"Compelling. Furiously combative." - Variety Married couple Jim and Lucy run a commune in the early 90's for sober living out of their suburban New Jersey home. The motley members eat, bathe and work together selling homemade "health tea" out of their van. Although there's constant bickering and plenty of fires to be put out, Jim and Lucy have managed to establish a haven for these outcasts. But the harmony is interrupted when Ann (Hannah Gross), a recovering addict and the ex-lover of one housemate, arrives. Director Nathan Silver shot this feature on a Ikegami HL-79E, a TV broadcast staple from the 1980s.

Out of Time: The Material Issue Story examines the tragic story of a rock band on the cusp of superstardom cut short by front man Jim Ellison’s suicide. The film tells the story of Material Issue, a power pop trio from Chicago that was literally out of time, sandwiched between the post-punk era of the 80's and the alternative rock movement of the 90's searching for its identity in the gritty world of rock and roll. The film features original band members Mike Zelenko and Ted Ansani with the first interviews of the family of Jim Ellison since his passing along with others that helped shape the world of the band including Jeff Murphy, Joe Shanahan, Jay O'Rourke, Jeff Kwatinetz, Matt Pinfield, Steve Albini and more.

From the acclaimed novel by Frederik van Eeden, The Cool Lakes of Death (Van de Koele Meren des Doods) is the magnum opus from pioneering feminist filmmaker Nouchka van Brakel. A celebrated Dutch masterpiece, The Cool Lakes of Death is a historic melodrama featuring an outstanding performance by Renée Soutendijk (The 4th Man) as Hedwig, a wealthy woman who falls victim to a loveless marriage and the loss of her lover (Derek de Lint) and child that leads to mental illness, prostitution and addiction - before finding possible redemption. A box-office smash upon its release in 1982, The Cool Lakes of Death remains one of the greatest Dutch drama films in history and was subsequently the Dutch entry for 'Best Foreign Language Film' at the Academy Awards.

THE FLESH (La Carne) is a romantic black comedy about a divorced piano player named Paolo (Sergio Castellitto) who meets and falls in love with a most beauteously busty woman (bombshell Francesca Dellera), who uses her special powers to turn the man into her sex slave. The film depicts the oftentimes torturous nature of carnal desire and the erotic power of women in a cinematic work where Francesca becomes a symbolic representation of male desire, with her voluptuous figure and sex appeal being intoxicating to Paolo. While he is completely taken by his desire for Francesca, she eventually gets bored with him and decides to leave. Unfortunately for Francesca, Paolo loves her and has no intention of allowing her to go. Francesca Dellera was once named in real-life, “the most beautiful woman in the world.” She began her career with Tinto Brass’ Capriccio, but it was not until her role in La Carne, when premiered at Cannes, that she received international acclaim. Directed by Italian maestro Marco Ferreri, who is best known for such classics as Tales of Ordinary Madness and Le Grand Bouffe. Italian language with English subtitles.

Who Took the Bomp? Le Tigre on Tour follows iconic feminist electronic band Le Tigre on their 2004-2005 international tour. Le Tigre confronts sexism and homophobia in the music industry while tearing up the stage with their no-holds-barred lyrics, punk rock ethos, and whip-smart wit.

Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. However, her spells work too well, leaving her with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved will drive her to the brink of insanity and murder. With a visual style that pays tribute to Technicolor thrillers of the ‘60s, THE LOVE WITCH explores female fantasy and the repercussions of pathological narcissism.

An up-close cinematic walkabout through the life of Gary Young, the original (and highly unlikely) drummer of indie rock royalty Pavement. His booze and drugs-fueled antics (on-stage handstands, gifting vegetables to fans) and haphazard production methods (accidentally helping launch the lo-fi aesthetic) were both a driving force of the band's early rise and the cause of his eventual crash landing. Leaving a wake of joy and/or destruction at every turn, Gary teeters the thin line between free-form self-expression and chaotic self-destruction. Thirty years on with scoliosis, blood clots, and a shriveled liver, Gary continued drumming with no regrets.

