One of the most revolutionary and influential fashion designers of his time, Martin Margiela has remained an elusive figure the entirety of his decades-long career. From Jean Paul Gaultier’s assistant to creative director at Hermès to leading his own House, Margiela never showed his face publicly and avoided interviews, but reinvented fashion with his radical style through forty-one provocative collections. Now, for the first time, the “Banksy of fashion” reveals his drawings, notes, and personal items in this exclusive, intimate profile of his vision. The film features interviews with, among others, Margiela himself, Jean Paul Gaultier, Carine Roitfeld, Trend Forecaster Lidewij Edelkoort, Fashion Critic Cathy Horyn, and fashion historian Olivier Saillard. The score has been composed by the Belgian rock band dEUS.

Toronto, 1899. Aspiring young politician Mackenzie King (Dan Beirne) dreams of becoming the Prime Minister of Canada. But his romantic vacillation between a British soldier and a French nurse, exacerbated by a fetishistic obsession, may well bring about his downfall. In his quest for power, King must gratify the expectations of his imperious Mother, the hawkish fantasies of a war-mongering Governor-General, and the utopian idealism of a Québécois mystic before facing one, final test of leadership. Culminating in an epic battle between good and evil, King learns that disappointment may be the defining characteristic of the twentieth century!

When four young orphans—Hikari, Ikuko, Ishi, and Takemura—first meet, their parents’ bodies are being turned into dust, like fine Parmesan atop a plate of spaghetti Bolognese, and yet none of them can shed a tear. They are like zombies; devoid of all emotion. With no family, no future, no dreams, and no way to move forward, the young teens decide that the first level of this new existence involves salvaging a gaming console, an old electric bass, and a charred wok from their former homes—just enough to start a band-and then conquer the world. Tragedy, comedy, music, social criticism, and teenage angst are all subsumed in this eccentric cinematic tsunami.

The National Pyrotechnic Festival in Tultepec, Mexico is a site of festivity unlike any other in the world. In celebration of San Juan de Dios, patron saint of firework makers, conflagrant revelry engulfs the town for ten days. Artisans show off their technical virtuosity, up­and-comers create their own rowdy, lo­fi combustibles, and dozens of teams build larger-than-life papier-mâché bulls to parade into the town square, adorned with fireworks that blow up in all directions. More than three quarters of Tultepec’s residents work in pyrotechnics, making the festival more than revelry for revelry’s sake. It is a celebration that anchors a way of life built around a generations-old, homegrown business of making fireworks by hand. For the people of Tultepec, the National Pyrotechnic Festival is explosive celebration, unrestrained delight and real peril. Plunging headlong into the fire, BRIMSTONE & GLORY honors the spirit of Tultepec’s community and celebrates celebration itself.

Shannon Hoon, lead singer of the rock band Blind Melon, filmed himself religiously from 1990-1995 with a video camera, recording up until a few hours before his sudden death at the age of twenty-eight. His camera was a diary and his closest confidant. In the hundreds of hours of footage, Hoon meticulously documented his life—his family, his creative process, his television, his band’s rise to fame, and his struggle with addiction. He filmed his daughter’s birth, and archived the politics and culture of the 90s, an era right before the internet changed the world. Created solely with his own footage, voice, and music, this rare autobiography is a prescient exploration of experience and memory in the age of video. It is also Hoon’s last work, completed twenty-three years after his death.

WILD COMBINATION is director Matt Wolf’s visually absorbing portrait of the seminal avant-garde composer, singer-songwriter, cellist, and disco producer Arthur Russell. Before his untimely death from AIDS in 1992, Arthur prolifically created music that spanned both pop and the transcendent possibilities of abstract art. Now, over fifteen years since his passing, Arthur's work is finally finding its audience. Wolf incorporates rare archival footage and commentary from Arthur's family, friends, and closest collaborators—including Philip Glass and Allen Ginsberg—to tell this poignant and important story.

PLEASE NOTE: This film contains graphic nudity and explicit sexual acts. John Cameron Mitchell’s Shortbus explores the lives of several emotionally challenged characters as they navigate the comic and tragic intersections between love and sex in and around a modern-day underground salon. A sex therapist who has never had an orgasm, a dominatrix who is unable to connect, a gay couple who are deciding whether to open up their relationship, and the people who weave in and out of their lives, all converge on a weekly gathering called Shortbus: a mad nexus of art, music, politics, and polysexual carnality. Set in a post-9/11, Bush-exhausted New York City, SHORTBUS tells its story with sexual frankness, suggesting new ways to reconcile questions of the mind, pleasures of the flesh, and imperatives of the heart.

Clockwatchers is the "sharp-edged black comedy" (Roger Ebert) about four office temps trying to maintain both their upward mobility and their sanity. The four women—shy Iris (Toni Collette, Hereditary), brash Margaret (Parker Posey, Party Girl), wannabe starlet Paula (Lisa Kudrow, Friends), and pampered Jane (Alanna Ubach, Bombshell)—become fast friends while temping at a big company where looking busy is a full-time occupation.

