axis: Sova began as the experimental psych-rock solo project of Chicago artist Brett Sova, who wrote and recorded much of the bands early output before settling on a full lineup. Since 2018 the band has consisted of Sova with Tim Kaiser on guitar and Jeremy Freeze on bass.

LA-based noise pop duo No Age brought the ethos of early punk and hardcore music into the 21st-century with their stripped down DIY style that taped together their spare drum and guitar riffs with passionate vocals and a few playful samples. Their origins playing energetic live shows at all-ages venues around Los Angeles would lay the groundwork for the band’s future output for the next 15 years.

Jackie Lynn, the fictional, long-haul trucking, drug dealing stage persona of Circuit des Yeux’sHaley Fohr, developed as a way to compartmentalize Fohr’s introspective, avant-folk sound from the more playful fusion of country and synth pop on releases like Jackie Lynn and Jacqueline.

Folk artist Meg Baird comes from a long family tradition of Appalachian folk roots, her great-great uncle was folk-singer and regional historian Isaac Garfield Greer. Her solo work features soft, airy vocals that float above otherworldly folk arrangements and her band Espers draws upon the baroque pop/chamber folk sound of the late 1960s, creating an intoxicating psychedelic sound.

Sic Alps was a San Francisco-based lofi garage rock band started by Matt Hartman and Mike Donnovan, who met on tour with their previous bands in the 90s. The group drew as equally from noise pop as they did from art rock luminaries the Velvet Underground.

The current band of the Stereolab frontwoman, Laetitia Sadier Source Ensemble incorporates some of Sadier’s longest and closest collaborators, Emmanuel Mario, Nina Savary and Xavi Munoz.

French artist Laetitia Sadier, best known as a founder and lead vocalist of indie pop groups Stereolab and Monade , began releasing music as a solo artist with 2010’s The Trip, a tragic dream pop odyssey that drew upon experiences of grief. She followed this effort up with the intimate, yet politically charged albums Silencio in 2012 and Something Shines in 2014.

Wand is a metal-influenced psych rock band based in Los Angeles, California. Formed in 2013 by Cory Hanson, the group’s early releases feature hints of sludge and heavy metal, later giving way to more melodic synths. A lineup expansion in 2016 brought an improvised, jam-style to the band’s songwriting which coincided with a transition towards a more expansive, classic rock sound.

Greg Turkington’s fictional persona Neil Hamburger, a misanthropic, anti-comedian was introduced to the world in 1992 on the album Great Phone Calls Featuring Neil Hamburger, a self-deprecating assault on the expectations that had developed in stand-up.

After releasing a variety of offerings with friends under the nebulous Palace moniker and his own name, Will Oldham began his prolific streak of recording and performing his brand of Americana under the pseudonym Bonnie “Prince” Billy in the late 90s. His songs feature haunting lyrics over instrumentals that draw from numerous American musical traditions.

Alasdair Roberts is a Scottish folk musician based in Glasgow who has released a number of albums under his name as well as the stage moniker, Appendix Out. Roberts is also noted for his frequent collaborations with other musicians, writers and filmmakers.

Queens-based experimental rock duo Blues Control, composed of Russ Waterhouse on guitars and electronics and keyboardist Lea Cho, established themselves in NY with exciting live shows and a series of self released cassettes and vinyl.

Dope Body are a Baltimore area post-punk noise rock group. Their Drag City debut, Natural History, a reference to the venue that first hosted the group for a one-off, meshed the band’s myriad sonic influences into an intense 35 minute experience. After briefly breaking up in 2016, the band reformed in 2019, culminating in two full length releases in 2020.

Prolific artist Ty Segall rose to prominence with his own brand of psych-influenced garage rock in the late 2000s. His near nonstop output over the last decade spans multiple bands, collaborations and solo records, weaving a variety of sonic influences into each of his projects.

Chicago-based psychedelic Krautrock group Cave began seriously recording music together in 2008. Cave is known for their hypnotic and droning instrumentals which have invited comparisons to bands like Can and Funkadelic.

Drawing inspiration from the fingerplucking, East-meets-West guitar solos of the 60s and 70s psychedelic folk scene, Six Organs of Admittance was the primary project of NorCal guitarist Ben Chansy. Combining new folk and drone music with Eastern bells and chimes, Six Organs of Admittance began releasing music on Drag City in 2006.

