In a series of vignettes, a pathetic man is abused by a bitter prostitute, a sculptor and her model try to suppress their longings for each other, and a lonely middle-aged man is caught by his wife in bed with another woman.

Pick-up artist Jerry Sloane is hired by mobster Ernie Pulaski to lure girls for his white slavery ring. Once Ernie gets his claws on them, the victims are turned over to mute Mama Lupo (she lost her tongue after tattling on some fellow schoolgirls), who tortures them in her dungeon and addicts them to heroin. Jerry unwisely falls for Ernie’s daughter, resulting in a particularly painful, if appropriate, vengeance.

Teenagers pack a van full of beer and go on the road in search of sexual adventures.

Olga uses pot parties and comic-book violence to turn Gigi Darlene and other female captives before putting them to work as drug-addicted hookers.

Bikers, beach parties, body painting, death by dune buggy, and a good old-fashioned catfight all gleefully collide in Savages from Hell, the manic followup to Shanty Tramp from producer K. GORDON MURRAY and director JOSE ("Joseph") PRIETO. And while Savages ain't no Shanty-hell, few films are--it's still an exuberant blast from Florida's past which manages to make the entire Sunshine State seem like one of those scary little rest stops somewhere off the main road.

Poontang Plenty is a secret agent who works on defeating evil while trying to crack the secret of invisibility.

The son of a murdered truck driver starts driving his own 18-wheeler to infiltrate the world of suspects who may have committed the crime.

Three girls on a tour of the English countryside meet up with two young women who introduce them to the joys of life in a nudist camp.

Not a lot is known about this exploitation clip-collage which examines the classic marijuana scare-films of the 1920s through the 1940s. However, the year of release, tone of the narration, and the complete lack of credits indicate that The Devil's Joint may well have been some kind of underground film. After all, it was released around the time when vintage drug films like the 1936 Reefer Madness were being rediscovered by a new generation via midnight screenings at smoke-filled theaters and college universities. The tone here is cleverly set from the opening text which informs us that the film has been made without the cooperation of the Whit House, FBI, or local police authorities. In case you still didn't get the hint, The Devil's Joint then shows us a clip of TICHARD NIXON stating that he is here to tell us the truth despite his honesty and integrity being under question, before cutting to grisly newsreel footage of Chinese opium users being executed in the 1930s. What follow is essentially a series of extended clips from a number of the most notorious roadeshow drugsploitation films including Reefer Madness (of course), as well as a silent film from the 1920s called The Pace That Kills For the most part, the film wisely lets these clips speak for themselves, although a narrator does give us a quick rundown of all the propaganda clichés used in the drug scare genre, and during sequences which depict stoned people fighting, Batman-style "Pows!" and "Zaps!" flash across the screen. Occasionally, silent-movie-style text cards pop up displaying lurid pulp blurbs like "An Innocent young virgin under the spell of the Killer Weed! Will she fall prey to man's lust?"

Though best known for the Mexican horror films he imported and dubbed into English, as well as numerous foreign children's films sold as"Kiddie Matinees" throughout the Sixties producer K. GORDON MURRAY also dabbled in American-made Southern-style exploitation such as Shanty Tramp (1966), Savages from Hell (1968), Thunder County (1974), and The Daredevil, the last starring role for Hollywood cowboy GEORGE MONTGOMERY. A crazed mix of racing, racism, and drug smuggling, THE DAREDEVIL; another portrait of The Redneck as an American icon with an attitude that's about midway between Thunder Road and Smokey and the Bandit, helped in no small amount by the casting of big George.

A man peeps at women. The women don't seem to mind.

Ring in the holidays with nostalgic Christmas-themed theatre intermissions, weird cartoons, creepy stop-motion animation, and, brace yourself, Liberace! These hand-picked classics from Something Weird Video are sure to delight, disturb and put you in the spirit of the season.

Jonesing for some more comical tirades against mind-altering substances? Then tie one off and shoot these five shorts directly into your vein... Featuring Narcotics Part I: Goof Balls and Tea (1957), Beyond LSD (1967), Narcotics: Pit of Despair (1967, Marijuana The Great Escape (1968) and Drug Addiction (1951).

Attention die-hard GEORGE ROMERO fans: this is the one you've been waiting for! Believed forever lost, this Latent Image take on The Graduate is the red-headed stepson of Romero and company's output which bridges the thematic gap between the feminist concerns of Season of the Witch (1972) and no-holds-barred horror of The Crazies (1973). The plot concerns Chris, a troubled youth who can't commit himself to family or friends until he meets Lynn (JUDITH STREINER), who tries to help him gather all the disparate strands of his life and bind them into some kind of shape. Romero's signature machine-gun editing technique takes this standard boy-meets-girl-in-the-early-seventies story and turns it into a kaleidoscopic barrage that's full of surprising life.

This is the story of four jewel thieves on the run who decide to hole up with a hillbilly couple until the search for them slackens off.

Ignore the title. It's a great one alright, but Hollywood After Dark evokes images of movie stars, casting couches, and back-lot orgies which can be found in Starlet or The Masterpiece but not here. No, this one's about a loser in love with a stripper who gets involved with a deadly robbery. And though it ostensibly takes place on the fringes of Hollywood, except for a shot of the Hollywood sign, it could've been made in Anytown U.S.A. It's also another of director JOHN HAYES' brooding meditations on life pretending to be a sexploitation film. like its companion piece, The Rotten Apple (another Hayes! McClanahan collaboration), it can best be described as Existential Exploitation, and, like all of Hayes' films, aspires to be something smarter and more profound than just another "B'" Rue Mclanahan

Hercules is summoned to oppose the evil Queen Samara, who has allied herself with aliens and is sacrificing her own people in a bid to awaken a moon goddess.

Reefer Madness is a 1936 American propaganda film revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness due to marijuana addiction. The film was directed by Louis Gasnier and featured a cast of mainly little-known actors.