Forty years after the death of Elvis Presley, two-time Sundance Grand Jury winner Eugene Jarecki’s new film takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Memphis to New York, Las Vegas, and beyond, the journey traces the rise and fall of Elvis as a metaphor for the country he left behind. In this groundbreaking film, Jarecki paints a visionary portrait of the state of the American dream and a penetrating look at how the hell we got here. A diverse cast of Americans, both famous and not, join the journey, including Alec Baldwin, Rosanne Cash, Chuck D, Emmylou Harris, Ethan Hawke, Van Jones, Mike Myers, and Dan Rather, among many others.

As much a testament to the band as it is to the city and inhabitants of Sheffield, PULP weaves exclusive concert footage with man-on-the-street interviews and dreamy staged sequences to paint a picture much larger, funnier, moving, and life-affirming than any music film of recent memory. Though culminating with the farewell concert the band played to thousands of adoring fans in their hometown of Sheffield, England, PULP is by no means a traditional concert film or rock doc.

In his short career, Jean-Michel Basquiat was a phenomenon. His dense, bebop-influenced neoexpressionist work emerged in the 1980s while minimalist art was the fad and as a successful black artist, he was constantly confronted by racism and misconceptions.  In this documentary portrait of the renowned artist, Basquiat's friend and filmmaker Tamra Davis shines the spotlight on New York City painter, built around a lost, personal interview with the artist, rare archival footage and more.

A hypnotic rumination on the genesis of youth culture from the end of the 19th century to the first half of the 20th, Matt Wolf's Teenage is a living collage of rare archival material, filmed portraits, and diary entries read by Jena Malone, Ben Whishaw, and others. Inspired by Jon Savage's book and set to a shimmering contemporary score by Bradford Cox (Deerhunter), Teenage is a mesmerizing trip into the past and a riveting look at the very idea of "coming-of-age." Teenagers didn't always exist. They had to be invented.

Marty is a caustic con artist drifting from one scam to the next. When his latest ruse goes awry, mounting paranoia forces him from his temp job to the streets of Detroit with nothing more than a pocket full of bogus checks and a dangerously altered Nintendo® Power Glove. Albert Camus meets Freddy Krueger in Buzzard, a hellish and hilarious riff on the struggles of the American working class from director Joel Potrykus.

From Lance Bangs and Spike Jonze comes a deeply moving tribute to Maurice Sendak, a seminal talent whose conflicts with success and lifelong obsession with death have subtly influenced his work. Sendak was best known for WHERE THE WILD THINGS ARE, which he wrote twelve years into his career as a writer and illustrator. The WILD THINGS book would go on to become one of the most beloved and critically lauded children's books of all time and, much to Sendak's chagrin, would come to define his career.

Narrated by Dustin Hoffman, Visual Acoustics celebrates the life and career of Julius Shulman, the world's greatest architectural photographer, whose images brought modern architecture to the American mainstream. Shulman captured the work of nearly every major modern and progressive architect since the 1930s including Frank Lloyd Wright, Richard Neutra, John Lautner, and Frank Gehry. His images epitomized the singular beauty of Southern California's modernist movement and brought its iconic structures to the attention of the general public.

Christopher Munch’s boldly original debut, THE HOURS AND TIMES (1992), is a fictional account of what might have happened in April 1963, when John Lennon and Beatles manager Brian Epstein traveled to Barcelona for an extended weekend getaway. In the four days they spend together, the suave Epstein (played by David Angus) and the provocative Lennon (Ian Hart in his first starring role) reflect on their lives, both private and professional, as they explore the unique bond they share. Munch’s sparse and intimate narrative, captured with exquisite black-and-white cinematography, is a thoughtful meditation on friendship and sexuality, crafted around a brief moment in the lives of two extremely well-known pop figures.

At once blistering and poetic, the ravages of colonialism cast a dark shadow over the South American landscape in Embrace of the Serpent, the third feature by Ciro Guerra and a 2016 Academy Award-nominee. Filmed in stunning black-and-white, Embrace of the Serpent centers on Karamakate, an Amazonian shaman and the last survivor of his people, and the two scientists who, over the course of 40 years, build a friendship with him. The film was inspired by the real-life journals kept by Theodor Koch-Grunberg (portrayed by Jan Bijvoet) and Richard Evans Schultes (Brionne Davis), who traveled through the Colombian Amazon in search of the sacred and difficult-to-find psychedelic Yakruna plant.

The Thorn in the Heart (L'Epine dans le Coeur) is a personal look at the life of the Gondry family matriarch, Michel's aunt Suzette Gondry, and her relationship with her son, Jean-Yves. Michel examines Suzette's years as a school teacher and her life in rural France. During the course of filming the documentary, Michel unearths new family stories and uses his camera to explore them in a subtle and sensitive way.

American jazz musician Billy Tipton developed a reputable touring and recording career in the mid-twentieth century, along with his band The Billy Tipton Trio. After his death in the late 80s, it was revealed that Tipton was assigned female at birth, and his life was swiftly reframed as the story of an ambitious woman passing as a man in pursuit of a music career. The genre-defying documentary NO ORDINARY MAN seeks to correct that misrepresentation by collaborating with trans artists. As they collectively celebrate Tipton’s story as a musician living his life according to his own terms, they paint a portrait of a trans culture icon.