Swiss director Jean-Louis Roy’s long-lost mid-1960s Cold War super-spy thriller is a marvelous and surreal hall of mirrors, part-DR. Strangelove, part-Alphaville, with sly nods to British TV shows like “The Avengers.” The film stars a Who’s Who of great Sixties character actors starting with the unforgettable Daniel Emilfork as crazed scientist Herbert Von Krantz, who’s invented a device to sterilize all nuclear weapons. A mad herd of rival spies are desperate to get their hands on the device, including legendary French singer Serge Gainsbourg as the leader of a sect of bald, turtleneck-wearing assassins, and Jess Franco vet Howard Vernon (The Awful Dr. Orlof). Gainsbourg’s deranged jazz-lounge song, “Bye Bye Mr. Spy” – performed by him on a funeral parlor organ, no less – is arguably the film’s high point. “An accomplished spy is at the same time psychologist, artist, funambulist, conjurer,” to quote one of the characters – and the same could be said of Roy’s exotic camera obscura of B&W Cold War paranoia.

From the producer of "Easy Rider," Dennis Hopper stars as Sgt. Jack Fallen in this Cannes Official Selection. Returning home from the Vietnam War to accompany a friends body across the country via train, Fallen enters a hallucinatory reality of memory, war, and desire. Also starring Dean Stockwell and Taryn Power.

In the vein of horror anthologies like Bava's BLACK SABBATH, the long-unseen PRAGUE NIGHTS is a gorgeous and supernatural vision of ancient and modern Prague: caught between Mod Sixties fashions and nightmarish Medieval catacombs, and filled with Qabbalistic magic, occult rituals, clockwork automatons and satanic visitors. In the first tale, director Jiří Brdečka's stunning "The Last Golem," a young rabbi (Jan Klusák) struggles to fashion a massive, silent giant out of living clay - until he's distracted by a mute servant girl (Lucie Novotná). In the second episode, "Bread Slippers," an 18th-century countess (Teresa Tuszyńska) indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids - until a mysterious visitor (Josef Somr) whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her. In the final story, "Poisoned Poisoner," a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat 60s Czech Pop songs (scored by the renowned Zdeněk Liška).