"A soul-warming, patriotic-psychedelic tribute to America featuring animated baseballs and hot dogs!" -Tim Leary. Created by Vince Collins for the U. S. International Communication Agency (formerly know as the Information Agency) grant project - an attempt to liven up the otherwise banal and uneventful Bicentennial celebration. Restored by Mark Toscano at the Academy® Film Archive. NOTE: This video contains flashing images. Viewer discretion is advised.

PLEASE NOTE: This film contains graphic nudity and explicit sexual acts. John Cameron Mitchell’s Shortbus explores the lives of several emotionally challenged characters as they navigate the comic and tragic intersections between love and sex in and around a modern-day underground salon. A sex therapist who has never had an orgasm, a dominatrix who is unable to connect, a gay couple who are deciding whether to open up their relationship, and the people who weave in and out of their lives, all converge on a weekly gathering called Shortbus: a mad nexus of art, music, politics, and polysexual carnality. Set in a post-9/11, Bush-exhausted New York City, SHORTBUS tells its story with sexual frankness, suggesting new ways to reconcile questions of the mind, pleasures of the flesh, and imperatives of the heart.

Shot on vivid 16mm film over a three-year period, Anonymous Club chronicles notoriously shy, Melbourne-based musician Courtney Barnett’s ups and downs on the world tour for her album Tell Me How You Really Feel. Featuring Barnett’s unguarded narration from her audio diary, recorded on a dictaphone provided by filmmaker Danny Cohen, the film delivers frank and unprecedented insight into Barnett’s creative process, the sacrifices and inner conflicts set in motion by fame, and the sometimes dark backdrop to her whimsical, relatabley poetic compositions.

Forty years after the death of Elvis Presley, two-time Sundance Grand Jury winner Eugene Jarecki’s new film takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Memphis to New York, Las Vegas, and beyond, the journey traces the rise and fall of Elvis as a metaphor for the country he left behind. In this groundbreaking film, Jarecki paints a visionary portrait of the state of the American dream and a penetrating look at how the hell we got here. A diverse cast of Americans, both famous and not, join the journey, including Alec Baldwin, Rosanne Cash, Chuck D, Emmylou Harris, Ethan Hawke, Van Jones, Mike Myers, and Dan Rather, among many others.

American jazz musician Billy Tipton developed a reputable touring and recording career in the mid-twentieth century, along with his band The Billy Tipton Trio. After his death in the late 80s, it was revealed that Tipton was assigned female at birth, and his life was swiftly reframed as the story of an ambitious woman passing as a man in pursuit of a music career. The genre-defying documentary NO ORDINARY MAN seeks to correct that misrepresentation by collaborating with trans artists. As they collectively celebrate Tipton’s story as a musician living his life according to his own terms, they paint a portrait of a trans culture icon.

Scott Walker: 30th Century Man shows a rare glimpse into the creative world of the most enigmatic figure in rock history. Tracing the undeniable impact Scott Walker has had on popular music through casual interviews with some of his biggest, highest profile fans, we explore his fascinating trajectory. From jobbing bass player on LA's Sunset Strip, to his domination of the British pop scene that began in the swinging summer of 1965, to his transformation into a composer of true genius, here is an uncompromising and serious musician working at the peak of his powers.

In his short career, Jean-Michel Basquiat was a phenomenon. His dense, bebop-influenced neoexpressionist work emerged in the 1980s while minimalist art was the fad and as a successful black artist, he was constantly confronted by racism and misconceptions.  In this documentary portrait of the renowned artist, Basquiat's friend and filmmaker Tamra Davis shines the spotlight on New York City painter, built around a lost, personal interview with the artist, rare archival footage and more.

The Thorn in the Heart (L'Epine dans le Coeur) is a personal look at the life of the Gondry family matriarch, Michel's aunt Suzette Gondry, and her relationship with her son, Jean-Yves. Michel examines Suzette's years as a school teacher and her life in rural France. During the course of filming the documentary, Michel unearths new family stories and uses his camera to explore them in a subtle and sensitive way.

After his seminal novel Trainspotting was published in 1993, the debut work of Irvine Welsh quickly became a cultural phenomenon, spawning theatre productions, the iconic film by Danny Boyle, sequels, and soon a stage musical. In Beyond Trainspotting, Welsh himself looks back on his beginnings - and glances off some personal tragedies he experienced along the way from his birth in a tenement building in Leith in 1958 to global success as an author. Guest appearances include producer Andrew Macdonald, Creation Records' Alan McGee and Iggy Pop alongside Ewan McGregor (Trainspotting, Moulin Rouge, Star Wars' Obi-Wan Kenobi) and Brit-pop names such as Lisa Moorish, Kirsty Allison and members of the band Primal Scream.

Night Flight Supercut Feature #1 (2025) an epic supercut of vintage chaos and cable-era insanity which premiered last month at Nitehawk as part of the Third Annual Music Video Festival. From Night Flight creator and CEO Stuart S. Shapiro: "Mash-ups and quick-cut juxtapositions have always been part of Night Flight’s DNA, it's something Stuart Samuels and I leaned into from the very beginning! With Night Flight Supercut #1, our editor John Mark Lapham takes that tradition to a new level. It’s a form we’ll continue to revisit and evolve, and we’re really proud to be creating something this special."