Give up? Well, for starters, he's now known as Count Adrian and, sporting a van dyke and a bad Bela accent. He and a bunch of motley ghouls run "Dracula's Dungeon," a bizarre Hollywood nightspot. When actor Guy and his girlfriend Angelica show up at the club, Drac decides he wants Angelica for all eternity - meaning he's got to bite her three times for her to be properly vampirized. After a brief tussle with another vampire named Imp, (who is quickly consigned to a cage), Drac gives Angelica two separate neck gnaws and she's soon eating raw meat averting daylight, and reacting to crosses. All of which disturbs boyfriend Guy who, despite promising her to Drac in exchange for an acting career, challenges the vampire after a special "Macumba Ritual" in which a crazed dancer eats a live lizard and screams, "I have eaten the lizard! I love the lizard!..."

A wealthy rancher in a small Southern town owns everything--including the local wives, who he samples on a regular basis. However, when he discovers that his own wife is playing around with his horse trainer, things get out of hand.

We love films about Good Girls going to Hell. We love the cheap-thrill appeal of seeing a Miss Goody-Twoshoes leave Small Town America for the Big Bad City and end up falling face-first in the gutter. So, of course, we love Night of Evil which (then big deal) syndicated columnist EARL WILSON introduces by claiming it’s “based on newspapers and court records. It is a true story. To protect the innocent, some of the names, places, and incidents have been changed.”

Buxom skin-goddess Pat Barrington (Mantis in Lace) is just one of The Acid Eaters a bunch of 9-to-5 working stiffs who become drug-crazed bikers on the weekend! After Miss Barrington kills a galpal in a catfight and the deceased inexplicably returns as a girlfriend for wacky artist Artie, the group enters a pyramid made of giant LSD sugar cubes which is also the entrance to Hell where Artie suddenly turns into The Devil and everything explodes into one big Acid Orgy... Whoa! Easily the Sixties' most insane mix of sexploitation and psychedelia, David F. Friedman's The Acid Eaters is soooooo out there that even the strongest of minds may become unhinged.

Ignore the title. It's a great one alright, but Hollywood After Dark evokes images of movie stars, casting couches, and back-lot orgies which can be found in Starlet or The Masterpiece but not here. No, this one's about a loser in love with a stripper who gets involved with a deadly robbery. And though it ostensibly takes place on the fringes of Hollywood, except for a shot of the Hollywood sign, it could've been made in Anytown U.S.A. It's also another of director JOHN HAYES' brooding meditations on life pretending to be a sexploitation film. like its companion piece, The Rotten Apple (another Hayes! McClanahan collaboration), it can best be described as Existential Exploitation, and, like all of Hayes' films, aspires to be something smarter and more profound than just another "B'" Rue Mclanahan

Arriving in Hollywood, a motorcycling rock-'n-roller finds romance and a shot at the big time, but must contend with the schemes of a shady manager.

A young girl is being tried for murder. Her defense attorney attempts to show how her descent into a life of crime, prostitution and degradation was caused by her puritanical, religious fanatic mother.

A gang of teenage criminals vandalize a small community by stealing cars for parts, meanwhile an investigator is hot on their trail.

An investigator goes after the people who are corrupting the nation's youth by spreading the weed of Satan - MARIJUANA!!!

Poontang Plenty is a secret agent who works on defeating evil while trying to crack the secret of invisibility.

In response to President Nixon's Commission on Marijuana and Drug Abuse, adult filmmaker Alex de Renzy weighs in with Weed his take on "The Great American Grass Problem" in which he interviews customs agents and drug dealers, travels to Vietnam ("Just ask for Number One cigarettes!"), Cambodia (in search of "Cambodian Red"), and Nepal (where shops offer tourists "Best Quality Hashish at Cheapest Rate"), and finds marijuana growing wild in Missouri. "It's not that we don't trust this distinguished group of men, but there's a lot more to the grass story. So, as a public service, we thought we'd check out some of the numerous rumors about Killer Weed!

A woman transforms herself into a black-clad, karate-chopping vigilante and strikes back at the gangsters who killed her sister.

Sex, drugs, and a rubber monster mask in another Argentinean rarity from EMILIO VIEYRA, the director of The Curious Dr. Humpp! Then he plays his organ. Preying upon the "swingers" who frequent a local nightclub, Rubber Face lures babes with his own haunting theme song, turns them into love-slaves with heroin, and slobbers all over them while still wearing that stupid monster mask.

"War babies. They want to be different. They don't want to belong to any mass society. They have their own-type clubs, their own 'in' groups." Thus Malamondo, an elegant look at early-Sixties' teenage angst and "way out youth," Euro-style, set to the delirious musical musings of a young ENNIO MORRICONE! "Teenage swingers" ski in the nude in the Swiss Alps! (Skinny-skiing?) At a summer resort in Italy, "the children of the post-war rich" interrupt their boredom to play Who Wants-to-Slaughter-a Pig, and quickly learn that "waste and destruction aren't so hip after all!" And students in Northern Italy race to the beach at lunch time and "let off steam" with a sea-side striptease!

Though best known for the Mexican horror films he imported and dubbed into English, as well as numerous foreign children's films sold as"Kiddie Matinees" throughout the Sixties producer K. GORDON MURRAY also dabbled in American-made Southern-style exploitation such as Shanty Tramp (1966), Savages from Hell (1968), Thunder County (1974), and The Daredevil, the last starring role for Hollywood cowboy GEORGE MONTGOMERY. A crazed mix of racing, racism, and drug smuggling, THE DAREDEVIL; another portrait of The Redneck as an American icon with an attitude that's about midway between Thunder Road and Smokey and the Bandit, helped in no small amount by the casting of big George.

The evil salamander men have poisoned Earth with a plague, and it is up to Starman to save mankind.

Oh, who cares how much of this is really true or not. Ma Barker's Killer Brood is how things should have been. And after seeing this wild, hilarious, and consistently over-the-top B-movie bio-pic, it's damn near impossible to think of Ma Barker any other way than as played by everyone's favorite scenery-chewing little old lady, LURENE TUTTLE: "Shoot him, Herman! Shoot him!"

A woman's job as a sex researcher takes her all over the world and gets her into some difficult situations.

A teacher encounters danger and treachery when she travels to an Old West town to claim her father's gold mine.