A girl disguises herself as a man so that she can approach women and steal their jewellery.

Barton's mine foreman is receiving gold bullion from gangsters in the East, putting it through the mine's smelter, and then shipping it out. When Barton finds out, Murdocks men make him a prisoner. Arriving at the same time, Alamo hears the story of the Masked Phantom and then becomes that Phantom fighting Murdock and his men and attempting to find Barton.

The crazed brother of a condemned killer sent to the gas chamber swears vengeance on those he holds responsible for his brother's execution.

“Vivian and Dorothy Hamilton” are headliners in a small-time vaudeville company when Dorothy -- and only Dorothy -- falls for oily Lothario Andre (MARIO LAVAL) and decides to marry him despite her, uh, better half hating the guy so much that she shoots him to death.

Europe’s communist countries produced the most interesting space films of the ’60s (judging from the “Americanized” Battle Beyond the Sun, Voyage to the End of the Universe, Voyage to the Prehistoric Planet, etc.) and First Spaceship on Venus has a gaudy grandeur that looks quite wonderful in 2.35:1 widescreen “Totalvision.” Typical of cheaply dubbed films, the dialogue is often hilariously goofy (“I’m landing. Here she goes!”) and most of the music are easily recognized cues from the Universal horror library of the ’50s.

When four degenerate thugs rape and murder a young waitress in part of their rape and murder spree, they are arrested, but get away with though a legal technicality. The brother of one of the rape/murder victims decides to become vigilante and kill the four degenerates by himself.

Hercules searches for a mysterious phantom invader that is raiding villages in the desert for gold.

Reefer Madness is a 1936 American propaganda film revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness due to marijuana addiction. The film was directed by Louis Gasnier and featured a cast of mainly little-known actors.

To celebrate 20 years of Something Weird bringing the world the very best in subversive, disreputable, and cult cinema, SWV made available four exceedingly rare, never-before-released jewels that will make any cinephile’s head light up and spin. Rosie (b&w) is a failed 19-minute pilot for a TV sitcom about a talking dog named Rosie. It is absolutely horrifying. Why? Because the dog is not played by a real canine (or a puppet or a cartoon) but by a large adult in a mangy dog suit with a creepy dog face, clumsily walking around on his hands and knees. The Weird World of Weird (1970, color) is a loony 47-minute never-aired TV special in which host RALPH STORY explores psychic phenomena, astrology, witchcraft and “all those mysterious secrets hidden in the mystical world of the occult.” with detours to a psychic “balloon reader” and a spook-filled séance at the Magic Castle. It's got a groovy, late-60s psychedelic feel to it all that makes it a wonderfully bizarre time capsule. Follow That Skirt (1964, color) is a nasty little 26-minute short that was probably intended to be America’s second gore film. Though not released until 1965 when, according to Dave Friedman, it played a single theater in San Francisco, there’s little doubt that Blood Feast was its influence. Based on the popularity of its trailer, The Smut Peddler (1965, b&w) is among a handful of currently “lost” films that Something Weird (as well as the rest of the world) has been actively searching for. So we were thrilled when we at least found this much in excellent condition. And, yeah, it’s good stuff. A crude oyster-eating publisher, a lesbian secretary, and a French photographer all love mauling and exploiting their lovely nude models while W.B. PARKER (Olga’s House of Shame) is shocked and appalled. - Frank Henenlotter

The evil salamander men have poisoned Earth with a plague, and it is up to Starman to save mankind.

Three girls on a tour of the English countryside meet up with two young women who introduce them to the joys of life in a nudist camp.

We love films about Good Girls going to Hell. We love the cheap-thrill appeal of seeing a Miss Goody-Twoshoes leave Small Town America for the Big Bad City and end up falling face-first in the gutter. So, of course, we love Night of Evil which (then big deal) syndicated columnist EARL WILSON introduces by claiming it’s “based on newspapers and court records. It is a true story. To protect the innocent, some of the names, places, and incidents have been changed.”