After a catastrophic event, eight girls find themselves stranded in a house without electricity. As they run out of food and water, their sanity begins to crumble, and soon they regress to their baser instincts.

Follows a land surveyor on an assignment to measure an ancient forest for a developer but soon loses his reason in a supernatural environment that has its own plans.

After suffering a traumatic incident, Molly (Cecilia Milocco) moves into a new apartment to begin her path to recovery, but it’s not long after her arrival that a series of persistent knocks and screams begin to wake her up at night. Molly’s new life begins to unravel as the screams intensify and no one else in the building believes or is willing to help her.

We Kill for Love goes in search of the forgotten world of the direct-to-video erotic thriller, an American film genre that once dominated late night cable television and the shelves of neighborhood video stores. Through interviews with the many directors, writers, and actors who fanned the flames of this sexy subgenre, to academics and film historians whose books have explored its mysteries, this documentary explores the erotic thriller from its origins in film noir to its heyday during the 1980s and 90s home video explosion. Told with humor and tact and accompanied by hundreds of illustrative clips from DTV erotic thrillers, We Kill for Love balances film art with film scholarship as it pulls back the curtain to reveal the heart and soul of a forgotten and often maligned film movement.

Warning: This film contains extended sequences of flashing lights that may impact people with photosensitive epilepsy. Viewer discretion is advised. New French Extremity auteur Gaspar Noé’s Lux Æterna (2019) is a hypnotic, nerve-frying descent into meta-filmmaking chaos. As Béatrice Dalle and Charlotte Gainsbourg prepare for a shoot, they discuss filmmaking war stories, witches, and burnings at the stake. What begins as a behind-the-scenes interlude quickly unravels into full-blown psychosis in Noé’s acclaimed Cannes Film Festival premiere.

Birdie is a fragile and introverted teenager with a dark imagination. At an imposing, nearly-empty convent perched on the edge of a frozen lake, Birdie is unceremoniously placed into the care of the nuns where she develops unusual obsessions that will mark her as either a saint or a heretic.

In director Fabrice du Welz's Calvaire, a traveling entertainer is on his way home for Christmas when his van breaks down in the middle of a village, where he quickly falls victim to a dangerously unhinged innkeeper determined to keep him captive. This dark, unsettling film from the New French Extremity movement is available for the first in the US in high definition from a brand new restoration via Yellow Veil films. "A dark absurdist descent into hell," says Guillermo Del Toro.

Spirit Lake is unusually deep. No diver has ever managed to find the bottom, though many have tried. When Dr. Amelia Brooks disappears during a deep-water dive, her three daughters travel home to settle her affairs. But when the half sisters jokingly summon a local ghost, their relationship begins to unravel and they find themselves drawn deeper into the mysteries of the lake.

An old scavenger living on the fringes of a near-future society exploits a ghostly companion’s ability to traverse time, hoping to prevent his mother’s suffering from a terminal illness. Laotian director Mattie Do’s sci-fi thriller premiered at the Venice Film Festival in 2019.

Dream Team is a postmodern, soft-core fever dream from directors Lev Kalman & Whitney Horn, and produced by Jane Schoenbrun (I Saw the TV Glow). "Think Baywatch Nights directed by Maya Deren," says the film's label Yellow Veil.  In this absurdist homage to 90’s basic cable TV thrillers, two Interpol agents investigate a coral smuggler's mysterious death. The investigation leads the agents down a rabbit hole, revealing a surreal international conspiracy involving utopian basketball leagues, sensual scientists, and a psychic network of coral reefs. 

Secluded in a desolate forest home to little more than the decaying remnants of the past, a broken family is further torn apart by a mysterious death. Adam, guided by a pervasive sense of dread, hunts for answers only to learn that they are not alone; an insidious presence by the name of Sator has been observing his family, subtly influencing all of them for years in an attempt to claim them.

