In August 1969, to the dismay of many fans, Frank Zappa disbanded the original Mothers of Invention. Feeling constrained by the musical abilities of certain members, he cleaned the slate and set about assembling a new group. Hand-picking superior talent from a variety of musical genres, by 1970 the second incarnation of the band was unleashed. This film focuses on the sophomore Mothers, looking too at the very different projects that book-ended their brief existence; Zappa had incorporated ideas from free jazz and fusion into his music to produce three eccentric albeit influential solo albums.

See Debbie Harry in this 1976 drama from "No Wave" filmmaker Amos Poe. This is the story of Rico in New York City, who imagines he lives in Paris during the time of "New Wave" filmmaking. He's a photographer who thinks he's an outsider, so he uses his camera like a gun, loading it with bullets of film. He seeks reality to fulfill his fantasy. but, he's also a romantic, and this is his downfall, especially when he falls in love with the adorable Blondie. When Rico falls in love, the delicate balance of the world he has made for himself is disrupted.

Triumph Of The Underdog is the first comprehensive documentary about jazz bassist, bandleader and composer Charles Mingus. A lucid involving portrait showing the many faces and tortured heart of a music genius, the film also features an abundance of clips of Mingus in performance.

Through many up-close-and-personal interviews, this compilation documents how Nirvana connected with a generation and changed the face of Rock and Roll. They first exploded into the mainstream with the single "Smells Like Teen Spirit" from their 1991 album Nevermind, bringing along with it a subgenre of alternative rock called grunge.

This episode plays with ideas of time and space, ("time is money" and "dead air") alternating between aggressive boredom and quick wit. The TV Party Orchestra (Walter Steding on violin, Lenny Ferrari on the New Yorker magazine, and Tim Wright on guitar) jams while host O'Brien performs the sublime feat of rolling a joint blindfolded while smoking a joint.

Oasis - (What's The Story') Morning Glory: A Classic Album Under Review is a documentary film which revisits and re-assesses this powerhouse of a record. With the use of archive footage, long forgotten videos and contributions from those around at the time, this program uncovers why the band's second album is arguably their most satisfying. Features include live and studio performances of tracks from Morning Glory, reviewed by a panel of esteemed experts, band interviews, rarely seen photographs and archive footage. Bonus feature; 'When Oasis Met Blur' - the full recording from the moment the Britpop heavyweights met at the same radio station in 1995.

Devo, captured live in Oakland, performing early experimental tracks written between 1974 and 1977, prior to any label deal or public success. No matter how messy, beginnings are exciting. Especially when what happens next endures the test of time. For Devo, the beginning happened in the basements and garages of Akron, Ohio. The songs they wrote were raw and unfiltered with no commercial intent. They called it Hardcore Devo. Performing 21 oddities, this is a tribute to departed, original Devo bandmate, Robert "Bob 2" Casale. Filmed live on June 28, 2014 at the Fox Theater in Oakland, California.

The rare Wendy O. Williams/Plasmatics live footage in this DVD has, in the main, never been released before. During the early years Plasmatics creator Rod Swenson, who directed and shot all the Wendy O./Plasmatics conceptual videos (AKA known for his footage of the Ramones, Dead Boys, Blondie, and Motorhead among others) shot numerous Plasmatics shows the footage from which was never edited or released. Except for some short excerpts most of it until the discovery of this footage was thought to be lost or degraded (shot on tape which has been shown as with audio tape to degrade over time). Recently during the moving of WOW/Plasmatics archive material the footage here was found unlabeled in buried boxes. While much had degraded, Producer/Director Randy Shooter was able to discover, relabel, and with additional editing and restoration, salvage the rare and remarkable footage in this DVD. A lot of it is raw (and much of the audio is the audio from ambient video deck mics, noise and all) but the energy and power is there straight through. The material includes two tracks from CBGB the first of which was among the first Plasmatics shows ever as well as other footage from benchmark shows. A bonus track (Monkey Suit) features footage shot by Swenson when he was shooting the iconic album cover for New Hope for the Wretched, but never released.

Documentarian Lech Kowalski, while visiting Krakow, met one of his film's fans, a Polish punk-rocker-turned-entrepreneur named Lukasz Siska. Instantly inspired, Kowalski followed Siska back to the Cockney Underground Boot Factory -- the aforementioned boot factory -- in order to look into the lives of people whose existences revolve around hard music, hard partying, and serious capitalism.