Christopher Petit's debut feature Radio On is the rare road movie from England. Since its 1979 release, it's become a cult classic. Robert (David Beames), the film's enigmatic protagonist, embarks on a road trip from London to Bristol, to investigate the recent death of his brother. A remarkable collection of art rock, punk and new wave--David Bowie, Devo, Kraftwerk, Robert Fripp, Ian Dury and more--soundtracks Robert's journey. The austere urban and rural landscapes he drives through are beautifully and strikingly rendered in black and white by cinematographer Martin Shäfer (who had been Wim Wenders' camera operator). As Robert drives westward, the radio newscasts he hears and the strangers he meets address the dire sociopolitical and economic state of "Winter of Discontent"-era Britain.

The Upsetter tells the wild, weed-fueled story of Lee “Scratch” Perry — a visionary Jamaican musician, artist and all around madman — who burst upon the Kingston scene in the ‘50s with a brand new sound, inventing a genre of music that would come to be called Reggae. He went on to discover a young Bob Marley and gained international recognition as a solo artist and record producer, working with pioneering artists like the Heptones and the Congos. Soon he was being called upon by artists as diverse as The Clash and Paul McCartney to provide his unique sound. Narrated by Benicio Del Toro, the film captures the essence of a complex, enigmatic figure who was at once a mad genius and a mystic.

Set in medieval Iceland, The Juniper Tree follows Margit (Björk in a riveting performance) and her older sister Katla (Bryndis Petra Bragadottir) as they flee for safety after their mother is burned to death for witchcraft. Finding shelter and protection with Johan (Valdimar Orn Fygenring), and his resentful young son, Jonas (Geirlaug Sunna Pormar), the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery. Photographed entirely on location in the stunning landscapes of Iceland in spectacular black-and-white by Randy Sellars, The Juniper Tree is a deeply atmospheric film, evocative of Carl Theodor Dreyer’s Day of Wrath and Ingmar Bergman’s The Virgin Spring, and filled with indelible waking dream sequences (courtesy of legendary experimental filmmaker Pat O’Neill). A potent allegory for misogyny and its attendant tragedies, The Juniper Tree is a major rediscovery for art house audiences.

Follows a land surveyor on an assignment to measure an ancient forest for a developer but soon loses his reason in a supernatural environment that has its own plans.

Doom and gloom are on the way. The Y2K apocalypse can't be stopped. Abbie's older brother issues him the ultimate challenge before it goes down: beat the infamous level 256 in Pac-Man and no getting up from the couch until he does so. Abbie’s survival story begins here; inside a rotting living room with no food or water, and a revolving door of numb-nut friends and acquaintances. It’s THE EXTERMINATING ANGEL by way of SLACKER.

Other Music was an influential and uncompromising New York City record store that was vital to the city’s early 2000s indie music scene. But when the store is forced to close its doors due to rent increases, the homogenization of urban culture, and the shift from CDs to downloadable and streaming music, a cultural landmark is lost. Through vibrant storytelling, the documentary captures the record store’s vital role in the musical and cultural life of the city, and highlights the artists whose careers it helped launch including Vampire Weekend, Animal Collective, Interpol, Yeah Yeah Yeahs, William Basinski, Neutral Milk Hotel, Sharon Van Etten, Yo La Tengo and TV On The Radio.

In this chilling horror film, Lara (Maria Barranco) is the host of a "psychic phenomena" radio show, whose ex-lover has been found dead in a small Spanish village. When she travels to the location, she discovers that he had been performing experiments to connect with tormented spirits, trapped between worlds. Upon arrival at the abandoned building where he conducted the experiments, she finds something she never expected.99.9 is the third feature film directed by Agustí Villaronga (In a Glass Cage, Moon Child) that was made during the 90s wave of Spanish supernatural thrillers - with camerawork by Javier Aguirresarobe (Twilight, The Others) and music by Javier Navarrete (Pan's Labyrinth, The Devil's Backbone).

