The documentary "ForeverMoore; The Angelo Project" follows the life of Angelo Moore of Fishbone featuring appearances by members of the band. Angelo Moore devotes his life to weaving a legacy; crafting art through spoken word, music, and fashion. As an African American forerunner in the early 80's LA punk rock scene, he inspired others to embrace nonconformity. Living the life "of the famous but not rich," a living breathing work of art, Angelo pours ideas into everything he touches. A smiling and deeply introspective soul, Angelo contemplates life and comes to terms with certain truths. Through both amusing and politically charged thought and poetic wanderings, we follow Angelo Moore through his daily inspirations and struggles. Ska, Punk, Funk, Metal, Reggae, and Soul Fusion Master, Angelo makes beauty out of darkness, all with a sense of humor and smile that could set the world on fire. The film asks many questions about the legacy and process of an artist. Through the lens of Director Tisa Zito and through one-of-a-kind, child-like wonder, this is Angelo Moore of Fishbone.

L7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "grrl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.

Features rare footage, news clips, location shoots, videos, seldom seen photographs and much more! This film looks at Muse's entire career, and by using rare performance and interview footage of the band, contributions from their closest colleagues and from those who have witnessed and written about their journey, plus seldom seen photos, news reports, scene shoots and a range of other features, creates the finest documentary to date on this extraordinary band, the music they make and the lives they lead. Includes exclusive interviews with former manager Safta Jaffrey, legendary producer John Leckie, band engineer Ric Peet, video director Mat Kirby, official biographer and NME writer Mark Beaumont and many other close confidantes.

Described by some as a video masterpiece, Black Joy is a colorful and artistic mix capturing Psychic TV in a number of guises. This film includes 2 full length programs previously available only as two separate VHS tapes. "Black" was filmed live at the Subterrania Club, London, in March, 1991, capturing the band at the height of their acid-phase. "Joy" includes live footage from a show at Manchester Poly in October 1988, as well as promo films for "R U Experienced" and IC Water."

"Tonight I shall meditate upon that which I am." The fury of Black Flag is captured in full in their performance at Bierkellar in Leeds, UK on May 19, 1984. Henry Rollins leads the band through Black Coffee, Rat's Eyes, My War and more in this raw and iconic performance, now streaming in our Punk Documentaries and Concerts section.

Halloween '79 - Glenn is dressed in a casual Dolly Parton lesbian look. With Chris Stein, Debbie Harry,Richard Sohl, Fab Five Freddy & more. This is TV Party at is most dense and abstract, filled with cross-talk, double entendre and obscure information.

In August 1969, to the dismay of many fans, Frank Zappa disbanded the original Mothers of Invention. Feeling constrained by the musical abilities of certain members, he cleaned the slate and set about assembling a new group. Hand-picking superior talent from a variety of musical genres, by 1970 the second incarnation of the band was unleashed. This film focuses on the sophomore Mothers, looking too at the very different projects that book-ended their brief existence; Zappa had incorporated ideas from free jazz and fusion into his music to produce three eccentric albeit influential solo albums.

Director Robert Mugge, having recently made the film DEEP BLUES (1991) about the blues traditions of Mississippi, decided to follow up with a tribute to Alligator and its roster of top contemporary blues artists from Chicago and elsewhere. The resulting film, PRIDE AND JOY: THE STORY OF ALLIGATOR RECORDS, presents musical highlights from one of the 4-plus-hour concerts (March 12th at Philadelphia's Chestnut Cabaret) that made up the tour, glimpses of Alligator's Chicago offices, and profiles of key performers and staff members. The "pride and joy" on display are not only that of fine musical artists plying their trades, but also that of a passionate and highly principled entrepreneur succeeding in a business mostly controlled by corporate giants and littered with the wreckage of countless small, independent labels.

Sudden Death Records and MVD proudly present punk legends D.O.A.'s new live DVD "To Hell N' Back." 90 minutes of amazing action from the Godfathers of Hardcore. Recorded at home and on tour in Canada between June 2011 and January 2013 with four cameras a night. The band charges through 30 D.O.A. classic punk anthems. Includes a free CD version of D.O.A.'s studio album We Come in Peace.

Here comes DEATH's probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH's origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light. Excitement grows as Schuldiner, his band, and the world around him evolve, and the music grows ever-more outrageous and bombastic. DEATH's threat morphs from simple zombie attack to multi-headed mega-monster hellbent on absorbing entire planets. Then suddenly, Chuck is just gone, and the lights go out. The formula for movies about bands dictates that victory is seized from the jaws of mortality in the final act. This is where things get weird. Chuck Schuldiner perished during the moment of heavy metal's weakest ebb, and possibly the quietest moment of his own career. The drawling guitar demon in the kitty cat shirt will not rise again to tour county fairs, swap one-liners on late-night TV, and jam with Judas Priest at the Rock and Roll Hall of Fame. But this documentary itself joins reissues, partial reunion tours, and an international reawakening as part of a decade-long ascent for DEATH to its proper place of high dominion. As you read these words and watch this film, Chuck Schuldiner and DEATH return to glory, and the legend itself becomes an eternal encore.

