Master filmmaker Sidney Lumet (The Verdict, Dog Day Afternoon, Serpico) delivers "one of his greatest achievements" (Roger Ebert) with this riveting and compelling suspense thriller. Oscar®-winner* Philip Seymour Hoffman (Capote) is Andy, an overextended payroll executive who lures his younger brother, Hank (Ethan Hawke, Training Day), into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank's real mom and pop, and when the seemingly perfect crime goes awry, the damage sends them hurtling toward a shattering clash that may obliterate their already precarious lives.

In the vein of horror anthologies like Bava's BLACK SABBATH, the long-unseen PRAGUE NIGHTS is a gorgeous and supernatural vision of ancient and modern Prague: caught between Mod Sixties fashions and nightmarish Medieval catacombs, and filled with Qabbalistic magic, occult rituals, clockwork automatons and satanic visitors. In the first tale, director Jiří Brdečka's stunning "The Last Golem," a young rabbi (Jan Klusák) struggles to fashion a massive, silent giant out of living clay - until he's distracted by a mute servant girl (Lucie Novotná). In the second episode, "Bread Slippers," an 18th-century countess (Teresa Tuszyńska) indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids - until a mysterious visitor (Josef Somr) whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her. In the final story, "Poisoned Poisoner," a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat 60s Czech Pop songs (scored by the renowned Zdeněk Liška).

When a cult leader’s vision of the end of the world is not fulfilled he begins the systematic humiliation and destruction of his followers.

Academy Award© winning actor/director Lee Grant's directorial debut feature was the first major American feature to be written, produced, and directed entirely by women. An adaptation of Tillie Olsen's award winning novella by Mulholland Drive producer Joyce Eliason. Starring Oscar© winners Lila Kedrova and Melvyn Douglas alongside Brooke Adams, this official selection of the 1981 Cannes Directors Fortnight, follows the lives of senior couple Eva and David, their shared past as revolutionaries, and their cross country journey together when illness strikes Eva, and her husband decides to keep it a secret.

October, 2008. Young nun Colleen (Addison Timlin) is avoiding all contact from her family, until an email from her mother (Ally Sheedy) announces, Your brother is home. On returning to her childhood home in Asheville, NC, she finds her old room exactly how she left it: painted black and covered in goth/metal posters. Her parents are happy enough to see her, but unease and awkwardness abounds. Her brother is living as a recluse in the guesthouse since returning home from the Iraq war. During Colleen's visit, tensions rise and fall with a little help from Halloween, pot cupcakes, and GWAR. Little Sister is a sad comedy about family, a schmaltz-free, pathos-drenched, feel-good movie for the little goth girl inside us all.

Following his acclaimed debut Ham on Rye, Tyler Taormina’s hypnotic follow-up is a midnight mosaic that reveals a suburban town steeped in alienation. It’s the middle of the night, but things are far from quiet; as the camera peers into the late-night happenings of various residents, we witness a number of them quietly escape into the dark... on rollerblades. Drawing on 1960’s European art cinema and 1990’s kid’s TV in equal measure, Happer's Comet presents striking individual vignettes that unfurl like a collective dream. Mesmerizing and meditative, the film solidifies Taormina’s gift for transforming everyday banality into uncanny cinema.

On the 100th anniversary of his birth, internationally renowned director Margarethe von Trotta examines Ingmar Bergman’s life and work with a circle of his closest collaborators as well as a new generation of filmmakers. This documentary presents key components of his legacy, as it retraces themes that recurred in his life and art and takes us to the places that were central to Bergman’s creative achievements. Featuring interviews with actress Liv Ullmann, directors Olivier Assayas, Ruben Östlund, and more.

Forty years after the death of Elvis Presley, two-time Sundance Grand Jury winner Eugene Jarecki’s new film takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Memphis to New York, Las Vegas, and beyond, the journey traces the rise and fall of Elvis as a metaphor for the country he left behind. In this groundbreaking film, Jarecki paints a visionary portrait of the state of the American dream and a penetrating look at how the hell we got here. A diverse cast of Americans, both famous and not, join the journey, including Alec Baldwin, Rosanne Cash, Chuck D, Emmylou Harris, Ethan Hawke, Van Jones, Mike Myers, and Dan Rather, among many others.

