A two hour documentary film tracing the roots and history of this iconic musical legend. It features rare live and studio performances of Beefheart, interspersed with contributions from virtually all members of The Magic Band along with a panel of esteemed experts. The film also features rarely seen promo films, interview footage with Beefheart, TV clips, location shots and a host of other features.

"In January of '96, we closed Sundance Film Festival. We wore 20s style prison suits and dished out classic DEVO songs to an unsuspecting audience of Hollywood elite," Devo's Jerry Casale tells us of this raw concert bonus disc included with the Men Who Make The Music reissue. Watch the full concert tonight on Night Flight Plus!

"From a stage super-heated by over-the-top, rock 'n roll cliche lighting, DEVO faced a sea of Asian Gen X'ers in a 100 degree plus fahrenheit venue in the bowels of Tokyo, Japan. The crowd was swathed in bootlegged energy domes and DEVO T's, mouthing the lyrics to songs we wrote when most of them were loading their diapers with UNi-colored poo. Maybe it was a "Beautiful World" after all!" - Gerry Casale. Track list: That's Good, Girl U Want, Whip It, Satisfaction, Uncontrollable Urge, Mongoloid, Blockhead, Jocko Homo, Smart Patrol/Mr. DNA, Gut Feeling/Slap Yer Mammy, Gates Of Steel, Freedom Of Choice, Come Back Jonee

There were two TV Party Heavy Metal Shows: one taped at the Mudd Club, now lost, and this live studio sequel featuring a "Mock Penis Envy" backdrop by Jean-Michel Basquiat, and a guitar line up of Chris Stein, Lenny Ferrari, Patrick Geoffrois of the Contortions, plus Glenn, Basquiat, Snuky Tate and Walter Steding on guitar and vocals, and Bradley Field on electronic drums. As Glenn and Walter send up rock clichés and discuss the nature of electricity, the band churns out a harrowing electronic miasma. Highlights include an actual fight between Fab Five Freddy and Jean-Michel Basquiat over a guitar and Walter Steding destroying his "extra wide deluxe" guitar.

Ten years in the making, KISS Loves You is a film that began back in 1994 when the band KISS was at a career low and KISS fans around the world were starting tribute bands, uniting at unofficial KISS Conventions and growing increasingly more nostalgic for the 70's era classic KISS line-up. The zeitgeist exhibited at these conventions was not lost on the band and in 1996 they responded, rising up like a grease painted phoenix into a new era of success. On the surface, KISS fans got exactly what they longed for, but for some the return of their idols brought unexpected consequences. KISS Loves You follows a few KISS fans along the way.

TV Party's final season was broadcast live in color on Channel J, a public access "commercial station." TV Party tried to pay the extra expense of going to color by selling ads to downtown clubs and underground record companies. "Everything here is for sale," Glenn announces. Desperation is in the air. Glenn is missing a tooth and needs a haircut. The party is spunky but the cast is depleted and possibly drugged. The TV Party theme, music by Walter Steding and rap by Glenn O'Brien opens the show. The show features the TV Party Orchestra, with Lenny Ferrari and guitarist Karen Geniece joined by Charles Rocket on heavy metal accordion, played through a stack of Marshall amps and an array of guitar pedals. Rocket had just been fired from Saturday Night Live for saying "fuck" live on air, and his performance of "Wild Thing" is a triumph of post-modern drollness. He actually gets screaming feedback out of his squeezebox. Jeffrey Lee Pierce of Gun Club shows up with a broken guitar, but borrows one and does a soulful Robert Johnson country blues. The half Japanese New York band Eel Dogs plays. Lothar Manteuffel, one of Germany's top new wavers, ends the show jamming with Rocket on one of the latter's compositions "Why Can't I Get Laid." Who knows what he's singing in German.

The first 10% of this show sums up what we don't get on TV anymore. Technical difficulties. TV Party was live and improvised, and this meant casual disaster. This early episode gets off to an artistically agonizing start--the sound person is late, overdosing on drugs or both. Or it was the broken down equipment. Once the sound kicks in the show gets lively. Compton Maddux, a droll singer songwriter, is backed up by Debbie Harry and Glenn; the unique futurist countertenor Klaus Nomi does one of his post-modern arias; Adny Shernoff, of the Dictators, plays the Beach Boys' "Be True to Your School" backed up by pom pom girls Tish and Snooky, the Manic Panic designers. Downtown legend director Eric Mitchell announces the opening of the now famous New Cinema theater and shows a clip from his film "Kidnapped" with Arto Lindsay, Duncan Smith and Anya Phillips. Brit director David Silver and photographer Kate Simon do the "white people talk about reggae" segment. Blondie's Chris Stein and Debbie Harry and the Patti Smith Group's Richard Sohl drop in to smoke a reefer and take calls from all the crazies in cable land. Chris explains all this isn't chaos, it's art.

