Birdie is a fragile and introverted teenager with a dark imagination. At an imposing, nearly-empty convent perched on the edge of a frozen lake, Birdie is unceremoniously placed into the care of the nuns where she develops unusual obsessions that will mark her as either a saint or a heretic.

In director Fabrice du Welz's Calvaire, a traveling entertainer is on his way home for Christmas when his van breaks down in the middle of a village, where he quickly falls victim to a dangerously unhinged innkeeper determined to keep him captive. This dark, unsettling film from the New French Extremity movement is available for the first in the US in high definition from a brand new restoration via Yellow Veil films. "A dark absurdist descent into hell," says Guillermo Del Toro.

Spirit Lake is unusually deep. No diver has ever managed to find the bottom, though many have tried. When Dr. Amelia Brooks disappears during a deep-water dive, her three daughters travel home to settle her affairs. But when the half sisters jokingly summon a local ghost, their relationship begins to unravel and they find themselves drawn deeper into the mysteries of the lake.

An old scavenger living on the fringes of a near-future society exploits a ghostly companion’s ability to traverse time, hoping to prevent his mother’s suffering from a terminal illness. Laotian director Mattie Do’s sci-fi thriller premiered at the Venice Film Festival in 2019.

Dream Team is a postmodern, soft-core fever dream from directors Lev Kalman & Whitney Horn, and produced by Jane Schoenbrun (I Saw the TV Glow). "Think Baywatch Nights directed by Maya Deren," says the film's label Yellow Veil.  In this absurdist homage to 90’s basic cable TV thrillers, two Interpol agents investigate a coral smuggler's mysterious death. The investigation leads the agents down a rabbit hole, revealing a surreal international conspiracy involving utopian basketball leagues, sensual scientists, and a psychic network of coral reefs. 

Secluded in a desolate forest home to little more than the decaying remnants of the past, a broken family is further torn apart by a mysterious death. Adam, guided by a pervasive sense of dread, hunts for answers only to learn that they are not alone; an insidious presence by the name of Sator has been observing his family, subtly influencing all of them for years in an attempt to claim them.

Director Kenji Misumi (Lone Wolf and Cub) and writer Fuji Yahiro (Sansho the Bailiff, A Bloody Spear at Mt. Fuji) turn the quintessential Japanese ghost story into a profoundly resonant doomed romance, with chilling ghost scenes that would leave a deep mark on the creators of J-horror. Samurai Iemon (Kazuo Hasegawa, Gate of Hell) has grown distant from his wife Oiwa. Oume, the pretty young daughter of a wealthy family, falls madly in love with Iemon after he saves her from a group of drunk swordsmen. Oiwa learns about the blossoming affair and grows despondent. Without his knowledge, Iemon's associates conspire to clear the way for him to marry Oume by poisoning his wife. But Oiwa returns from the grave as a horribly disfigured ghost to haunt Iemon and her tormentors.

Two woodcutters head into the mountains to fell an ancient tree. Caught in a snowstorm, they spend the night in a mountain lodge, where a female spirit appears and takes the life of one of the men. She spares the other man's life on the condition that he never tell anyone what happened that night. The woodcutter (Akira Ishihama, Harakiri) goes on to marry the mysterious beauty Yuki (Shiho Fujimura, Shinobi) and together they have a child. But Yuki catches the eye of a lecherous lord, whose advances force her to reveal a dark secret. Period film specialist Tokuzo Tanaka creates a broodingly atmospheric tale in which the viewer fully empathises with the ghost. Featuring a score by original Godzilla composer Akira Ifukube.

Noble samurai Shinzaburo (Kojiro Hongo, Gamera) is visited one night by the beautiful courtesan Otsuyu (Miyoko Akaza, Lady Snowblood). She pleads with him to marry her and save her from life in a brothel. Instantly captivated by her beauty, Shinzaburo agrees and a cautious love affair develops, but in his infatuation, he fails to realise that Otsuyu is a ghost. His friends band together to drive off the spirit, but can the love-stricken Shinzaburo resist the haunting lure of this enchantress? Working from a script by Ugetsu's Yoshikata Yoda, original Shinobi director Satsuo Yamamoto brings this classic Japanese ghost tale to the screen with breathtaking stylistic beauty. His visualisation of the alluring female ghost prefigures A Chinese Ghost Story and greatly inspired the J-horror movement.

