A fleeing killer (Timothy Farrell) forces a plastic surgeon to give him a new face.

A monstrous and evil brain from outer space leads his minions on a crusade to conquer the entirety of the universe, unleashing hideous monsters on Earth that spread deadly diseases.

A psychiatrist tries to brainwash a patient into killing his wife.

The cautionary tale of 17-year-old Sherman Oaks high-schooler Pam Banner, who has a baby out of wedlock.

We love films about Good Girls going to Hell. We love the cheap-thrill appeal of seeing a Miss Goody-Twoshoes leave Small Town America for the Big Bad City and end up falling face-first in the gutter. So, of course, we love Night of Evil which (then big deal) syndicated columnist EARL WILSON introduces by claiming it’s “based on newspapers and court records. It is a true story. To protect the innocent, some of the names, places, and incidents have been changed.”

Oh, who cares how much of this is really true or not. Ma Barker's Killer Brood is how things should have been. And after seeing this wild, hilarious, and consistently over-the-top B-movie bio-pic, it's damn near impossible to think of Ma Barker any other way than as played by everyone's favorite scenery-chewing little old lady, LURENE TUTTLE: "Shoot him, Herman! Shoot him!"

A stripper on a flight to Las Vegas has a stopover in a small Texas airport. She gets taken hostage by two Cuban gangsters on the run from the cops.

A nightclub singer refuses to "date" customers, so she's framed for the murder of her aunt, convicted of the killing and sent to prison.

Europe’s communist countries produced the most interesting space films of the ’60s (judging from the “Americanized” Battle Beyond the Sun, Voyage to the End of the Universe, Voyage to the Prehistoric Planet, etc.) and First Spaceship on Venus has a gaudy grandeur that looks quite wonderful in 2.35:1 widescreen “Totalvision.” Typical of cheaply dubbed films, the dialogue is often hilariously goofy (“I’m landing. Here she goes!”) and most of the music are easily recognized cues from the Universal horror library of the ’50s.

A sexy blonde leans over the shoulder of her cigar-smoking boss and purrs, “You’re such a smart guy. To me, you’re the big guy!” At which point the camera pulls back to reveal the boss is a dwarf sitting atop a table. Which is a nice way of opening any carny-noir, especially GIRL ON THE RUN, a hootchy-cootchy whodunit set entirely at a small seedy carnival where the life and death of the characters aren’t as important as periodically stopping the plot to watch a variety of carny girls stop and shake their stuff.

A nuclear scientist starts acting strangely after a plane crash near a test site, claiming he was abducted by aliens plotting world domination.

REG LEWIS stars as Maciste (Maxus) in this fantasy which pits the legendary hero against an invincible hydra monster, surly cavemen, and a frightful sea monster. Maciste saves the leader of the Sun Worshippers tribe from a sea monster, then is later called upon when the Moon Worshippers tribe kidnaps the Sun tribe's women. The film is presented in it's original Sons of Hercules Theatre syndicated television version. This was the only sword and sandal action adventure that Reg Lewis appeared in.

"The people you are about to meet may shock you. They may frighten you. But we hope that by this factual exposition, we can broaden your view toward this kind of individual." Yes, kiddies, there's nothing that says you've stepped off the polite path of mainstream filmmaking better than plunging headfirst into the cult quicksand of transvestite cinema. And She-Man ,a cross dressing mini-classick subtitled A Story of Fixation, proudly belongs in every gender-bending library alongside Glen or Glenda, The Christine Jorgensen Story, Dinah East, and Let Me Die a Woman. Woman.

A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up.

A psycho sex-fiend keeps his infantile girlfriend Vicky in submission with candy bars, toys and, yes, hot wax. But when they plan on killing a wealthy lesbian, Vicky discovers she likes a woman's touch and plans a nasty surprise for her boneheaded boyfriend.

Set amongst the oil fields of Oklahoma, a woman trapped in a marriage with a sadistic, brutalizing husband attempts to strike out on her own.

Shrewd, conniving goddess Stacey Kane (MEG MYLES) is a second-rate stripper in a third-rate carnival. Startled when she finds her junkie ex-husband lurking in her dressing room, Stacey promptly steals every cent he has and hops on a plane for New York. Great, gritty exploitation which packed a hell of a wallop in the more innocent days of 1962.

Three people on their way to a Dodger game pull over because of some car trouble and find themselves faced with a psychopath and his girlfriend.