This release features rare live and studio performances of the band playing some of their best known hits, rare and classic Queen interview footage plus a host of other features, all interspersed with the independent review and criticism from a panel of esteemed experts. These include broadcaster, journalist and long time friend of Freddie Mercury Paul Gambaccini; rock author, journalist and Queen expert Malcolm Dome; guitarist and journalist Simon Bradley; contributing editor from Uncut Magazine Nigel Williamson; ex Melody Maker features editor Chris Welch and many others. Features rare performances of the following classic Queen tracks: 'Keep Yourself Alive', 'Seven Seas Of Rhye', 'Killer Queen', 'Stone Cold Crazy', 'Somebody To Love', 'Bohemian Rhapsody', 'Good Old Fashioned Lover Boy', 'We Will Rock You', 'We Are The Champions', 'Bicycle Race', 'Don't Stop Me Now', 'Crazy Little Thing Called Love' and 'Another One Bites The Dust'.

Ten years in the making, KISS Loves You is a film that began back in 1994 when the band KISS was at a career low and KISS fans around the world were starting tribute bands, uniting at unofficial KISS Conventions and growing increasingly more nostalgic for the 70's era classic KISS line-up. The zeitgeist exhibited at these conventions was not lost on the band and in 1996 they responded, rising up like a grease painted phoenix into a new era of success. On the surface, KISS fans got exactly what they longed for, but for some the return of their idols brought unexpected consequences. KISS Loves You follows a few KISS fans along the way.

This episode plays with ideas of time and space, ("time is money" and "dead air") alternating between aggressive boredom and quick wit. The TV Party Orchestra (Walter Steding on violin, Lenny Ferrari on the New Yorker magazine, and Tim Wright on guitar) jams while host O'Brien performs the sublime feat of rolling a joint blindfolded while smoking a joint.

TV Party's final season was broadcast live in color on Channel J, a public access "commercial station." TV Party tried to pay the extra expense of going to color by selling ads to downtown clubs and underground record companies. "Everything here is for sale," Glenn announces. Desperation is in the air. Glenn is missing a tooth and needs a haircut. The party is spunky but the cast is depleted and possibly drugged. The TV Party theme, music by Walter Steding and rap by Glenn O'Brien opens the show. The show features the TV Party Orchestra, with Lenny Ferrari and guitarist Karen Geniece joined by Charles Rocket on heavy metal accordion, played through a stack of Marshall amps and an array of guitar pedals. Rocket had just been fired from Saturday Night Live for saying "fuck" live on air, and his performance of "Wild Thing" is a triumph of post-modern drollness. He actually gets screaming feedback out of his squeezebox. Jeffrey Lee Pierce of Gun Club shows up with a broken guitar, but borrows one and does a soulful Robert Johnson country blues. The half Japanese New York band Eel Dogs plays. Lothar Manteuffel, one of Germany's top new wavers, ends the show jamming with Rocket on one of the latter's compositions "Why Can't I Get Laid." Who knows what he's singing in German.

In this essential Night Flight interview, John Waters reflects on the transgressive ethos that defines his filmmaking. He recounts his humble beginnings touring prints from the trunk of his car, the neighborhood Baltimore crew of collaborators including Divine (“I don't trust anybody that hasn't been arrested at least once”), and a career built on offending multiple generations. A timeless snapshot of a Night Flight icon, and the perfect way to celebrate ten years of the streaming channel!

Shot with multiple Panasonic DVX100 cameras, this blistering House of Blues set captures the Circle Jerks at full force. Featuring front-man Keith Morris (ex-Black Flag) at the top of his game, the band tears through 25 tracks spanning their career.

Only on Night Flight Plus: Music filmmaker par excellence Tony Palmer crafts an intimate and deeply personal portrait of British bassist (and former Cream member) Jack Bruce. In 1969, Bruce released Songs for a Tailor, a jazz-oriented LP of original compositions. Filmed at the same time, this 55-minute documentary traces his journey from the Gorbals, through Cream, to his island home of Sanda.