This documentary film examines, dissects and all but lobotomizes the wealth of music, literature, theatre and film that have assisted in creating Waits' legendary genius and, results in hand, reviews the life and career of Tom Waits from this fascinating and rarely identified viewpoint.

Iggy & the Stooges: Live in Detroit 2003 features Iggy Pop and the original lineup of the Stooges (with bassist Mike Watt subbing for the late Dave Alexander) performing at their first Detroit homecoming in 29 years. It is a full concert of the best songs of the first two Stooges albums from 1969 & 1970. In Iggy Pop's own words, "Here they are, the original Stooges, the band that never bit the weenie. A particular stiff-necked place and time spawned the undying attitude of refusal to compromise. This was Detroit, Michigan, in the late 1960s, when men were men and ears were ears. Now, we are here in the 21st Century, in a "music industry" that bores and annoys, persecutes and depresses. This concert, by the Stooges reunited, does not bore me. I love the groove. I love the songs. I love the vibe. I love the audience. I love this band, and I'm very proud of this high-quality product by the Stooges."

The documentary "ForeverMoore; The Angelo Project" follows the life of Angelo Moore of Fishbone featuring appearances by members of the band. Angelo Moore devotes his life to weaving a legacy; crafting art through spoken word, music, and fashion. As an African American forerunner in the early 80's LA punk rock scene, he inspired others to embrace nonconformity. Living the life "of the famous but not rich," a living breathing work of art, Angelo pours ideas into everything he touches. A smiling and deeply introspective soul, Angelo contemplates life and comes to terms with certain truths. Through both amusing and politically charged thought and poetic wanderings, we follow Angelo Moore through his daily inspirations and struggles. Ska, Punk, Funk, Metal, Reggae, and Soul Fusion Master, Angelo makes beauty out of darkness, all with a sense of humor and smile that could set the world on fire. The film asks many questions about the legacy and process of an artist. Through the lens of Director Tisa Zito and through one-of-a-kind, child-like wonder, this is Angelo Moore of Fishbone.

Public Enemy's 20 year career has had a monumental impact on the music world. This film chronicles their legacy and history, while revealing what icons of the music world say about their profound influence. Two decades later, the most controversial Rap group of the 1980s is all grown up...and still touring. Their ability to weave serious messages of activism into completely accessible songs has revolutionized Rap and Hip-Hop music. Artists such as the Beastie Boys, Tom Morello, Henry Rollins, Talib Kweli and Jonathan Davis reflect on the group's stunning power and creativity. Including live concert footage from near and far - Moscow, Rio, Italy, Spain, the U.K., and finally Austin, TX, Public Enemy demonstrates they still have the power to get the crowd on its feet with insanely infectious music punctuated with an infectious beat.

L7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "grrl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.

The story of an iconic guitar player who has lived a life of extreme highs and lows. After losing the publishing rights of his own songs and combatting dangerous addictions, the legendary W.A.S.P. guitarist is shown starting over from scratch while living at his mother-in-law's in Cannes, France. He is now ready to take on Europe with his new band. As we follow him along, he meets many fans and proves that he still is the showman he was as a young and famous rockstar. This musical journey draws parallel stories of the rise, fall and rebirth of Chris Holmes with archives, live performances, interviews and behind-the-scene footage.

With music performances by Beck, Beth Orton, Hank Williams III, Union 13, and Billy Higgins, plus cameos from Laura Prepon, Ione Sky and Elliott Smith, Southlander is a comically uncanny Rock and Roll party adventure. Chance (Rory Cochrane), a hapless LA Musician, has found his ticket to fame, fortune and romance with the coveted keyboard, the '69 Moletron, which got him the gig and the girl (Beth Orton). But now the Moletron is missing, and Chance must reclaim it by working his way through The Southlander, the ultimate buy/sell classified paper for musicians in Southern California.

Leonard Cohen - Under Review 1935 -1977 is a 90-minute documentary film which reviews the poetry, music, performances, and career of one of contemporary Canada's greatest artists. Features include musical performances of Leonard Cohen reviewed by our team of esteemed experts, obscure footage, rare interviews, and scarcely seen photographs of and with Leonard and review, comment, criticism and insight from; official Cohen biographer, Ira Nadel; Leonards regular guitarist and band leader, Ron Cornelius; producer on the New Skin For The Old Ceremony and New Positions albums, John Lissauer, Cohens backing vocalist, Ronee Blakley and many more.

At the height of the Bush administration, Tommy Chong of Cheech and Chong was charged with selling bongs over the internet and sentenced to nine months in federal prison. As part of the government's $12 million 'Operation Pipe Dreams' drug paraphernalia sting operation, Chong, a vocal opponent of Bush's handling of the War on Terror, was singled out among 55 defendants to serve time. Filmmaker Josh Gilbert captures the post-prison, avuncular Chong as he turns his SWAT team arrest into hilarious stand-up material. But the laughs are seasoned by the recognition of our government's questionable priorities and its shameless use of the judicial system to scapegoat a counterculture icon.

The Rolling Stones - Under Review 1962-1966 is a 90 minute film reviewing the music and career of one of rock music's true giants during their formative years. The Stones are unquestionably one of the most influential bands the world has ever known; this film acknowledges and reinforces this fact while revealing insight anecdote and opinion not previously considered. Features include rare musical performances, many never before available on DVD, obscure footage, rare interviews and private photographs of and with band members, live and studio recordings of Stones classics including, Satisfaction, The Last Time, Not Fade Away, Little Red Rooster, Come On, and many others.

