Directed by Giuseppe Andrews. the subject of Giuseppe Makes A Movie, in 2007. Two guys with badass haircuts are stuck in a lavish motel room and are broke, desperate, and slowly going insane. In fact, after watching a kangaroo fight on television, they make a pact to kill themselves at checkout time.

October, 2008. Young nun Colleen (Addison Timlin) is avoiding all contact from her family, until an email from her mother (Ally Sheedy) announces, Your brother is home. On returning to her childhood home in Asheville, NC, she finds her old room exactly how she left it: painted black and covered in goth/metal posters. Her parents are happy enough to see her, but unease and awkwardness abounds. Her brother is living as a recluse in the guesthouse since returning home from the Iraq war. During Colleen's visit, tensions rise and fall with a little help from Halloween, pot cupcakes, and GWAR. Little Sister is a sad comedy about family, a schmaltz-free, pathos-drenched, feel-good movie for the little goth girl inside us all.

Videofilia (and Other Viral Syndromes) begins with a teenage misfit spending her first days out of school slacking, experimenting with drugs and cyberspace. She meets Junior online. He’s an aspiring amateur porn dealer, who's into conspiracy theories and is convinced that the Mayan Apocalypse is happening. Once they meet in the 'real world,' a series of bizarre events unfold in this contemporary non-love story portraying postmodern Lima as a glitchy computer virus full of corruption, psychedelia and ancient ruins.

Empty Metal follows five groups of characters, each emblematic of a different extreme political ideology, as they attempt insurrection against the status quo: a queer noise band is coerced into a dangerous assassination plot by a family of militant Native Americans who are aided by a Rastafarian computer hacker who is old friends with a Buddhist hermit whose son is a local militia leader. This tangled web of marginalized voices is as diverse and contradictory as the nation that spun it, but there is a common thread: all the characters teeter on the dull knife blade that is contemporary American politics, but they refuse to fall right or left. Instead, they lash out from the soul, and under the radar, in an attempt to achieve what their mainstream predecessors have yet to accomplish.

Vacation! is an existential beach party movie about life, death, sex and drugs. When four college friends reunite for a girls’ week at the beach, it’s all bikinis, piña coladas and dance parties at first. But the fun soon fades away… After procuring a psychotropic drug from a sketchy surfer dude, the girls take a very strange trip into the abyss.

For many, Peter Anton's house embodies an end-of-life nightmare: the utility companies long ago shut off the heat and electricity, the floorboards are rotting, and the detritus of a chaotic life is precariously stacked to the ceiling. But for the filmmakers Dan Rybicky and Aaron Wickenden, Anton's home is a treasure trove, a startling collection of unseen and fascinating paintings, drawings, and notebooks, not to mention Anton himself, a character worthy of his own reality TV show.

A Kind of Professionalism, a new video interview with Andrew Bujalski.

In this Night Flight Short Cut, Yoko Ono joins Lisa Robinson for a candid conversation filmed in the kitchen of Ono’s apartment in the 1980s. Moving from banter with Robinson to reflections on life and music, Ono talks about art, the Beatles, and how the culture of the time eventually caught up with the experimentation she was pursuing.

Clockwatchers is the "sharp-edged black comedy" (Roger Ebert) about four office temps trying to maintain both their upward mobility and their sanity. The four women—shy Iris (Toni Collette, Hereditary), brash Margaret (Parker Posey, Party Girl), wannabe starlet Paula (Lisa Kudrow, Friends), and pampered Jane (Alanna Ubach, Bombshell)—become fast friends while temping at a big company where looking busy is a full-time occupation.

The masterpiece of Japanese Cyberpunk Body Horror. A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend. The salaryman then notices that he is being slowly overtaken by some kind of disease that is turning his body into scrap metal, and that his nemesis is not in fact dead but is somehow masterminding and guiding his rage and frustration-fueled transformation.

Dennis Hopper’s radical, much-mythologized lost masterpiece – widely unseen for nearly 50 years until now in a new 4K Restoration! Consciously self-reflexive and co-written by Hopper and Rebel Without A Cause screenwriter Stewart Stern, The Last Movie follows a Hollywood movie crew in the midst of making a western in a remote Peruvian village. When production wraps, Hopper, as the baleful stuntman Kansas, remains, attempting to find redemption in the isolation of Peru and the arms of a former prostitute. Meanwhile, the local Indians have taken over the abandoned set and begun to stage a ritualistic re-enactment of the production – with Kansas as their sacrificial lamb. Among the most storied productions of the New Hollywoood Era, Hopper was given carte blanche by Universal for his next directorial feature after the tremendous commercial success of Easy Rider, and writer-director-star took the money and ran – literally – staging The Last Movie in Peru at farthest remove from the Hollywood machine, with an on-screen entourage in tow that included Kris Kristofferson, Julie Adams, Stella Garcia, Peter Fonda, Dean Stockwell, Toni Basil, Russ Tamblyn, Michelle Phillips and director Samuel Fuller. Although it won a special award at the Venice Film Festival, The Last Movie would effectively end Hopper’s career for many years – the Hollywood establishment gleefully writing him off as a self-indulgent madman. Yet the movie remains thrillingly innovative and remarkably contemporary – influenced greatly by the work of Bruce Conner and the French New Wave, as well as the Pop and Abstract artists Hopper revered. – Jessica Hundley

The essential document of New York’s 1980s New Wave scene and the archetypal "Midnight Movie" from director Slava Tsukerman returns home to Night Flight. In what is one of the most delectably stylish Science Fiction films ever produced: A small, heroin seeking UFO lands on a Manhattan roof, observes a bizarre, drug addicted fashion model and sucks endorphin from her sexual encounters' brains.

Labelled the "MTV of Opera," this kaleidoscope of work features the music of some of the greatest composers of all time visually interpreted by ten of the most innovative filmmakers in cinema. In 1987, producer Don Boyd brought together 10 of the world's most revered directors, including Nicolas Roeg, Robert Altman, Jean Luc Goddard, and Julien Temple, in order to pay homage to the opera. