Keyholes Are For Peeping is a broad comedy that served as the cinematic swan song for onetime Jerry Lewis imitator and Duke Mitchell comrade Sammy Petrillo< (Bela Lugosi Meets a Brooklyn Gorilla). Here he plays Stanley Bebble, a fledgling marriage counselor living with his nagging mother (also played by Petrillo but voiced by director Doris Wishman) who sets up shop in a building where superintendent Phillip Stahl (Deadly Weapons) spends all of his time watching lovers through peepholes. That peeping experience is represented by footage from older Wishman films, making this an ingenious introduction to the fetishy oeuvre of the lady maverick of exploitation cinema and much wackiness ensues in this broad parody of adult movies.

Determined to set their pet goldfish free, Lana and Nico embark on a magical urban odyssey from their Los Angeles home to the ocean. Their adventure, seen through the eyes of the brother/sister team, is filled with an array of wild and sometimes frightening encounters! Little Feet is a the return of director Alexandre Rockwell to his black and white 16mm roots that won him a Grand Jury Prize at The Sundance Film Festival with In The Soup. Little Feet’s cinematography shows the poetic side of Los Angeles one rarely sees and stands as an homage of sorts to the very first films shot in the city.

After suffering a traumatic incident, Molly (Cecilia Milocco) moves into a new apartment to begin her path to recovery, but it’s not long after her arrival that a series of persistent knocks and screams begin to wake her up at night. Molly’s new life begins to unravel as the screams intensify and no one else in the building believes or is willing to help her.

Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film.

The origins of the universe.

I Am Secretly an Important Man is a portrait of writer and poet Steven J. Bernstein (aka Jesse Bernstein), one of Seattle's most celebrated and troubled voices. His angry, surprisingly fresh and lyrical writings are about sensitive souls, drifters and drug addicts; the people alienated by a society that refuses to understand them. Bernstein peels back the ugliness and the darkness of life on the fringe to expose tender and not so tender human feelings. His unique rhythms, filled with humor and pain, were especially exciting when read in his own gravelly voice. Bernstein was an integral part of the legendary Seattle rock scene of the late 80's and early 90s, and in 1991 was dubbed the "Godfather of Grunge '' by the British magazine The Independent.

Christopher Munch’s boldly original debut, THE HOURS AND TIMES (1992), is a fictional account of what might have happened in April 1963, when John Lennon and Beatles manager Brian Epstein traveled to Barcelona for an extended weekend getaway. In the four days they spend together, the suave Epstein (played by David Angus) and the provocative Lennon (Ian Hart in his first starring role) reflect on their lives, both private and professional, as they explore the unique bond they share. Munch’s sparse and intimate narrative, captured with exquisite black-and-white cinematography, is a thoughtful meditation on friendship and sexuality, crafted around a brief moment in the lives of two extremely well-known pop figures.

It has been hailed as "extraordinary" (The Guardian), "visionary and haunting" (Rolling Stone) and "a grand work of art, full of symbols and imagery that reach beyond language to something primal and original" (AV Club). Now forget everything you have ever seen as the modern masterpiece from director Alejandro Jodorowsky returns like never before. It is unlike any film you have ever experienced...or ever will. Axel Jodorowsky, Blanca Guerra and Guy Stockwell star in this epic odyssey of ecstasy and anguish, belief and blasphemy, beauty and madness, now featuring a new scan from the original negative supervised by the director himself.

In his short career, Jean-Michel Basquiat was a phenomenon. His dense, bebop-influenced neoexpressionist work emerged in the 1980s while minimalist art was the fad and as a successful black artist, he was constantly confronted by racism and misconceptions.  In this documentary portrait of the renowned artist, Basquiat's friend and filmmaker Tamra Davis shines the spotlight on New York City painter, built around a lost, personal interview with the artist, rare archival footage and more.

Swiss director Jean-Louis Roy’s long-lost mid-1960s Cold War super-spy thriller is a marvelous and surreal hall of mirrors, part-DR. Strangelove, part-Alphaville, with sly nods to British TV shows like “The Avengers.” The film stars a Who’s Who of great Sixties character actors starting with the unforgettable Daniel Emilfork as crazed scientist Herbert Von Krantz, who’s invented a device to sterilize all nuclear weapons. A mad herd of rival spies are desperate to get their hands on the device, including legendary French singer Serge Gainsbourg as the leader of a sect of bald, turtleneck-wearing assassins, and Jess Franco vet Howard Vernon (The Awful Dr. Orlof). Gainsbourg’s deranged jazz-lounge song, “Bye Bye Mr. Spy” – performed by him on a funeral parlor organ, no less – is arguably the film’s high point. “An accomplished spy is at the same time psychologist, artist, funambulist, conjurer,” to quote one of the characters – and the same could be said of Roy’s exotic camera obscura of B&W Cold War paranoia.

