After much tribulation, at the end of 1974 Ronnie Wood arrived to breath new life into the Rolling Stones. This documentary film covers the Stones' career and music between 1975 and 1983 and includes exclusive interviews, contributions from the finest experts and writers, and rare and classic footage, all soundtracked by the music that, despite it all , remained 'only rock 'n' roll'

TV Party's final season was broadcast live in color on Channel J, a public access "commercial station." TV Party tried to pay the extra expense of going to color by selling ads to downtown clubs and underground record companies. "Everything here is for sale," Glenn announces. Desperation is in the air. Glenn is missing a tooth and needs a haircut. The party is spunky but the cast is depleted and possibly drugged. The TV Party theme, music by Walter Steding and rap by Glenn O'Brien opens the show. The show features the TV Party Orchestra, with Lenny Ferrari and guitarist Karen Geniece joined by Charles Rocket on heavy metal accordion, played through a stack of Marshall amps and an array of guitar pedals. Rocket had just been fired from Saturday Night Live for saying "fuck" live on air, and his performance of "Wild Thing" is a triumph of post-modern drollness. He actually gets screaming feedback out of his squeezebox. Jeffrey Lee Pierce of Gun Club shows up with a broken guitar, but borrows one and does a soulful Robert Johnson country blues. The half Japanese New York band Eel Dogs plays. Lothar Manteuffel, one of Germany's top new wavers, ends the show jamming with Rocket on one of the latter's compositions "Why Can't I Get Laid." Who knows what he's singing in German.

February 17, 1981. Reagan was the new President. Iran had just released its American hostages, and Israel and the PLO had rejected Egypt's peace plan. It was a grim moment and TV Party decided to do something about it. The TV Party Orchestra, featuring Chris Stein, Lenny Ferrari on flute, sorcerer Patrick Geoffrois slide guitar and Walter Steding, performed punk medieval music.

"God gave me this rock career to keep me busy. Back in 1991 I used to hit old people with folding chairs. Suddenly, I moved to the north side of Chicago, Illinois in 1992. It made a rock star out of me at last. I'm the daddy of rock 'n' roll! I'm Wesley Willis, I'm 36 years old. I play music and do art. I have schizophrenia. I have chronic schizophrenia. Roger Lee Carpenter asked me for $600. He told me that if I don't give him $600, he was going to blow my brains out. That's when I started hearing demons. I have three demons: Nervewrecker, Heartbreaker, and Meansucker....I yell, I scream, I holler at people on buses"

He's the baddest of them all, the man with at least nine lives and the most Rock N' Roll performer since the dawn of time - and we love him for all of it. This DVD features a 2 hour documentary film which details the life and career of the one man who made it all seem possible. It includes rare and classic musical performances re-assessed by a panel of esteemed experts, exclusive interviews, obscure footage and seldom seen photographs. Also included is footage of and comment on Keith's pivotal influence, live and studio recordings of classics such as Satisfaction, Jumping Jack Flash, Brown Sugar, Tumbling Dice, Start Me Up and many others, plus bonus features.

This episode plays with ideas of time and space, ("time is money" and "dead air") alternating between aggressive boredom and quick wit. The TV Party Orchestra (Walter Steding on violin, Lenny Ferrari on the New Yorker magazine, and Tim Wright on guitar) jams while host O'Brien performs the sublime feat of rolling a joint blindfolded while smoking a joint.

This documentary film reviews the music and career one of Britains finest female vocalists and songwriters: Sandy Denny. She is revered deeply amongst fans of folk music and the singer-songwriter genre, but has never received universal acclaim for her tremendous talent. This program attempts to redress this imbalance and reveal why she remains such an inspiration to so many. The features include obscure footage and rarely seen photographs, musical performances reviewed and re-assessed by a team of esteemed experts, and live and studio recordings of Sandy Denny classics, reappraised by our panel of contributors.

