Two vice cops get entangled in a web of prostitution, blackmail and murder.

A young girl is being tried for murder. Her defense attorney attempts to show how her descent into a life of crime, prostitution and degradation was caused by her puritanical, religious fanatic mother.

Before he became known for distributing such drive-­in epics as I Drink Your Blood, I Eat Your Skin, and I Spit on Your Grave, JERRY GROSS directed two fascinating little quickies - Girl on A Chain Gang (’65) and Teenage Mother (’67) - that are textbook examples of classic old-school exploitation. In fact. shot­-on-Long-Island Teenage Mother seems to take its inspiration from a half dozen old roadshow films, updated for the Sixties, and even concludes with that oldest of exploitation standbys, authentic birth-of-a-­baby footage!

Though best known for the Mexican horror films he imported and dubbed into English, as well as numerous foreign children's films sold as"Kiddie Matinees" throughout the Sixties producer K. GORDON MURRAY also dabbled in American-made Southern-style exploitation such as Shanty Tramp (1966), Savages from Hell (1968), Thunder County (1974), and The Daredevil, the last starring role for Hollywood cowboy GEORGE MONTGOMERY. A crazed mix of racing, racism, and drug smuggling, THE DAREDEVIL; another portrait of The Redneck as an American icon with an attitude that's about midway between Thunder Road and Smokey and the Bandit, helped in no small amount by the casting of big George.

While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.

"Nurse, prepare Mrs. Bennett for... an insemination!!!" These words, darkly intoned by fertility specialist TIMOTHY FARRELL, set the stage for the shocking scene that follows.

While strongman Goliath is busy battling a fire-spewing three-headed doggie and a giant bat-monster in the "Cave of Horrors," his brother, lllus, has made the mistake of falling in love with the bride-to-be of evil King Eurystheus (played by Broderick Crawford, who walks around barking orders like a Hollywood gangster). Responsible for the death of Goliath’s parents, Eurystheus scores bonus points by capturing Illus and sentencing him to be crushed beneath the massive feet of a prisoner-squashing elephant. Worse, a centaur - half-man, half-horse - kidnaps Goliath’s wife and delivers her to the temperamental tyrant. Naturally, Goliath goes ballistic, flexes his muscles, and clobbers all the king’s men. But when his wife is shackled in the Horror Cave, Goliath must come face to face with Eurystheus’ pet dragon...

Europe’s communist countries produced the most interesting space films of the ’60s (judging from the “Americanized” Battle Beyond the Sun, Voyage to the End of the Universe, Voyage to the Prehistoric Planet, etc.) and First Spaceship on Venus has a gaudy grandeur that looks quite wonderful in 2.35:1 widescreen “Totalvision.” Typical of cheaply dubbed films, the dialogue is often hilariously goofy (“I’m landing. Here she goes!”) and most of the music are easily recognized cues from the Universal horror library of the ’50s.

Psycho stalks the streets of Greenwich Village, killing and scalping his victims.

In Manhattan, prostitutes are being murdered by a psycho. A detective is assigned to track him down and bring him in.

A stripper on a flight to Las Vegas has a stopover in a small Texas airport. She gets taken hostage by two Cuban gangsters on the run from the cops.

This film is a contemporary U.S. remake of "The Hands of Orlac". A famous pianist's hands are surgically replaced with the hands of a recently executed killer. Unable to play the piano, he goes crazy and seeks revenge on the doctors who performed the operation as well as the cabdriver, now blind, who caused the accident in which he lost his hands.

Tough college student Tod Palmer (Robert Sherman) patiently suffers increasingly severe hazing at the hands of sadistic Ky Walker (Russell Johnson) while pledging a fraternity at Wake College. Attempting to bring the ritual initiation abuses to the authorities' attention, Tod accidentally dies after fleeing from the angry fraternity brothers. Medical professor Dr. Stephen Brice (Paul Henreid) then tries to end the practice of hazing, determined to obtain justice for one of his best students.

A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up.

“Vivian and Dorothy Hamilton” are headliners in a small-time vaudeville company when Dorothy -- and only Dorothy -- falls for oily Lothario Andre (MARIO LAVAL) and decides to marry him despite her, uh, better half hating the guy so much that she shoots him to death.

A botanist and reporter on an expedition in the Himalayas stumble across a Yeti, which they capture and bring back to LA, where the creature escapes.

A psychiatrist tries to brainwash a patient into killing his wife.

A sensational expose of vice racketeers which blows the lid off the white slave racket (where women are called by number, not by name at the "call house"!) When a beautiful girl's husband can't afford the luxuries she desires, she sinks to the lowest levels to satisfy her materialistic needs!

Oh, who cares how much of this is really true or not. Ma Barker's Killer Brood is how things should have been. And after seeing this wild, hilarious, and consistently over-the-top B-movie bio-pic, it's damn near impossible to think of Ma Barker any other way than as played by everyone's favorite scenery-chewing little old lady, LURENE TUTTLE: "Shoot him, Herman! Shoot him!"