There is a place. A place where the skies are wide and the forests are thick—and strange. You can lose your­self for­ever in these woods. You’ll meet truck­ers with prob­lems and old women with strange pow­ers. You may even make a furry friend. Just be sure to stay quiet. Spend some time with a woman from Ore­gon who is lost on the road and run­ning away from her past. Now she has a chance to expe­ri­ence every­thing the grotesque North­west has to offer, whether she likes it or not.

Kelly Reichardt’s darkly funny debut feature, brought the writer/director back to the setting of her adolescence, the suburban landscape of southern Florida, where she grew up with her detective father and narcotics agent mother. Shot on 16mm, the story follows the misadventures of disaffected house-wife "Cozy", played by Lisa Bowman, and the aimless layabout "Lee", played by up and comer Larry Fessenden, who also acted as a producer and the film's editor. Described by Reichardt as "a road movie without the road, a love story without the love, and a crime story without the crime," River of Grass introduces viewers to a director already in command of her craft and defining her signature style.

A documentary portrait of the unlikely decades-long friendship between actor and Pulitzer Prize-winning playwright Sam Shepard and reclusive oddball Johnny Dark, through a correspondence of handwritten letters dating back to the 1960s.

The Reverend is a raucous concert film as well as an intimate portrait of Reverend Vince Anderson's spiritual and musical journey. After coming to New York in the 90's to enter seminary, Vince dropped out to follow his second calling - music. With his band The Love Choir, he has played a now-legendary weekly show for over twenty years. Reconnecting with his faith and using his intense soulful music, he began to preach a type of spirituality that meets people where they are, is open to all, and moves everyone that sees him play. Filmed over four years in a largely observational style and features Questlove and members of TV On The Radio.

Winner of the Grand Jury Prize and the Screenwriting Award at the 1994 Sundance Film Festival, WHAT HAPPENED WAS... is Tom Noonan's directorial debut; a darkly humorous take on dating dread. Featuring powerhouse performances by Noonan and Karen Sillas as two lonely hearts spending one claustrophobic Friday night together in an imposing apartment, the film exposes with startling clarity the ways in which people struggle to connect. As relevant now as ever, Oscilloscope Films undertook a brand new restoration from the film's original 35mm negative and is making this pristine version widely available for the first time since the '90s.

From the producer of "Easy Rider," Dennis Hopper stars as Sgt. Jack Fallen in this Cannes Official Selection. Returning home from the Vietnam War to accompany a friends body across the country via train, Fallen enters a hallucinatory reality of memory, war, and desire. Also starring Dean Stockwell and Taryn Power.

ANIMALS tells the story of a young couple that exist somewhere between homelessness and the fantasy life they imagine for themselves. Though they masterfully con and steal in an attempt to stay one step ahead of their addiction, they are ultimately forced to face the reality of their situation.

Empty Metal follows five groups of characters, each emblematic of a different extreme political ideology, as they attempt insurrection against the status quo: a queer noise band is coerced into a dangerous assassination plot by a family of militant Native Americans who are aided by a Rastafarian computer hacker who is old friends with a Buddhist hermit whose son is a local militia leader. This tangled web of marginalized voices is as diverse and contradictory as the nation that spun it, but there is a common thread: all the characters teeter on the dull knife blade that is contemporary American politics, but they refuse to fall right or left. Instead, they lash out from the soul, and under the radar, in an attempt to achieve what their mainstream predecessors have yet to accomplish.

Shot on vivid 16mm film over a three-year period, Anonymous Club chronicles notoriously shy, Melbourne-based musician Courtney Barnett’s ups and downs on the world tour for her album Tell Me How You Really Feel. Featuring Barnett’s unguarded narration from her audio diary, recorded on a dictaphone provided by filmmaker Danny Cohen, the film delivers frank and unprecedented insight into Barnett’s creative process, the sacrifices and inner conflicts set in motion by fame, and the sometimes dark backdrop to her whimsical, relatabley poetic compositions.

Marty is a caustic con artist drifting from one scam to the next. When his latest ruse goes awry, mounting paranoia forces him from his temp job to the streets of Detroit with nothing more than a pocket full of bogus checks and a dangerously altered Nintendo® Power Glove. Albert Camus meets Freddy Krueger in Buzzard, a hellish and hilarious riff on the struggles of the American working class from director Joel Potrykus.