A feature-length documentary about the historic Dallas, TX Goth club - The Church, Dark Sanctuary exposes the incredible, shocking history of one of the longest running goth clubs in the U.S. as well as the world-renowned artists who performed there. Through interviews with world-famous music artists, local bands, and patrons, the film tells the story of the community that formed over nearly three decades of the legendary club's existence. The motto of The Church became "Enter Without Prejudice" meaning no matter who you are, how you look, how you dress, your sexuality, your gender identity, the color of your skin, your body type, all are welcome and embraced at The Church.

Although Bruce Springsteen's huge body of work has had its highs and its not so highs, there is one distinct period within his career that remains, almost inarguably, his most creative, consistent, and satisfying. We talk of course of the trilogy of albums he released between 1978 and 1982, comprising Darkness On The Edge Of Town, The River and Nebraska. Across these records Bruce's storytelling was up there with Steinbeck's, his songs ranked with Dylan's best and the live shows were as exciting as anything James Brown had ever delivered. This documentary film looks again at these albums, and the shows he performed around them, and charts Springsteen's journey through this dark but glorious period. FEATURES INCLUDE Historical musical performances, reassessed by a panel of esteemed experts and obscure footage, rare interviews (with Springsteen and with others) and seldom seen photographs

"From a stage super-heated by over-the-top, rock 'n roll cliche lighting, DEVO faced a sea of Asian Gen X'ers in a 100 degree plus fahrenheit venue in the bowels of Tokyo, Japan. The crowd was swathed in bootlegged energy domes and DEVO T's, mouthing the lyrics to songs we wrote when most of them were loading their diapers with UNi-colored poo. Maybe it was a "Beautiful World" after all!" - Gerry Casale. Track list: That's Good, Girl U Want, Whip It, Satisfaction, Uncontrollable Urge, Mongoloid, Blockhead, Jocko Homo, Smart Patrol/Mr. DNA, Gut Feeling/Slap Yer Mammy, Gates Of Steel, Freedom Of Choice, Come Back Jonee

Over the The Replacements' 12-year existence, its live sets were magical. Gorman Bechard's remarkable history of the 'Mats takes us from their first show and everywhere in between. He relies solely on the fans; memories of their albums & antics. Material from Husker Du, Babes in Toyland, The Decemberists, The Hold Steady, Archers of Loaf, Titus Andronicus, and Goo Goo Dolls is included.

Punk's Not Dead is more than just a tribute documentary. It takes you on an era-by-era journey that puts punk rock's non-conformist reputation under the knife. Officially sanctioned by the bands in the film who donated personal photos, fliers and home videos, Punk's Not Dead follows the evolution of punk music from its anarchic roots, to its use as a corporate marketing tool and acceptance into popular culture, to its reinvention in today's underground scene. It features such bands as The Adicts, Bad Religion, Black Flag, The Damned, The God Awfuls, Good Charlotte, Green Day, Minor Threat, NOFX, The Offspring, Pennywise, The Ramones, Rancid, Social Distortion, Stiff Little Fingers, The Subhumans, Sum 41, UK Subs, The Used, and many, many more

This 90-minute film reviews the music and career of one of the world's most influential performers, singers and songwriters; arguably the most unique female artist ever. It includes rare musical performances never available before on DVD. It also includes obscure footage, rare interviews and photographs of and with Kate Bush from all periods of her astonishing career. The film features: rarely seen promo films; interviews with Kate and with colleagues, producers, musicians and friends; TV clips; location shots and a host of other features.

TV Party's final season was broadcast live in color on Channel J, a public access "commercial station." TV Party tried to pay the extra expense of going to color by selling ads to downtown clubs and underground record companies. "Everything here is for sale," Glenn announces. Desperation is in the air. Glenn is missing a tooth and needs a haircut. The party is spunky but the cast is depleted and possibly drugged. The TV Party theme, music by Walter Steding and rap by Glenn O'Brien opens the show. The show features the TV Party Orchestra, with Lenny Ferrari and guitarist Karen Geniece joined by Charles Rocket on heavy metal accordion, played through a stack of Marshall amps and an array of guitar pedals. Rocket had just been fired from Saturday Night Live for saying "fuck" live on air, and his performance of "Wild Thing" is a triumph of post-modern drollness. He actually gets screaming feedback out of his squeezebox. Jeffrey Lee Pierce of Gun Club shows up with a broken guitar, but borrows one and does a soulful Robert Johnson country blues. The half Japanese New York band Eel Dogs plays. Lothar Manteuffel, one of Germany's top new wavers, ends the show jamming with Rocket on one of the latter's compositions "Why Can't I Get Laid." Who knows what he's singing in German.

Set against the raw majesty of Colorado's Red Rocks Amphitheater, this post-Fleetwood Mac concert by Stevie Nicks captures this sensual, poetic artist in breathtaking surroundings. Backed by her sizable band, Nicks' distinctive, dusky vocals showcase beautifully on all these selections. Special guests include Mike Fleetwood and Peter Frampton. With her unbelievably husky voice, glowing blond mane, and penchant for scarves and lace, Stevie adds mystical elements to her pop/rock music. Includes Dreams, Stand Back, Edge of Seventeen, Talk to Me, Outside the Rain, I Need to Know, No Spoken Word, Beauty and the Beast, and Has Anyone Ever Written. Originally an HBO Special.

