A fleeing killer (Timothy Farrell) forces a plastic surgeon to give him a new face.

Compilation of clips and trailers from Italian sword & sandal spectaculars, including lots of ridiculously low-budget mythical creatures.

Italian mondo documentary about a varied group of women, from mothers and killers to executives and sex workers, in the global culture of the bizarre.

Beatniks? What beatniks? Two-bit punks, a closet rock-&-roll star, and an out-of-his-mind psycho: yes. Beatniks: no. Though The Beatniks was probably a last-minute title change to replace a less exploitable moniker, it didn’t make much of a difference to the audiences of 1960. After all, to a world emerging from the Eisenhower era, bohemian artists and beat-generation poets were seen as little more than socially maladjusted misfits in the same category as junkies, Commies, and teenage hoodlums — or the petty-crime crackpots running loose in this fast, fun, and naively hilarious saga of an overage delinquent who becomes an overnight sensation.

A star-studded cavalcade of burlesque. Clowning! Dancing! Teasing! 15 all time greats of the burlesque stage.

A rebellious punk (Jack Nicholson) of the beat generation spends his days as an amateur dirt track driver in between partying and troublemaking. He eventually kidnaps his buddy's girlfriend, kills a few police officers, and finally sees his own life end in tragedy.

Desperate to become popular, a teenager turns to a life of crime in an effort to impress the prettiest - and greediest - girl in school.

Two vice cops get entangled in a web of prostitution, blackmail and murder.

Teenagers pack a van full of beer and go on the road in search of sexual adventures.

Here’s an odd but nonetheless fascinating time capsule of late- Sixties social unrest filtered through the mind of Florida-based sexploitation producer-director HARRY KERWIN. Yup, the man who made Strange Rampage, My Third Wife George, and Girls Come Too - and who was also the brother of Blood Feast star Bill Kerwin ­ wanted to tap into the same youth market companies Like AlP were so good at exploiting. But lacking the funds to make something along the lines of an Easy Rider or a Wild in the Streets, Kerwin blissfully dispensed with both fiction and actors and, instead, went out and filmed The Real Thing. Combining (rough, raw) authentic footage of bikers, peace protestors, and the crowd at a rock festival, he created the mondoesque It’s a Revolution Mother! a self-described "Documentary of Love" tied together with an exuberant (and often hilarious) anti-government-anti­ establishment-anti-Vietnam-war-pro-rebellion rant -written by TOM CASEY, director of Sometimes Aunt Martha Does Dreadful Things (’71) - delivered by an uncredited narrator who sounds like an AM disk jockey on speed.

Actually, The Phantom Planet is really one of those damn phantom asteroids (resembling a giant bowel movement) that zips around space on its own power, and sucks the spaceship of DEAN FREDERICKS to its surface. Once Fredericks is exposed to its atmosphere, he gets dizzy, sees ten teenie-tiny men creep up on him, and shrinks inside his space suit (a great shot) until he’s only a few inches high. Next thing you know, he’s having a fist-fight with one of the little men right inside his space helmet! Yes, boys and girls, it’s another sci-fi kiddie matinee full of rockets dodging meteors, aliens in fiery space ships, an astronaut who floats to his death reciting “The Lord’s Prayer,” an allegedly “advanced race” that lives in a self-imposed “primitive” lifestyle because they once had too much leisure time on their hands (huh?), and, best of all, what may very well be the funniest-looking monster in movie history. And, because it’s all set in the futuristic world of 1980, everything is carefully explained with a lot of scientific jibberish that doesn’t make a goddamn bit of sense.

A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up.

A psycho sex-fiend keeps his infantile girlfriend Vicky in submission with candy bars, toys and, yes, hot wax. But when they plan on killing a wealthy lesbian, Vicky discovers she likes a woman's touch and plans a nasty surprise for her boneheaded boyfriend.