A teenager named Kurrat mysteriously disappears from a German boys' school. Then a teacher is found dead; the mystery grows.

During the golden age of the roadshow, no exploiteer returned to the drug theme more often that DWAIN ESPER. After the infamous short Sinister Menace and the feature-length Narcotic (both 1933), Esper and his screenwriter wife, HILDAGARDE STADIE, unleashed Marihuana, the first of the famous trilogy of anti-pot films of the 1930's which included Reefer and Assassin of Youth. Esper delivered on his promise to show "weird orgies, wild parties, and unleashed passions." "High spirited" Burma Roberts (HARLEY WOOD) is not only cursed with a dippy name, but a mother who doesn't pay her any attention. Since Mom is too busy making sure Burma's sister, Elaine, has her hooks into wealthy Morgan Stewart, Burma starts hanging with a fast crown. At a roadhouse where the debauchery includes balloon popping), she and her friends meet Tony Santello, the local pusher: "Where they're that age, they're not suspicious and easily hooked!" Tony invites the gang to his beach house where they drink, dance and sample his "giggle weed."" The shot of Burma taking her first puff of pot is alone enough reason to make Marihuana a must-see. But it's followed by one of the famous scenes in roadshow history: as a cackling Burma makes love to her boyfriend Dick, the girls peel out of the dresses and streak down the beach to skinny-dip in the surf, complete with shocking-for-its-time nudity!

An investigator goes after the people who are corrupting the nation's youth by spreading the weed of Satan - MARIJUANA!!!

A psycho sex-fiend keeps his infantile girlfriend Vicky in submission with candy bars, toys and, yes, hot wax. But when they plan on killing a wealthy lesbian, Vicky discovers she likes a woman's touch and plans a nasty surprise for her boneheaded boyfriend.

Pick-up artist Jerry Sloane is hired by mobster Ernie Pulaski to lure girls for his white slavery ring. Once Ernie gets his claws on them, the victims are turned over to mute Mama Lupo (she lost her tongue after tattling on some fellow schoolgirls), who tortures them in her dungeon and addicts them to heroin. Jerry unwisely falls for Ernie’s daughter, resulting in a particularly painful, if appropriate, vengeance.

A rebellious punk (Jack Nicholson) of the beat generation spends his days as an amateur dirt track driver in between partying and troublemaking. He eventually kidnaps his buddy's girlfriend, kills a few police officers, and finally sees his own life end in tragedy.

In a small Gallic village, tourists are regaled by street entertainers and brash prostitutes. One of the tourists, a black girl named Bessie, falls in love with local villager Bob, and he with her. Soon racial tensions erupt volcanically among tourists and townsfolk alike. All is forgiven when the respective parents of the hero and heroine save the village’s water supply.

Yipes! A veritable banquet of "Bad Cinema," Monstrosity is so gloriously stupid as to be almost brilliant. Surprisingly, director JOSEPH V. MASCELLI, who also shot three Ray Dennis Steckler gems - Wild Guitar, The Incredibly Strange Creatures, and The Thrill Killers - is best known as the author of two excellent works, The American Cinematographer Manual and The Five C's of Cinematography: Motion Picture Filming Techniques, neither of which mentions Monstrosity. Released to television as The Atomic Brain and usually seen in grainy 16mm dupe prints, Something Weird's transfer has been digitally remastered from a crisp 35mm theatrical print - under its original Monstrosity moniker - and is incongruously beautiful.

From Something Weird Video: During the Great White Suburban Drug Scare of the late sixties / early seventies, parents, educators, and corporate sponsors banded together in an effort to scare American teens away from getting high. It might be argued that the weird and often hysterical propoganda films that emerged from this era created more drug abuse than they prevented. Nevertheless, here’s a handful of Classroom Scare Films from a groovy by-gone era that will fascinate and entertain you from beginning to end... Featuring Featuring Weed, Ups / Downs, and more.

Beatniks? What beatniks? Two-bit punks, a closet rock-&-roll star, and an out-of-his-mind psycho: yes. Beatniks: no. Though The Beatniks was probably a last-minute title change to replace a less exploitable moniker, it didn’t make much of a difference to the audiences of 1960. After all, to a world emerging from the Eisenhower era, bohemian artists and beat-generation poets were seen as little more than socially maladjusted misfits in the same category as junkies, Commies, and teenage hoodlums — or the petty-crime crackpots running loose in this fast, fun, and naively hilarious saga of an overage delinquent who becomes an overnight sensation.

A woman transforms herself into a black-clad, karate-chopping vigilante and strikes back at the gangsters who killed her sister.

Though best known for the Mexican horror films he imported and dubbed into English, as well as numerous foreign children's films sold as"Kiddie Matinees" throughout the Sixties producer K. GORDON MURRAY also dabbled in American-made Southern-style exploitation such as Shanty Tramp (1966), Savages from Hell (1968), Thunder County (1974), and The Daredevil, the last starring role for Hollywood cowboy GEORGE MONTGOMERY. A crazed mix of racing, racism, and drug smuggling, THE DAREDEVIL; another portrait of The Redneck as an American icon with an attitude that's about midway between Thunder Road and Smokey and the Bandit, helped in no small amount by the casting of big George.

While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.

Poontang Plenty is a secret agent who works on defeating evil while trying to crack the secret of invisibility.

A teacher encounters danger and treachery when she travels to an Old West town to claim her father's gold mine.

Compilation of clips and trailers from Italian sword & sandal spectaculars, including lots of ridiculously low-budget mythical creatures.

Here’s an odd but nonetheless fascinating time capsule of late- Sixties social unrest filtered through the mind of Florida-based sexploitation producer-director HARRY KERWIN. Yup, the man who made Strange Rampage, My Third Wife George, and Girls Come Too - and who was also the brother of Blood Feast star Bill Kerwin ­ wanted to tap into the same youth market companies Like AlP were so good at exploiting. But lacking the funds to make something along the lines of an Easy Rider or a Wild in the Streets, Kerwin blissfully dispensed with both fiction and actors and, instead, went out and filmed The Real Thing. Combining (rough, raw) authentic footage of bikers, peace protestors, and the crowd at a rock festival, he created the mondoesque It’s a Revolution Mother! a self-described "Documentary of Love" tied together with an exuberant (and often hilarious) anti-government-anti­ establishment-anti-Vietnam-war-pro-rebellion rant -written by TOM CASEY, director of Sometimes Aunt Martha Does Dreadful Things (’71) - delivered by an uncredited narrator who sounds like an AM disk jockey on speed.

Ring in the holidays with nostalgic Christmas-themed theatre intermissions, weird cartoons, creepy stop-motion animation, and, brace yourself, Liberace! These hand-picked classics from Something Weird Video are sure to delight, disturb and put you in the spirit of the season.