A faux cautionary documentary that portrays several notorious celebrity sex scandals from the golden age of Hollywood through film clips and often humorous softcore reenactments.

From director Frank Henenlotter (Frankenhooker, Brain Damage) and co-producer Mike Vraney (the late founder of Something Weird Video) comes the epic documentary critics call "fascinating" (Video Watchdog), "titillating" (Time Out Los Angeles) and "jaw-dropping" (Seattle Weekly): Henenlotter and legendary exploitation monarch David F. Friedman - in his final film appearance - are your hosts for this eye-popping expedition through the world of pre-code peekaboos, stags, sex-hygiene films, goona-goonas, nudie-cuties, roughies, druggies, white-coaters and more, featuring thousands of spicy, steamy and downright sleazy clips from the SWV archives.

In Alice in Acidland (1969), a wholesome college student succumbs to the temptations of marijuana and becomes a dope-crazed sexual omnivore until she hits rock bottom after taking the plunge into LSD.

A TV cameraman is having marital problems with his wife. He comes up with the idea of going to a nudist camp as a way to help with their marital and sexual problems, only for both he and his wife to end up becoming swingers.

Tough college student Tod Palmer (Robert Sherman) patiently suffers increasingly severe hazing at the hands of sadistic Ky Walker (Russell Johnson) while pledging a fraternity at Wake College. Attempting to bring the ritual initiation abuses to the authorities' attention, Tod accidentally dies after fleeing from the angry fraternity brothers. Medical professor Dr. Stephen Brice (Paul Henreid) then tries to end the practice of hazing, determined to obtain justice for one of his best students.

Pick-up artist Jerry Sloane is hired by mobster Ernie Pulaski to lure girls for his white slavery ring. Once Ernie gets his claws on them, the victims are turned over to mute Mama Lupo (she lost her tongue after tattling on some fellow schoolgirls), who tortures them in her dungeon and addicts them to heroin. Jerry unwisely falls for Ernie’s daughter, resulting in a particularly painful, if appropriate, vengeance.

This archival short subject about a robot that frees house wives from menial tasks was shown at the New York World's Fair in 1940.

In a series of vignettes, a pathetic man is abused by a bitter prostitute, a sculptor and her model try to suppress their longings for each other, and a lonely middle-aged man is caught by his wife in bed with another woman.

With the help of a band of rebels, Goliath battles the cruel and demanding Babylonian king for the liberation of the people of Nephyr.

Though best known for the Mexican horror films he imported and dubbed into English, as well as numerous foreign children's films sold as"Kiddie Matinees" throughout the Sixties producer K. GORDON MURRAY also dabbled in American-made Southern-style exploitation such as Shanty Tramp (1966), Savages from Hell (1968), Thunder County (1974), and The Daredevil, the last starring role for Hollywood cowboy GEORGE MONTGOMERY. A crazed mix of racing, racism, and drug smuggling, THE DAREDEVIL; another portrait of The Redneck as an American icon with an attitude that's about midway between Thunder Road and Smokey and the Bandit, helped in no small amount by the casting of big George.

“The Film That’s Scorchin’ The Nation’s Screens!” The She who Shoulda Said ‘No’! is honeypot LILA LEEDS (Lady in the Lake, Moonrise) who was busted for doing doobies with rugged Robert Mitchum just months before this updated upgrade of Reefer Madness. Cashing in on the notoriety of “The Screen’s Newest Blonde Bomb,” KROGER BABB, “America’s Fearless Showman,” promoted the film as “The Story of Lila Leeds and Her Expose of the Marijuana Racket!” (She’s even costumed in the same suit she wore when she was sentenced with Mitchum!)

Under the influence of a gangster, a group of impressionable teenage girls agree to commit robberies and prostitute themselves for drugs.