Maligned by the rock and pop industries, country music nonetheless command a place in the history of popular music. From the settlement of the west to the powerhouse of Nashville, this episode explores its deep and compelling history.

No musical group has had as profound an impact on pop music as The Beatles. Tony Palmer's groundbreaking documentary gives us an intimate look at one of the most influential groups in musical history.

Lenny's heroes. Although it can be difficult to detect the influences in the work of Leonard Cohen, he was informed by a far-reaching list of musicians, writers, poets and philosophies. In Lonesome Heroes, the scope and detail of his artistic inspirations are put under the microscope. It is no surprise to find Bob Dylan and Judy Collins included; he was deeply affected by performers such as Hank Williams.

A long lost live concert performance from The Heartbreakers explosive 1984 reunion world tour that included fellow Dolls Sylvain Sylvain & Jerry Nolan plus Billy Rath! Filmed for TV broadcast at La Edad De Oro in Madrid, Spain, this concert captures powerful performances of songs from throughout Thunders's amazing career including "Personality Crisis," "Too Much Junkie Business," "Born Too Lose"

"God gave me this rock career to keep me busy. Back in 1991 I used to hit old people with folding chairs. Suddenly, I moved to the north side of Chicago, Illinois in 1992. It made a rock star out of me at last. I'm the daddy of rock 'n' roll! I'm Wesley Willis, I'm 36 years old. I play music and do art. I have schizophrenia. I have chronic schizophrenia. Roger Lee Carpenter asked me for $600. He told me that if I don't give him $600, he was going to blow my brains out. That's when I started hearing demons. I have three demons: Nervewrecker, Heartbreaker, and Meansucker....I yell, I scream, I holler at people on buses"

In the feature documentary, Summer '82 - When Zappa Came to Sicily, filmmaker and Zappa fan Salvo Cuccia tells the behind-the-scenes story of Frank Zappa's star-crossed concert in Palermo, Sicily, the wrap-up to a European tour that ended in public disturbances and police intervention. Cuccia had a ticket to the concert but never made it. Thirty years later, collaborating with Zappa's family, he re-creates the events through a combination of rare concert and backstage footage; photographs; anecdotes from family, band members, and concertgoers; and insights from Zappa biographer and friend Massimo Bassoli. The story is also a personal one, as Cuccia interweaves the story of Zappa's trip to Sicily with his own memories from that summer. The film looks at the rise and heyday of Frank Zappa's career as an innovative composer and libertarian provocateur, and includes tales of the relationship of a busy father with his children. While in Sicily for the concert, Zappa visited Partinico, the birthplace of his father and grandfather; and in the film's warm and loving coda, three of Zappa's children, Dweezil, Moon Diva and his wife Gail, return to meet their relatives there for the first time.

David Bowie, Kiss, Elton John - with these musical giants came a transformation of rock and roll. Slick costumes, garish theatricality, and extensively produced sounds contrast the raw sounds that had previously dominated the airwaves. Is glitter rock a sign of the death of rock and roll?

"A soul-warming, patriotic-psychedelic tribute to America featuring animated baseballs and hot dogs!" -Tim Leary. Created by Vince Collins for the U. S. International Communication Agency (formerly know as the Information Agency) grant project - an attempt to liven up the otherwise banal and uneventful Bicentennial celebration. Restored by Mark Toscano at the Academy® Film Archive. NOTE: This video contains flashing images. Viewer discretion is advised.

Animated by Vince Collins. Restored by Mark Toscano at the Academy® Film Archive. NOTE: This video contains flashing images. Viewer discretion is advised.

A star-driven spiraling machine of hallucinatory wonder. Animated by Vince Collins. Restored by Mark Toscano at the Academy® Film Archive. NOTE: This video contains flashing images. Viewer discretion is advised.

Featuring in-concert performances, conceptual video clips and animation woven together in a fabulous album highlighting Eurythmics’ international smash hits Sweet Dreams (Are Made Of This), Love Is A Stranger and other songs from their album of the same name.

