A faux cautionary documentary that portrays several notorious celebrity sex scandals from the golden age of Hollywood through film clips and often humorous softcore reenactments.

Now here's a title most women would probably agree with. A transitional film for director JOSEPH P. MAWRA -- who would cut his teeth on the depraved Olga films -- All Men Are Apes! has lived in the shadows for too long and deserves to take its place as one of the genuine little nuggets to be mined from the Sixties sexploitation field.

Yipes! A veritable banquet of "Bad Cinema," Monstrosity is so gloriously stupid as to be almost brilliant. Surprisingly, director JOSEPH V. MASCELLI, who also shot three Ray Dennis Steckler gems - Wild Guitar, The Incredibly Strange Creatures, and The Thrill Killers - is best known as the author of two excellent works, The American Cinematographer Manual and The Five C's of Cinematography: Motion Picture Filming Techniques, neither of which mentions Monstrosity. Released to television as The Atomic Brain and usually seen in grainy 16mm dupe prints, Something Weird's transfer has been digitally remastered from a crisp 35mm theatrical print - under its original Monstrosity moniker - and is incongruously beautiful.

Musician Richard Carlson is haunted by a ghostly girlfriend in director Bert I. Gordon's 72-Minute feature length Chiller-Diller from 1960.

A stripper on a flight to Las Vegas has a stopover in a small Texas airport. She gets taken hostage by two Cuban gangsters on the run from the cops.

Reefer Madness is a 1936 American propaganda film revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness due to marijuana addiction. The film was directed by Louis Gasnier and featured a cast of mainly little-known actors.

Jonesing for some more comical tirades against mind-altering substances? Then tie one off and shoot these five shorts directly into your vein... Featuring Narcotics Part I: Goof Balls and Tea (1957), Beyond LSD (1967), Narcotics: Pit of Despair (1967, Marijuana The Great Escape (1968) and Drug Addiction (1951).

The crazed brother of a condemned killer sent to the gas chamber swears vengeance on those he holds responsible for his brother's execution.

In Alice in Acidland (1969), a wholesome college student succumbs to the temptations of marijuana and becomes a dope-crazed sexual omnivore until she hits rock bottom after taking the plunge into LSD.

Before he relocated to Spain and made the gender-bender shocker I Hate My Body and a handful of Paul Naschy movies (including Werewolf vs. The Vampire Woman), director LEON KLIMOVSKY shot this warped anti-pot thriller in his hometown of Buenos Aires, Argentina. Like earlier "warning" films which purported to tell the truth about marijuana abuse, Klimovsky's is naively wrong-headed wrongheaded from the get-go. However, viewers expecting a Reefer Madness-style camp classic will be sorely disappointed. Substitute heroin or crack fro the dreaded weed and the situations depicted in The Marihuana Story suddenly become no laughing matter.

A teenager named Kurrat mysteriously disappears from a German boys' school. Then a teacher is found dead; the mystery grows.

A psycho sex-fiend keeps his infantile girlfriend Vicky in submission with candy bars, toys and, yes, hot wax. But when they plan on killing a wealthy lesbian, Vicky discovers she likes a woman's touch and plans a nasty surprise for her boneheaded boyfriend.

"Are you beat?" asks coffee-shop impresario Mr. T. "Oh, sure, man," his sleazy friend Sid replies."Cool, way out, and long gone, dad!" Actually, although they’re right in the middle of Beatsville U.S.A. - complete with beat poets, chess games, bongo-and-flute music, and beatnik babes in black leotards - they’re both phonies. Sidney - played by instantly-recognizable character actor NED GLASS (the guy who’s always sneezing in Charade) ­ is a weasely little con-man. EDWARD PLATT - best known as The Chief on TV’s Get Smart - is Mr. T -for­ Tucker who looks like a suave hipster but is secretly planning a major robbery: "I’m preparing to steal a million dollars. N Appropriate then that they should be at the center of The Rebel Set, an off-balance little B ­ well directed by the man who also helmed I Was A Teenage Werewolf and I Married A Monster from Outer Space - that’s a crime caper pretending to be about the Beat Generation and sold as "Today’s Big Jolt about the Beatnik Jungle!"

Desperate to become popular, a teenager turns to a life of crime in an effort to impress the prettiest - and greediest - girl in school.

Tough college student Tod Palmer (Robert Sherman) patiently suffers increasingly severe hazing at the hands of sadistic Ky Walker (Russell Johnson) while pledging a fraternity at Wake College. Attempting to bring the ritual initiation abuses to the authorities' attention, Tod accidentally dies after fleeing from the angry fraternity brothers. Medical professor Dr. Stephen Brice (Paul Henreid) then tries to end the practice of hazing, determined to obtain justice for one of his best students.

Benevolent aliens from the planet Emerald send superhero Starman to protect Earth from invasion by an evil alien race called the Spherions.

A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up.

In a series of vignettes, a pathetic man is abused by a bitter prostitute, a sculptor and her model try to suppress their longings for each other, and a lonely middle-aged man is caught by his wife in bed with another woman.

Actually, The Phantom Planet is really one of those damn phantom asteroids (resembling a giant bowel movement) that zips around space on its own power, and sucks the spaceship of DEAN FREDERICKS to its surface. Once Fredericks is exposed to its atmosphere, he gets dizzy, sees ten teenie-tiny men creep up on him, and shrinks inside his space suit (a great shot) until he’s only a few inches high. Next thing you know, he’s having a fist-fight with one of the little men right inside his space helmet! Yes, boys and girls, it’s another sci-fi kiddie matinee full of rockets dodging meteors, aliens in fiery space ships, an astronaut who floats to his death reciting “The Lord’s Prayer,” an allegedly “advanced race” that lives in a self-imposed “primitive” lifestyle because they once had too much leisure time on their hands (huh?), and, best of all, what may very well be the funniest-looking monster in movie history. And, because it’s all set in the futuristic world of 1980, everything is carefully explained with a lot of scientific jibberish that doesn’t make a goddamn bit of sense.

Awwwwww, freak out! Noted Percocet hound SONNY BONO, replete in shiny orange suit, dishes about Marijuana and how its users are cooler than those "square and unhip alcoholics". Still, the film illustrates the downsides to grass, such as seeing yourself in a mirror with a spooky monster mask, careening off a cliff, or -- in the case of one Nigerian pusher -- executed. You also see a monkey taking bong hits in a lab, which is, quite frankly, priceless. But Narcotics: The Inside Story shows you a bunch of rats hopped up on pills, which is far more entertaining than watching the computer animated antics of Stuart Little; followed by happy-go-lucky teenagers enjoying a seemingly unrelated beach blanket barbecue featuring a rather milquetoast volleyball game and weenie roast. Also featuring: Focus on Heroin, Thinking About Drinking, The PCP Story, and more.