Mellodrama explores the rising and falling fortunes of the Mellotron, from its birth in a California garage in the 1950s, through its dominance on concert stages in the 1970s, through its almost religious cult of followers in the twenty-first century. The first musical keyboard to "sample" the sounds of other instruments, the Mellotron became the "instant magic sound" through the music of the Beatles, the Zombies, and the Moody Blues. In the 1970s, the Mellotron defined the sound of progressive rock bands like King Crimson, Roxy Music, and Genesis. Directed by Dianna Dilworth, Mellodrama features interviews with composers Jon Brion (Boogie Nights) and Fabio Frizzi (The Beyond) and musicians Brian Wilson, Tony Iommi, and more.

Animation by Vince Collins. Restored by Mark Toscano the Academy Film Archive. ”Cheery pop images and mellow lyrics" - Timothy Leary. NOTE: This video contains flashing images. Viewer discretion is advised.

Classic punk rock movie from 1980 starring Richard Hell, illustrating the end of the first wave of New York City punk rock better than other films. Nada (Carole Bouquet), a beautiful French journalist on assignment in New York, records the life and work of up and coming punk rock star, Billy (Richard Hell). Featuring members of the Voidoids and the Ramones. A time capsule from '80's New York City

Current and former members of King Crimson reunite in Tokyo for this memorable 2002 concert featuring stellar performances of classic King Crimson.

This DVD features footage from the lost recording session of In God We Trust Inc. and includes between song banter, outtakes and rescued multi-track recordings. Also features live performances of songs from the 12 inch EP spanning 1979-1986. Songs include: Hyperactive Child, Nazi Punks Fuck Off, Kepone Factory, Dogbite, Religious Vomit, We've Got a Bigger Problem Now, Rawhide and Moral Majority.

YES has always been regarded as a unique rock group and progressive rock legends. Never afraid to innovate or draw their inspiration from music that traversed the spectrum from symphonic to rock, YES has been at the forefront of progressive rock and became a major force in popular music selling over 30 million albums and reaching platinum status multiple times worldwide. During the late 1960's YES were renowned for their live performances culminating in their seminal album and film of the same name, YESSONGS. Filmed in 1972 at London's Rainbow theatre, this feature film was released theatrically in the UK the following year with a quadrophonic sound track. The film features their new line-up of the time Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman and Alan White.

American Artifact chronicles the rise of American rock poster art since its birth in the '60s. The film explores the history and rise of the current rock poster movement in America, and features a cast of quirky, interesting, and extremely talented rock poster artists talking about their work and telling the story of their underground art movement. Featuring interviews with over 30 different artists including Stanley Mouse, Frank Kozik, Art Chantry, Tara Mcpherson and more.

"From a stage super-heated by over-the-top, rock 'n roll cliche lighting, DEVO faced a sea of Asian Gen X'ers in a 100 degree plus fahrenheit venue in the bowels of Tokyo, Japan. The crowd was swathed in bootlegged energy domes and DEVO T's, mouthing the lyrics to songs we wrote when most of them were loading their diapers with UNi-colored poo. Maybe it was a "Beautiful World" after all!" - Gerry Casale. Track list: That's Good, Girl U Want, Whip It, Satisfaction, Uncontrollable Urge, Mongoloid, Blockhead, Jocko Homo, Smart Patrol/Mr. DNA, Gut Feeling/Slap Yer Mammy, Gates Of Steel, Freedom Of Choice, Come Back Jonee

At the Dawn of Heavy Metal, the sun rose to the beat of Lee Kerslake's drums. Through his halcyon days with Uriah Heep, his controversial times with Ozzy Osbourne and his potentially career ending illnesses, this film follows Lee as he attempts to overcome his greatest obstacles. It celebrates his immortal music, but also his courageous confrontation with his own mortality. The film features rock icons from bands like Uriah Heep, Def Leppard, Ozzy Osbourne, KISS, Deep Purple and Black Sabbath. This is Lee's tribe, and they come together for him in his final triumphant years.

Through many up-close-and-personal interviews, this compilation documents how Nirvana connected with a generation and changed the face of Rock and Roll. They first exploded into the mainstream with the single "Smells Like Teen Spirit" from their 1991 album Nevermind, bringing along with it a subgenre of alternative rock called grunge.

TV Party's final season was broadcast live in color on Channel J, a public access "commercial station." TV Party tried to pay the extra expense of going to color by selling ads to downtown clubs and underground record companies. "Everything here is for sale," Glenn announces. Desperation is in the air. Glenn is missing a tooth and needs a haircut. The party is spunky but the cast is depleted and possibly drugged. The TV Party theme, music by Walter Steding and rap by Glenn O'Brien opens the show. The show features the TV Party Orchestra, with Lenny Ferrari and guitarist Karen Geniece joined by Charles Rocket on heavy metal accordion, played through a stack of Marshall amps and an array of guitar pedals. Rocket had just been fired from Saturday Night Live for saying "fuck" live on air, and his performance of "Wild Thing" is a triumph of post-modern drollness. He actually gets screaming feedback out of his squeezebox. Jeffrey Lee Pierce of Gun Club shows up with a broken guitar, but borrows one and does a soulful Robert Johnson country blues. The half Japanese New York band Eel Dogs plays. Lothar Manteuffel, one of Germany's top new wavers, ends the show jamming with Rocket on one of the latter's compositions "Why Can't I Get Laid." Who knows what he's singing in German.