Halloween '79 - Glenn is dressed in a casual Dolly Parton lesbian look. With Chris Stein, Debbie Harry,Richard Sohl, Fab Five Freddy & more. This is TV Party at is most dense and abstract, filled with cross-talk, double entendre and obscure information.

Devo, captured live in Oakland, performing early experimental tracks written between 1974 and 1977, prior to any label deal or public success. No matter how messy, beginnings are exciting. Especially when what happens next endures the test of time. For Devo, the beginning happened in the basements and garages of Akron, Ohio. The songs they wrote were raw and unfiltered with no commercial intent. They called it Hardcore Devo. Performing 21 oddities, this is a tribute to departed, original Devo bandmate, Robert "Bob 2" Casale. Filmed live on June 28, 2014 at the Fox Theater in Oakland, California.

In the early 1980's, a small group of dedicated Bay Area headbangers shunned the hard rock of MTV and Hollywood hairspray bands in favor of a more dangerous brand of metal that became known as thrash! From the tape trading network to the clubs to the record stores and fanzines, director Adam Dubin reveals how the scene nurtured the music and the music spawned a movement. Murder In The Front Row is told through powerful first person testimony and stunning animation and photography. The film is a social study of a group of young people defying the odds and building something essential for themselves. Featuring interviews with Metallica, Megadeth, Slayer, Anthrax, Exodus, Testament, Death Angel, Possessed and many more! Narrated by Brian Posehn.

"Silence is the most powerful instrument I have. Spirit is everything, and technique is always secondary." Mark Hollis, Talk Talk Thirty years after the release of Talk Talk's fourth album Spirit of Eden, Gwenaël Breës, a Belgian journalist and longtime admirer of the 1980s British art-rock band, found himself crisscrossing the UK in an attempt to unravel the mystery surrounding the record. The challenge was huge. For years until his death in 2019, Talk Talk's lead singer Mark Hollis had declined all interview requests, with the rest of the band following suit, and refusing to allow their music to be used on film. Armed with little more than determination and a boom mic, Breës willingly attempted the impossible - to make a film about a band that did not want to be filmed, and recount the story of the making of a mysteriously timeless album without playing any of its music. A filmic journey full of detours, diversions and discoveries, and a quest with silence as a horizon line and punk as a philosophy, In A Silent Way is a film that contends that, despite all obstacles, music is accessible to all and the human spirit is above technique.

A two hour documentary film tracing the roots and history of this iconic musical legend. It features rare live and studio performances of Beefheart, interspersed with contributions from virtually all members of The Magic Band along with a panel of esteemed experts. The film also features rarely seen promo films, interview footage with Beefheart, TV clips, location shots and a host of other features.

Since bursting out of Seattle with 1991's multi-platinum selling 'Ten', Pearl Jam have become one of the finest rock bands in the world today. Eddie Vedder & Co. set about reconstructing their sound while campaigning against the more unjust aspects of the music industry. After 20 years Pearl Jam refuse to rest on their laurels, constantly exploring new musical directions while remaining as fiercely loyal to their fans as ever. Interviews with the band, contributions from their closest allies and from the finest rock writers, rare and classic performance footage, and many other features make this the finest documentary in existence on this most iconic of rock acts.

"God gave me this rock career to keep me busy. Back in 1991 I used to hit old people with folding chairs. Suddenly, I moved to the north side of Chicago, Illinois in 1992. It made a rock star out of me at last. I'm the daddy of rock 'n' roll! I'm Wesley Willis, I'm 36 years old. I play music and do art. I have schizophrenia. I have chronic schizophrenia. Roger Lee Carpenter asked me for $600. He told me that if I don't give him $600, he was going to blow my brains out. That's when I started hearing demons. I have three demons: Nervewrecker, Heartbreaker, and Meansucker....I yell, I scream, I holler at people on buses"

The Small Faces Under Review features rare live and studio performances by this hugely influential band, interspersed with the independent review and criticism of a panel of esteemed experts. These include; Steve Marriot biographer, Paolo Hewitt; Melody Maker features editor Chris Welch; Small Faces biographer, John Hellier; 1960s NME editor Keith Altham and many, many more. The film also includes rarely seen promo films, interview footage with the band members, TV clips and a host of other features making it not just the only full length Small Faces DVD on the market, but also an inspiring, revelatory and downright entertaining look at a truly exceptional band.