The rare Wendy O. Williams/Plasmatics live footage in this DVD has, in the main, never been released before. During the early years Plasmatics creator Rod Swenson, who directed and shot all the Wendy O./Plasmatics conceptual videos (AKA known for his footage of the Ramones, Dead Boys, Blondie, and Motorhead among others) shot numerous Plasmatics shows the footage from which was never edited or released. Except for some short excerpts most of it until the discovery of this footage was thought to be lost or degraded (shot on tape which has been shown as with audio tape to degrade over time). Recently during the moving of WOW/Plasmatics archive material the footage here was found unlabeled in buried boxes. While much had degraded, Producer/Director Randy Shooter was able to discover, relabel, and with additional editing and restoration, salvage the rare and remarkable footage in this DVD. A lot of it is raw (and much of the audio is the audio from ambient video deck mics, noise and all) but the energy and power is there straight through. The material includes two tracks from CBGB the first of which was among the first Plasmatics shows ever as well as other footage from benchmark shows. A bonus track (Monkey Suit) features footage shot by Swenson when he was shooting the iconic album cover for New Hope for the Wretched, but never released.

Director Robert Mugge, having recently made the film DEEP BLUES (1991) about the blues traditions of Mississippi, decided to follow up with a tribute to Alligator and its roster of top contemporary blues artists from Chicago and elsewhere. The resulting film, PRIDE AND JOY: THE STORY OF ALLIGATOR RECORDS, presents musical highlights from one of the 4-plus-hour concerts (March 12th at Philadelphia's Chestnut Cabaret) that made up the tour, glimpses of Alligator's Chicago offices, and profiles of key performers and staff members. The "pride and joy" on display are not only that of fine musical artists plying their trades, but also that of a passionate and highly principled entrepreneur succeeding in a business mostly controlled by corporate giants and littered with the wreckage of countless small, independent labels.

Over the last fourteen years, Plan-it X Records helped foster a huge cultural revolution -- uniting geographically divided DIY punk communities under one umbrella. With a united ethic and common goals, this scene has grown to a critical mass while some bands flirted with mainstream success and others choose to remain firmly rooted in the basement punk scene. This original documentary climaxes in the 2006 Festival where punks from all over the world met up in Bloomington, IN for a week of music and skillsharing. Original footage of This Bike is a Pipe Bomb, Japanther, Defiance, Ohio, Ghost Mice, One Reason, Operation: Cliff Clavin, Soophie Nun Squad, and more!

a-ha -The Movie follows the band over their entire career, telling the full story of how three young men followed their impossible dream of becoming worldwide pop stars and what happened after that. a-ha still creates magic on stage with their melancholic and timeless music. They tour the world but drive in separate cars and stay apart backstage. They only meet on stage, while doing the one thing they love. The film closely portrays the challenging creative and personal dynamics of a group of three strong individuals. A story of great music, big ambitions, broken friendship - and maybe forgiveness.

An in-depth study and review of THRASH music featuring performance footage of all the pivotal bands plus interviews with Metallica, Megadeth and many others. In the early 1980s, Lars Ulrich was taken by the New Wave of British Heavy Metal, that he came to England to track down obscure records, take them home, listen to them and helped come up with a genre of their own: Thrash Metal. This film is a study and review of the genre and with the aid of those who were there at the time, presents both the story of this fascinating musical journey.

Current and former members of King Crimson reunite in Tokyo for this memorable 2002 concert featuring stellar performances of classic King Crimson.

From those early days as a bedroom dwelling New York Dolls fanatic writing to the NME on a regular basis, through the heady Smiths era when he barely put a foot wrong, and across his often quite staggering solo career to culminate at his position today as elder statesman of the indie generation. The program includes rare and classic footage, musical performances of the Smiths and Morrissey, exclusive and archive interviews, and lengthy contributions from the likes of; producers Stephen Street, John Porter, and more.

'Roots Rock Reggae' depicts an unforgettable moment in Jamaica's history when music defined the island's struggles and immortalized its heroes. Director Jeremy Marre films Bob Marley and the Wailers, and Lee 'Scratch' Perry record in his legendary Black Ark studio with The Upsetters. Jimmy Cliff rehearses with Sly and Robbie, while Inner Circle's historic live gig is recorded on the violent Kingston streets. 1977: An extraordinary year for Reggae music.

The incredible story of Crosby, Stills, Nash & Young, featuring exclusive interviews, rare performance footage and more. Alongside occasional collaborator Neil Young, Crosby, Stills and Nash refused to be labelled 'a band', describing themselves as a loose collective of musical friends free from the inhibiting confines of the music business. This is the story of CSNY's experiment. A journey of breakthroughs, breakdowns, break-ups and incredible music, somehow all from a group that apparently didn't exist.

Until The Light Takes Us tells the story of black metal. Part music scene and part cultural uprising, black metal rose to worldwide notoriety in the mid-nineties when a rash of suicides, murders, and church burnings accompanied the explosive artistic growth and output of a music scene that would forever redefine what heavy metal is and what it stands for to other musicians, artists and music fans world-wide. Until The Light Takes Us goes behind the highly sensationalized media reports of "Satanists running amok in Europe" to examine the complex and largely misunderstood principles and beliefs that led to this rebellion against both Christianity and modern culture. To capture this on film, directors Aaron Aites and Audrey Ewell moved to Norway and lived with the musicians for several years, building relationships that allowed them to create a surprisingly intimate portrait of this violent, but ultimately misunderstood, movement. The result is a poignant, moving story that's as much about the idea that reality is composed of whatever the most people believe, regardless of what's actually true, as it is about a music scene that blazed a path of murder and arson across the northern sky.