An expert analysis of Zep's most revered record with rare and classic performances, interviews, seldom seen photographs and contributions from those involved. This DVD is a documentary film about the build-up, making, release, and - crucially - music contained on this most revered of albums. With the aid of rare and classic performances, scarce interviews, seldom seen photographs and contributions from those involved in the making of the record - plus the review and critique from a panel of Zeppelin experts - this program finally lifts the lid on what many believe to be Led Zep's very finest offering. With contributions from; the album's engineer, Ron Nevison; former Yardbird, Chris Dreja; Swansong recording artist, Maggie Bell; author of The Rough Guide to Led Zeppelin, Nigel Williamson; Tight But Loose editor, Dave Lewis; Classic Rock Magazine's Malcolm Dome; renowned guitar tutor and author, Rikky Rooksby and Robert Plant biographer, Neil Daniels. This is the complete story behind what what Rolling Stone called "their Tommy, Beggar's Banquet and Sgt. Pepper rolled into one".

In 1968, under a haze of publicity, The Beatles opened their collective door to all manner of musicians, writers, artists, film-makers, inventors, designers, freaks and more than a fair share of opportunist sharks. But, despite a hefty investment, little of substance was forthcoming from these assorted misfits outside of the music that emerged from one division of the potential empire; Apple Records. Even discounting those Apple platters that featured as artist the collective or individual names of the company's bosses, music that stands the test of time superbly was released under the stamp of this enterprise. Music which remains available still and both popular and exciting more than 40 years after the majority of it was produced.

Director Robert Mugge, having recently made the film DEEP BLUES (1991) about the blues traditions of Mississippi, decided to follow up with a tribute to Alligator and its roster of top contemporary blues artists from Chicago and elsewhere. The resulting film, PRIDE AND JOY: THE STORY OF ALLIGATOR RECORDS, presents musical highlights from one of the 4-plus-hour concerts (March 12th at Philadelphia's Chestnut Cabaret) that made up the tour, glimpses of Alligator's Chicago offices, and profiles of key performers and staff members. The "pride and joy" on display are not only that of fine musical artists plying their trades, but also that of a passionate and highly principled entrepreneur succeeding in a business mostly controlled by corporate giants and littered with the wreckage of countless small, independent labels.

This 30 minute VHS features the seminal punk band Dead Kennedys, live from their early years at various venues, including the Mabuhay Gardens, the Sproul Plaza at Berkeley and at Target Studios between 1978 through 1981. Much of the material is from the classic & critically acclaimed debut LP "Fresh Fruit for Rotting Vegetables." In addition to 9 live songs, there is also hilarious news footage from Jello Biafra's notorious Mayoral candidacy in San Francisco (In which he came in fourth!) Special DVD features include a Sing-a-long option, band biographies, Dolby Digital Stereo and a chapter search by songs.

Here comes DEATH's probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH's origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light. Excitement grows as Schuldiner, his band, and the world around him evolve, and the music grows ever-more outrageous and bombastic. DEATH's threat morphs from simple zombie attack to multi-headed mega-monster hellbent on absorbing entire planets. Then suddenly, Chuck is just gone, and the lights go out. The formula for movies about bands dictates that victory is seized from the jaws of mortality in the final act. This is where things get weird. Chuck Schuldiner perished during the moment of heavy metal's weakest ebb, and possibly the quietest moment of his own career. The drawling guitar demon in the kitty cat shirt will not rise again to tour county fairs, swap one-liners on late-night TV, and jam with Judas Priest at the Rock and Roll Hall of Fame. But this documentary itself joins reissues, partial reunion tours, and an international reawakening as part of a decade-long ascent for DEATH to its proper place of high dominion. As you read these words and watch this film, Chuck Schuldiner and DEATH return to glory, and the legend itself becomes an eternal encore.

Punk's Not Dead is more than just a tribute documentary. It takes you on an era-by-era journey that puts punk rock's non-conformist reputation under the knife. Officially sanctioned by the bands in the film who donated personal photos, fliers and home videos, Punk's Not Dead follows the evolution of punk music from its anarchic roots, to its use as a corporate marketing tool and acceptance into popular culture, to its reinvention in today's underground scene. It features such bands as The Adicts, Bad Religion, Black Flag, The Damned, The God Awfuls, Good Charlotte, Green Day, Minor Threat, NOFX, The Offspring, Pennywise, The Ramones, Rancid, Social Distortion, Stiff Little Fingers, The Subhumans, Sum 41, UK Subs, The Used, and many, many more

Uncovers the series of events that led to Sid's death and reveals, for the first time, a shocking revelation that sheds new light on his last day. February, 1979: Punk icon and heroin addict Sid Vicious has just been released from Rikers prison in New York City. After a night of celebrating his freedom with friends and family, he wakes suddenly. Sid ingests a massive amount of heroin into his recently drug free body. Sid is discovered dead the next morning. We delve into his past to uncover the series of events that led to Sid's death.

Led by the success of the B-52's and R.E.M., Athens, Georgia was the most happening music scene in the country by the mid 80's/ Following several different bands from different genres, this film paints Athens as a magical artistic environment where bands are not in competition, but co-exist in harmony. Live performances of R.E.M.'s "Swan Swan H" and "Dream (All I Have To Do)" at the Lucy Cobb Institute chapel are included. Also featured are performances and interviews frm the B-52's, Pylon, B-B-Que Killers, Time Toy, Jim Herbert, Flat Duo Jets, Love Tractor, Kilkenny Cats, Squalls, and more.