Vacation! is an existential beach party movie about life, death, sex and drugs. When four college friends reunite for a girls’ week at the beach, it’s all bikinis, piña coladas and dance parties at first. But the fun soon fades away… After procuring a psychotropic drug from a sketchy surfer dude, the girls take a very strange trip into the abyss.

For many, Peter Anton's house embodies an end-of-life nightmare: the utility companies long ago shut off the heat and electricity, the floorboards are rotting, and the detritus of a chaotic life is precariously stacked to the ceiling. But for the filmmakers Dan Rybicky and Aaron Wickenden, Anton's home is a treasure trove, a startling collection of unseen and fascinating paintings, drawings, and notebooks, not to mention Anton himself, a character worthy of his own reality TV show.

A Kind of Professionalism, a new video interview with Andrew Bujalski.

Director Charlotte Le Bon’s Falcon Lake is both a love story and a ghost story. During a lakeside vacation, a shy teenager experiences the joy and pain of first love when he forms a bond with an older girl. Falcon Lake was a selection of the 2022 Directors’ Fortnight at the Cannes Film Festival.

Although Hal Ashby directed a remarkable string of acclaimed, widely admired classics throughout the 1970s—Harold and Maude, Being There, Shampoo—he is often overlooked amid the crowd of luminaries from his generation. Amy Scott’s exuberant portrait explores that curious oversight, using rare archival materials, interviews, personal letters, and audio recordings to reveal a passionate, obsessive artist. Ashby was a Hollywood director who constantly clashed with Hollywood, but also a unique soul with an unprecedented insight into the human condition and an unmatched capacity for good.

The masterpiece of Japanese Cyberpunk Body Horror. A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend. The salaryman then notices that he is being slowly overtaken by some kind of disease that is turning his body into scrap metal, and that his nemesis is not in fact dead but is somehow masterminding and guiding his rage and frustration-fueled transformation.

The essential document of New York’s 1980s New Wave scene and the archetypal "Midnight Movie" from director Slava Tsukerman returns home to Night Flight. In what is one of the most delectably stylish Science Fiction films ever produced: A small, heroin seeking UFO lands on a Manhattan roof, observes a bizarre, drug addicted fashion model and sucks endorphin from her sexual encounters' brains.

In the mid-16th century, after annihilating the Incan empire, Gonzalo Pizarro (Allejandro Repullés) leads his army of conquistadors over the Andes into the heart of the most savage environment on Earth in search of the fabled City of Gold, El Dorado. As the soldiers battle starvation, natives, the forces of nature, and each other, Don Lope de Aguirre (Klaus Kinski), "The Wrath of God," is consumed with visions of conquering all of South America and revolts, leading his own army down a treacherous river on a doomed quest into oblivion. Featuring a seething, controlled performance from Klaus Kinski, this masterpiece from director Werner Herzog is an unforgettable portrait of madness and power.

Iquitos is a town isolated in the middle of the jungle in Peru. At the turn of the century, one resident of the small town, “Fitzcarraldo” as the natives call him, has his dream of bringing together Enrico Caruso and Sarah Bernhardt for one great celebration of Grand Opera. To finance this fantastic dream, Fitzcarraldo decides to exploit a vast area of rubber trees growing beyond the impassable Ucayala Falls. To circumvent this barrier, he literally has his huge steamboat lifted over a mountain from one branch of the river to the other. With the aid of a tribe of Indians bewitched by the voice of the greatest singer of all time, Enrico Caruso, Fitzcarraldo fights fever, mosquitos and suffocating heat to achieve the impossible....

After wooing stewardess Yoriko (Chieko Matsubara, Tokyo Drifter), war photographer Hondo (Akira Kobayashi, Battles Without Honor and Humanity) sees her kidnapped by a team of deadly female assassins who use vinyl records as weapons. Investigating her whereabouts, Hondo uncovers a conspiracy to steal a buried stash of WWII-era gold. Soon he must dodge go-go dancing ninjas and chewing-gum bullets to save Yoriko, whose family secret is tied to the hidden treasure. Every bit as stylish and inventive as the wildest works by his mentor Seijun Suzuki, Yasuharu Hasebe's spy spoof is a gaudy 1960s pop delight that ranks with the likes of Joseph Losey's Modesty Blaise and Mario Bava's Danger: Diabolik!

