Over the The Replacements' 12-year existence, its live sets were magical. Gorman Bechard's remarkable history of the 'Mats takes us from their first show and everywhere in between. He relies solely on the fans; memories of their albums & antics. Material from Husker Du, Babes in Toyland, The Decemberists, The Hold Steady, Archers of Loaf, Titus Andronicus, and Goo Goo Dolls is included.

Bill Evans was one of the most distinctive and influential jazz pianists of all time with a rich legacy that remains undiminished since his untimely death in 1980. This program brings you the 1966 Bill Evans Trio Concert, featuring Evans in prime form. Bill Evans was a major side-man with Miles Davis and played and equal role with Miles in composing Kind of Blue the best selling jazz album in history. This program offers performances of Davis' tune 'Nardis,' along with standards and trademark favorites such as 'Stella by Starlight,' 'Autumn Leaves,' 'Days of Wine and Roses' and much more.

The definitive '69 to '71 era David Bowie documentary film. his film documents Bowie's career from the start, but focuses most notably on the period during which he made his second album (initially, simply called David Bowie but later re-christened Space Oddity to avoid confusion with his debut), his third, the critically acclaimed Man Who Sold The World and the pinnacle of his pre-Ziggy career, Hunky Dory.

Oasis - (What's The Story') Morning Glory: A Classic Album Under Review is a documentary film which revisits and re-assesses this powerhouse of a record. With the use of archive footage, long forgotten videos and contributions from those around at the time, this program uncovers why the band's second album is arguably their most satisfying. Features include live and studio performances of tracks from Morning Glory, reviewed by a panel of esteemed experts, band interviews, rarely seen photographs and archive footage. Bonus feature; 'When Oasis Met Blur' - the full recording from the moment the Britpop heavyweights met at the same radio station in 1995.

The Howlin' Wolf Story documents the life of blues legend Chester 'Howlin' Wolf' Burnett and features rare material, including performances of many of his classic Chess Records tunes, an appearance on the show Shindig introduced by the Rolling Stones (1964) and drummer Sam Lay's home movies from the Chicago Blues scene of the 1960s.

Since bursting out of Seattle with 1991's multi-platinum selling 'Ten', Pearl Jam have become one of the finest rock bands in the world today. Eddie Vedder & Co. set about reconstructing their sound while campaigning against the more unjust aspects of the music industry. After 20 years Pearl Jam refuse to rest on their laurels, constantly exploring new musical directions while remaining as fiercely loyal to their fans as ever. Interviews with the band, contributions from their closest allies and from the finest rock writers, rare and classic performance footage, and many other features make this the finest documentary in existence on this most iconic of rock acts.

A film about community, hype, and musical incest. The story of San Diego's legendary 90s music scene and its brief, ill-fated reign as the 'next Seattle'. A motley community of musicians with a do-it-yourself ethos and an aversion to mainstream culture develop their idiosyncratic sounds in the isolation of San Diego, but soon find themselves at the center of bidding wars and expense account lunches. What happens when the outcasts become the next big thing?

Devo, captured live in Oakland, performing early experimental tracks written between 1974 and 1977, prior to any label deal or public success. No matter how messy, beginnings are exciting. Especially when what happens next endures the test of time. For Devo, the beginning happened in the basements and garages of Akron, Ohio. The songs they wrote were raw and unfiltered with no commercial intent. They called it Hardcore Devo. Performing 21 oddities, this is a tribute to departed, original Devo bandmate, Robert "Bob 2" Casale. Filmed live on June 28, 2014 at the Fox Theater in Oakland, California.

This film explores both sides of this hilarious and controversial artist, providing a rare, inside peek at the infamous linguist's daily life. Now 69-years-old, with a gold-spangled superhero costume and a catalog of the world's raunchiest tunes, Blowfly tours the world, still struggling for success and recognition after 50 years of making music.

With music performances by Beck, Beth Orton, Hank Williams III, Union 13, and Billy Higgins, plus cameos from Laura Prepon, Ione Sky and Elliott Smith, Southlander is a comically uncanny Rock and Roll party adventure. Chance (Rory Cochrane), a hapless LA Musician, has found his ticket to fame, fortune and romance with the coveted keyboard, the '69 Moletron, which got him the gig and the girl (Beth Orton). But now the Moletron is missing, and Chance must reclaim it by working his way through The Southlander, the ultimate buy/sell classified paper for musicians in Southern California.

The first 10% of this show sums up what we don't get on TV anymore. Technical difficulties. TV Party was live and improvised, and this meant casual disaster. This early episode gets off to an artistically agonizing start--the sound person is late, overdosing on drugs or both. Or it was the broken down equipment. Once the sound kicks in the show gets lively. Compton Maddux, a droll singer songwriter, is backed up by Debbie Harry and Glenn; the unique futurist countertenor Klaus Nomi does one of his post-modern arias; Adny Shernoff, of the Dictators, plays the Beach Boys' "Be True to Your School" backed up by pom pom girls Tish and Snooky, the Manic Panic designers. Downtown legend director Eric Mitchell announces the opening of the now famous New Cinema theater and shows a clip from his film "Kidnapped" with Arto Lindsay, Duncan Smith and Anya Phillips. Brit director David Silver and photographer Kate Simon do the "white people talk about reggae" segment. Blondie's Chris Stein and Debbie Harry and the Patti Smith Group's Richard Sohl drop in to smoke a reefer and take calls from all the crazies in cable land. Chris explains all this isn't chaos, it's art.