A film about community, hype, and musical incest. The story of San Diego's legendary 90s music scene and its brief, ill-fated reign as the 'next Seattle'. A motley community of musicians with a do-it-yourself ethos and an aversion to mainstream culture develop their idiosyncratic sounds in the isolation of San Diego, but soon find themselves at the center of bidding wars and expense account lunches. What happens when the outcasts become the next big thing?

See Debbie Harry in this 1976 drama from "No Wave" filmmaker Amos Poe. This is the story of Rico in New York City, who imagines he lives in Paris during the time of "New Wave" filmmaking. He's a photographer who thinks he's an outsider, so he uses his camera like a gun, loading it with bullets of film. He seeks reality to fulfill his fantasy. but, he's also a romantic, and this is his downfall, especially when he falls in love with the adorable Blondie. When Rico falls in love, the delicate balance of the world he has made for himself is disrupted.

Features rare footage, news clips, location shoots, videos, seldom seen photographs and much more! This film looks at Muse's entire career, and by using rare performance and interview footage of the band, contributions from their closest colleagues and from those who have witnessed and written about their journey, plus seldom seen photos, news reports, scene shoots and a range of other features, creates the finest documentary to date on this extraordinary band, the music they make and the lives they lead. Includes exclusive interviews with former manager Safta Jaffrey, legendary producer John Leckie, band engineer Ric Peet, video director Mat Kirby, official biographer and NME writer Mark Beaumont and many other close confidantes.

BLACK WAX is a musical-political entertainment film produced and directed by Robert Mugge in 1982. It was the first American film to be fully funded by Britain's then-brand-new Channel 4 Television and also likely the first film to use Steadicam from first frame to last. BLACK WAX centers on the late African American poet-singer-songwriter Gil Scott-Heron - the man Melody Maker called "the most dangerous musician alive" and many dubbed the forefather of rap music - and his 10-piece Midnight Band. It was filmed entirely on location in Washington, D.C., primarily at the Wax Museum Nightclub (now defunct). Songs performed by the band include such potent political numbers as "Winter in America," "Alien," "Johannesburg," "Storm Music," "Waiting for the Axe to Fall," "Gun," and "'B' Movie" (a scathing analysis of how and why Ronald Reagan was elected President of the United States).

Here comes DEATH's probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH's origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light. Excitement grows as Schuldiner, his band, and the world around him evolve, and the music grows ever-more outrageous and bombastic. DEATH's threat morphs from simple zombie attack to multi-headed mega-monster hellbent on absorbing entire planets. Then suddenly, Chuck is just gone, and the lights go out. The formula for movies about bands dictates that victory is seized from the jaws of mortality in the final act. This is where things get weird. Chuck Schuldiner perished during the moment of heavy metal's weakest ebb, and possibly the quietest moment of his own career. The drawling guitar demon in the kitty cat shirt will not rise again to tour county fairs, swap one-liners on late-night TV, and jam with Judas Priest at the Rock and Roll Hall of Fame. But this documentary itself joins reissues, partial reunion tours, and an international reawakening as part of a decade-long ascent for DEATH to its proper place of high dominion. As you read these words and watch this film, Chuck Schuldiner and DEATH return to glory, and the legend itself becomes an eternal encore.

This documentary film reviews the music and career one of Britains finest female vocalists and songwriters: Sandy Denny. She is revered deeply amongst fans of folk music and the singer-songwriter genre, but has never received universal acclaim for her tremendous talent. This program attempts to redress this imbalance and reveal why she remains such an inspiration to so many. The features include obscure footage and rarely seen photographs, musical performances reviewed and re-assessed by a team of esteemed experts, and live and studio recordings of Sandy Denny classics, reappraised by our panel of contributors.

Cult director Bill Zebub wanted to prove a documentary about black metal could still be entertaining without using sensationalism. You get to see most artists express themselves candidly, while of course some people embarrass themselves with their facades. Featuring interviews with Mayhem, Venom and many more!

Commissioner Of Sewers combines interview and archival material, paintings, and clips of William S. Burroughs' film appearances (including "Decoder" and Gus Van Zant's "Drugstore Cowboy" and "Thanksgiving Prayer") with footage from Burroughs' last European reading in Berlin on May 9th, 1986 to create a witty and intriguing portrait of the man described by Norman Mailer as "the only American novelist living today who may conceivably be possessed by genius."

Iggy & the Stooges: Live in Detroit 2003 features Iggy Pop and the original lineup of the Stooges (with bassist Mike Watt subbing for the late Dave Alexander) performing at their first Detroit homecoming in 29 years. It is a full concert of the best songs of the first two Stooges albums from 1969 & 1970. In Iggy Pop's own words, "Here they are, the original Stooges, the band that never bit the weenie. A particular stiff-necked place and time spawned the undying attitude of refusal to compromise. This was Detroit, Michigan, in the late 1960s, when men were men and ears were ears. Now, we are here in the 21st Century, in a "music industry" that bores and annoys, persecutes and depresses. This concert, by the Stooges reunited, does not bore me. I love the groove. I love the songs. I love the vibe. I love the audience. I love this band, and I'm very proud of this high-quality product by the Stooges."