Masaki Batoh, founding member of Japanese experimental rock band Ghost, struck out on his own after closing the door on Ghost’s 30 year tenure in the psychedelic and progressive scenes. His more recent projects include his psychedelic 5-piece the Silence and his more spiritual solo output, such as Nowhere, and Smile Jesus Loves You!, released on Drag City.

What world, REALLY are Matt Sweeney and Bonnie ‘Prince’ Billy from? A place of all-music, knowing no borders, no morals other than natural tribal lines to be violated in the name of love and light, for all together.

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. bass and piano. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Wand’s Cory Hanson rides into the high desert on a glossy melody through lustrous mists of instrumentation: acoustic, wah-electric and steel guitars, acoustic and electric drums. Pale Horse Rider explores myths and truths of a country on the way down, viewed through a deep-focus lens trained on the city from the deserts on the east; a terminus of unoccupied residential parks and streets fading into craggy footpaths to nowhere, where our passage is seen as diligent, ephemeral and grotesque by turns, forgiven and made beautiful again by the sound. Directed by The Coconut Brothers Liquid Light Projections by The Mad Alchemist Liquid Light Show Music & Sound FX by Dr. Coconut Filmed by Casey Hanson, Asal Shahindoust, Dr. Coconut and Keith Ballard Live Sound Engineered by Zac Hernandez

Drag City releases veteran noisemakers Dean Spunt and John Wiese's (No Age) debut EP, The Echoing Shell. The label aptly describes the experimental noise release as a "conception in contemporary musique concrète," and you can stream two surrealist, cut-up technique music videos now in their new Night Flight Video Profile.

Singer Cory Hanson returns with 2023’s Western Cum, which combines conventional country with an eclectic mix of prog, balladry and nu-hardcore.

Legendary singer-songwriter Bonnie “Prince” Billy’s new album Keeping Secrets will Destroy You is for keeping people together, and for listening together.

Ty Segall has made filthy, distorted rock n roll for much of his prolific career. His 2024 album Three Bells takes us into “a land nearly beyond song,” pushing his songwriting and sound further than ever before.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Bill Callahan, Ty and Denée Segall, Circuit des Yeux and Smog.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Bill Callahan, Ty and Denée Segall, Circuit des Yeux and Smog.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Eiko Ishibashi, Rangda, Ty Segall and Bill MacKay.

“Take Off” to Chicago-based independent label Drag City featuring music videos from Joanna Newsom, Palace, Silver Jews and White Fence.

Eiko Ishibashi’s blend of jazz, funk and even noise gives her work a singular voice

Up-and-coming duo Sharpie Smile brings sugary synth pop!

Australian superduo Mess Esque create warm, open-hearted indie soundscapes, combining abstract vocals and looping guitars.

Tonight we take off to indie label Drag City, home of artists such as Cory Hanson, Prison, Edith Frost and Dean Spun.

Welcome back to our profile of indie label Drag City, featuring Ty Segall, Whitney Johnston & Lia Kohl, Geologist & Doug Shaw and Prison. Here’s “Buildings,” from prolific psych-rock legend Ty Segall.

Let’s return to Drag City, whose roster includes Natural Information Society & Bitchin Bajas, Geologist & Doug Shaw, Faun Fables and Jim White.

Tonight we profile indie label Drag City, with artists like Glyders, Sir Richard Bishop, Bill MacKay & Ryley Walker, Jim White, and Jill Fraser.

Banned in 20 countries! This outrageous “midnight show” film follows a cult of devil worshiping killers as they go on their rampage of hair raising terror through Chicago. 1985, Directed by John Henry Timmis IV

It’s the year 1990. America is on the verge of another Great Depression. A Hitler-like President puts into action his mad scheme to wipe out the federal deficit by dispatching extermination squads. Can the terribly violent genocide be stopped before all non-conformists are destroyed? 1984, Directed by John Henry Timmis IV

A compilation of J.T.’s films, “live” performance footage and home movies which was included in Drag City’s 2008 reissue of the J.T. IV album Cosmic Lightning, originally released in 1987. Directed by John Henry Timmis IV

"An experiment in the identity of creativity…" Tune in for an exclusive visit to Night Flight from Drab Majesty's Deb Demure: a unique delight and another timeless entry to Night Flight cultural canon.

