A TV station employee takes a camera crew out to an abandoned factory to investigate a purported snuff film that was made there, only to end up running for her life. Nami hosts a late night home video program. She receives a tape which appears to be a real snuff film. She and her crew investigate the location where she meets a man looking for his brother who warns her to stay away. As she gets closer to the truth, she and her friends are subjected to a brutal nightmare. RAW HORROR KNOWS NO BOUNDARIES!

A man wakes in an asylum with no memory. Dr Wakabayashi helps him to recall his past in which he killed his bride on their wedding day. Part of his memory becomes linked to another doctor, Dr Masaki, and a manuscript, Dogra Magra. The final feature film by Toshio Matsumoto (Funeral Parade of Roses) is an adaptation of the celebrated novel by Kyusaku Yumeno, a period set gothic tale with a sense of dreamy dread that recalls Kiyoshi Kurosawa's Cure and the locked room mystery of Shutter Island. A stunningly shot phantasmagoria by Tatsuo Suzuki, Dogra Magra is presented by Radiance films for the first time outside of Japan.

Director Kenji Misumi (Lone Wolf and Cub) and writer Fuji Yahiro (Sansho the Bailiff, A Bloody Spear at Mt. Fuji) turn the quintessential Japanese ghost story into a profoundly resonant doomed romance, with chilling ghost scenes that would leave a deep mark on the creators of J-horror. Samurai Iemon (Kazuo Hasegawa, Gate of Hell) has grown distant from his wife Oiwa. Oume, the pretty young daughter of a wealthy family, falls madly in love with Iemon after he saves her from a group of drunk swordsmen. Oiwa learns about the blossoming affair and grows despondent. Without his knowledge, Iemon's associates conspire to clear the way for him to marry Oume by poisoning his wife. But Oiwa returns from the grave as a horribly disfigured ghost to haunt Iemon and her tormentors.

"Dedicated to medicine... and the cold-blooded destruction of men!" Madame O is a classic and controversial tale of revenge from late 1960s Japan. Director Seiichi Fukuda uses widescreen cinematography and a strange mix of both black and white and color imagery to paralyze audiences with gore, nudity and shocking violence.

A killer is on the loose in Japan. Young women are being horribly mutilated. Aki, a young woman who works as a film projectionist, is haunted by a childlike ghost. Her girlfriend Emi is a TV news reporter covering the horrible mutilations. Emi introduces Aki to Kurahashi, a married man with a haunted past. Everyone involved has a dark secret and something evil is taking control of them.

Two woodcutters head into the mountains to fell an ancient tree. Caught in a snowstorm, they spend the night in a mountain lodge, where a female spirit appears and takes the life of one of the men. She spares the other man's life on the condition that he never tell anyone what happened that night. The woodcutter (Akira Ishihama, Harakiri) goes on to marry the mysterious beauty Yuki (Shiho Fujimura, Shinobi) and together they have a child. But Yuki catches the eye of a lecherous lord, whose advances force her to reveal a dark secret. Period film specialist Tokuzo Tanaka creates a broodingly atmospheric tale in which the viewer fully empathises with the ghost. Featuring a score by original Godzilla composer Akira Ifukube.

Noble samurai Shinzaburo (Kojiro Hongo, Gamera) is visited one night by the beautiful courtesan Otsuyu (Miyoko Akaza, Lady Snowblood). She pleads with him to marry her and save her from life in a brothel. Instantly captivated by her beauty, Shinzaburo agrees and a cautious love affair develops, but in his infatuation, he fails to realise that Otsuyu is a ghost. His friends band together to drive off the spirit, but can the love-stricken Shinzaburo resist the haunting lure of this enchantress? Working from a script by Ugetsu's Yoshikata Yoda, original Shinobi director Satsuo Yamamoto brings this classic Japanese ghost tale to the screen with breathtaking stylistic beauty. His visualisation of the alluring female ghost prefigures A Chinese Ghost Story and greatly inspired the J-horror movement.

Shinichi "Sonny" Chiba is a martial arts "manimal" in the ultra-70's, 100% bizarre mixture of horror, action and sci-fi that is Wolf Guy, one of the rarest and most sought-after cult films produced by Japan's Toei Studio. Based on a manga by Kazumasa Hirai (creator of 8 Man), and never before released outside of Japan, it's a genre film classic waiting to be discovered and a completely unclassifiable trip into phantasmagoric funk. Chiba stars as Akira Inugami, the only survivor of a clan of ancient werewolves who relies on his supernatural powers to solve mysterious crimes. After a series of bloody killings perpetrated by an unseen force, Inugami uncovers a conspiracy involving a murdered cabaret singer, corrupt politicians, and a plot by the J-CIA to harvest his blood in order to steal his lycanthropic powers! At the same time, Inugami also discovers the truth behind his family heritage, and that he may not be the last of his kind. Directed by B-movie genius Kazuhiko Yamaguchi (Sister Streetfighter, Wandering Ginza Butterfly, Karate Bear Fighter), Wolf Guy truly is one-of-a-kind, with Chiba in full effect as the part-man, part-wolf, all-karate action hero and a collection of familiar 1970's Toei actors in support. Violence, action, nudity, real surgical footage, and a psychedelic musical score all work together to create an unforgettable trip to the heights of Japanese cinematic weirdness.

Blind Beast is a masterpiece of erotic horror that explores the all-encompassing and overwhelming relationship between the artist and his art and the obsessive closed world that the artist inhabits, with maestro director Yasuzō Masumura (Giants and Toys, Irezumi) conjuring up a hallucinogenic dreamworld in which sensual and creative urges combine with a feverish intensity. An artist's model, Aki (Mako Midori) awakens in a dark warehouse with walls are decorated in outsized body parts. Her kidnapper introduces himself as Michio (Eiji Funakoshi), a blind sculptor who intends to use her to sculpt the perfect female form.

The Sushi Bites Back! Dead Sushi (デッド寿司, Deddo sushi) is a Japanese culinary comedy-horror from director Noboru Iguchi. Keiko, the daughter of a legendary sushi chef, runs away from home when his Karate-style regimen becomes too severe. Finding work at a rural hot springs inn, she is ridiculed by the eccentric staff and guests.