Not a lot is known about this exploitation clip-collage which examines the classic marijuana scare-films of the 1920s through the 1940s. However, the year of release, tone of the narration, and the complete lack of credits indicate that The Devil's Joint may well have been some kind of underground film. After all, it was released around the time when vintage drug films like the 1936 Reefer Madness were being rediscovered by a new generation via midnight screenings at smoke-filled theaters and college universities. The tone here is cleverly set from the opening text which informs us that the film has been made without the cooperation of the Whit House, FBI, or local police authorities. In case you still didn't get the hint, The Devil's Joint then shows us a clip of TICHARD NIXON stating that he is here to tell us the truth despite his honesty and integrity being under question, before cutting to grisly newsreel footage of Chinese opium users being executed in the 1930s. What follow is essentially a series of extended clips from a number of the most notorious roadeshow drugsploitation films including Reefer Madness (of course), as well as a silent film from the 1920s called The Pace That Kills For the most part, the film wisely lets these clips speak for themselves, although a narrator does give us a quick rundown of all the propaganda clichés used in the drug scare genre, and during sequences which depict stoned people fighting, Batman-style "Pows!" and "Zaps!" flash across the screen. Occasionally, silent-movie-style text cards pop up displaying lurid pulp blurbs like "An Innocent young virgin under the spell of the Killer Weed! Will she fall prey to man's lust?"

While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.

Lovers of true grade-Z schlock either genuflect or run screaming at the mere mention of JERRY WARREN, the auteur of such cheapjack epics as Man Beast ('56), Terror of the Bloodhunters ('62), and The Wild Wild World of Batwoman ('66). (He also imported numerous Mexican films, recut them, added new scenes, and usually removed most of the dialogue so they wouldn't nee redubbing!) The Incredible Petrified World, Warren's second film, is a no-budget "Nightmare of Terror is the Center of the Earth!" - not!

Ignore the title. It's a great one alright, but Hollywood After Dark evokes images of movie stars, casting couches, and back-lot orgies which can be found in Starlet or The Masterpiece but not here. No, this one's about a loser in love with a stripper who gets involved with a deadly robbery. And though it ostensibly takes place on the fringes of Hollywood, except for a shot of the Hollywood sign, it could've been made in Anytown U.S.A. It's also another of director JOHN HAYES' brooding meditations on life pretending to be a sexploitation film. like its companion piece, The Rotten Apple (another Hayes! McClanahan collaboration), it can best be described as Existential Exploitation, and, like all of Hayes' films, aspires to be something smarter and more profound than just another "B'" Rue Mclanahan

Before he relocated to Spain and made the gender-bender shocker I Hate My Body and a handful of Paul Naschy movies (including Werewolf vs. The Vampire Woman), director LEON KLIMOVSKY shot this warped anti-pot thriller in his hometown of Buenos Aires, Argentina. Like earlier "warning" films which purported to tell the truth about marijuana abuse, Klimovsky's is naively wrong-headed wrongheaded from the get-go. However, viewers expecting a Reefer Madness-style camp classic will be sorely disappointed. Substitute heroin or crack fro the dreaded weed and the situations depicted in The Marihuana Story suddenly become no laughing matter.

An investigator goes after the people who are corrupting the nation's youth by spreading the weed of Satan - MARIJUANA!!!

Bikers, beach parties, body painting, death by dune buggy, and a good old-fashioned catfight all gleefully collide in Savages from Hell, the manic followup to Shanty Tramp from producer K. GORDON MURRAY and director JOSE ("Joseph") PRIETO. And while Savages ain't no Shanty-hell, few films are--it's still an exuberant blast from Florida's past which manages to make the entire Sunshine State seem like one of those scary little rest stops somewhere off the main road.

Jonesing for some more comical tirades against mind-altering substances? Then tie one off and shoot these five shorts directly into your vein... Featuring Narcotics Part I: Goof Balls and Tea (1957), Beyond LSD (1967), Narcotics: Pit of Despair (1967, Marijuana The Great Escape (1968) and Drug Addiction (1951).