After word of an enemy’s powerful secret weapon leaks out, a group of soldiers is handpicked by Julius Caesar to destroy the machine at all costs.

Barton's mine foreman is receiving gold bullion from gangsters in the East, putting it through the mine's smelter, and then shipping it out. When Barton finds out, Murdocks men make him a prisoner. Arriving at the same time, Alamo hears the story of the Masked Phantom and then becomes that Phantom fighting Murdock and his men and attempting to find Barton.

The evil salamander men have poisoned Earth with a plague, and it is up to Starman to save mankind.

Italian mondo documentary about a varied group of women, from mothers and killers to executives and sex workers, in the global culture of the bizarre.

A star-studded cavalcade of burlesque. Clowning! Dancing! Teasing! 15 all time greats of the burlesque stage.

Shrewd, conniving goddess Stacey Kane (MEG MYLES) is a second-rate stripper in a third-rate carnival. Startled when she finds her junkie ex-husband lurking in her dressing room, Stacey promptly steals every cent he has and hops on a plane for New York. Great, gritty exploitation which packed a hell of a wallop in the more innocent days of 1962.

"The people you are about to meet may shock you. They may frighten you. But we hope that by this factual exposition, we can broaden your view toward this kind of individual." Yes, kiddies, there's nothing that says you've stepped off the polite path of mainstream filmmaking better than plunging headfirst into the cult quicksand of transvestite cinema. And She-Man ,a cross dressing mini-classick subtitled A Story of Fixation, proudly belongs in every gender-bending library alongside Glen or Glenda, The Christine Jorgensen Story, Dinah East, and Let Me Die a Woman. Woman.

1950s Archival short subject “The Dance Of Tomorrow,” featuring a glimpse into the future of automobiles.

Arriving in Hollywood, a motorcycling rock-'n-roller finds romance and a shot at the big time, but must contend with the schemes of a shady manager.

A rebellious punk (Jack Nicholson) of the beat generation spends his days as an amateur dirt track driver in between partying and troublemaking. He eventually kidnaps his buddy's girlfriend, kills a few police officers, and finally sees his own life end in tragedy.

A gang of teenage criminals vandalize a small community by stealing cars for parts, meanwhile an investigator is hot on their trail.

A psycho sex-fiend keeps his infantile girlfriend Vicky in submission with candy bars, toys and, yes, hot wax. But when they plan on killing a wealthy lesbian, Vicky discovers she likes a woman's touch and plans a nasty surprise for her boneheaded boyfriend.

While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.

During the golden age of the roadshow, no exploiteer returned to the drug theme more often that DWAIN ESPER. After the infamous short Sinister Menace and the feature-length Narcotic (both 1933), Esper and his screenwriter wife, HILDAGARDE STADIE, unleashed Marihuana, the first of the famous trilogy of anti-pot films of the 1930's which included Reefer and Assassin of Youth. Esper delivered on his promise to show "weird orgies, wild parties, and unleashed passions." "High spirited" Burma Roberts (HARLEY WOOD) is not only cursed with a dippy name, but a mother who doesn't pay her any attention. Since Mom is too busy making sure Burma's sister, Elaine, has her hooks into wealthy Morgan Stewart, Burma starts hanging with a fast crown. At a roadhouse where the debauchery includes balloon popping), she and her friends meet Tony Santello, the local pusher: "Where they're that age, they're not suspicious and easily hooked!" Tony invites the gang to his beach house where they drink, dance and sample his "giggle weed."" The shot of Burma taking her first puff of pot is alone enough reason to make Marihuana a must-see. But it's followed by one of the famous scenes in roadshow history: as a cackling Burma makes love to her boyfriend Dick, the girls peel out of the dresses and streak down the beach to skinny-dip in the surf, complete with shocking-for-its-time nudity!

Join some terrified teens spending a night in a haunted house and get spooked by a mad doctor and his ghoulish gang when the Monsters Crash The Pajama Party, a 1965 spook show theatrical featurette complete with Werewolf, Gorilla in a fur coat, and goofy gimmick! Beware, they might get you.

Featuring America’s ultimate pin-up goddess, Bettie Page! The Queen of the Curves teams up with fellow bump-and-grind legends, Lily St. Cyr, Tempest Storm, Chris LaChris, and Trudy Wayne, along with an assortment of bags-pants comics, for the holy grail of full-color girl flicks.

Sex, drugs, and a rubber monster mask in another Argentinean rarity from EMILIO VIEYRA, the director of The Curious Dr. Humpp! Then he plays his organ. Preying upon the "swingers" who frequent a local nightclub, Rubber Face lures babes with his own haunting theme song, turns them into love-slaves with heroin, and slobbers all over them while still wearing that stupid monster mask.

A stripper on a flight to Las Vegas has a stopover in a small Texas airport. She gets taken hostage by two Cuban gangsters on the run from the cops.

Oh, who cares how much of this is really true or not. Ma Barker's Killer Brood is how things should have been. And after seeing this wild, hilarious, and consistently over-the-top B-movie bio-pic, it's damn near impossible to think of Ma Barker any other way than as played by everyone's favorite scenery-chewing little old lady, LURENE TUTTLE: "Shoot him, Herman! Shoot him!"

Lovers of true grade-Z schlock either genuflect or run screaming at the mere mention of JERRY WARREN, the auteur of such cheapjack epics as Man Beast ('56), Terror of the Bloodhunters ('62), and The Wild Wild World of Batwoman ('66). (He also imported numerous Mexican films, recut them, added new scenes, and usually removed most of the dialogue so they wouldn't nee redubbing!) The Incredible Petrified World, Warren's second film, is a no-budget "Nightmare of Terror is the Center of the Earth!" - not!

In a series of vignettes, a pathetic man is abused by a bitter prostitute, a sculptor and her model try to suppress their longings for each other, and a lonely middle-aged man is caught by his wife in bed with another woman.