Arriving in Hollywood, a motorcycling rock-'n-roller finds romance and a shot at the big time, but must contend with the schemes of a shady manager.

A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up.

Give up? Well, for starters, he's now known as Count Adrian and, sporting a van dyke and a bad Bela accent. He and a bunch of motley ghouls run "Dracula's Dungeon," a bizarre Hollywood nightspot. When actor Guy and his girlfriend Angelica show up at the club, Drac decides he wants Angelica for all eternity - meaning he's got to bite her three times for her to be properly vampirized. After a brief tussle with another vampire named Imp, (who is quickly consigned to a cage), Drac gives Angelica two separate neck gnaws and she's soon eating raw meat averting daylight, and reacting to crosses. All of which disturbs boyfriend Guy who, despite promising her to Drac in exchange for an acting career, challenges the vampire after a special "Macumba Ritual" in which a crazed dancer eats a live lizard and screams, "I have eaten the lizard! I love the lizard!..."

Still alive...the ancient cult of Voodoo as it is practiced today! The men she loved, lived to love no others!...It Struck with Savage Fury The Devil's Hand From the director of THE GHOST OF DRAGSTRIP HOLLOW comes this story of voodoo and obsession. Robert Alda dreams about beautiful Linda Christian. He goes to a curio shop run by Neil Hamilton (Commissioner Gordon on TV's BATMAN) who gives him the girl's address after purchasing a doll in her image. She convinces Robert Alda to join a cult and his old girlfriend ends up in the hospital after some voodoo doll pincushioning. Of course, Neil Hamilton is involved in these voodoo rites and he has a sacrifice machine made of sharp swords which lowers from the ceiling onto the table-ready victim below. Sort of a massive voodoo device- sticking one pin in at a time is rather time consuming, after all!

Yipes! A veritable banquet of "Bad Cinema," Monstrosity is so gloriously stupid as to be almost brilliant. Surprisingly, director JOSEPH V. MASCELLI, who also shot three Ray Dennis Steckler gems - Wild Guitar, The Incredibly Strange Creatures, and The Thrill Killers - is best known as the author of two excellent works, The American Cinematographer Manual and The Five C's of Cinematography: Motion Picture Filming Techniques, neither of which mentions Monstrosity. Released to television as The Atomic Brain and usually seen in grainy 16mm dupe prints, Something Weird's transfer has been digitally remastered from a crisp 35mm theatrical print - under its original Monstrosity moniker - and is incongruously beautiful.

In a small Gallic village, tourists are regaled by street entertainers and brash prostitutes. One of the tourists, a black girl named Bessie, falls in love with local villager Bob, and he with her. Soon racial tensions erupt volcanically among tourists and townsfolk alike. All is forgiven when the respective parents of the hero and heroine save the village’s water supply.

Three girls on a tour of the English countryside meet up with two young women who introduce them to the joys of life in a nudist camp.

A stripper on a flight to Las Vegas has a stopover in a small Texas airport. She gets taken hostage by two Cuban gangsters on the run from the cops.

After word of an enemy’s powerful secret weapon leaks out, a group of soldiers is handpicked by Julius Caesar to destroy the machine at all costs.

Poontang Plenty is a secret agent who works on defeating evil while trying to crack the secret of invisibility.

Join some terrified teens spending a night in a haunted house and get spooked by a mad doctor and his ghoulish gang when the Monsters Crash The Pajama Party, a 1965 spook show theatrical featurette complete with Werewolf, Gorilla in a fur coat, and goofy gimmick! Beware, they might get you.

Featuring America’s ultimate pin-up goddess, Bettie Page! The Queen of the Curves teams up with fellow bump-and-grind legends, Lily St. Cyr, Tempest Storm, Chris LaChris, and Trudy Wayne, along with an assortment of bags-pants comics, for the holy grail of full-color girl flicks.

Sex, drugs, and a rubber monster mask in another Argentinean rarity from EMILIO VIEYRA, the director of The Curious Dr. Humpp! Then he plays his organ. Preying upon the "swingers" who frequent a local nightclub, Rubber Face lures babes with his own haunting theme song, turns them into love-slaves with heroin, and slobbers all over them while still wearing that stupid monster mask.

Teenagers pack a van full of beer and go on the road in search of sexual adventures.

Barton's mine foreman is receiving gold bullion from gangsters in the East, putting it through the mine's smelter, and then shipping it out. When Barton finds out, Murdocks men make him a prisoner. Arriving at the same time, Alamo hears the story of the Masked Phantom and then becomes that Phantom fighting Murdock and his men and attempting to find Barton.

Hercules is summoned to oppose the evil Queen Samara, who has allied herself with aliens and is sacrificing her own people in a bid to awaken a moon goddess.

From Something Weird Video: During the Great White Suburban Drug Scare of the late sixties / early seventies, parents, educators, and corporate sponsors banded together in an effort to scare American teens away from getting high. It might be argued that the weird and often hysterical propoganda films that emerged from this era created more drug abuse than they prevented. Nevertheless, here’s a handful of Classroom Scare Films from a groovy by-gone era that will fascinate and entertain you from beginning to end... Featuring Featuring Weed, Ups / Downs, and more.

Oh, who cares how much of this is really true or not. Ma Barker's Killer Brood is how things should have been. And after seeing this wild, hilarious, and consistently over-the-top B-movie bio-pic, it's damn near impossible to think of Ma Barker any other way than as played by everyone's favorite scenery-chewing little old lady, LURENE TUTTLE: "Shoot him, Herman! Shoot him!"

Shrewd, conniving goddess Stacey Kane (MEG MYLES) is a second-rate stripper in a third-rate carnival. Startled when she finds her junkie ex-husband lurking in her dressing room, Stacey promptly steals every cent he has and hops on a plane for New York. Great, gritty exploitation which packed a hell of a wallop in the more innocent days of 1962.