Commissioner Of Sewers combines interview and archival material, paintings, and clips of William S. Burroughs' film appearances (including "Decoder" and Gus Van Zant's "Drugstore Cowboy" and "Thanksgiving Prayer") with footage from Burroughs' last European reading in Berlin on May 9th, 1986 to create a witty and intriguing portrait of the man described by Norman Mailer as "the only American novelist living today who may conceivably be possessed by genius."

The Howlin' Wolf Story documents the life of blues legend Chester 'Howlin' Wolf' Burnett and features rare material, including performances of many of his classic Chess Records tunes, an appearance on the show Shindig introduced by the Rolling Stones (1964) and drummer Sam Lay's home movies from the Chicago Blues scene of the 1960s.

This episode plays with ideas of time and space, ("time is money" and "dead air") alternating between aggressive boredom and quick wit. The TV Party Orchestra (Walter Steding on violin, Lenny Ferrari on the New Yorker magazine, and Tim Wright on guitar) jams while host O'Brien performs the sublime feat of rolling a joint blindfolded while smoking a joint.

1956 was Elvis Presley's breakthrough year, and this program takes you back, including his early television performances on the Dorsey Brothers Show and the Ed Sullivan Show (where the cameramen were instructed not to shoot the lower half of his body!). This DVD has an entire hour of rare footage and performances captured during the amazing year when Elvis Presley became not only a star, but a phenomenon. So slip on your blue suede shoes and step back to the beginning of an era, with rare early recordings and never-before-seen footage. Narrated by The Band's Levon Helm. Directed and Produced by Oscar-winning directors Alan and Susan Raymond. Including iconic photos by the photographer who toured with Elvis that year (Al Wertheimer) who captured many intimate moments from this one year.

Over the The Replacements' 12-year existence, its live sets were magical. Gorman Bechard's remarkable history of the 'Mats takes us from their first show and everywhere in between. He relies solely on the fans; memories of their albums & antics. Material from Husker Du, Babes in Toyland, The Decemberists, The Hold Steady, Archers of Loaf, Titus Andronicus, and Goo Goo Dolls is included.

The rare Wendy O. Williams/Plasmatics live footage in this DVD has, in the main, never been released before. During the early years Plasmatics creator Rod Swenson, who directed and shot all the Wendy O./Plasmatics conceptual videos (AKA known for his footage of the Ramones, Dead Boys, Blondie, and Motorhead among others) shot numerous Plasmatics shows the footage from which was never edited or released. Except for some short excerpts most of it until the discovery of this footage was thought to be lost or degraded (shot on tape which has been shown as with audio tape to degrade over time). Recently during the moving of WOW/Plasmatics archive material the footage here was found unlabeled in buried boxes. While much had degraded, Producer/Director Randy Shooter was able to discover, relabel, and with additional editing and restoration, salvage the rare and remarkable footage in this DVD. A lot of it is raw (and much of the audio is the audio from ambient video deck mics, noise and all) but the energy and power is there straight through. The material includes two tracks from CBGB the first of which was among the first Plasmatics shows ever as well as other footage from benchmark shows. A bonus track (Monkey Suit) features footage shot by Swenson when he was shooting the iconic album cover for New Hope for the Wretched, but never released.

This was the premiere show. Regulars included Jean-Michel Basquiat, Fab Five Freddie, Deborah Harry, John Lurie and Tim Wright of DNA. Extras: John Lurie, David Walter McDermott, Kate Simon, and Mick Jones of the Clash.

This release features rare live and studio performances of the band playing some of their best known hits, rare and classic Queen interview footage plus a host of other features, all interspersed with the independent review and criticism from a panel of esteemed experts. These include broadcaster, journalist and long time friend of Freddie Mercury Paul Gambaccini; rock author, journalist and Queen expert Malcolm Dome; guitarist and journalist Simon Bradley; contributing editor from Uncut Magazine Nigel Williamson; ex Melody Maker features editor Chris Welch and many others. Features rare performances of the following classic Queen tracks: 'Keep Yourself Alive', 'Seven Seas Of Rhye', 'Killer Queen', 'Stone Cold Crazy', 'Somebody To Love', 'Bohemian Rhapsody', 'Good Old Fashioned Lover Boy', 'We Will Rock You', 'We Are The Champions', 'Bicycle Race', 'Don't Stop Me Now', 'Crazy Little Thing Called Love' and 'Another One Bites The Dust'.

David Bowie - Under Review 1976 - 1979 The Berlin Trilogy features live and studio performances by Bowie, rare interviews and a host of other features all interspersed with the independent review and criticism from a panel of esteemed experts. These include; former members of both Neu! And Cluster (and key Bowie influences), Dieter Moebius and Michael Rother; broadcaster, journalist and ambient author, Mark Prendergast; author and Melody Maker/Mojo journalist, David Stubbs; Journalist and author Daryl Easlea; style aficionado, Paolo Hewitt and many others.