After wooing stewardess Yoriko (Chieko Matsubara, Tokyo Drifter), war photographer Hondo (Akira Kobayashi, Battles Without Honor and Humanity) sees her kidnapped by a team of deadly female assassins who use vinyl records as weapons. Investigating her whereabouts, Hondo uncovers a conspiracy to steal a buried stash of WWII-era gold. Soon he must dodge go-go dancing ninjas and chewing-gum bullets to save Yoriko, whose family secret is tied to the hidden treasure. Every bit as stylish and inventive as the wildest works by his mentor Seijun Suzuki, Yasuharu Hasebe's spy spoof is a gaudy 1960s pop delight that ranks with the likes of Joseph Losey's Modesty Blaise and Mario Bava's Danger: Diabolik!

A woman arrives in a sleepy seaside town after receiving unsettling letters from her father, only to discover the town is under the influence of a strange cult that weeps tears of blood and hunger for human flesh. From Willard Huyck and Gloria Katz, the writers of American Grafitti, Indiana Jones and the Temple of Doom and Howard the Duck, this dreamy and atmospheric film transposes the post-Night of the Living Dead zombie movie to a surreal small-town American setting, presented through gorgeous Techniscope visuals that echo the stylish European horror of Mario Bava and Hammer.

Spirits lurk everywhere in Ann (Boat People) Hui’s horror-comedy, Visible Secret. Instantly infatuated by enigmatic amnesiac June (Shu Qi, Millennium Mambo) who has the ability to see spirits, Peter is swept into a world where he has one foot in the past, one in the present, and somehow has to figure out which is which. Beautifully shot by legendary cinematographer Arthur Wong (The 36th Chamber of Shaolin, Iron Monkey), Visible Secret is a slick and sexy horror-comedy that reflects the region’s contemporary millennium-era moment in its vivid depiction of young people stranded in history, trying to get a handle on both the world around them and each other as they navigate life, love, identity and family.

Thomas (Marquard Bohm, Kings of the Road) gets a ride to Munich where he finds his ex-girlfriend Peggy (counter culture activist and model Uschi Obermaier) who takes him in. In her flat he finds Peggy and her roommates have a commune-like lifestyle where they kill the men in their lives after five days, but will Thomas realise in time? A pop fantasy focused on the post-’68 and women's liberation movements, Red Sun was compared to a comic strip by Wim Wenders and is a beautiful art-genre collision that is both brilliantly bizarre and provocative. Director Rudolf Thome was an emerging talent in the New German Cinema alongside Wenders, Fassbinder and Herzog, but received little international distribution and fell into obscurity despite a consistent career covering six decades. Radiance Films is proud to present Red Sun to English-speaking audiences for the first time in a restoration overseen by Thome. 1970.

Pasquale Squitieri (The Climber) directs this stunning period piece which won the David di Donatello award for best film and features spaghetti western icon Giuliano Gemma brilliantly playing against type as the titular hero. Based on the true story of the Iron Prefect, Cesare Mori, who was sent to Sicily for an Eliot Ness-in-The Untouchables style clean up of the mafia. Mori approaches organised crime on the island with uncompromising force even in the face of mass murders designed to scare him off. 1977.

A Moment of Romance is a classic of Hong Kong cinema that has been much imitated but rarely bettered. With a breakneck pace and violence reminiscent of To and Takashi Miike and the beautiful and emotive sensibility of Wong Kar-wai, the film features stunning performances from Andy Lau (Infernal Affairs), and Jacklyn Chien-Lien Wu in her debut work. Small-time hood Wah Dee (Lau) is enlisted by Triad boss Trumpet (Tommy Wong, The Killer) as a getaway driver for a daring heist that goes wrong. Thinking fast Dee takes Jo Jo (Wu) hostage to save his skin, but the bosses order her to be killed. They escape and begin a forbidden relationship while being chased by both sides of the law.

Featuring the iconic Meiko Kaji (Lady Snowblood), Yakuza Graveyard finds gritty action filmmaker Kinji Fukasaku (Battle Royale) at the peak of his powers. Things begin to spiral out of control for detective Kuroiwa (Tetsuya Watari, Graveyard of Honour) when he falls for the beautiful wife of the jailed boss of the Nishida gang. In a world where the line between police and organised crime is vague, he finds himself on the wrong side of a yakuza war when his superiors favour Nishida’s rivals, the Yamashiro gang.