Since bursting out of Seattle with 1991's multi-platinum selling 'Ten', Pearl Jam have become one of the finest rock bands in the world today. Eddie Vedder & Co. set about reconstructing their sound while campaigning against the more unjust aspects of the music industry. After 20 years Pearl Jam refuse to rest on their laurels, constantly exploring new musical directions while remaining as fiercely loyal to their fans as ever. Interviews with the band, contributions from their closest allies and from the finest rock writers, rare and classic performance footage, and many other features make this the finest documentary in existence on this most iconic of rock acts.

A film about community, hype, and musical incest. The story of San Diego's legendary 90s music scene and its brief, ill-fated reign as the 'next Seattle'. A motley community of musicians with a do-it-yourself ethos and an aversion to mainstream culture develop their idiosyncratic sounds in the isolation of San Diego, but soon find themselves at the center of bidding wars and expense account lunches. What happens when the outcasts become the next big thing?

See Debbie Harry in this 1976 drama from "No Wave" filmmaker Amos Poe. This is the story of Rico in New York City, who imagines he lives in Paris during the time of "New Wave" filmmaking. He's a photographer who thinks he's an outsider, so he uses his camera like a gun, loading it with bullets of film. He seeks reality to fulfill his fantasy. but, he's also a romantic, and this is his downfall, especially when he falls in love with the adorable Blondie. When Rico falls in love, the delicate balance of the world he has made for himself is disrupted.

Features rare footage, news clips, location shoots, videos, seldom seen photographs and much more! This film looks at Muse's entire career, and by using rare performance and interview footage of the band, contributions from their closest colleagues and from those who have witnessed and written about their journey, plus seldom seen photos, news reports, scene shoots and a range of other features, creates the finest documentary to date on this extraordinary band, the music they make and the lives they lead. Includes exclusive interviews with former manager Safta Jaffrey, legendary producer John Leckie, band engineer Ric Peet, video director Mat Kirby, official biographer and NME writer Mark Beaumont and many other close confidantes.

BLACK WAX is a musical-political entertainment film produced and directed by Robert Mugge in 1982. It was the first American film to be fully funded by Britain's then-brand-new Channel 4 Television and also likely the first film to use Steadicam from first frame to last. BLACK WAX centers on the late African American poet-singer-songwriter Gil Scott-Heron - the man Melody Maker called "the most dangerous musician alive" and many dubbed the forefather of rap music - and his 10-piece Midnight Band. It was filmed entirely on location in Washington, D.C., primarily at the Wax Museum Nightclub (now defunct). Songs performed by the band include such potent political numbers as "Winter in America," "Alien," "Johannesburg," "Storm Music," "Waiting for the Axe to Fall," "Gun," and "'B' Movie" (a scathing analysis of how and why Ronald Reagan was elected President of the United States).

Here comes DEATH's probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH's origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light. Excitement grows as Schuldiner, his band, and the world around him evolve, and the music grows ever-more outrageous and bombastic. DEATH's threat morphs from simple zombie attack to multi-headed mega-monster hellbent on absorbing entire planets. Then suddenly, Chuck is just gone, and the lights go out. The formula for movies about bands dictates that victory is seized from the jaws of mortality in the final act. This is where things get weird. Chuck Schuldiner perished during the moment of heavy metal's weakest ebb, and possibly the quietest moment of his own career. The drawling guitar demon in the kitty cat shirt will not rise again to tour county fairs, swap one-liners on late-night TV, and jam with Judas Priest at the Rock and Roll Hall of Fame. But this documentary itself joins reissues, partial reunion tours, and an international reawakening as part of a decade-long ascent for DEATH to its proper place of high dominion. As you read these words and watch this film, Chuck Schuldiner and DEATH return to glory, and the legend itself becomes an eternal encore.

This documentary film reviews the music and career one of Britains finest female vocalists and songwriters: Sandy Denny. She is revered deeply amongst fans of folk music and the singer-songwriter genre, but has never received universal acclaim for her tremendous talent. This program attempts to redress this imbalance and reveal why she remains such an inspiration to so many. The features include obscure footage and rarely seen photographs, musical performances reviewed and re-assessed by a team of esteemed experts, and live and studio recordings of Sandy Denny classics, reappraised by our panel of contributors.

Cult director Bill Zebub wanted to prove a documentary about black metal could still be entertaining without using sensationalism. You get to see most artists express themselves candidly, while of course some people embarrass themselves with their facades. Featuring interviews with Mayhem, Venom and many more!

Commissioner Of Sewers combines interview and archival material, paintings, and clips of William S. Burroughs' film appearances (including "Decoder" and Gus Van Zant's "Drugstore Cowboy" and "Thanksgiving Prayer") with footage from Burroughs' last European reading in Berlin on May 9th, 1986 to create a witty and intriguing portrait of the man described by Norman Mailer as "the only American novelist living today who may conceivably be possessed by genius."