Born on February 6th, 1945, in Saint Ann Parish, Jamaica, Robert Nesta Marley brought the reggae music sound to the world and dedicated his life to global freedom. With over 75 million albums sold worldwide, Bob Marley remains one of history's top-selling artists. In this new documentary arrival, we delve into Marley's revolutionary ideals through 60 minutes of rarely seen interviews.

"Silence is the most powerful instrument I have. Spirit is everything, and technique is always secondary." Mark Hollis, Talk Talk Thirty years after the release of Talk Talk's fourth album Spirit of Eden, Gwenaël Breës, a Belgian journalist and longtime admirer of the 1980s British art-rock band, found himself crisscrossing the UK in an attempt to unravel the mystery surrounding the record. The challenge was huge. For years until his death in 2019, Talk Talk's lead singer Mark Hollis had declined all interview requests, with the rest of the band following suit, and refusing to allow their music to be used on film. Armed with little more than determination and a boom mic, Breës willingly attempted the impossible - to make a film about a band that did not want to be filmed, and recount the story of the making of a mysteriously timeless album without playing any of its music. A filmic journey full of detours, diversions and discoveries, and a quest with silence as a horizon line and punk as a philosophy, In A Silent Way is a film that contends that, despite all obstacles, music is accessible to all and the human spirit is above technique.

An 80 minute documentary film which looks at this extraordinary musician and performer's music from 1983 through 2006. After Waits' marriage to Katherine Brennan in 1980, his music became more experimental, through album after album during the 1980s, the 1990s and the 2000s, Waits stunned his audience time and again. This program looks again at these records, and the man who made them.

The Who - Under Review 1964-1968 features rare live and studio performances of the band interspersed with the independent review and criticism of a panel of esteemed experts. These include; The Who's early producer Shel Talmy, journalist and author Paolo Hewitt, Keith Moon biographer Alan Clayson, ex Melody Maker journalist and early champion of The Who Chris Welch, Classic Rock Magazine writer Malcolm Dome and a host of other expert contributors. Features rare performances of Im The Face, I Cant Explain, Anyway, Anyhow, Anywhere, My Generation, The Kids Are Alright, Substitute, Im A Boy, Happy Jack, Pictures Of Lily, I Can See For Miles, and many others.

With music performances by Beck, Beth Orton, Hank Williams III, Union 13, and Billy Higgins, plus cameos from Laura Prepon, Ione Sky and Elliott Smith, Southlander is a comically uncanny Rock and Roll party adventure. Chance (Rory Cochrane), a hapless LA Musician, has found his ticket to fame, fortune and romance with the coveted keyboard, the '69 Moletron, which got him the gig and the girl (Beth Orton). But now the Moletron is missing, and Chance must reclaim it by working his way through The Southlander, the ultimate buy/sell classified paper for musicians in Southern California.

Although Bruce Springsteen's huge body of work has had its highs and its not so highs, there is one distinct period within his career that remains, almost inarguably, his most creative, consistent, and satisfying. We talk of course of the trilogy of albums he released between 1978 and 1982, comprising Darkness On The Edge Of Town, The River and Nebraska. Across these records Bruce's storytelling was up there with Steinbeck's, his songs ranked with Dylan's best and the live shows were as exciting as anything James Brown had ever delivered. This documentary film looks again at these albums, and the shows he performed around them, and charts Springsteen's journey through this dark but glorious period. FEATURES INCLUDE Historical musical performances, reassessed by a panel of esteemed experts and obscure footage, rare interviews (with Springsteen and with others) and seldom seen photographs

David Bowie - Under Review 1976 - 1979 The Berlin Trilogy features live and studio performances by Bowie, rare interviews and a host of other features all interspersed with the independent review and criticism from a panel of esteemed experts. These include; former members of both Neu! And Cluster (and key Bowie influences), Dieter Moebius and Michael Rother; broadcaster, journalist and ambient author, Mark Prendergast; author and Melody Maker/Mojo journalist, David Stubbs; Journalist and author Daryl Easlea; style aficionado, Paolo Hewitt and many others.

The first 10% of this show sums up what we don't get on TV anymore. Technical difficulties. TV Party was live and improvised, and this meant casual disaster. This early episode gets off to an artistically agonizing start--the sound person is late, overdosing on drugs or both. Or it was the broken down equipment. Once the sound kicks in the show gets lively. Compton Maddux, a droll singer songwriter, is backed up by Debbie Harry and Glenn; the unique futurist countertenor Klaus Nomi does one of his post-modern arias; Adny Shernoff, of the Dictators, plays the Beach Boys' "Be True to Your School" backed up by pom pom girls Tish and Snooky, the Manic Panic designers. Downtown legend director Eric Mitchell announces the opening of the now famous New Cinema theater and shows a clip from his film "Kidnapped" with Arto Lindsay, Duncan Smith and Anya Phillips. Brit director David Silver and photographer Kate Simon do the "white people talk about reggae" segment. Blondie's Chris Stein and Debbie Harry and the Patti Smith Group's Richard Sohl drop in to smoke a reefer and take calls from all the crazies in cable land. Chris explains all this isn't chaos, it's art.