The Small Faces Under Review features rare live and studio performances by this hugely influential band, interspersed with the independent review and criticism of a panel of esteemed experts. These include; Steve Marriot biographer, Paolo Hewitt; Melody Maker features editor Chris Welch; Small Faces biographer, John Hellier; 1960s NME editor Keith Altham and many, many more. The film also includes rarely seen promo films, interview footage with the band members, TV clips and a host of other features making it not just the only full length Small Faces DVD on the market, but also an inspiring, revelatory and downright entertaining look at a truly exceptional band.

A true treat for true fans of any genre, Otaku no Video ("Fan's Video") is an outrageous mockumentary that combines the superb animation that made GAINAX one of Japan's best-loved animation studios with truly strange interviews with "real animation fans." The result is a thinly fictionalized history of GAINAX that segues into a truly strange SF adventure. Sit back and enjoy as a small band of Otaku (fans) set out to "Otakunize" the human race!

Director Robert Mugge, having recently made the film DEEP BLUES (1991) about the blues traditions of Mississippi, decided to follow up with a tribute to Alligator and its roster of top contemporary blues artists from Chicago and elsewhere. The resulting film, PRIDE AND JOY: THE STORY OF ALLIGATOR RECORDS, presents musical highlights from one of the 4-plus-hour concerts (March 12th at Philadelphia's Chestnut Cabaret) that made up the tour, glimpses of Alligator's Chicago offices, and profiles of key performers and staff members. The "pride and joy" on display are not only that of fine musical artists plying their trades, but also that of a passionate and highly principled entrepreneur succeeding in a business mostly controlled by corporate giants and littered with the wreckage of countless small, independent labels.

Featuring an original soundtrack by Johnny Thunders. WHAT ABOUT ME tells the story of a young woman, Lisa Napolitano (Rachel Amodeo), who through uncontrollable circumstances, finds herself homeless in New York City. The film portrays her gradual deterioration as she exists on the streets, intermingling with outcasts of society. Along the ways she encounters a shell shocked Vietnam veteran, Nick (Richard Edson); a nihilistic east-villager, Tom (Nick Zedd); and a sympathetic good samaritan, Paul (Richard Hell). “What About Me” is a hidden masterwork that brings grace and cosmic humor to the grimy streets of eighties New York.

Described by some as a video masterpiece, Black Joy is a colorful and artistic mix capturing Psychic TV in a number of guises. This film includes 2 full length programs previously available only as two separate VHS tapes. "Black" was filmed live at the Subterrania Club, London, in March, 1991, capturing the band at the height of their acid-phase. "Joy" includes live footage from a show at Manchester Poly in October 1988, as well as promo films for "R U Experienced" and IC Water."

In the feature documentary, Summer '82 - When Zappa Came to Sicily, filmmaker and Zappa fan Salvo Cuccia tells the behind-the-scenes story of Frank Zappa's star-crossed concert in Palermo, Sicily, the wrap-up to a European tour that ended in public disturbances and police intervention. Cuccia had a ticket to the concert but never made it. Thirty years later, collaborating with Zappa's family, he re-creates the events through a combination of rare concert and backstage footage; photographs; anecdotes from family, band members, and concertgoers; and insights from Zappa biographer and friend Massimo Bassoli. The story is also a personal one, as Cuccia interweaves the story of Zappa's trip to Sicily with his own memories from that summer. The film looks at the rise and heyday of Frank Zappa's career as an innovative composer and libertarian provocateur, and includes tales of the relationship of a busy father with his children. While in Sicily for the concert, Zappa visited Partinico, the birthplace of his father and grandfather; and in the film's warm and loving coda, three of Zappa's children, Dweezil, Moon Diva and his wife Gail, return to meet their relatives there for the first time.

A sequel to the original, Athens, Ga traces the rise of a political movement in Athens-Clarke County. While still driven by the powerful music of the Athens scene, the new film traces the rise of a political movement in Athens-Clarke County and how it (along with many other groups within Georgia, of course) has filtered out, impacting the region and most recently arrived at the very forefront of this national moment! Led by the success of the B-52's and R.E.M., Athens, Georgia was the most happening music scene in the country by the mid 80's/ Following several different bands from different genres, this film paints Athens as a magical artistic environment where bands are not in competition, but co-exist in harmony. Musical performances by Cindy Wilson of the B-52's, Drive By Truckers, Kishi Bashi, Mariah Parker AKA Linqua Franqa, Pylon Reenactment Society (with Vanessa Briscoe Hay), Oh-Ok, Elf Power, Nihilist Cheerleader, David Barbe with New Madrid, Happyness with Peter Fancher and more.

Ten years in the making, KISS Loves You is a film that began back in 1994 when the band KISS was at a career low and KISS fans around the world were starting tribute bands, uniting at unofficial KISS Conventions and growing increasingly more nostalgic for the 70's era classic KISS line-up. The zeitgeist exhibited at these conventions was not lost on the band and in 1996 they responded, rising up like a grease painted phoenix into a new era of success. On the surface, KISS fans got exactly what they longed for, but for some the return of their idols brought unexpected consequences. KISS Loves You follows a few KISS fans along the way.

After much tribulation, at the end of 1974 Ronnie Wood arrived to breath new life into the Rolling Stones. This documentary film covers the Stones' career and music between 1975 and 1983 and includes exclusive interviews, contributions from the finest experts and writers, and rare and classic footage, all soundtracked by the music that, despite it all , remained 'only rock 'n' roll'