While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.

Before he became known for distributing such drive-­in epics as I Drink Your Blood, I Eat Your Skin, and I Spit on Your Grave, JERRY GROSS directed two fascinating little quickies - Girl on A Chain Gang (’65) and Teenage Mother (’67) - that are textbook examples of classic old-school exploitation. In fact. shot­-on-Long-Island Teenage Mother seems to take its inspiration from a half dozen old roadshow films, updated for the Sixties, and even concludes with that oldest of exploitation standbys, authentic birth-of-a-­baby footage!

Tough college student Tod Palmer (Robert Sherman) patiently suffers increasingly severe hazing at the hands of sadistic Ky Walker (Russell Johnson) while pledging a fraternity at Wake College. Attempting to bring the ritual initiation abuses to the authorities' attention, Tod accidentally dies after fleeing from the angry fraternity brothers. Medical professor Dr. Stephen Brice (Paul Henreid) then tries to end the practice of hazing, determined to obtain justice for one of his best students.

In a small Gallic village, tourists are regaled by street entertainers and brash prostitutes. One of the tourists, a black girl named Bessie, falls in love with local villager Bob, and he with her. Soon racial tensions erupt volcanically among tourists and townsfolk alike. All is forgiven when the respective parents of the hero and heroine save the village’s water supply.

This archival short subject about a robot that frees house wives from menial tasks was shown at the New York World's Fair in 1940.

Olga uses pot parties and comic-book violence to turn Gigi Darlene and other female captives before putting them to work as drug-addicted hookers.

Musician Richard Carlson is haunted by a ghostly girlfriend in director Bert I. Gordon's 72-Minute feature length Chiller-Diller from 1960.

Desperate to become popular, a teenager turns to a life of crime in an effort to impress the prettiest - and greediest - girl in school.

Two American GIs and the sole survivors of a battle on an isolated island must put aside their differences in order to evade the Japanese and survive.

Shrewd, conniving goddess Stacey Kane (MEG MYLES) is a second-rate stripper in a third-rate carnival. Startled when she finds her junkie ex-husband lurking in her dressing room, Stacey promptly steals every cent he has and hops on a plane for New York. Great, gritty exploitation which packed a hell of a wallop in the more innocent days of 1962.

In Alice in Acidland (1969), a wholesome college student succumbs to the temptations of marijuana and becomes a dope-crazed sexual omnivore until she hits rock bottom after taking the plunge into LSD.

Beatniks? What beatniks? Two-bit punks, a closet rock-&-roll star, and an out-of-his-mind psycho: yes. Beatniks: no. Though The Beatniks was probably a last-minute title change to replace a less exploitable moniker, it didn’t make much of a difference to the audiences of 1960. After all, to a world emerging from the Eisenhower era, bohemian artists and beat-generation poets were seen as little more than socially maladjusted misfits in the same category as junkies, Commies, and teenage hoodlums — or the petty-crime crackpots running loose in this fast, fun, and naively hilarious saga of an overage delinquent who becomes an overnight sensation.

Under the influence of a gangster, a group of impressionable teenage girls agree to commit robberies and prostitute themselves for drugs.

The son of a murdered truck driver starts driving his own 18-wheeler to infiltrate the world of suspects who may have committed the crime.

"War babies. They want to be different. They don't want to belong to any mass society. They have their own-type clubs, their own 'in' groups." Thus Malamondo, an elegant look at early-Sixties' teenage angst and "way out youth," Euro-style, set to the delirious musical musings of a young ENNIO MORRICONE! "Teenage swingers" ski in the nude in the Swiss Alps! (Skinny-skiing?) At a summer resort in Italy, "the children of the post-war rich" interrupt their boredom to play Who Wants-to-Slaughter-a Pig, and quickly learn that "waste and destruction aren't so hip after all!" And students in Northern Italy race to the beach at lunch time and "let off steam" with a sea-side striptease!

Oh, who cares how much of this is really true or not. Ma Barker's Killer Brood is how things should have been. And after seeing this wild, hilarious, and consistently over-the-top B-movie bio-pic, it's damn near impossible to think of Ma Barker any other way than as played by everyone's favorite scenery-chewing little old lady, LURENE TUTTLE: "Shoot him, Herman! Shoot him!"

With the help of a band of rebels, Goliath battles the cruel and demanding Babylonian king for the liberation of the people of Nephyr.

Buxom skin-goddess Pat Barrington (Mantis in Lace) is just one of The Acid Eaters a bunch of 9-to-5 working stiffs who become drug-crazed bikers on the weekend! After Miss Barrington kills a galpal in a catfight and the deceased inexplicably returns as a girlfriend for wacky artist Artie, the group enters a pyramid made of giant LSD sugar cubes which is also the entrance to Hell where Artie suddenly turns into The Devil and everything explodes into one big Acid Orgy... Whoa! Easily the Sixties' most insane mix of sexploitation and psychedelia, David F. Friedman's The Acid Eaters is soooooo out there that even the strongest of minds may become unhinged.

Benevolent aliens from the planet Emerald send superhero Starman to protect Earth from invasion by an evil alien race called the Spherions.

Barton's mine foreman is receiving gold bullion from gangsters in the East, putting it through the mine's smelter, and then shipping it out. When Barton finds out, Murdocks men make him a prisoner. Arriving at the same time, Alamo hears the story of the Masked Phantom and then becomes that Phantom fighting Murdock and his men and attempting to find Barton.