Actually, The Phantom Planet is really one of those damn phantom asteroids (resembling a giant bowel movement) that zips around space on its own power, and sucks the spaceship of DEAN FREDERICKS to its surface. Once Fredericks is exposed to its atmosphere, he gets dizzy, sees ten teenie-tiny men creep up on him, and shrinks inside his space suit (a great shot) until he’s only a few inches high. Next thing you know, he’s having a fist-fight with one of the little men right inside his space helmet! Yes, boys and girls, it’s another sci-fi kiddie matinee full of rockets dodging meteors, aliens in fiery space ships, an astronaut who floats to his death reciting “The Lord’s Prayer,” an allegedly “advanced race” that lives in a self-imposed “primitive” lifestyle because they once had too much leisure time on their hands (huh?), and, best of all, what may very well be the funniest-looking monster in movie history. And, because it’s all set in the futuristic world of 1980, everything is carefully explained with a lot of scientific jibberish that doesn’t make a goddamn bit of sense.

A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up.

A psycho sex-fiend keeps his infantile girlfriend Vicky in submission with candy bars, toys and, yes, hot wax. But when they plan on killing a wealthy lesbian, Vicky discovers she likes a woman's touch and plans a nasty surprise for her boneheaded boyfriend.

Tough college student Tod Palmer (Robert Sherman) patiently suffers increasingly severe hazing at the hands of sadistic Ky Walker (Russell Johnson) while pledging a fraternity at Wake College. Attempting to bring the ritual initiation abuses to the authorities' attention, Tod accidentally dies after fleeing from the angry fraternity brothers. Medical professor Dr. Stephen Brice (Paul Henreid) then tries to end the practice of hazing, determined to obtain justice for one of his best students.

The son of a murdered truck driver starts driving his own 18-wheeler to infiltrate the world of suspects who may have committed the crime.

Olga uses pot parties and comic-book violence to turn Gigi Darlene and other female captives before putting them to work as drug-addicted hookers.

"The people you are about to meet may shock you. They may frighten you. But we hope that by this factual exposition, we can broaden your view toward this kind of individual." Yes, kiddies, there's nothing that says you've stepped off the polite path of mainstream filmmaking better than plunging headfirst into the cult quicksand of transvestite cinema. And She-Man ,a cross dressing mini-classick subtitled A Story of Fixation, proudly belongs in every gender-bending library alongside Glen or Glenda, The Christine Jorgensen Story, Dinah East, and Let Me Die a Woman. Woman.

A gang of teenage criminals vandalize a small community by stealing cars for parts, meanwhile an investigator is hot on their trail.

In Alice in Acidland (1969), a wholesome college student succumbs to the temptations of marijuana and becomes a dope-crazed sexual omnivore until she hits rock bottom after taking the plunge into LSD.

Yipes! A veritable banquet of "Bad Cinema," Monstrosity is so gloriously stupid as to be almost brilliant. Surprisingly, director JOSEPH V. MASCELLI, who also shot three Ray Dennis Steckler gems - Wild Guitar, The Incredibly Strange Creatures, and The Thrill Killers - is best known as the author of two excellent works, The American Cinematographer Manual and The Five C's of Cinematography: Motion Picture Filming Techniques, neither of which mentions Monstrosity. Released to television as The Atomic Brain and usually seen in grainy 16mm dupe prints, Something Weird's transfer has been digitally remastered from a crisp 35mm theatrical print - under its original Monstrosity moniker - and is incongruously beautiful.

A man peeps at women. The women don't seem to mind.

Lovers of true grade-Z schlock either genuflect or run screaming at the mere mention of JERRY WARREN, the auteur of such cheapjack epics as Man Beast ('56), Terror of the Bloodhunters ('62), and The Wild Wild World of Batwoman ('66). (He also imported numerous Mexican films, recut them, added new scenes, and usually removed most of the dialogue so they wouldn't nee redubbing!) The Incredible Petrified World, Warren's second film, is a no-budget "Nightmare of Terror is the Center of the Earth!" - not!

In a series of vignettes, a pathetic man is abused by a bitter prostitute, a sculptor and her model try to suppress their longings for each other, and a lonely middle-aged man is caught by his wife in bed with another woman.

Poontang Plenty is a secret agent who works on defeating evil while trying to crack the secret of invisibility.

Barton's mine foreman is receiving gold bullion from gangsters in the East, putting it through the mine's smelter, and then shipping it out. When Barton finds out, Murdocks men make him a prisoner. Arriving at the same time, Alamo hears the story of the Masked Phantom and then becomes that Phantom fighting Murdock and his men and attempting to find Barton.

Now here's a title most women would probably agree with. A transitional film for director JOSEPH P. MAWRA -- who would cut his teeth on the depraved Olga films -- All Men Are Apes! has lived in the shadows for too long and deserves to take its place as one of the genuine little nuggets to be mined from the Sixties sexploitation field.

Shrewd, conniving goddess Stacey Kane (MEG MYLES) is a second-rate stripper in a third-rate carnival. Startled when she finds her junkie ex-husband lurking in her dressing room, Stacey promptly steals every cent he has and hops on a plane for New York. Great, gritty exploitation which packed a hell of a wallop in the more innocent days of 1962.

From Something Weird Video: During the Great White Suburban Drug Scare of the late sixties / early seventies, parents, educators, and corporate sponsors banded together in an effort to scare American teens away from getting high. It might be argued that the weird and often hysterical propoganda films that emerged from this era created more drug abuse than they prevented. Nevertheless, here’s a handful of Classroom Scare Films from a groovy by-gone era that will fascinate and entertain you from beginning to end... Featuring Featuring Weed, Ups / Downs, and more.

Before he relocated to Spain and made the gender-bender shocker I Hate My Body and a handful of Paul Naschy movies (including Werewolf vs. The Vampire Woman), director LEON KLIMOVSKY shot this warped anti-pot thriller in his hometown of Buenos Aires, Argentina. Like earlier "warning" films which purported to tell the truth about marijuana abuse, Klimovsky's is naively wrong-headed wrongheaded from the get-go. However, viewers expecting a Reefer Madness-style camp classic will be sorely disappointed. Substitute heroin or crack fro the dreaded weed and the situations depicted in The Marihuana Story suddenly become no laughing matter.

When four degenerate thugs rape and murder a young waitress in part of their rape and murder spree, they are arrested, but get away with though a legal technicality. The brother of one of the rape/murder victims decides to become vigilante and kill the four degenerates by himself.