Now here's a title most women would probably agree with. A transitional film for director JOSEPH P. MAWRA -- who would cut his teeth on the depraved Olga films -- All Men Are Apes! has lived in the shadows for too long and deserves to take its place as one of the genuine little nuggets to be mined from the Sixties sexploitation field.

Teenagers pack a van full of beer and go on the road in search of sexual adventures.

Hercules is summoned to oppose the evil Queen Samara, who has allied herself with aliens and is sacrificing her own people in a bid to awaken a moon goddess.

“The Film That’s Scorchin’ The Nation’s Screens!” The She who Shoulda Said ‘No’! is honeypot LILA LEEDS (Lady in the Lake, Moonrise) who was busted for doing doobies with rugged Robert Mitchum just months before this updated upgrade of Reefer Madness. Cashing in on the notoriety of “The Screen’s Newest Blonde Bomb,” KROGER BABB, “America’s Fearless Showman,” promoted the film as “The Story of Lila Leeds and Her Expose of the Marijuana Racket!” (She’s even costumed in the same suit she wore when she was sentenced with Mitchum!)

Compilation of clips and trailers from Italian sword & sandal spectaculars, including lots of ridiculously low-budget mythical creatures.

The crazed brother of a condemned killer sent to the gas chamber swears vengeance on those he holds responsible for his brother's execution.

Olga uses pot parties and comic-book violence to turn Gigi Darlene and other female captives before putting them to work as drug-addicted hookers.

Actually, The Phantom Planet is really one of those damn phantom asteroids (resembling a giant bowel movement) that zips around space on its own power, and sucks the spaceship of DEAN FREDERICKS to its surface. Once Fredericks is exposed to its atmosphere, he gets dizzy, sees ten teenie-tiny men creep up on him, and shrinks inside his space suit (a great shot) until he’s only a few inches high. Next thing you know, he’s having a fist-fight with one of the little men right inside his space helmet! Yes, boys and girls, it’s another sci-fi kiddie matinee full of rockets dodging meteors, aliens in fiery space ships, an astronaut who floats to his death reciting “The Lord’s Prayer,” an allegedly “advanced race” that lives in a self-imposed “primitive” lifestyle because they once had too much leisure time on their hands (huh?), and, best of all, what may very well be the funniest-looking monster in movie history. And, because it’s all set in the futuristic world of 1980, everything is carefully explained with a lot of scientific jibberish that doesn’t make a goddamn bit of sense.

From Something Weird Video: During the Great White Suburban Drug Scare of the late sixties / early seventies, parents, educators, and corporate sponsors banded together in an effort to scare American teens away from getting high. It might be argued that the weird and often hysterical propoganda films that emerged from this era created more drug abuse than they prevented. Nevertheless, here’s a handful of Classroom Scare Films from a groovy by-gone era that will fascinate and entertain you from beginning to end... Featuring Featuring Weed, Ups / Downs, and more.

Arriving in Hollywood, a motorcycling rock-'n-roller finds romance and a shot at the big time, but must contend with the schemes of a shady manager.

In a series of vignettes, a pathetic man is abused by a bitter prostitute, a sculptor and her model try to suppress their longings for each other, and a lonely middle-aged man is caught by his wife in bed with another woman.

A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up.

In a small Gallic village, tourists are regaled by street entertainers and brash prostitutes. One of the tourists, a black girl named Bessie, falls in love with local villager Bob, and he with her. Soon racial tensions erupt volcanically among tourists and townsfolk alike. All is forgiven when the respective parents of the hero and heroine save the village’s water supply.

A spy discovers that the Chinese government has created a doomsday device (the "key" to which, "only Chairman Mao has") capable of destroying the Earth and it will be activated in 72 hours.

Attention die-hard GEORGE ROMERO fans: this is the one you've been waiting for! Believed forever lost, this Latent Image take on The Graduate is the red-headed stepson of Romero and company's output which bridges the thematic gap between the feminist concerns of Season of the Witch (1972) and no-holds-barred horror of The Crazies (1973). The plot concerns Chris, a troubled youth who can't commit himself to family or friends until he meets Lynn (JUDITH STREINER), who tries to help him gather all the disparate strands of his life and bind them into some kind of shape. Romero's signature machine-gun editing technique takes this standard boy-meets-girl-in-the-early-seventies story and turns it into a kaleidoscopic barrage that's full of surprising life.

Under the influence of a gangster, a group of impressionable teenage girls agree to commit robberies and prostitute themselves for drugs.

While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.

"Are you beat?" asks coffee-shop impresario Mr. T. "Oh, sure, man," his sleazy friend Sid replies."Cool, way out, and long gone, dad!" Actually, although they’re right in the middle of Beatsville U.S.A. - complete with beat poets, chess games, bongo-and-flute music, and beatnik babes in black leotards - they’re both phonies. Sidney - played by instantly-recognizable character actor NED GLASS (the guy who’s always sneezing in Charade) ­ is a weasely little con-man. EDWARD PLATT - best known as The Chief on TV’s Get Smart - is Mr. T -for­ Tucker who looks like a suave hipster but is secretly planning a major robbery: "I’m preparing to steal a million dollars. N Appropriate then that they should be at the center of The Rebel Set, an off-balance little B ­ well directed by the man who also helmed I Was A Teenage Werewolf and I Married A Monster from Outer Space - that’s a crime caper pretending to be about the Beat Generation and sold as "Today’s Big Jolt about the Beatnik Jungle!"