A man breaks out of jail, takes a woman hostage, and enters her car in a cross-border race, hoping to get to Mexico before the police catch him.

A teacher encounters danger and treachery when she travels to an Old West town to claim her father's gold mine.

Reefer Madness is a 1936 American propaganda film revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness due to marijuana addiction. The film was directed by Louis Gasnier and featured a cast of mainly little-known actors.

Frisky frauleins entice their partners to drop their lederhosen and engage in all sorts of sexual shenanigans amid the beauty of Bavaria.

Italian mondo documentary about a varied group of women, from mothers and killers to executives and sex workers, in the global culture of the bizarre.

This lurid documentary offers a revealing expose of various deviant activities being practiced in that seething hotbed of sin and hedonism known as Los Angeles.

The last heir to the Draculas arrives at the castle of the infamous count.

After a bored couple attends a swingers’ party, the husband sets off on a jealous killing spree, picking off anyone who tries to sleep with his wife.

In this vintage nudie-horror hybrid, an all-girls' school is really a front for a bootleg liquor business run by the headmistress and her werewolf assistant.

Featuring America’s ultimate pin-up goddess, Bettie Page! The Queen of the Curves teams up with fellow bump-and-grind legends, Lily St. Cyr, Tempest Storm, Chris LaChris, and Trudy Wayne, along with an assortment of bags-pants comics, for the holy grail of full-color girl flicks.

A psycho sex-fiend keeps his infantile girlfriend Vicky in submission with candy bars, toys and, yes, hot wax. But when they plan on killing a wealthy lesbian, Vicky discovers she likes a woman's touch and plans a nasty surprise for her boneheaded boyfriend.

After rejecting the affections of his Black neighbor for a white woman, a wealthy Haitian plantation owner unwittingly lets loose a zombie plague.

The evil salamander men have poisoned Earth with a plague, and it is up to Starman to save mankind.

Barton's mine foreman is receiving gold bullion from gangsters in the East, putting it through the mine's smelter, and then shipping it out. When Barton finds out, Murdocks men make him a prisoner. Arriving at the same time, Alamo hears the story of the Masked Phantom and then becomes that Phantom fighting Murdock and his men and attempting to find Barton.

Ignore the title. It's a great one alright, but Hollywood After Dark evokes images of movie stars, casting couches, and back-lot orgies which can be found in Starlet or The Masterpiece but not here. No, this one's about a loser in love with a stripper who gets involved with a deadly robbery. And though it ostensibly takes place on the fringes of Hollywood, except for a shot of the Hollywood sign, it could've been made in Anytown U.S.A. It's also another of director JOHN HAYES' brooding meditations on life pretending to be a sexploitation film. like its companion piece, The Rotten Apple (another Hayes! McClanahan collaboration), it can best be described as Existential Exploitation, and, like all of Hayes' films, aspires to be something smarter and more profound than just another "B'" Rue Mclanahan

A Cold War-era drama about a highway patrolman relaying evacuation plans to motorists after word breaks out that a nuclear attack has hit the U.S.A.

A man peeps at women. The women don't seem to mind.

Under the influence of a gangster, a group of impressionable teenage girls agree to commit robberies and prostitute themselves for drugs.

With the help of a band of rebels, Goliath battles the cruel and demanding Babylonian king for the liberation of the people of Nephyr.

A group of sex-crazed cave people are being harassed by a Tyrannosaurus Rex. While they try to figure out a way to deal with this threat, they have sex and eat a lot.