Three people on their way to a Dodger game pull over because of some car trouble and find themselves faced with a psychopath and his girlfriend.

We love films about Good Girls going to Hell. We love the cheap-thrill appeal of seeing a Miss Goody-Twoshoes leave Small Town America for the Big Bad City and end up falling face-first in the gutter. So, of course, we love Night of Evil which (then big deal) syndicated columnist EARL WILSON introduces by claiming it’s “based on newspapers and court records. It is a true story. To protect the innocent, some of the names, places, and incidents have been changed.”

Four young women who were raped by street thugs toughen up, don leather jackets, and seek bloody vengeance on the vermin who assaulted them.

Thanks to the schemes of his friend con-man Peirous (Rod Taylor), strongman Glaucous (Ed Fury) finds himself, along with a bunch of other schmoes, stranded, in the Queendom of the Amazons where gender roles are reversed. The men aren't exactly thrilled but the buddies catch the eyes of the two Amazon warriors in line for the throne. As Glaucous tries to escape with the lovely and level-headed Antiopie, blamed for the theft of the sacred girdle by her rival. Since the real thief is Peirous, there's more than enough confusion than on a "Three's Company" episode, but the sexes come to an arrangement in time to fight off a band of pirates after the Amazon gold.

If you're simply crazy about giant balloons, parades, floats, and marching bands, then Fun in Balloon Land is for you! Unintentionally campy, this amateur production will leave you shaking your head and asking yourself, Why, oh why?! Little Sonny falls asleep in mothers arms and dreams he's transported to a most mystical magical land Balloon Land! There he is greeted by gigantic helium-filled fairy tale characters and awkward kids who muddle through song and dance routines. After a rousing rendition of Ring Around The Rosy, Sonny comes out wearing a pair of gold lamé short-shorts (looking very much like a miniature go-go boy) and has an adventure at the bottom of the sea. The lad shakes hands with a giant octopus and meets some weirdees, including two mermaids, a fish who sounds like Paul Lynde, and a guy in a scary paper-maché lobster costume.

A monstrous and evil brain from outer space leads his minions on a crusade to conquer the entirety of the universe, unleashing hideous monsters on Earth that spread deadly diseases.

When Diane attends the funeral of her mother she is approached by a family friend who, along with her occult cohorts, have a sinister plot.

Italian mondo documentary about a varied group of women, from mothers and killers to executives and sex workers, in the global culture of the bizarre.

"The people you are about to meet may shock you. They may frighten you. But we hope that by this factual exposition, we can broaden your view toward this kind of individual." Yes, kiddies, there's nothing that says you've stepped off the polite path of mainstream filmmaking better than plunging headfirst into the cult quicksand of transvestite cinema. And She-Man ,a cross dressing mini-classick subtitled A Story of Fixation, proudly belongs in every gender-bending library alongside Glen or Glenda, The Christine Jorgensen Story, Dinah East, and Let Me Die a Woman. Woman.

Now here's a title most women would probably agree with. A transitional film for director JOSEPH P. MAWRA -- who would cut his teeth on the depraved Olga films -- All Men Are Apes! has lived in the shadows for too long and deserves to take its place as one of the genuine little nuggets to be mined from the Sixties sexploitation field.

Small-town residents pray for a miracle after a newly baptized woman is accidentally shot by her sinful husband.

Though best known for the Mexican horror films he imported and dubbed into English, as well as numerous foreign children's films sold as"Kiddie Matinees" throughout the Sixties producer K. GORDON MURRAY also dabbled in American-made Southern-style exploitation such as Shanty Tramp (1966), Savages from Hell (1968), Thunder County (1974), and The Daredevil, the last starring role for Hollywood cowboy GEORGE MONTGOMERY. A crazed mix of racing, racism, and drug smuggling, THE DAREDEVIL; another portrait of The Redneck as an American icon with an attitude that's about midway between Thunder Road and Smokey and the Bandit, helped in no small amount by the casting of big George.

Two American GIs and the sole survivors of a battle on an isolated island must put aside their differences in order to evade the Japanese and survive.

"Wild Madness That Will Make Your Innards Sizzle!" The marvelously over-the-top RITA ALEXANDER stars as Toni, a money-hungry hellcat who oozes glitz and glamour with her gigantic platinum hair, heavy eyeliner, and skin-tight gold outfit that barely holds in her gi-normous boobs. After she reunites with two former gang girls, Kitten and Dody, the gals guzzle champagne, dish the dirt on their new love lives and, yup, plan one more crime caper.

In a series of vignettes, a pathetic man is abused by a bitter prostitute, a sculptor and her model try to suppress their longings for each other, and a lonely middle-aged man is caught by his wife in bed with another woman.

In the Scottish town of Loch Lake during the 17th century, Martha, condemned as a witch and burned at the stake, leaves a curse on the village. Years later, her newly married granddaughter, also named Martha, goes to live in the witch's castle. Certain manifestations of witchcraft lead the villagers to believe that the witch has returned and hold Martha captive. Her husband asks a shepard named Maciste to help, and he uproots a tree and descends into Hell in search of the witch hoping to break the spell she has cast.

She Went For Anything In Pants! A teenage girl sets out on a sexual odyssey of having affairs with various men including her mother's secret boyfriend.

A psycho sex-fiend keeps his infantile girlfriend Vicky in submission with candy bars, toys and, yes, hot wax. But when they plan on killing a wealthy lesbian, Vicky discovers she likes a woman's touch and plans a nasty surprise for her boneheaded boyfriend.

Shrewd, conniving goddess Stacey Kane (MEG MYLES) is a second-rate stripper in a third-rate carnival. Startled when she finds her junkie ex-husband lurking in her dressing room, Stacey promptly steals every cent he has and hops on a plane for New York. Great, gritty exploitation which packed a hell of a wallop in the more innocent days of 1962.