Compilation of clips and trailers from Italian sword & sandal spectaculars, including lots of ridiculously low-budget mythical creatures.

As KID-TV visits Santa Claus' famous North Pole toy workshop, the program is watched in wonder by two sad-eyed Martian children. Their father is worried, so he leads on expeditionary force to earth. Their mission: to kidnap Father Christmas and take him back to Mars. Their first earth contacts are brother and sister Billy and Betty Foster, who not only help the Martians find the North Pole, but also make the return journey to Mans with Sanka on board. For the moment it seems, the Martians have conquered Santa Claus. But the tables are about to be turned... Regarded as one of the most memorable "cult films" of all time, Santa Claus Conquers The Martians is an imaginatively "trippy" and delightful low-budget holiday fantasy.

Musician Richard Carlson is haunted by a ghostly girlfriend in director Bert I. Gordon's 72-Minute feature length Chiller-Diller from 1960.

In Alice in Acidland (1969), a wholesome college student succumbs to the temptations of marijuana and becomes a dope-crazed sexual omnivore until she hits rock bottom after taking the plunge into LSD.

Buxom skin-goddess Pat Barrington (Mantis in Lace) is just one of The Acid Eaters a bunch of 9-to-5 working stiffs who become drug-crazed bikers on the weekend! After Miss Barrington kills a galpal in a catfight and the deceased inexplicably returns as a girlfriend for wacky artist Artie, the group enters a pyramid made of giant LSD sugar cubes which is also the entrance to Hell where Artie suddenly turns into The Devil and everything explodes into one big Acid Orgy... Whoa! Easily the Sixties' most insane mix of sexploitation and psychedelia, David F. Friedman's The Acid Eaters is soooooo out there that even the strongest of minds may become unhinged.

An investigator goes after the people who are corrupting the nation's youth by spreading the weed of Satan - MARIJUANA!!!

A faux cautionary documentary that portrays several notorious celebrity sex scandals from the golden age of Hollywood through film clips and often humorous softcore reenactments.

The crazed brother of a condemned killer sent to the gas chamber swears vengeance on those he holds responsible for his brother's execution.

A young girl is being tried for murder. Her defense attorney attempts to show how her descent into a life of crime, prostitution and degradation was caused by her puritanical, religious fanatic mother.

When four degenerate thugs rape and murder a young waitress in part of their rape and murder spree, they are arrested, but get away with though a legal technicality. The brother of one of the rape/murder victims decides to become vigilante and kill the four degenerates by himself.

This archival short subject about a robot that frees house wives from menial tasks was shown at the New York World's Fair in 1940.

Here’s an odd but nonetheless fascinating time capsule of late- Sixties social unrest filtered through the mind of Florida-based sexploitation producer-director HARRY KERWIN. Yup, the man who made Strange Rampage, My Third Wife George, and Girls Come Too - and who was also the brother of Blood Feast star Bill Kerwin ­ wanted to tap into the same youth market companies Like AlP were so good at exploiting. But lacking the funds to make something along the lines of an Easy Rider or a Wild in the Streets, Kerwin blissfully dispensed with both fiction and actors and, instead, went out and filmed The Real Thing. Combining (rough, raw) authentic footage of bikers, peace protestors, and the crowd at a rock festival, he created the mondoesque It’s a Revolution Mother! a self-described "Documentary of Love" tied together with an exuberant (and often hilarious) anti-government-anti­ establishment-anti-Vietnam-war-pro-rebellion rant -written by TOM CASEY, director of Sometimes Aunt Martha Does Dreadful Things (’71) - delivered by an uncredited narrator who sounds like an AM disk jockey on speed.

A mondo type exploitation "documentary" about debauched practices of modern Man.

Now here's a title most women would probably agree with. A transitional film for director JOSEPH P. MAWRA -- who would cut his teeth on the depraved Olga films -- All Men Are Apes! has lived in the shadows for too long and deserves to take its place as one of the genuine little nuggets to be mined from the Sixties sexploitation field.

A woman transforms herself into a black-clad, karate-chopping vigilante and strikes back at the gangsters who killed her sister.

Celebrate Jesus’ birthday the way it was intended – with greedy kids clamoring for toys, creepy guys in bad Santa suits, and retro holiday highlights lovingly curated by Santa's Little Helpers at Something Weird Video!

In response to President Nixon's Commission on Marijuana and Drug Abuse, adult filmmaker Alex de Renzy weighs in with Weed his take on "The Great American Grass Problem" in which he interviews customs agents and drug dealers, travels to Vietnam ("Just ask for Number One cigarettes!"), Cambodia (in search of "Cambodian Red"), and Nepal (where shops offer tourists "Best Quality Hashish at Cheapest Rate"), and finds marijuana growing wild in Missouri. "It's not that we don't trust this distinguished group of men, but there's a lot more to the grass story. So, as a public service, we thought we'd check out some of the numerous rumors about Killer Weed!

A teacher encounters danger and treachery when she travels to an Old West town to claim her father's gold mine.

Two vice cops get entangled in a web of prostitution, blackmail and murder.

Yipes! A veritable banquet of "Bad Cinema," Monstrosity is so gloriously stupid as to be almost brilliant. Surprisingly, director JOSEPH V. MASCELLI, who also shot three Ray Dennis Steckler gems - Wild Guitar, The Incredibly Strange Creatures, and The Thrill Killers - is best known as the author of two excellent works, The American Cinematographer Manual and The Five C's of Cinematography: Motion Picture Filming Techniques, neither of which mentions Monstrosity. Released to television as The Atomic Brain and usually seen in grainy 16mm dupe prints, Something Weird's transfer has been digitally remastered from a crisp 35mm theatrical print - under its original Monstrosity moniker - and is incongruously beautiful.