Commissioner Of Sewers combines interview and archival material, paintings, and clips of William S. Burroughs' film appearances (including "Decoder" and Gus Van Zant's "Drugstore Cowboy" and "Thanksgiving Prayer") with footage from Burroughs' last European reading in Berlin on May 9th, 1986 to create a witty and intriguing portrait of the man described by Norman Mailer as "the only American novelist living today who may conceivably be possessed by genius."

There were two TV Party Heavy Metal Shows: one taped at the Mudd Club, now lost, and this live studio sequel featuring a "Mock Penis Envy" backdrop by Jean-Michel Basquiat, and a guitar line up of Chris Stein, Lenny Ferrari, Patrick Geoffrois of the Contortions, plus Glenn, Basquiat, Snuky Tate and Walter Steding on guitar and vocals, and Bradley Field on electronic drums. As Glenn and Walter send up rock clichés and discuss the nature of electricity, the band churns out a harrowing electronic miasma. Highlights include an actual fight between Fab Five Freddy and Jean-Michel Basquiat over a guitar and Walter Steding destroying his "extra wide deluxe" guitar.

This DVD features footage from the lost recording session of In God We Trust Inc. and includes between song banter, outtakes and rescued multi-track recordings. Also features live performances of songs from the 12 inch EP spanning 1979-1986. Songs include: Hyperactive Child, Nazi Punks Fuck Off, Kepone Factory, Dogbite, Religious Vomit, We've Got a Bigger Problem Now, Rawhide and Moral Majority.

The incredible story of Crosby, Stills, Nash & Young, featuring exclusive interviews, rare performance footage and more. Alongside occasional collaborator Neil Young, Crosby, Stills and Nash refused to be labelled 'a band', describing themselves as a loose collective of musical friends free from the inhibiting confines of the music business. This is the story of CSNY's experiment. A journey of breakthroughs, breakdowns, break-ups and incredible music, somehow all from a group that apparently didn't exist.

"Tonight I shall meditate upon that which I am." The fury of Black Flag is captured in full in their performance at Bierkellar in Leeds, UK on May 19, 1984. Henry Rollins leads the band through Black Coffee, Rat's Eyes, My War and more in this raw and iconic performance, now streaming in our Punk Documentaries and Concerts section.

David Bowie - Under Review 1976 - 1979 The Berlin Trilogy features live and studio performances by Bowie, rare interviews and a host of other features all interspersed with the independent review and criticism from a panel of esteemed experts. These include; former members of both Neu! And Cluster (and key Bowie influences), Dieter Moebius and Michael Rother; broadcaster, journalist and ambient author, Mark Prendergast; author and Melody Maker/Mojo journalist, David Stubbs; Journalist and author Daryl Easlea; style aficionado, Paolo Hewitt and many others.

Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. This compilation also features performance footage from Buff Hall in Camden New Jersey and a 1980 performance at D.C. Space for Unheard Music Festival.

Documentarian Lech Kowalski, while visiting Krakow, met one of his film's fans, a Polish punk-rocker-turned-entrepreneur named Lukasz Siska. Instantly inspired, Kowalski followed Siska back to the Cockney Underground Boot Factory -- the aforementioned boot factory -- in order to look into the lives of people whose existences revolve around hard music, hard partying, and serious capitalism.

Halloween '79 - Glenn is dressed in a casual Dolly Parton lesbian look. With Chris Stein, Debbie Harry,Richard Sohl, Fab Five Freddy & more. This is TV Party at is most dense and abstract, filled with cross-talk, double entendre and obscure information.

TV Party's final season was broadcast live in color on Channel J, a public access "commercial station." TV Party tried to pay the extra expense of going to color by selling ads to downtown clubs and underground record companies. "Everything here is for sale," Glenn announces. Desperation is in the air. Glenn is missing a tooth and needs a haircut. The party is spunky but the cast is depleted and possibly drugged. The TV Party theme, music by Walter Steding and rap by Glenn O'Brien opens the show. The show features the TV Party Orchestra, with Lenny Ferrari and guitarist Karen Geniece joined by Charles Rocket on heavy metal accordion, played through a stack of Marshall amps and an array of guitar pedals. Rocket had just been fired from Saturday Night Live for saying "fuck" live on air, and his performance of "Wild Thing" is a triumph of post-modern drollness. He actually gets screaming feedback out of his squeezebox. Jeffrey Lee Pierce of Gun Club shows up with a broken guitar, but borrows one and does a soulful Robert Johnson country blues. The half Japanese New York band Eel Dogs plays. Lothar Manteuffel, one of Germany's top new wavers, ends the show jamming with Rocket on one of the latter's compositions "Why Can't I Get Laid." Who knows what he's singing in German.

This program features Lech Kowalski's 2003 documentary feature about the life and times of Ramones bassist and all-star burn out, Dee Dee Ramone (1952-2002). Dee Dee's life is a fascinating character study of a punk rock legend who never grew up. Listen to Dee Dee's account with director Lech Kowalski, to discuss Johnny Thunders for the film 'Born to Lose.' Relive the battlefield history of rock and roll through the memories of this ordinary, yet extraordinary guy from Queens whose songs distilled frustration, humor, and pleasure, into the energetic melodies that made the Ramones a worldwide influence.