“Anti-hero, artist, and Pandrogenist.” Genesis P-Orridge was an icon of experimentation.

Tragic beauty from Dais-signed duo from the Bay Area.

SRSQ (pronounced seer-skew), is a synesthesia of sound and feeling taking cues from the delicate miasma of Cocteau Twins, My Bloody Valentine, and Dead Can Dance.

Chicago-baed electronic / dark industrial duo HIDE on Dais Records.

Soft-focus sounds from painter and an ambient composer Tor Lundvall on Dais Records.

Suzy Poling's latest record uses sounds and samples collected from the Vintage Synthesizer Museum in Oakland, CA.

Brooding romanticism expressed through unforgettable hooks and expansive sounds from Dais Record's Death Bells.

Warped tape loops, aging VHS home-movie samples, and processed vocals tinged with harmonic specters from Body of Light on Dais Records.

Art rock outfit of multi-instrumentalist Graeme Jefferies.

Haunting folk noise and cinematic textures from experimental producer Michael Anderson.

Dark-synth pop act Riki from Dais Records.

Philly post-punk outfit Death of Lovers on Dais Records.

Stephen Mallinder, co-founder and frontman of the iconic Cabaret Voltaire, returned with his first solo album in over 35 years: Um Dada, for Dais Records. Laced with leftfield house and cut-up sound collages, Um Dada is a melding of energies that are an exercise in simplicity and motion.

Spice shares the authoritative drive of Jawbreaker, J Church, and Fugazi, but set in their own world of unrest.

Drew McDowall's work mines the hallucinatory spaces that exist between reality and celestial otherness.

A Shoegaze pedigree with smoky compulsions of post-punk and no-wave influences.

Dark analog dance songs for the post-modern era.

A potent blend of nostalgia-laced romantic pop from Choir Boy on Dais Records.

Los Angeles, CA-based Electro-punk act on Dais Records.

Audio/visual provocateurs who transpose the identifiers of death rock, synth punk, post-punk, ambient, and ethereal soundscapes. Aka, VR Sex.

Tempers is a New York based synth-pop duo whose rigorous electronic production is paired with instinctual, unleashed vocals. The pair released their debut album Services on the cult German imprint Aufnahme + Wiedergabe and quickly became staples in both European and American synth-pop scenes.

Xeno & Oaklander is an American electronic group from Brooklyn regarded as a key act in the coldwave and minimal electronic revival of the 21st century. The duo combine crisp analog synths with poetic lyrics to weave dark synth-pop soundscapes that are ultimately greater than the sum of their parts.

Harassor are a Los Angeles based metal band influenced by Southern California’s rich history of distinguished metal acts. Fronted by Pete Majors, the group evokes the consummate hallmarks of black, death and doom metal without surrendering to any established order.

A conversation with Genesis Breyer P-Orridge discussing he/r friendship with William S. Burroughs and the original creation of the album "Nothing Here Now but the Recordings." Dais Records reissues of William S. Burrough's experimental works are available now.

Drab Majesty, the project of Deb DeMure, blends New Wave and early 4AD sound into a “hypnotic and futuristic originality.”

SRSQ is the moniker of Oakland singer and musician Kennedy Ashlyn, who has steadily honed her songcraft to create a “music of tumult and triumph.” Her 2022 LP “Ever Crashing” is an “aching, reverent” dream-pop creation.

Today we’re looking at DAIS Records, whose roster of emerging and influential artists include AURAGRAPH, Cold Gawd, and Body of Light.

Welcome to Night Flight’s DAIS Records Video Profile, highlighting the New York and Los Angeles based label featuring artists such as Cold Showers, Merzbow and Space Afrika.

Today we’re covering DAIS Records, who focuses on artists “new and old,” including SPICE and Stephen Mallinder.

Over time, through his vast collection of pure and cinematic ambient hymns, Tor Lundvall has steadily established himself as one of ambient music’s most familiar faces.

High Vis, led by enigmatic front person Graham Sayle, play “aggressive, gripping, and artful punk” that is sonically beyond the parameters of any single genre or scene. On their second album Blending, they bring a more introspective focus to their political lyrics.