Hercules is summoned to oppose the evil Queen Samara, who has allied herself with aliens and is sacrificing her own people in a bid to awaken a moon goddess.

A Western-musical classic featuring an all-Black cast in the story of a cowboy who comes to the aid of a grieving rancher after her father is killed.

Not a lot is known about this exploitation clip-collage which examines the classic marijuana scare-films of the 1920s through the 1940s. However, the year of release, tone of the narration, and the complete lack of credits indicate that The Devil's Joint may well have been some kind of underground film. After all, it was released around the time when vintage drug films like the 1936 Reefer Madness were being rediscovered by a new generation via midnight screenings at smoke-filled theaters and college universities. The tone here is cleverly set from the opening text which informs us that the film has been made without the cooperation of the Whit House, FBI, or local police authorities. In case you still didn't get the hint, The Devil's Joint then shows us a clip of TICHARD NIXON stating that he is here to tell us the truth despite his honesty and integrity being under question, before cutting to grisly newsreel footage of Chinese opium users being executed in the 1930s. What follow is essentially a series of extended clips from a number of the most notorious roadeshow drugsploitation films including Reefer Madness (of course), as well as a silent film from the 1920s called The Pace That Kills For the most part, the film wisely lets these clips speak for themselves, although a narrator does give us a quick rundown of all the propaganda clichés used in the drug scare genre, and during sequences which depict stoned people fighting, Batman-style "Pows!" and "Zaps!" flash across the screen. Occasionally, silent-movie-style text cards pop up displaying lurid pulp blurbs like "An Innocent young virgin under the spell of the Killer Weed! Will she fall prey to man's lust?"

In a small Gallic village, tourists are regaled by street entertainers and brash prostitutes. One of the tourists, a black girl named Bessie, falls in love with local villager Bob, and he with her. Soon racial tensions erupt volcanically among tourists and townsfolk alike. All is forgiven when the respective parents of the hero and heroine save the village’s water supply.

This film is a contemporary U.S. remake of "The Hands of Orlac". A famous pianist's hands are surgically replaced with the hands of a recently executed killer. Unable to play the piano, he goes crazy and seeks revenge on the doctors who performed the operation as well as the cabdriver, now blind, who caused the accident in which he lost his hands.

Benevolent aliens from the planet Emerald send superhero Starman to protect Earth from invasion by an evil alien race called the Spherions.

Tough college student Tod Palmer (Robert Sherman) patiently suffers increasingly severe hazing at the hands of sadistic Ky Walker (Russell Johnson) while pledging a fraternity at Wake College. Attempting to bring the ritual initiation abuses to the authorities' attention, Tod accidentally dies after fleeing from the angry fraternity brothers. Medical professor Dr. Stephen Brice (Paul Henreid) then tries to end the practice of hazing, determined to obtain justice for one of his best students.

While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.

Bikers, beach parties, body painting, death by dune buggy, and a good old-fashioned catfight all gleefully collide in Savages from Hell, the manic followup to Shanty Tramp from producer K. GORDON MURRAY and director JOSE ("Joseph") PRIETO. And while Savages ain't no Shanty-hell, few films are--it's still an exuberant blast from Florida's past which manages to make the entire Sunshine State seem like one of those scary little rest stops somewhere off the main road.

The last heir to the Draculas arrives at the castle of the infamous count.

Psycho stalks the streets of Greenwich Village, killing and scalping his victims.

Ten years after Yuki Daijo usurped the throne by killing his father and he was saved by a magic bird, the would-be prince uses his powers for revenge.

“The Film That’s Scorchin’ The Nation’s Screens!” The She who Shoulda Said ‘No’! is honeypot LILA LEEDS (Lady in the Lake, Moonrise) who was busted for doing doobies with rugged Robert Mitchum just months before this updated upgrade of Reefer Madness. Cashing in on the notoriety of “The Screen’s Newest Blonde Bomb,” KROGER BABB, “America’s Fearless Showman,” promoted the film as “The Story of Lila Leeds and Her Expose of the Marijuana Racket!” (She’s even costumed in the same suit she wore when she was sentenced with Mitchum!)

A sensational expose of vice racketeers which blows the lid off the white slave racket (where women are called by number, not by name at the "call house"!) When a beautiful girl's husband can't afford the luxuries she desires, she sinks to the lowest levels to satisfy her materialistic needs!

A young girl is being tried for murder. Her defense attorney attempts to show how her descent into a life of crime, prostitution and degradation was caused by her puritanical, religious fanatic mother.

Celebrate Jesus’ birthday the way it was intended – with greedy kids clamoring for toys, creepy guys in bad Santa suits, and retro holiday highlights lovingly curated by Santa's Little Helpers at Something Weird Video!

Leather-jacketed thugs corner young LOWELL BROWN (High School Caesar) on the railroad tracks. He is rescued by brooding BRETT HALSEY and the two "boys on a boxcar" head down the lost highway of life. They land in Small Town, U.S.A. Halsey has a chip on his shoulder and a bad-father complex, while runaway rich kid Brown has a hundred bucks in his pocket and everybody wants it. Together, they have to fight off a pool hall full of thugs and a hotel full of really sleazy, rinsed-out blonde, bubble-bath-taking broads