A Cold War-era drama about a highway patrolman relaying evacuation plans to motorists after word breaks out that a nuclear attack has hit the U.S.A.

During the golden age of the roadshow, no exploiteer returned to the drug theme more often that DWAIN ESPER. After the infamous short Sinister Menace and the feature-length Narcotic (both 1933), Esper and his screenwriter wife, HILDAGARDE STADIE, unleashed Marihuana, the first of the famous trilogy of anti-pot films of the 1930's which included Reefer and Assassin of Youth. Esper delivered on his promise to show "weird orgies, wild parties, and unleashed passions." "High spirited" Burma Roberts (HARLEY WOOD) is not only cursed with a dippy name, but a mother who doesn't pay her any attention. Since Mom is too busy making sure Burma's sister, Elaine, has her hooks into wealthy Morgan Stewart, Burma starts hanging with a fast crown. At a roadhouse where the debauchery includes balloon popping), she and her friends meet Tony Santello, the local pusher: "Where they're that age, they're not suspicious and easily hooked!" Tony invites the gang to his beach house where they drink, dance and sample his "giggle weed."" The shot of Burma taking her first puff of pot is alone enough reason to make Marihuana a must-see. But it's followed by one of the famous scenes in roadshow history: as a cackling Burma makes love to her boyfriend Dick, the girls peel out of the dresses and streak down the beach to skinny-dip in the surf, complete with shocking-for-its-time nudity!

Memorable music, an interracial romance, political reformers, and neighborhood racketeers embellish a rich and vibrant tale of 1930s Harlem.

An outer space crimefighter known as Starman comes to Earth’s rescue when he learns that powerful criminals are threatening a nuclear winter.

An investigator goes after the people who are corrupting the nation's youth by spreading the weed of Satan - MARIJUANA!!!

Arriving in Hollywood, a motorcycling rock-'n-roller finds romance and a shot at the big time, but must contend with the schemes of a shady manager.

“Vivian and Dorothy Hamilton” are headliners in a small-time vaudeville company when Dorothy -- and only Dorothy -- falls for oily Lothario Andre (MARIO LAVAL) and decides to marry him despite her, uh, better half hating the guy so much that she shoots him to death.

Musician Richard Carlson is haunted by a ghostly girlfriend in director Bert I. Gordon's 72-Minute feature length Chiller-Diller from 1960.

Oh, dear Lord, forgive me for I have seen the face of Satan and he is called The Princess and the Magic Frog...Yes, boys and girls, here's another mind-boggling children's film, straight from the mid-Sixties, when Americans would dump their youth at the local theater's "Kiddie Matinee" and subject the poor tots to all manner of cinematic torture. Such as The Princess and the Magic Frog, a long-unseen rarity that's so hilariously impoverished, it makes Jimmy the Boy Wonder look like a multi-million dollar work of art.

Though best known for the Mexican horror films he imported and dubbed into English, as well as numerous foreign children's films sold as"Kiddie Matinees" throughout the Sixties producer K. GORDON MURRAY also dabbled in American-made Southern-style exploitation such as Shanty Tramp (1966), Savages from Hell (1968), Thunder County (1974), and The Daredevil, the last starring role for Hollywood cowboy GEORGE MONTGOMERY. A crazed mix of racing, racism, and drug smuggling, THE DAREDEVIL; another portrait of The Redneck as an American icon with an attitude that's about midway between Thunder Road and Smokey and the Bandit, helped in no small amount by the casting of big George.

A woman's job as a sex researcher takes her all over the world and gets her into some difficult situations.

A beautiful woman marries a rich man for his money, then embarks on an affair and plans to use her boyfriend to help murder her husband.

Benevolent aliens from the planet Emerald send superhero Starman to protect Earth from invasion by an evil alien race called the Spherions.

Oh, who cares how much of this is really true or not. Ma Barker's Killer Brood is how things should have been. And after seeing this wild, hilarious, and consistently over-the-top B-movie bio-pic, it's damn near impossible to think of Ma Barker any other way than as played by everyone's favorite scenery-chewing little old lady, LURENE TUTTLE: "Shoot him, Herman! Shoot him!"

Bill Phillips, his wife, Tom Guardia and a group of adventurous land developers from the Pan American Highway Commission make their way through the unfriendly jungles of Central Panama (where white men not welcome.) Bill tries to gain the trust of the dangerous Cuna tribe, so he and Eve live amongst the natives and participate in their ritual ceremonies and drink jungle moonshine. Meanwhile Guardia and the others confront a hostile tribe of headhunting jungle women, are savagely tortured and sacrificed (this footage was added to the documentary style travelogue to liven things up a bit.) Needless to say, the Highway Commission finds an alternate route through the defiant jungle.

The son of a murdered truck driver starts driving his own 18-wheeler to infiltrate the world of suspects who may have committed the crime.

Still alive...the ancient cult of Voodoo as it is practiced today! The men she loved, lived to love no others!...It Struck with Savage Fury The Devil's Hand From the director of THE GHOST OF DRAGSTRIP HOLLOW comes this story of voodoo and obsession. Robert Alda dreams about beautiful Linda Christian. He goes to a curio shop run by Neil Hamilton (Commissioner Gordon on TV's BATMAN) who gives him the girl's address after purchasing a doll in her image. She convinces Robert Alda to join a cult and his old girlfriend ends up in the hospital after some voodoo doll pincushioning. Of course, Neil Hamilton is involved in these voodoo rites and he has a sacrifice machine made of sharp swords which lowers from the ceiling onto the table-ready victim below. Sort of a massive voodoo device- sticking one pin in at a time is rather time consuming, after all!

A star-studded cavalcade of burlesque. Clowning! Dancing! Teasing! 15 all time greats of the burlesque stage.

A crime wave grips a city and all clues seem to lead to the nefarious Dr. Mabuse.

Reefer Madness is a 1936 American propaganda film revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness due to marijuana addiction. The film was directed by Louis Gasnier and featured a cast of mainly little-known actors.