An investigator goes after the people who are corrupting the nation's youth by spreading the weed of Satan - MARIJUANA!!!

Hercules searches for a mysterious phantom invader that is raiding villages in the desert for gold.

Three girls on a tour of the English countryside meet up with two young women who introduce them to the joys of life in a nudist camp.

Ignore the title. It's a great one alright, but Hollywood After Dark evokes images of movie stars, casting couches, and back-lot orgies which can be found in Starlet or The Masterpiece but not here. No, this one's about a loser in love with a stripper who gets involved with a deadly robbery. And though it ostensibly takes place on the fringes of Hollywood, except for a shot of the Hollywood sign, it could've been made in Anytown U.S.A. It's also another of director JOHN HAYES' brooding meditations on life pretending to be a sexploitation film. like its companion piece, The Rotten Apple (another Hayes! McClanahan collaboration), it can best be described as Existential Exploitation, and, like all of Hayes' films, aspires to be something smarter and more profound than just another "B'" Rue Mclanahan

In a series of vignettes, a pathetic man is abused by a bitter prostitute, a sculptor and her model try to suppress their longings for each other, and a lonely middle-aged man is caught by his wife in bed with another woman.

Four young women who were raped by street thugs toughen up, don leather jackets, and seek bloody vengeance on the vermin who assaulted them.

Bill Phillips, his wife, Tom Guardia and a group of adventurous land developers from the Pan American Highway Commission make their way through the unfriendly jungles of Central Panama (where white men not welcome.) Bill tries to gain the trust of the dangerous Cuna tribe, so he and Eve live amongst the natives and participate in their ritual ceremonies and drink jungle moonshine. Meanwhile Guardia and the others confront a hostile tribe of headhunting jungle women, are savagely tortured and sacrificed (this footage was added to the documentary style travelogue to liven things up a bit.) Needless to say, the Highway Commission finds an alternate route through the defiant jungle.

1950s Archival short subject “The Dance Of Tomorrow,” featuring a glimpse into the future of automobiles.

A teacher encounters danger and treachery when she travels to an Old West town to claim her father's gold mine.

Hercules is summoned to oppose the evil Queen Samara, who has allied herself with aliens and is sacrificing her own people in a bid to awaken a moon goddess.

This archival short subject about a robot that frees house wives from menial tasks was shown at the New York World's Fair in 1940.

With the help of a band of rebels, Goliath battles the cruel and demanding Babylonian king for the liberation of the people of Nephyr.

Europe’s communist countries produced the most interesting space films of the ’60s (judging from the “Americanized” Battle Beyond the Sun, Voyage to the End of the Universe, Voyage to the Prehistoric Planet, etc.) and First Spaceship on Venus has a gaudy grandeur that looks quite wonderful in 2.35:1 widescreen “Totalvision.” Typical of cheaply dubbed films, the dialogue is often hilariously goofy (“I’m landing. Here she goes!”) and most of the music are easily recognized cues from the Universal horror library of the ’50s.

Frisky frauleins entice their partners to drop their lederhosen and engage in all sorts of sexual shenanigans amid the beauty of Bavaria.

We love films about Good Girls going to Hell. We love the cheap-thrill appeal of seeing a Miss Goody-Twoshoes leave Small Town America for the Big Bad City and end up falling face-first in the gutter. So, of course, we love Night of Evil which (then big deal) syndicated columnist EARL WILSON introduces by claiming it’s “based on newspapers and court records. It is a true story. To protect the innocent, some of the names, places, and incidents have been changed.”

A light-skinned African American woman given away at birth by her mother struggles with her racial heritage and finding her place in the world.

A teenager named Kurrat mysteriously disappears from a German boys' school. Then a teacher is found dead; the mystery grows.

Two American GIs and the sole survivors of a battle on an isolated island must put aside their differences in order to evade the Japanese and survive.

Benevolent aliens from the planet Emerald send superhero Starman to protect Earth from invasion by an evil alien race called the Spherions.

An invisible alien wreaks havoc in Santa Monica after a crash landing and it isn't long before law enforcement and scientists are on its trail.

A sexy blonde leans over the shoulder of her cigar-smoking boss and purrs, “You’re such a smart guy. To me, you’re the big guy!” At which point the camera pulls back to reveal the boss is a dwarf sitting atop a table. Which is a nice way of opening any carny-noir, especially GIRL ON THE RUN, a hootchy-cootchy whodunit set entirely at a small seedy carnival where the life and death of the characters aren’t as important as periodically stopping the plot to watch a variety of carny girls stop and shake their stuff.