"Tonight I shall meditate upon that which I am." The fury of Black Flag is captured in full in their performance at Bierkellar in Leeds, UK on May 19, 1984. Henry Rollins leads the band through Black Coffee, Rat's Eyes, My War and more in this raw and iconic performance, now streaming in our Punk Documentaries and Concerts section.

"Silence is the most powerful instrument I have. Spirit is everything, and technique is always secondary." Mark Hollis, Talk Talk Thirty years after the release of Talk Talk's fourth album Spirit of Eden, Gwenaël Breës, a Belgian journalist and longtime admirer of the 1980s British art-rock band, found himself crisscrossing the UK in an attempt to unravel the mystery surrounding the record. The challenge was huge. For years until his death in 2019, Talk Talk's lead singer Mark Hollis had declined all interview requests, with the rest of the band following suit, and refusing to allow their music to be used on film. Armed with little more than determination and a boom mic, Breës willingly attempted the impossible - to make a film about a band that did not want to be filmed, and recount the story of the making of a mysteriously timeless album without playing any of its music. A filmic journey full of detours, diversions and discoveries, and a quest with silence as a horizon line and punk as a philosophy, In A Silent Way is a film that contends that, despite all obstacles, music is accessible to all and the human spirit is above technique.

Cult director Bill Zebub wanted to prove a documentary about black metal could still be entertaining without using sensationalism. You get to see most artists express themselves candidly, while of course some people embarrass themselves with their facades. Featuring interviews with Mayhem, Venom and many more!

When the US trio stormed the top of the charts in their adopted country of England, punk still reigned supreme in the United Kingdom. But Brian Setzer, Brian Setzer, Slim Jim Phantom and Lee Rocker brought a little something different. Impressive footage of this time includes two performances in Germany: one in 1981 in Cologne and one in 1983 at the Loreley that were recorded by WDR.