Claire Niveau (Geneviève Bujold) is in love with handsome Beverly. Or does she love Elliot? It's uncertain because brothers Beverly and Elliot Mantle are identical twins sharing the same medical practice, apartment and women – including unsuspecting Claire. In portrayals that won the New York Film Critics Circle Best Actor Award, Jeremy Irons plays twin gynecologists whose emotional dependency collapses into mind games, madness and murder. David Cronenberg (The Fly) won the Los Angeles Film Critics Awards Best Director honors for melding split-screen techniques, body doubles and Iron's uncanny acting into an eerie, fact-based tale.

It is 1850 in the beautiful, perfectly-kept town of Wismar. Jonathan Harker is about to leave on a long journey over the Carpathian Mountains to finalize real estate arrangements with a wealthy nobleman. His wife, Lucy begs him not to go and is troubled by a strong premonition of danger. Despite her warnings, Jonathan arrives four weeks later at a large, gloomy castle. Out of the mist appears a pale, wraith-like figure with a shaven head and deep-sunken eyes who identifies himself as Count Dracula. The events that transpire slowly convince Harker that he is in the presence of a vampyre. What he doesn't know is the magnitude of danger he, his wife and his town are about to experience.

Dennis Hopper’s radical, much-mythologized lost masterpiece – widely unseen for nearly 50 years until now in a new 4K Restoration! Consciously self-reflexive and co-written by Hopper and Rebel Without A Cause screenwriter Stewart Stern, The Last Movie follows a Hollywood movie crew in the midst of making a western in a remote Peruvian village. When production wraps, Hopper, as the baleful stuntman Kansas, remains, attempting to find redemption in the isolation of Peru and the arms of a former prostitute. Meanwhile, the local Indians have taken over the abandoned set and begun to stage a ritualistic re-enactment of the production – with Kansas as their sacrificial lamb. Among the most storied productions of the New Hollywoood Era, Hopper was given carte blanche by Universal for his next directorial feature after the tremendous commercial success of Easy Rider, and writer-director-star took the money and ran – literally – staging The Last Movie in Peru at farthest remove from the Hollywood machine, with an on-screen entourage in tow that included Kris Kristofferson, Julie Adams, Stella Garcia, Peter Fonda, Dean Stockwell, Toni Basil, Russ Tamblyn, Michelle Phillips and director Samuel Fuller. Although it won a special award at the Venice Film Festival, The Last Movie would effectively end Hopper’s career for many years – the Hollywood establishment gleefully writing him off as a self-indulgent madman. Yet the movie remains thrillingly innovative and remarkably contemporary – influenced greatly by the work of Bruce Conner and the French New Wave, as well as the Pop and Abstract artists Hopper revered. – Jessica Hundley

For his tenth feature, Terry Gilliam (Time Bandits, Twelve Monkeys) adapted Mitch Cullin's celebrated cult novel Tideland, a work he once described as "Alice in Wonderland meets Psycho through the eyes of Amélie." To escape her unhappy life in a remote part of Texas, nine-year-old Jeliza-Rose dreams up an elaborate fantasy world. But the reality of having junkie parents - played by Jeff Bridges (The Big Lebowski) and Jennifer Tilly (Bound) - and the influence of her eccentric neighbours begins to encroach, turning her daydreams ever darker. A rich slice of Southern Gothic blurring whimsical fantasy with unsettling reality, Tideland is among Gilliam's most personal works - indeed, with its shifts between the amusing and the macabre, expressive camerawork and striking special effects, the film could be the very definition of Gilliamesque!

Warning: This film contains extended sequences of flashing lights that may impact people with photosensitive epilepsy. Viewer discretion is advised. New French Extremity auteur Gaspar Noé’s Lux Æterna (2019) is a hypnotic, nerve-frying descent into meta-filmmaking chaos. As Béatrice Dalle and Charlotte Gainsbourg prepare for a shoot, they discuss filmmaking war stories, witches, and burnings at the stake. What begins as a behind-the-scenes interlude quickly unravels into full-blown psychosis in Noé’s acclaimed Cannes Film Festival premiere.

Notable for its stunning cinematography, minimal dialogue, and outstanding animal performances, director Jean-Jacques Annaud's (Quest For Fire, The Name of the Rose) astonishing tale of wilderness survival has thrilled and charmed audiences and critics all over the world. Set in 19th-century British Columbia, The Bear follows the story of a young cub and an adult grizzly as they join forces to survive the perils inherent in their mountain habitat. With each passing obstacle, the two bears further develop a friendship that can only make them stronger – but will it be enough for them to overcome their most deadly enemy?