Join some terrified teens spending a night in a haunted house and get spooked by a mad doctor and his ghoulish gang when the Monsters Crash The Pajama Party, a 1965 spook show theatrical featurette complete with Werewolf, Gorilla in a fur coat, and goofy gimmick! Beware, they might get you.

Featuring America’s ultimate pin-up goddess, Bettie Page! The Queen of the Curves teams up with fellow bump-and-grind legends, Lily St. Cyr, Tempest Storm, Chris LaChris, and Trudy Wayne, along with an assortment of bags-pants comics, for the holy grail of full-color girl flicks.

Sex, drugs, and a rubber monster mask in another Argentinean rarity from EMILIO VIEYRA, the director of The Curious Dr. Humpp! Then he plays his organ. Preying upon the "swingers" who frequent a local nightclub, Rubber Face lures babes with his own haunting theme song, turns them into love-slaves with heroin, and slobbers all over them while still wearing that stupid monster mask.

Teenagers pack a van full of beer and go on the road in search of sexual adventures.

Barton's mine foreman is receiving gold bullion from gangsters in the East, putting it through the mine's smelter, and then shipping it out. When Barton finds out, Murdocks men make him a prisoner. Arriving at the same time, Alamo hears the story of the Masked Phantom and then becomes that Phantom fighting Murdock and his men and attempting to find Barton.

Hercules is summoned to oppose the evil Queen Samara, who has allied herself with aliens and is sacrificing her own people in a bid to awaken a moon goddess.

From Something Weird Video: During the Great White Suburban Drug Scare of the late sixties / early seventies, parents, educators, and corporate sponsors banded together in an effort to scare American teens away from getting high. It might be argued that the weird and often hysterical propoganda films that emerged from this era created more drug abuse than they prevented. Nevertheless, here’s a handful of Classroom Scare Films from a groovy by-gone era that will fascinate and entertain you from beginning to end... Featuring Featuring Weed, Ups / Downs, and more.

Oh, who cares how much of this is really true or not. Ma Barker's Killer Brood is how things should have been. And after seeing this wild, hilarious, and consistently over-the-top B-movie bio-pic, it's damn near impossible to think of Ma Barker any other way than as played by everyone's favorite scenery-chewing little old lady, LURENE TUTTLE: "Shoot him, Herman! Shoot him!"

Shrewd, conniving goddess Stacey Kane (MEG MYLES) is a second-rate stripper in a third-rate carnival. Startled when she finds her junkie ex-husband lurking in her dressing room, Stacey promptly steals every cent he has and hops on a plane for New York. Great, gritty exploitation which packed a hell of a wallop in the more innocent days of 1962.

Awwwwww, freak out! Noted Percocet hound SONNY BONO, replete in shiny orange suit, dishes about Marijuana and how its users are cooler than those "square and unhip alcoholics". Still, the film illustrates the downsides to grass, such as seeing yourself in a mirror with a spooky monster mask, careening off a cliff, or -- in the case of one Nigerian pusher -- executed. You also see a monkey taking bong hits in a lab, which is, quite frankly, priceless. But Narcotics: The Inside Story shows you a bunch of rats hopped up on pills, which is far more entertaining than watching the computer animated antics of Stuart Little; followed by happy-go-lucky teenagers enjoying a seemingly unrelated beach blanket barbecue featuring a rather milquetoast volleyball game and weenie roast. Also featuring: Focus on Heroin, Thinking About Drinking, The PCP Story, and more.

Before he became known for distributing such drive-­in epics as I Drink Your Blood, I Eat Your Skin, and I Spit on Your Grave, JERRY GROSS directed two fascinating little quickies - Girl on A Chain Gang (’65) and Teenage Mother (’67) - that are textbook examples of classic old-school exploitation. In fact. shot­-on-Long-Island Teenage Mother seems to take its inspiration from a half dozen old roadshow films, updated for the Sixties, and even concludes with that oldest of exploitation standbys, authentic birth-of-a-­baby footage!

A mondo type exploitation "documentary" about debauched practices of modern Man.