An American psychiatrist (Art Garfunkel) working in Vienna is drawn to a beautiful but self-destructive married woman (Theresa Russell), but their torrid affair threatens to destroy them body and soul in this erotically charged tale also starring Harvey Keitel and Denholm Elliott. Described by its own distributors as "a sick film made by sick people for sick people," Director Nicholas Roeg's dark, time-hopping psychological drama arrives on Night Flight Plus.

The micro and the macro.

Christopher Petit's debut feature Radio On is the rare road movie from England. Since its 1979 release, it's become a cult classic. Robert (David Beames), the film's enigmatic protagonist, embarks on a road trip from London to Bristol, to investigate the recent death of his brother. A remarkable collection of art rock, punk and new wave--David Bowie, Devo, Kraftwerk, Robert Fripp, Ian Dury and more--soundtracks Robert's journey. The austere urban and rural landscapes he drives through are beautifully and strikingly rendered in black and white by cinematographer Martin Shäfer (who had been Wim Wenders' camera operator). As Robert drives westward, the radio newscasts he hears and the strangers he meets address the dire sociopolitical and economic state of "Winter of Discontent"-era Britain.

The Upsetter tells the wild, weed-fueled story of Lee “Scratch” Perry — a visionary Jamaican musician, artist and all around madman — who burst upon the Kingston scene in the ‘50s with a brand new sound, inventing a genre of music that would come to be called Reggae. He went on to discover a young Bob Marley and gained international recognition as a solo artist and record producer, working with pioneering artists like the Heptones and the Congos. Soon he was being called upon by artists as diverse as The Clash and Paul McCartney to provide his unique sound. Narrated by Benicio Del Toro, the film captures the essence of a complex, enigmatic figure who was at once a mad genius and a mystic.

Set in medieval Iceland, The Juniper Tree follows Margit (Björk in a riveting performance) and her older sister Katla (Bryndis Petra Bragadottir) as they flee for safety after their mother is burned to death for witchcraft. Finding shelter and protection with Johan (Valdimar Orn Fygenring), and his resentful young son, Jonas (Geirlaug Sunna Pormar), the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery. Photographed entirely on location in the stunning landscapes of Iceland in spectacular black-and-white by Randy Sellars, The Juniper Tree is a deeply atmospheric film, evocative of Carl Theodor Dreyer’s Day of Wrath and Ingmar Bergman’s The Virgin Spring, and filled with indelible waking dream sequences (courtesy of legendary experimental filmmaker Pat O’Neill). A potent allegory for misogyny and its attendant tragedies, The Juniper Tree is a major rediscovery for art house audiences.

Follows a land surveyor on an assignment to measure an ancient forest for a developer but soon loses his reason in a supernatural environment that has its own plans.

Doom and gloom are on the way. The Y2K apocalypse can't be stopped. Abbie's older brother issues him the ultimate challenge before it goes down: beat the infamous level 256 in Pac-Man and no getting up from the couch until he does so. Abbie’s survival story begins here; inside a rotting living room with no food or water, and a revolving door of numb-nut friends and acquaintances. It’s THE EXTERMINATING ANGEL by way of SLACKER.

Other Music was an influential and uncompromising New York City record store that was vital to the city’s early 2000s indie music scene. But when the store is forced to close its doors due to rent increases, the homogenization of urban culture, and the shift from CDs to downloadable and streaming music, a cultural landmark is lost. Through vibrant storytelling, the documentary captures the record store’s vital role in the musical and cultural life of the city, and highlights the artists whose careers it helped launch including Vampire Weekend, Animal Collective, Interpol, Yeah Yeah Yeahs, William Basinski, Neutral Milk Hotel, Sharon Van Etten, Yo La Tengo and TV On The Radio.

In this chilling horror film, Lara (Maria Barranco) is the host of a "psychic phenomena" radio show, whose ex-lover has been found dead in a small Spanish village. When she travels to the location, she discovers that he had been performing experiments to connect with tormented spirits, trapped between worlds. Upon arrival at the abandoned building where he conducted the experiments, she finds something she never expected.99.9 is the third feature film directed by Agustí Villaronga (In a Glass Cage, Moon Child) that was made during the 90s wave of Spanish supernatural thrillers - with camerawork by Javier Aguirresarobe (Twilight, The Others) and music by Javier Navarrete (Pan's Labyrinth, The Devil's Backbone).