Director Kenji Misumi (Lone Wolf and Cub) and writer Fuji Yahiro (Sansho the Bailiff, A Bloody Spear at Mt. Fuji) turn the quintessential Japanese ghost story into a profoundly resonant doomed romance, with chilling ghost scenes that would leave a deep mark on the creators of J-horror. Samurai Iemon (Kazuo Hasegawa, Gate of Hell) has grown distant from his wife Oiwa. Oume, the pretty young daughter of a wealthy family, falls madly in love with Iemon after he saves her from a group of drunk swordsmen. Oiwa learns about the blossoming affair and grows despondent. Without his knowledge, Iemon's associates conspire to clear the way for him to marry Oume by poisoning his wife. But Oiwa returns from the grave as a horribly disfigured ghost to haunt Iemon and her tormentors.

Two woodcutters head into the mountains to fell an ancient tree. Caught in a snowstorm, they spend the night in a mountain lodge, where a female spirit appears and takes the life of one of the men. She spares the other man's life on the condition that he never tell anyone what happened that night. The woodcutter (Akira Ishihama, Harakiri) goes on to marry the mysterious beauty Yuki (Shiho Fujimura, Shinobi) and together they have a child. But Yuki catches the eye of a lecherous lord, whose advances force her to reveal a dark secret. Period film specialist Tokuzo Tanaka creates a broodingly atmospheric tale in which the viewer fully empathises with the ghost. Featuring a score by original Godzilla composer Akira Ifukube.

Noble samurai Shinzaburo (Kojiro Hongo, Gamera) is visited one night by the beautiful courtesan Otsuyu (Miyoko Akaza, Lady Snowblood). She pleads with him to marry her and save her from life in a brothel. Instantly captivated by her beauty, Shinzaburo agrees and a cautious love affair develops, but in his infatuation, he fails to realise that Otsuyu is a ghost. His friends band together to drive off the spirit, but can the love-stricken Shinzaburo resist the haunting lure of this enchantress? Working from a script by Ugetsu's Yoshikata Yoda, original Shinobi director Satsuo Yamamoto brings this classic Japanese ghost tale to the screen with breathtaking stylistic beauty. His visualisation of the alluring female ghost prefigures A Chinese Ghost Story and greatly inspired the J-horror movement.

After wooing stewardess Yoriko (Chieko Matsubara, Tokyo Drifter), war photographer Hondo (Akira Kobayashi, Battles Without Honor and Humanity) sees her kidnapped by a team of deadly female assassins who use vinyl records as weapons. Investigating her whereabouts, Hondo uncovers a conspiracy to steal a buried stash of WWII-era gold. Soon he must dodge go-go dancing ninjas and chewing-gum bullets to save Yoriko, whose family secret is tied to the hidden treasure. Every bit as stylish and inventive as the wildest works by his mentor Seijun Suzuki, Yasuharu Hasebe's spy spoof is a gaudy 1960s pop delight that ranks with the likes of Joseph Losey's Modesty Blaise and Mario Bava's Danger: Diabolik!

A woman arrives in a sleepy seaside town after receiving unsettling letters from her father, only to discover the town is under the influence of a strange cult that weeps tears of blood and hunger for human flesh. From Willard Huyck and Gloria Katz, the writers of American Grafitti, Indiana Jones and the Temple of Doom and Howard the Duck, this dreamy and atmospheric film transposes the post-Night of the Living Dead zombie movie to a surreal small-town American setting, presented through gorgeous Techniscope visuals that echo the stylish European horror of Mario Bava and Hammer.

Spirits lurk everywhere in Ann (Boat People) Hui’s horror-comedy, Visible Secret. Instantly infatuated by enigmatic amnesiac June (Shu Qi, Millennium Mambo) who has the ability to see spirits, Peter is swept into a world where he has one foot in the past, one in the present, and somehow has to figure out which is which. Beautifully shot by legendary cinematographer Arthur Wong (The 36th Chamber of Shaolin, Iron Monkey), Visible Secret is a slick and sexy horror-comedy that reflects the region’s contemporary millennium-era moment in its vivid depiction of young people stranded in history, trying to get a handle on both the world around them and each other as they navigate life, love, identity and family.