In 1968, under a haze of publicity, The Beatles opened their collective door to all manner of musicians, writers, artists, film-makers, inventors, designers, freaks and more than a fair share of opportunist sharks. But, despite a hefty investment, little of substance was forthcoming from these assorted misfits outside of the music that emerged from one division of the potential empire; Apple Records. Even discounting those Apple platters that featured as artist the collective or individual names of the company's bosses, music that stands the test of time superbly was released under the stamp of this enterprise. Music which remains available still and both popular and exciting more than 40 years after the majority of it was produced.

This biographical film from director Tony Palmer tells the story of one of the most important and influential composers of the 20th century. Featuring rare documents, photographs, and previously unseen film footage, the documentary includes reflections from Igor Stravinsky’s three children, along with contributions from the late Madame Vera Stravinsky. Included in the film are important performances from Les Noces and Petrushka, along with priceless footage of Igor Stravinsky himself.

Almost 30 years after Stiv's mysterious death in Paris, the Dead Boys have become the stuff of (Punk) legends but unsurprisingly, the story remains largely untold. How did this native from Girard, Ohio end up living the life of Riley in Paris, France? Was Stiv really hit by a car (or a taxi...) on that fateful day? Who was the real Stiv Bators? These are a few of the questions answered in STIV: No Compromise No Regrets.

The story of an iconic guitar player who has lived a life of extreme highs and lows. After losing the publishing rights of his own songs and combatting dangerous addictions, the legendary W.A.S.P. guitarist is shown starting over from scratch while living at his mother-in-law's in Cannes, France. He is now ready to take on Europe with his new band. As we follow him along, he meets many fans and proves that he still is the showman he was as a young and famous rockstar. This musical journey draws parallel stories of the rise, fall and rebirth of Chris Holmes with archives, live performances, interviews and behind-the-scene footage.

L7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "grrl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.

This episode plays with ideas of time and space, ("time is money" and "dead air") alternating between aggressive boredom and quick wit. The TV Party Orchestra (Walter Steding on violin, Lenny Ferrari on the New Yorker magazine, and Tim Wright on guitar) jams while host O'Brien performs the sublime feat of rolling a joint blindfolded while smoking a joint.

Over the The Replacements' 12-year existence, its live sets were magical. Gorman Bechard's remarkable history of the 'Mats takes us from their first show and everywhere in between. He relies solely on the fans; memories of their albums & antics. Material from Husker Du, Babes in Toyland, The Decemberists, The Hold Steady, Archers of Loaf, Titus Andronicus, and Goo Goo Dolls is included.

"If you've ever wondered what the Stooges' first show on Halloween 1967 was like, you'll find that answer and many others about the Detroit music scene of the late 1960s in a new DVD, Blowing Fuses Left & Right: The Legendary Detroit Rock Interviews." That's how Rolling Stone describes this documentary featuring the legendary 1988 Detroit interviews with members of the Stooges, the Rationals and the MC5 & the Detroit music scene.

Halloween '79 - Glenn is dressed in a casual Dolly Parton lesbian look. With Chris Stein, Debbie Harry,Richard Sohl, Fab Five Freddy & more. This is TV Party at is most dense and abstract, filled with cross-talk, double entendre and obscure information.

There were two TV Party Heavy Metal Shows: one taped at the Mudd Club, now lost, and this live studio sequel featuring a "Mock Penis Envy" backdrop by Jean-Michel Basquiat, and a guitar line up of Chris Stein, Lenny Ferrari, Patrick Geoffrois of the Contortions, plus Glenn, Basquiat, Snuky Tate and Walter Steding on guitar and vocals, and Bradley Field on electronic drums. As Glenn and Walter send up rock clichés and discuss the nature of electricity, the band churns out a harrowing electronic miasma. Highlights include an actual fight between Fab Five Freddy and Jean-Michel Basquiat over a guitar and Walter Steding destroying his "extra wide deluxe" guitar.

David Bowie - Under Review 1976 - 1979 The Berlin Trilogy features live and studio performances by Bowie, rare interviews and a host of other features all interspersed with the independent review and criticism from a panel of esteemed experts. These include; former members of both Neu! And Cluster (and key Bowie influences), Dieter Moebius and Michael Rother; broadcaster, journalist and ambient author, Mark Prendergast; author and Melody Maker/Mojo journalist, David Stubbs; Journalist and author Daryl Easlea; style aficionado, Paolo Hewitt and many others.

