From director Frank Henenlotter (Frankenhooker, Brain Damage) and co-producer Mike Vraney (the late founder of Something Weird Video) comes the epic documentary critics call "fascinating" (Video Watchdog), "titillating" (Time Out Los Angeles) and "jaw-dropping" (Seattle Weekly): Henenlotter and legendary exploitation monarch David F. Friedman - in his final film appearance - are your hosts for this eye-popping expedition through the world of pre-code peekaboos, stags, sex-hygiene films, goona-goonas, nudie-cuties, roughies, druggies, white-coaters and more, featuring thousands of spicy, steamy and downright sleazy clips from the SWV archives.

Buxom skin-goddess Pat Barrington (Mantis in Lace) is just one of The Acid Eaters a bunch of 9-to-5 working stiffs who become drug-crazed bikers on the weekend! After Miss Barrington kills a galpal in a catfight and the deceased inexplicably returns as a girlfriend for wacky artist Artie, the group enters a pyramid made of giant LSD sugar cubes which is also the entrance to Hell where Artie suddenly turns into The Devil and everything explodes into one big Acid Orgy... Whoa! Easily the Sixties' most insane mix of sexploitation and psychedelia, David F. Friedman's The Acid Eaters is soooooo out there that even the strongest of minds may become unhinged.

Sex, drugs, and a rubber monster mask in another Argentinean rarity from EMILIO VIEYRA, the director of The Curious Dr. Humpp! Then he plays his organ. Preying upon the "swingers" who frequent a local nightclub, Rubber Face lures babes with his own haunting theme song, turns them into love-slaves with heroin, and slobbers all over them while still wearing that stupid monster mask.

A monstrous and evil brain from outer space leads his minions on a crusade to conquer the entirety of the universe, unleashing hideous monsters on Earth that spread deadly diseases.

Ring in the holidays with nostalgic Christmas-themed theatre intermissions, weird cartoons, creepy stop-motion animation, and, brace yourself, Liberace! These hand-picked classics from Something Weird Video are sure to delight, disturb and put you in the spirit of the season.

A man peeps at women. The women don't seem to mind.

During the golden age of the roadshow, no exploiteer returned to the drug theme more often that DWAIN ESPER. After the infamous short Sinister Menace and the feature-length Narcotic (both 1933), Esper and his screenwriter wife, HILDAGARDE STADIE, unleashed Marihuana, the first of the famous trilogy of anti-pot films of the 1930's which included Reefer and Assassin of Youth. Esper delivered on his promise to show "weird orgies, wild parties, and unleashed passions." "High spirited" Burma Roberts (HARLEY WOOD) is not only cursed with a dippy name, but a mother who doesn't pay her any attention. Since Mom is too busy making sure Burma's sister, Elaine, has her hooks into wealthy Morgan Stewart, Burma starts hanging with a fast crown. At a roadhouse where the debauchery includes balloon popping), she and her friends meet Tony Santello, the local pusher: "Where they're that age, they're not suspicious and easily hooked!" Tony invites the gang to his beach house where they drink, dance and sample his "giggle weed."" The shot of Burma taking her first puff of pot is alone enough reason to make Marihuana a must-see. But it's followed by one of the famous scenes in roadshow history: as a cackling Burma makes love to her boyfriend Dick, the girls peel out of the dresses and streak down the beach to skinny-dip in the surf, complete with shocking-for-its-time nudity!

In Alice in Acidland (1969), a wholesome college student succumbs to the temptations of marijuana and becomes a dope-crazed sexual omnivore until she hits rock bottom after taking the plunge into LSD.

A mondo type exploitation "documentary" about debauched practices of modern Man.

Pick-up artist Jerry Sloane is hired by mobster Ernie Pulaski to lure girls for his white slavery ring. Once Ernie gets his claws on them, the victims are turned over to mute Mama Lupo (she lost her tongue after tattling on some fellow schoolgirls), who tortures them in her dungeon and addicts them to heroin. Jerry unwisely falls for Ernie’s daughter, resulting in a particularly painful, if appropriate, vengeance.

The crazed brother of a condemned killer sent to the gas chamber swears vengeance on those he holds responsible for his brother's execution.

Two American GIs and the sole survivors of a battle on an isolated island must put aside their differences in order to evade the Japanese and survive.

A star-studded cavalcade of burlesque. Clowning! Dancing! Teasing! 15 all time greats of the burlesque stage.

Musician Richard Carlson is haunted by a ghostly girlfriend in director Bert I. Gordon's 72-Minute feature length Chiller-Diller from 1960.

If you're simply crazy about giant balloons, parades, floats, and marching bands, then Fun in Balloon Land is for you! Unintentionally campy, this amateur production will leave you shaking your head and asking yourself, Why, oh why?! Little Sonny falls asleep in mothers arms and dreams he's transported to a most mystical magical land Balloon Land! There he is greeted by gigantic helium-filled fairy tale characters and awkward kids who muddle through song and dance routines. After a rousing rendition of Ring Around The Rosy, Sonny comes out wearing a pair of gold lamé short-shorts (looking very much like a miniature go-go boy) and has an adventure at the bottom of the sea. The lad shakes hands with a giant octopus and meets some weirdees, including two mermaids, a fish who sounds like Paul Lynde, and a guy in a scary paper-maché lobster costume.

Reefer Madness is a 1936 American propaganda film revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness due to marijuana addiction. The film was directed by Louis Gasnier and featured a cast of mainly little-known actors.

Beatniks? What beatniks? Two-bit punks, a closet rock-&-roll star, and an out-of-his-mind psycho: yes. Beatniks: no. Though The Beatniks was probably a last-minute title change to replace a less exploitable moniker, it didn’t make much of a difference to the audiences of 1960. After all, to a world emerging from the Eisenhower era, bohemian artists and beat-generation poets were seen as little more than socially maladjusted misfits in the same category as junkies, Commies, and teenage hoodlums — or the petty-crime crackpots running loose in this fast, fun, and naively hilarious saga of an overage delinquent who becomes an overnight sensation.

Olga uses pot parties and comic-book violence to turn Gigi Darlene and other female captives before putting them to work as drug-addicted hookers.

A young girl is being tried for murder. Her defense attorney attempts to show how her descent into a life of crime, prostitution and degradation was caused by her puritanical, religious fanatic mother.

Barton's mine foreman is receiving gold bullion from gangsters in the East, putting it through the mine's smelter, and then shipping it out. When Barton finds out, Murdocks men make him a prisoner. Arriving at the same time, Alamo hears the story of the Masked Phantom and then becomes that Phantom fighting Murdock and his men and attempting to find Barton.

Featuring America’s ultimate pin-up goddess, Bettie Page! The Queen of the Curves teams up with fellow bump-and-grind legends, Lily St. Cyr, Tempest Storm, Chris LaChris, and Trudy Wayne, along with an assortment of bags-pants comics, for the holy grail of full-color girl flicks.