The son of a murdered truck driver starts driving his own 18-wheeler to infiltrate the world of suspects who may have committed the crime.

A French nudist (Patricia Conelle) must fight for custody of her daughter after her husband (Don Roberts) caves in to his mother's demands and files for divorce.

This archival short subject about a robot that frees house wives from menial tasks was shown at the New York World's Fair in 1940.

Peter Falk's first film! And not a bad one at that. The whole opening scene features free-form prose set to a bongo beat -- then long-gone Nico (Falk) gets hungry for kicks and kills some kid by feeding him a hamburger filled with ground glass. And the plot takes off from there. The ads said "A Motion Picture That Peels Off the Dirty Sweaters Covering the Raw Emotions of Youth!" It's a bongo-blastin', beat generation bloodbath.

“Vivian and Dorothy Hamilton” are headliners in a small-time vaudeville company when Dorothy -- and only Dorothy -- falls for oily Lothario Andre (MARIO LAVAL) and decides to marry him despite her, uh, better half hating the guy so much that she shoots him to death.

A crime wave grips a city and all clues seem to lead to the nefarious Dr. Mabuse.

A planet from another solar system approaches Earth and disrupts its gravitational fields. While various governments organize armed expeditions, a lone scientist studies seeks a solution.

Hitchhiking con men pose as Hollywood actors in order to help a young woman win a small town beauty contest.

A spy discovers that the Chinese government has created a doomsday device (the "key" to which, "only Chairman Mao has") capable of destroying the Earth and it will be activated in 72 hours.

Buxom skin-goddess Pat Barrington (Mantis in Lace) is just one of The Acid Eaters a bunch of 9-to-5 working stiffs who become drug-crazed bikers on the weekend! After Miss Barrington kills a galpal in a catfight and the deceased inexplicably returns as a girlfriend for wacky artist Artie, the group enters a pyramid made of giant LSD sugar cubes which is also the entrance to Hell where Artie suddenly turns into The Devil and everything explodes into one big Acid Orgy... Whoa! Easily the Sixties' most insane mix of sexploitation and psychedelia, David F. Friedman's The Acid Eaters is soooooo out there that even the strongest of minds may become unhinged.

Beatniks? What beatniks? Two-bit punks, a closet rock-&-roll star, and an out-of-his-mind psycho: yes. Beatniks: no. Though The Beatniks was probably a last-minute title change to replace a less exploitable moniker, it didn’t make much of a difference to the audiences of 1960. After all, to a world emerging from the Eisenhower era, bohemian artists and beat-generation poets were seen as little more than socially maladjusted misfits in the same category as junkies, Commies, and teenage hoodlums — or the petty-crime crackpots running loose in this fast, fun, and naively hilarious saga of an overage delinquent who becomes an overnight sensation.

A crazed scientist invents a serum that induces a catatonic state in anyone who gets the injection. He uses the serum to paralyze his enemies, so he can bury them alive.

A wealthy rancher in a small Southern town owns everything--including the local wives, who he samples on a regular basis. However, when he discovers that his own wife is playing around with his horse trainer, things get out of hand.

Three girls on a tour of the English countryside meet up with two young women who introduce them to the joys of life in a nudist camp.

To celebrate 20 years of Something Weird bringing the world the very best in subversive, disreputable, and cult cinema, SWV made available four exceedingly rare, never-before-released jewels that will make any cinephile’s head light up and spin. Rosie (b&w) is a failed 19-minute pilot for a TV sitcom about a talking dog named Rosie. It is absolutely horrifying. Why? Because the dog is not played by a real canine (or a puppet or a cartoon) but by a large adult in a mangy dog suit with a creepy dog face, clumsily walking around on his hands and knees. The Weird World of Weird (1970, color) is a loony 47-minute never-aired TV special in which host RALPH STORY explores psychic phenomena, astrology, witchcraft and “all those mysterious secrets hidden in the mystical world of the occult.” with detours to a psychic “balloon reader” and a spook-filled séance at the Magic Castle. It's got a groovy, late-60s psychedelic feel to it all that makes it a wonderfully bizarre time capsule. Follow That Skirt (1964, color) is a nasty little 26-minute short that was probably intended to be America’s second gore film. Though not released until 1965 when, according to Dave Friedman, it played a single theater in San Francisco, there’s little doubt that Blood Feast was its influence. Based on the popularity of its trailer, The Smut Peddler (1965, b&w) is among a handful of currently “lost” films that Something Weird (as well as the rest of the world) has been actively searching for. So we were thrilled when we at least found this much in excellent condition. And, yeah, it’s good stuff. A crude oyster-eating publisher, a lesbian secretary, and a French photographer all love mauling and exploiting their lovely nude models while W.B. PARKER (Olga’s House of Shame) is shocked and appalled. - Frank Henenlotter

Still alive...the ancient cult of Voodoo as it is practiced today! The men she loved, lived to love no others!...It Struck with Savage Fury The Devil's Hand From the director of THE GHOST OF DRAGSTRIP HOLLOW comes this story of voodoo and obsession. Robert Alda dreams about beautiful Linda Christian. He goes to a curio shop run by Neil Hamilton (Commissioner Gordon on TV's BATMAN) who gives him the girl's address after purchasing a doll in her image. She convinces Robert Alda to join a cult and his old girlfriend ends up in the hospital after some voodoo doll pincushioning. Of course, Neil Hamilton is involved in these voodoo rites and he has a sacrifice machine made of sharp swords which lowers from the ceiling onto the table-ready victim below. Sort of a massive voodoo device- sticking one pin in at a time is rather time consuming, after all!

Tough college student Tod Palmer (Robert Sherman) patiently suffers increasingly severe hazing at the hands of sadistic Ky Walker (Russell Johnson) while pledging a fraternity at Wake College. Attempting to bring the ritual initiation abuses to the authorities' attention, Tod accidentally dies after fleeing from the angry fraternity brothers. Medical professor Dr. Stephen Brice (Paul Henreid) then tries to end the practice of hazing, determined to obtain justice for one of his best students.

Attention die-hard GEORGE ROMERO fans: this is the one you've been waiting for! Believed forever lost, this Latent Image take on The Graduate is the red-headed stepson of Romero and company's output which bridges the thematic gap between the feminist concerns of Season of the Witch (1972) and no-holds-barred horror of The Crazies (1973). The plot concerns Chris, a troubled youth who can't commit himself to family or friends until he meets Lynn (JUDITH STREINER), who tries to help him gather all the disparate strands of his life and bind them into some kind of shape. Romero's signature machine-gun editing technique takes this standard boy-meets-girl-in-the-early-seventies story and turns it into a kaleidoscopic barrage that's full of surprising life.

Jonesing for some more comical tirades against mind-altering substances? Then tie one off and shoot these five shorts directly into your vein... Featuring Narcotics Part I: Goof Balls and Tea (1957), Beyond LSD (1967), Narcotics: Pit of Despair (1967, Marijuana The Great Escape (1968) and Drug Addiction (1951).

A man breaks out of jail, takes a woman hostage, and enters her car in a cross-border race, hoping to get to Mexico before the police catch him.