Pushing at the limits of non-fiction cinema, A Man Imagined is a bracingly intimate and hallucinatory portrait of a man with schizophrenia surviving amidst urban detritus and decay. Made in close collaboration with 67-year-old Lloyd, this immersive documentary fable follows the jagged path of a decades-long street survivor, across harsh winters and blistering summers, as he sells discarded items to motorists, sleeps in junkyards and lapses into near-psychedelic reveries.

Seventies glam rock musician Jobriath was known as “The American Bowie,” “The True Fairy of Rock & Roll,” and “Hype of the Year.” The first openly gay rock star, Jobriath’s reign was brief, lasting less than two years and two albums. Done in by a over‐hyped publicity machine, shunned by the gay community, and dismissed by critics as all flash and no substance, Jobriath was excommunicated from the music business. He retreated to the Chelsea Hotel where he died, forgotten, in 1983 at the age of 37, as one of the earliest casualties of AIDS. In the years since his death, new generations of fans have discovered his music through acts as diverse as Morrissey, Def Leppard, The Pet Shop Boys, and Gary Numan, all of whom have cited Jobriath as an influence. Through interviews, archival material, and animation, audiences can experience the heartbreaking and unbelievable story of the one, the only, Jobriath.

"Compelling. Furiously combative." - Variety Married couple Jim and Lucy run a commune in the early 90's for sober living out of their suburban New Jersey home. The motley members eat, bathe and work together selling homemade "health tea" out of their van. Although there's constant bickering and plenty of fires to be put out, Jim and Lucy have managed to establish a haven for these outcasts. But the harmony is interrupted when Ann (Hannah Gross), a recovering addict and the ex-lover of one housemate, arrives. Director Nathan Silver shot this feature on a Ikegami HL-79E, a TV broadcast staple from the 1980s.

Out of Time: The Material Issue Story examines the tragic story of a rock band on the cusp of superstardom cut short by front man Jim Ellison’s suicide. The film tells the story of Material Issue, a power pop trio from Chicago that was literally out of time, sandwiched between the post-punk era of the 80's and the alternative rock movement of the 90's searching for its identity in the gritty world of rock and roll. The film features original band members Mike Zelenko and Ted Ansani with the first interviews of the family of Jim Ellison since his passing along with others that helped shape the world of the band including Jeff Murphy, Joe Shanahan, Jay O'Rourke, Jeff Kwatinetz, Matt Pinfield, Steve Albini and more.

From the acclaimed novel by Frederik van Eeden, The Cool Lakes of Death (Van de Koele Meren des Doods) is the magnum opus from pioneering feminist filmmaker Nouchka van Brakel. A celebrated Dutch masterpiece, The Cool Lakes of Death is a historic melodrama featuring an outstanding performance by Renée Soutendijk (The 4th Man) as Hedwig, a wealthy woman who falls victim to a loveless marriage and the loss of her lover (Derek de Lint) and child that leads to mental illness, prostitution and addiction - before finding possible redemption. A box-office smash upon its release in 1982, The Cool Lakes of Death remains one of the greatest Dutch drama films in history and was subsequently the Dutch entry for 'Best Foreign Language Film' at the Academy Awards.

THE FLESH (La Carne) is a romantic black comedy about a divorced piano player named Paolo (Sergio Castellitto) who meets and falls in love with a most beauteously busty woman (bombshell Francesca Dellera), who uses her special powers to turn the man into her sex slave. The film depicts the oftentimes torturous nature of carnal desire and the erotic power of women in a cinematic work where Francesca becomes a symbolic representation of male desire, with her voluptuous figure and sex appeal being intoxicating to Paolo. While he is completely taken by his desire for Francesca, she eventually gets bored with him and decides to leave. Unfortunately for Francesca, Paolo loves her and has no intention of allowing her to go. Francesca Dellera was once named in real-life, “the most beautiful woman in the world.” She began her career with Tinto Brass’ Capriccio, but it was not until her role in La Carne, when premiered at Cannes, that she received international acclaim. Directed by Italian maestro Marco Ferreri, who is best known for such classics as Tales of Ordinary Madness and Le Grand Bouffe. Italian language with English subtitles.

Who Took the Bomp? Le Tigre on Tour follows iconic feminist electronic band Le Tigre on their 2004-2005 international tour. Le Tigre confronts sexism and homophobia in the music industry while tearing up the stage with their no-holds-barred lyrics, punk rock ethos, and whip-smart wit.

Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. However, her spells work too well, leaving her with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved will drive her to the brink of insanity and murder. With a visual style that pays tribute to Technicolor thrillers of the ‘60s, THE LOVE WITCH explores female fantasy and the repercussions of pathological narcissism.