Sudden Death Records and MVD proudly present punk legends D.O.A.'s new live DVD "To Hell N' Back." 90 minutes of amazing action from the Godfathers of Hardcore. Recorded at home and on tour in Canada between June 2011 and January 2013 with four cameras a night. The band charges through 30 D.O.A. classic punk anthems. Includes a free CD version of D.O.A.'s studio album We Come in Peace.

"If you've ever wondered what the Stooges' first show on Halloween 1967 was like, you'll find that answer and many others about the Detroit music scene of the late 1960s in a new DVD, Blowing Fuses Left & Right: The Legendary Detroit Rock Interviews." That's how Rolling Stone describes this documentary featuring the legendary 1988 Detroit interviews with members of the Stooges, the Rationals and the MC5 & the Detroit music scene.

Until The Light Takes Us tells the story of black metal. Part music scene and part cultural uprising, black metal rose to worldwide notoriety in the mid-nineties when a rash of suicides, murders, and church burnings accompanied the explosive artistic growth and output of a music scene that would forever redefine what heavy metal is and what it stands for to other musicians, artists and music fans world-wide. Until The Light Takes Us goes behind the highly sensationalized media reports of "Satanists running amok in Europe" to examine the complex and largely misunderstood principles and beliefs that led to this rebellion against both Christianity and modern culture. To capture this on film, directors Aaron Aites and Audrey Ewell moved to Norway and lived with the musicians for several years, building relationships that allowed them to create a surprisingly intimate portrait of this violent, but ultimately misunderstood, movement. The result is a poignant, moving story that's as much about the idea that reality is composed of whatever the most people believe, regardless of what's actually true, as it is about a music scene that blazed a path of murder and arson across the northern sky.

This documentary film reviews the music and career one of Britains finest female vocalists and songwriters: Sandy Denny. She is revered deeply amongst fans of folk music and the singer-songwriter genre, but has never received universal acclaim for her tremendous talent. This program attempts to redress this imbalance and reveal why she remains such an inspiration to so many. The features include obscure footage and rarely seen photographs, musical performances reviewed and re-assessed by a team of esteemed experts, and live and studio recordings of Sandy Denny classics, reappraised by our panel of contributors.

Features rare footage, news clips, location shoots, videos, seldom seen photographs and much more! This film looks at Muse's entire career, and by using rare performance and interview footage of the band, contributions from their closest colleagues and from those who have witnessed and written about their journey, plus seldom seen photos, news reports, scene shoots and a range of other features, creates the finest documentary to date on this extraordinary band, the music they make and the lives they lead. Includes exclusive interviews with former manager Safta Jaffrey, legendary producer John Leckie, band engineer Ric Peet, video director Mat Kirby, official biographer and NME writer Mark Beaumont and many other close confidantes.

The first 10% of this show sums up what we don't get on TV anymore. Technical difficulties. TV Party was live and improvised, and this meant casual disaster. This early episode gets off to an artistically agonizing start--the sound person is late, overdosing on drugs or both. Or it was the broken down equipment. Once the sound kicks in the show gets lively. Compton Maddux, a droll singer songwriter, is backed up by Debbie Harry and Glenn; the unique futurist countertenor Klaus Nomi does one of his post-modern arias; Adny Shernoff, of the Dictators, plays the Beach Boys' "Be True to Your School" backed up by pom pom girls Tish and Snooky, the Manic Panic designers. Downtown legend director Eric Mitchell announces the opening of the now famous New Cinema theater and shows a clip from his film "Kidnapped" with Arto Lindsay, Duncan Smith and Anya Phillips. Brit director David Silver and photographer Kate Simon do the "white people talk about reggae" segment. Blondie's Chris Stein and Debbie Harry and the Patti Smith Group's Richard Sohl drop in to smoke a reefer and take calls from all the crazies in cable land. Chris explains all this isn't chaos, it's art.

Rightly regarded as the founding fathers of pop-punk, Green Day are also lauded nowadays for their newfound political leanings. Between 1995 and 2000, the band made three of their most catchy, melodic and finely crafted albums. This DVD features live and studio performances by Green Day, rare interviews, and a host of other features.

Documentarian Lech Kowalski, while visiting Krakow, met one of his film's fans, a Polish punk-rocker-turned-entrepreneur named Lukasz Siska. Instantly inspired, Kowalski followed Siska back to the Cockney Underground Boot Factory -- the aforementioned boot factory -- in order to look into the lives of people whose existences revolve around hard music, hard partying, and serious capitalism.