A teacher encounters danger and treachery when she travels to an Old West town to claim her father's gold mine.

Two vice cops get entangled in a web of prostitution, blackmail and murder.

Yipes! A veritable banquet of "Bad Cinema," Monstrosity is so gloriously stupid as to be almost brilliant. Surprisingly, director JOSEPH V. MASCELLI, who also shot three Ray Dennis Steckler gems - Wild Guitar, The Incredibly Strange Creatures, and The Thrill Killers - is best known as the author of two excellent works, The American Cinematographer Manual and The Five C's of Cinematography: Motion Picture Filming Techniques, neither of which mentions Monstrosity. Released to television as The Atomic Brain and usually seen in grainy 16mm dupe prints, Something Weird's transfer has been digitally remastered from a crisp 35mm theatrical print - under its original Monstrosity moniker - and is incongruously beautiful.

A teenager named Kurrat mysteriously disappears from a German boys' school. Then a teacher is found dead; the mystery grows.

Before he became known for distributing such drive-­in epics as I Drink Your Blood, I Eat Your Skin, and I Spit on Your Grave, JERRY GROSS directed two fascinating little quickies - Girl on A Chain Gang (’65) and Teenage Mother (’67) - that are textbook examples of classic old-school exploitation. In fact. shot­-on-Long-Island Teenage Mother seems to take its inspiration from a half dozen old roadshow films, updated for the Sixties, and even concludes with that oldest of exploitation standbys, authentic birth-of-a-­baby footage!

Tough college student Tod Palmer (Robert Sherman) patiently suffers increasingly severe hazing at the hands of sadistic Ky Walker (Russell Johnson) while pledging a fraternity at Wake College. Attempting to bring the ritual initiation abuses to the authorities' attention, Tod accidentally dies after fleeing from the angry fraternity brothers. Medical professor Dr. Stephen Brice (Paul Henreid) then tries to end the practice of hazing, determined to obtain justice for one of his best students.

“The Film That’s Scorchin’ The Nation’s Screens!” The She who Shoulda Said ‘No’! is honeypot LILA LEEDS (Lady in the Lake, Moonrise) who was busted for doing doobies with rugged Robert Mitchum just months before this updated upgrade of Reefer Madness. Cashing in on the notoriety of “The Screen’s Newest Blonde Bomb,” KROGER BABB, “America’s Fearless Showman,” promoted the film as “The Story of Lila Leeds and Her Expose of the Marijuana Racket!” (She’s even costumed in the same suit she wore when she was sentenced with Mitchum!)

Newspaper headlines denounce a rash epidemic of barbiturate overdoses. Even more shocking is that the abusers are juveniles out for cheap kicks. Responding to the rising public outrage, a prominent female judge sends young detective Sergeant Dave Kerrigan to uncover the source of the dangerous contraband. His dogged search leads to a crooked weight-loss "gym" where overweight women, desperate to shed pounds in a hurry, are supplied with addictive diet pills by the corrupt proprietors. The case gets more complicated when the gym owners conspire to have the judge's underage daughter photographed naked at a pool-side pill party. Facing blackmail, the girl's mother must choose between resigning from the bench to protect her daughter from public humiliation or turning up the heat on the drug pushers. Starring Charlie Chaplin's ex-wife Lita Grey and featuring lingering locker room dialogues, wild parties and carnal excess, The Devil's Sleep is a reactionary exploitation film filled with perverse thrills and pious outrage.

"War babies. They want to be different. They don't want to belong to any mass society. They have their own-type clubs, their own 'in' groups." Thus Malamondo, an elegant look at early-Sixties' teenage angst and "way out youth," Euro-style, set to the delirious musical musings of a young ENNIO MORRICONE! "Teenage swingers" ski in the nude in the Swiss Alps! (Skinny-skiing?) At a summer resort in Italy, "the children of the post-war rich" interrupt their boredom to play Who Wants-to-Slaughter-a Pig, and quickly learn that "waste and destruction aren't so hip after all!" And students in Northern Italy race to the beach at lunch time and "let off steam" with a sea-side striptease!

Beatniks? What beatniks? Two-bit punks, a closet rock-&-roll star, and an out-of-his-mind psycho: yes. Beatniks: no. Though The Beatniks was probably a last-minute title change to replace a less exploitable moniker, it didn’t make much of a difference to the audiences of 1960. After all, to a world emerging from the Eisenhower era, bohemian artists and beat-generation poets were seen as little more than socially maladjusted misfits in the same category as junkies, Commies, and teenage hoodlums — or the petty-crime crackpots running loose in this fast, fun, and naively hilarious saga of an overage delinquent who becomes an overnight sensation.

After word of an enemy’s powerful secret weapon leaks out, a group of soldiers is handpicked by Julius Caesar to destroy the machine at all costs.

Barton's mine foreman is receiving gold bullion from gangsters in the East, putting it through the mine's smelter, and then shipping it out. When Barton finds out, Murdocks men make him a prisoner. Arriving at the same time, Alamo hears the story of the Masked Phantom and then becomes that Phantom fighting Murdock and his men and attempting to find Barton.

The evil salamander men have poisoned Earth with a plague, and it is up to Starman to save mankind.

Italian mondo documentary about a varied group of women, from mothers and killers to executives and sex workers, in the global culture of the bizarre.

A star-studded cavalcade of burlesque. Clowning! Dancing! Teasing! 15 all time greats of the burlesque stage.

Shrewd, conniving goddess Stacey Kane (MEG MYLES) is a second-rate stripper in a third-rate carnival. Startled when she finds her junkie ex-husband lurking in her dressing room, Stacey promptly steals every cent he has and hops on a plane for New York. Great, gritty exploitation which packed a hell of a wallop in the more innocent days of 1962.

"The people you are about to meet may shock you. They may frighten you. But we hope that by this factual exposition, we can broaden your view toward this kind of individual." Yes, kiddies, there's nothing that says you've stepped off the polite path of mainstream filmmaking better than plunging headfirst into the cult quicksand of transvestite cinema. And She-Man ,a cross dressing mini-classick subtitled A Story of Fixation, proudly belongs in every gender-bending library alongside Glen or Glenda, The Christine Jorgensen Story, Dinah East, and Let Me Die a Woman. Woman.

1950s Archival short subject “The Dance Of Tomorrow,” featuring a glimpse into the future of automobiles.

Arriving in Hollywood, a motorcycling rock-'n-roller finds romance and a shot at the big time, but must contend with the schemes of a shady manager.

A rebellious punk (Jack Nicholson) of the beat generation spends his days as an amateur dirt track driver in between partying and troublemaking. He eventually kidnaps his buddy's girlfriend, kills a few police officers, and finally sees his own life end in tragedy.