Attention die-hard GEORGE ROMERO fans: this is the one you've been waiting for! Believed forever lost, this Latent Image take on The Graduate is the red-headed stepson of Romero and company's output which bridges the thematic gap between the feminist concerns of Season of the Witch (1972) and no-holds-barred horror of The Crazies (1973). The plot concerns Chris, a troubled youth who can't commit himself to family or friends until he meets Lynn (JUDITH STREINER), who tries to help him gather all the disparate strands of his life and bind them into some kind of shape. Romero's signature machine-gun editing technique takes this standard boy-meets-girl-in-the-early-seventies story and turns it into a kaleidoscopic barrage that's full of surprising life.

A glimpse into the secret lives of beautiful lesbians with a penchant for domination and fetish wear. Angelique is a sexy doe-eyed blonde submissive whose life revolves around her cruel, black leather-clad lover, Suzanne. One day, Angelique is approached by magnificent blonde glamazon Dominique.

A faux cautionary documentary that portrays several notorious celebrity sex scandals from the golden age of Hollywood through film clips and often humorous softcore reenactments.

Beatniks? What beatniks? Two-bit punks, a closet rock-&-roll star, and an out-of-his-mind psycho: yes. Beatniks: no. Though The Beatniks was probably a last-minute title change to replace a less exploitable moniker, it didn’t make much of a difference to the audiences of 1960. After all, to a world emerging from the Eisenhower era, bohemian artists and beat-generation poets were seen as little more than socially maladjusted misfits in the same category as junkies, Commies, and teenage hoodlums — or the petty-crime crackpots running loose in this fast, fun, and naively hilarious saga of an overage delinquent who becomes an overnight sensation.

In a small Gallic village, tourists are regaled by street entertainers and brash prostitutes. One of the tourists, a black girl named Bessie, falls in love with local villager Bob, and he with her. Soon racial tensions erupt volcanically among tourists and townsfolk alike. All is forgiven when the respective parents of the hero and heroine save the village’s water supply.

Small-town residents pray for a miracle after a newly baptized woman is accidentally shot by her sinful husband.

Celebrate Jesus’ birthday the way it was intended – with greedy kids clamoring for toys, creepy guys in bad Santa suits, and retro holiday highlights lovingly curated by Santa's Little Helpers at Something Weird Video!

Two vice cops get entangled in a web of prostitution, blackmail and murder.

Three girls on a tour of the English countryside meet up with two young women who introduce them to the joys of life in a nudist camp.

A Cold War-era drama about a highway patrolman relaying evacuation plans to motorists after word breaks out that a nuclear attack has hit the U.S.A.

During the golden age of the roadshow, no exploiteer returned to the drug theme more often that DWAIN ESPER. After the infamous short Sinister Menace and the feature-length Narcotic (both 1933), Esper and his screenwriter wife, HILDAGARDE STADIE, unleashed Marihuana, the first of the famous trilogy of anti-pot films of the 1930's which included Reefer and Assassin of Youth. Esper delivered on his promise to show "weird orgies, wild parties, and unleashed passions." "High spirited" Burma Roberts (HARLEY WOOD) is not only cursed with a dippy name, but a mother who doesn't pay her any attention. Since Mom is too busy making sure Burma's sister, Elaine, has her hooks into wealthy Morgan Stewart, Burma starts hanging with a fast crown. At a roadhouse where the debauchery includes balloon popping), she and her friends meet Tony Santello, the local pusher: "Where they're that age, they're not suspicious and easily hooked!" Tony invites the gang to his beach house where they drink, dance and sample his "giggle weed."" The shot of Burma taking her first puff of pot is alone enough reason to make Marihuana a must-see. But it's followed by one of the famous scenes in roadshow history: as a cackling Burma makes love to her boyfriend Dick, the girls peel out of the dresses and streak down the beach to skinny-dip in the surf, complete with shocking-for-its-time nudity!

Memorable music, an interracial romance, political reformers, and neighborhood racketeers embellish a rich and vibrant tale of 1930s Harlem.

An outer space crimefighter known as Starman comes to Earth’s rescue when he learns that powerful criminals are threatening a nuclear winter.

An investigator goes after the people who are corrupting the nation's youth by spreading the weed of Satan - MARIJUANA!!!

Arriving in Hollywood, a motorcycling rock-'n-roller finds romance and a shot at the big time, but must contend with the schemes of a shady manager.

“Vivian and Dorothy Hamilton” are headliners in a small-time vaudeville company when Dorothy -- and only Dorothy -- falls for oily Lothario Andre (MARIO LAVAL) and decides to marry him despite her, uh, better half hating the guy so much that she shoots him to death.

Musician Richard Carlson is haunted by a ghostly girlfriend in director Bert I. Gordon's 72-Minute feature length Chiller-Diller from 1960.

Oh, dear Lord, forgive me for I have seen the face of Satan and he is called The Princess and the Magic Frog...Yes, boys and girls, here's another mind-boggling children's film, straight from the mid-Sixties, when Americans would dump their youth at the local theater's "Kiddie Matinee" and subject the poor tots to all manner of cinematic torture. Such as The Princess and the Magic Frog, a long-unseen rarity that's so hilariously impoverished, it makes Jimmy the Boy Wonder look like a multi-million dollar work of art.

Though best known for the Mexican horror films he imported and dubbed into English, as well as numerous foreign children's films sold as"Kiddie Matinees" throughout the Sixties producer K. GORDON MURRAY also dabbled in American-made Southern-style exploitation such as Shanty Tramp (1966), Savages from Hell (1968), Thunder County (1974), and The Daredevil, the last starring role for Hollywood cowboy GEORGE MONTGOMERY. A crazed mix of racing, racism, and drug smuggling, THE DAREDEVIL; another portrait of The Redneck as an American icon with an attitude that's about midway between Thunder Road and Smokey and the Bandit, helped in no small amount by the casting of big George.