The official fully-authorized feature documentary on the life and music of Chuck Berry, the absolute instigator of Rock and Roll, directed by Jon Brewer. Chuck Berry was a prolific craftsman of word and chords; an undisputed and stunning combination of talent and charisma. Award-winning Film maker Jon Brewer (BB King The Life of Riley, Nat King Cole: Afraid of the Dark), lends new insight to the man known as the Father of Rock n Roll in interviews, exclusive footage of Chuck Berry, and more. Aside from the gift of Chuck Berry's music and vision to Americana and indeed Rock N Roll (then an undiscovered genre) he had an immensely mis-understood story. This documentary film gives viewers the opportunity to appreciate the vast catalogue of music alongside inside accounts from his family and contemporaries.

Cult director Bill Zebub wanted to prove a documentary about black metal could still be entertaining without using sensationalism. You get to see most artists express themselves candidly, while of course some people embarrass themselves with their facades. Featuring interviews with Mayhem, Venom and many more!

February 17, 1981. Reagan was the new President. Iran had just released its American hostages, and Israel and the PLO had rejected Egypt's peace plan. It was a grim moment and TV Party decided to do something about it. The TV Party Orchestra, featuring Chris Stein, Lenny Ferrari on flute, sorcerer Patrick Geoffrois slide guitar and Walter Steding, performed punk medieval music.

Velvet Underground - Under Review is a 75 minute film reviewing the music and career of one of rock music's most influential collectives; a band which esteemed music journalist Lester Bangs claims 'started modern music'. It features rare musical performances never available before as well as obscure footage, rare interviews and private photographs of and with Lou Reed, Andy Warhol, Sterling Morrison and John Cale. The film also features; rarely seen promo films; material from Andy Warhol's private film collection; interviews with colleagues, producers, musicians and friends; TV clips; location shots and a host of other features.

"Silence is the most powerful instrument I have. Spirit is everything, and technique is always secondary." Mark Hollis, Talk Talk Thirty years after the release of Talk Talk's fourth album Spirit of Eden, Gwenaël Breës, a Belgian journalist and longtime admirer of the 1980s British art-rock band, found himself crisscrossing the UK in an attempt to unravel the mystery surrounding the record. The challenge was huge. For years until his death in 2019, Talk Talk's lead singer Mark Hollis had declined all interview requests, with the rest of the band following suit, and refusing to allow their music to be used on film. Armed with little more than determination and a boom mic, Breës willingly attempted the impossible - to make a film about a band that did not want to be filmed, and recount the story of the making of a mysteriously timeless album without playing any of its music. A filmic journey full of detours, diversions and discoveries, and a quest with silence as a horizon line and punk as a philosophy, In A Silent Way is a film that contends that, despite all obstacles, music is accessible to all and the human spirit is above technique.

Punk's Not Dead is more than just a tribute documentary. It takes you on an era-by-era journey that puts punk rock's non-conformist reputation under the knife. Officially sanctioned by the bands in the film who donated personal photos, fliers and home videos, Punk's Not Dead follows the evolution of punk music from its anarchic roots, to its use as a corporate marketing tool and acceptance into popular culture, to its reinvention in today's underground scene. It features such bands as The Adicts, Bad Religion, Black Flag, The Damned, The God Awfuls, Good Charlotte, Green Day, Minor Threat, NOFX, The Offspring, Pennywise, The Ramones, Rancid, Social Distortion, Stiff Little Fingers, The Subhumans, Sum 41, UK Subs, The Used, and many, many more

Johnny Thunders & the Heartbreakers' classic 1977 'L.A.M.F.' album performed by members of Blondie, MC5 & Replacements. The sole surviving Heartbreaker Walter Lure is joined by Blondie's Clem Burke, The Replacements' Tommy Stinson and MC5's Wayne Kramer. Captured live at the Bowery in 2016. Includes guests including Dead Boys' Cheetah Chrome. The DVD includes bonus interviews with all four band-members, plus guest Jesse Malin (D-Generation). This live DVD follows on from the remastered, 40th anniversary edition of 'L.A.M.F.' and the reissue of an extended 4CD box set (and triple-vinyl) of the albums many mixes and demos. The release coincides with Walter taking his 'L.A.M.F.' show on out the road again - this time with the Sex Pistols' bassist Glen Matlock, Social Distortion's Mike Ness on guitar & vocals, and again Blondie's Clem Burke.

Director Robert Mugge, having recently made the film DEEP BLUES (1991) about the blues traditions of Mississippi, decided to follow up with a tribute to Alligator and its roster of top contemporary blues artists from Chicago and elsewhere. The resulting film, PRIDE AND JOY: THE STORY OF ALLIGATOR RECORDS, presents musical highlights from one of the 4-plus-hour concerts (March 12th at Philadelphia's Chestnut Cabaret) that made up the tour, glimpses of Alligator's Chicago offices, and profiles of key performers and staff members. The "pride and joy" on display are not only that of fine musical artists plying their trades, but also that of a passionate and highly principled entrepreneur succeeding in a business mostly controlled by corporate giants and littered with the wreckage of countless small, independent labels.