Marty is a caustic con artist drifting from one scam to the next. When his latest ruse goes awry, mounting paranoia forces him from his temp job to the streets of Detroit with nothing more than a pocket full of bogus checks and a dangerously altered Nintendo® Power Glove. Albert Camus meets Freddy Krueger in Buzzard, a hellish and hilarious riff on the struggles of the American working class from director Joel Potrykus.

On November 22, 1963, Life Magazine’s LA bureau chief Richard Stolley learned via teletype that President John F. Kennedy had been shot. Racing to the scene in Dallas, he accomplished what is now considered one of the most significant journalistic coups of the 20th century. Stolley found Abraham Zapruder and purchased the right to reprint stills from footage of the assassination filmed by him. Director Roger Sherman's film tells his dramatic story.

In the infancy of hip-hop, Brooklyn-born photographer Jamel Shabazz documented the pioneers of music and style who would launch an enduring worldwide phenomenon. Charlie Ahearn (director of the seminal graffiti movie Wild Style) pays tribute to both Shabazz and those who defined hip-hop before it had definition. More than just vintage shots of kids rocking sneakers and savvy street style in Times Square and Fort Greene Park, Shabazz’s photographs have hundreds of stories behind them. Ahearn’s film gives voice to these images with intimate interviews with Shabazz himself, graffiti pioneer and hip-hop historian Fred “Fab 5 Freddy” Brathwaite, legendary rapper KRS-One, and many others.

In pre-internet 1987, Conor and his dog Sandy live a life of seclusion, lost in the slow-rendering graphics of early Macs and televisions aglow with late night horror movie marathons. But when he begins playing OBEX, a new and mysterious, state-of-the-art computer game, he finds himself trapped in a low-tech, but high-stakes analog hellscape as the line between reality and game blurs. Audacious and uncanny, writer-director Albert Birney's OBEX is a delightfully skewed lo-fi fantasy. Shot in striking black and white, this surreally nostalgic nightmare revisits the dawn of personal computing to reflect on the loneliness of our always-online present day.