Devo, captured live in Oakland, performing early experimental tracks written between 1974 and 1977, prior to any label deal or public success. No matter how messy, beginnings are exciting. Especially when what happens next endures the test of time. For Devo, the beginning happened in the basements and garages of Akron, Ohio. The songs they wrote were raw and unfiltered with no commercial intent. They called it Hardcore Devo. Performing 21 oddities, this is a tribute to departed, original Devo bandmate, Robert "Bob 2" Casale. Filmed live on June 28, 2014 at the Fox Theater in Oakland, California.

This film puts the album Highway To Hell under the spotlight and with the help of those who worked on the record, friends of Bon Scott, AC/ DC biographers and others who were there at the time, discovers how the album was made, how it was received and how it still inspires musicians and fans alike to this day. Featuring rare and classic footage of the group, interviews with Bon Scott and Angus Young, exclusive contributions from friends, colleagues, journalists and biographers, every track from the album reviewed and reappraised by a panel of esteemed experts and plenty more besides. Although it wasn't until after the release of the Back In Black album that AC/DC became global superstars, the era most fondly remembered by fans of this extraordinary band is when Bon Scott was at the helm - between 1974 and 1980. And if there's one album from that time which illustrates best what the mighty 'DC were all about during those years, it has to be Highway To Hell.

The Who - Under Review 1964-1968 features rare live and studio performances of the band interspersed with the independent review and criticism of a panel of esteemed experts. These include; The Who's early producer Shel Talmy, journalist and author Paolo Hewitt, Keith Moon biographer Alan Clayson, ex Melody Maker journalist and early champion of The Who Chris Welch, Classic Rock Magazine writer Malcolm Dome and a host of other expert contributors. Features rare performances of Im The Face, I Cant Explain, Anyway, Anyhow, Anywhere, My Generation, The Kids Are Alright, Substitute, Im A Boy, Happy Jack, Pictures Of Lily, I Can See For Miles, and many others.

"From a stage super-heated by over-the-top, rock 'n roll cliche lighting, DEVO faced a sea of Asian Gen X'ers in a 100 degree plus fahrenheit venue in the bowels of Tokyo, Japan. The crowd was swathed in bootlegged energy domes and DEVO T's, mouthing the lyrics to songs we wrote when most of them were loading their diapers with UNi-colored poo. Maybe it was a "Beautiful World" after all!" - Gerry Casale. Track list: That's Good, Girl U Want, Whip It, Satisfaction, Uncontrollable Urge, Mongoloid, Blockhead, Jocko Homo, Smart Patrol/Mr. DNA, Gut Feeling/Slap Yer Mammy, Gates Of Steel, Freedom Of Choice, Come Back Jonee

Oasis - (What's The Story') Morning Glory: A Classic Album Under Review is a documentary film which revisits and re-assesses this powerhouse of a record. With the use of archive footage, long forgotten videos and contributions from those around at the time, this program uncovers why the band's second album is arguably their most satisfying. Features include live and studio performances of tracks from Morning Glory, reviewed by a panel of esteemed experts, band interviews, rarely seen photographs and archive footage. Bonus feature; 'When Oasis Met Blur' - the full recording from the moment the Britpop heavyweights met at the same radio station in 1995.

An 80 minute documentary film which looks at this extraordinary musician and performer's music from 1983 through 2006. After Waits' marriage to Katherine Brennan in 1980, his music became more experimental, through album after album during the 1980s, the 1990s and the 2000s, Waits stunned his audience time and again. This program looks again at these records, and the man who made them.

Syd Barrett - Under Review features rare live and studio performances from this hugely influential and legendary musician, interspersed with the independent review and criticism from a panel of esteemed experts. These include; Melody Maker contributor during the 1960s and early champion of Syd Barrett, Chris Welch ; Barrett biographer and all round expert, David Parker ; Uncut Magazine's features editor, Nigel Williamson; former Soft Machine bassist who backed Syd on Madcap Laughs, Hugh Hopper; Total Rock DJ and journalist, Malcolm Dome and many more. Features rarely seen promo films, interview footage with Syd and other Floyd members, TV clips and more.