Iggy & the Stooges: Live in Detroit 2003 features Iggy Pop and the original lineup of the Stooges (with bassist Mike Watt subbing for the late Dave Alexander) performing at their first Detroit homecoming in 29 years. It is a full concert of the best songs of the first two Stooges albums from 1969 & 1970. In Iggy Pop's own words, "Here they are, the original Stooges, the band that never bit the weenie. A particular stiff-necked place and time spawned the undying attitude of refusal to compromise. This was Detroit, Michigan, in the late 1960s, when men were men and ears were ears. Now, we are here in the 21st Century, in a "music industry" that bores and annoys, persecutes and depresses. This concert, by the Stooges reunited, does not bore me. I love the groove. I love the songs. I love the vibe. I love the audience. I love this band, and I'm very proud of this high-quality product by the Stooges."

Welcome to the wild world of the Queers on their very first DVD! It features footage of all the live energy and behind-the-scenes craziness of the Queers on tour around the world circa '93 to '05. Also included are interviews, music videos, and an unreleased animated video. You'll witness all the different lineups with Hubie, Bface, Wimpy, Danny Vapid and a cast of others.

Not always credited with such, Mick Jagger has been equally as pivotal to the Rolling Stones as his songwriting partner and bandmate for almost 50 years. Indeed the differences in style, character and philosophy between Mick and Keith, make for probably the greatest union - albeit often far from harmonious - in the history of popular music. This documentary film concentrates on Jagger's life and career both within and without the Stones, across the period during which he was in his twenties, the period that also, for most fans, was the band's golden years, during which they produced music of a quite staggering quality. Features; Live and studio recordings of the finest tracks from this period. Rare footage, archive interviews with Mick and seldom seen photographs.

The first 10% of this show sums up what we don't get on TV anymore. Technical difficulties. TV Party was live and improvised, and this meant casual disaster. This early episode gets off to an artistically agonizing start--the sound person is late, overdosing on drugs or both. Or it was the broken down equipment. Once the sound kicks in the show gets lively. Compton Maddux, a droll singer songwriter, is backed up by Debbie Harry and Glenn; the unique futurist countertenor Klaus Nomi does one of his post-modern arias; Adny Shernoff, of the Dictators, plays the Beach Boys' "Be True to Your School" backed up by pom pom girls Tish and Snooky, the Manic Panic designers. Downtown legend director Eric Mitchell announces the opening of the now famous New Cinema theater and shows a clip from his film "Kidnapped" with Arto Lindsay, Duncan Smith and Anya Phillips. Brit director David Silver and photographer Kate Simon do the "white people talk about reggae" segment. Blondie's Chris Stein and Debbie Harry and the Patti Smith Group's Richard Sohl drop in to smoke a reefer and take calls from all the crazies in cable land. Chris explains all this isn't chaos, it's art.

The late American extreme punk rock musician, GG Allin, is best remembered for his notorious live performances, which often featured transgressive acts, including self-mutilation, eating his own feces, and attacking the audience. In 1993 he died of an heroin overdose. Aired on Showtime as "All In The Family", In director Sami Saif's (Family) upcoming film The Allins we meet the two remaining family members, mother Arleta and brother Merle, who is still active in GG Allins backing band The Murder Junkies. It is the story about an extraordinary loving family, whose departed son and brother has left a trail of unanswered questions, and how we need to feed our own version of the past to overcome the present and the future.

February 17, 1981. Reagan was the new President. Iran had just released its American hostages, and Israel and the PLO had rejected Egypt's peace plan. It was a grim moment and TV Party decided to do something about it. The TV Party Orchestra, featuring Chris Stein, Lenny Ferrari on flute, sorcerer Patrick Geoffrois slide guitar and Walter Steding, performed punk medieval music.

Set against the raw majesty of Colorado's Red Rocks Amphitheater, this post-Fleetwood Mac concert by Stevie Nicks captures this sensual, poetic artist in breathtaking surroundings. Backed by her sizable band, Nicks' distinctive, dusky vocals showcase beautifully on all these selections. Special guests include Mike Fleetwood and Peter Frampton. With her unbelievably husky voice, glowing blond mane, and penchant for scarves and lace, Stevie adds mystical elements to her pop/rock music. Includes Dreams, Stand Back, Edge of Seventeen, Talk to Me, Outside the Rain, I Need to Know, No Spoken Word, Beauty and the Beast, and Has Anyone Ever Written. Originally an HBO Special.