After a catastrophic event, eight girls find themselves stranded in a house without electricity. As they run out of food and water, their sanity begins to crumble, and soon they regress to their baser instincts.

Storytelling in all its forms is skewered in THE CATECHISM CATACLYSM. In this divinely bizarre tale, wild characters infuse stories within stories until the lines between the Bible, Mark Twain, and campfire tales are hilariously blurred. Father Billy (Steve Little), an eccentric young priest, is forced to take a sabbatical by his superiors when he is discovered telling inappropriate parables to his flock. Billy tracks down his high-school idol Robbie (Robert Longstreet), who begrudgingly agrees to a canoe trip. On the water, the two men reminisce about Billy's days as the keyboardist in a Christian band and Robbie's as a guitarist for a metal band. When night approaches, they realize they have lost their way--and that's when things get weird.

On the night of an astronomical anomaly, eight friends at a dinner party experience a troubling chain of reality bending events. Part cerebral sci-fi and part relationship drama, Coherence is a tightly focused, intimately shot film that quickly ratchets up with tension and mystery.

Broke and desperate filmmaker Adolpho Rollo (Steve Buscemi) is a Manhattan wannabe in love with the mysterious woman next door, Angelica Peña (Jennifer Beals). He puts out an ad offering to sell his 'fabulous' movie script for $500, and gets a response from Joe (Seymour Cassel), who gives him a thousand and says he'll raise the 250,000 to make the picture. The problem is, Joe is a semi-connected wiseguy with a hemophiliac brother Skippy (Will Patton) and a habit of committing oddball crimes.

Stephin Merritt's distinctive singing voice and witty lyrics about life and love make his band, the Magnetic Fields, a cultishly adored indie rock group. His decades-long friendship with Claudia Gonson, his bandmate and manager, provides fuel for his music, while his eccentric working habits contribute to his image as a singularly talented musician and writer. Interviews with fans like fantasy author Neil Gaiman and pop icon Peter Gabriel provide insight into Merritt's influential career.

Great young stars, rave reviews and powerhouse performances give you an edge on business.Tell your customers to get a life: The Low Life. Starring Kyra Sedgwick, Rory Cochrane, Sean Astin, and more.

Inspired by famed occultist Aleister Crowley's 1923 novel of the same name, Agusti Villaronga's film centers around the extraordinary 12-year-old David (Enrique Saldana), who has been adopted by a treacherous scientific cult where extraordinary mental powers are common. He begins an archetypal journey across two continents with Georgina (Lisa Gerrard) to find his destiny as Child of the Moon. Coming on the heels of Villaronga's unforgettable 1986 film, In a Glass Cage, MOON CHILD is a mystical fantasy film for adults. Presented in a new High Definition transfer and boasting an unreleased soundtrack by the band Dead Can Dance.

Hellaware gently satirizes the world of high-brow art through the eyes of a wannabe photographer who becomes consumed by the bright lights of mainstream success. Jaded by the “incestuous, New York, socialite shit” that sells at prominent art galleries, Nate (Keith Poulson) embarks on a quest for a more authentic brand of contemporary art. When a coked-up YouTube search leads to a music video from Delawarean Goth rappers Young Torture Killers, an Insane Clown Posse knock-off, Nate knows he’s found his subjects. He soon drags his friend-with-benefits Bernadette (Sophia Takal) to rural Delaware to shoot the group playing in their parents’ basement. To “immerse himself” in the group’s culture and add an extra layer of realism to his work, Nate befriends the rappers and makes return trips to get to know them. But as his relationship with the group develops, he becomes increasingly aware that, while you can take the boy out of the art world, you can’t take the art world out of the boy.

As much a testament to the band as it is to the city and inhabitants of Sheffield, PULP weaves exclusive concert footage with man-on-the-street interviews and dreamy staged sequences to paint a picture much larger, funnier, moving, and life-affirming than any music film of recent memory. Though culminating with the farewell concert the band played to thousands of adoring fans in their hometown of Sheffield, England, PULP is by no means a traditional concert film or rock doc.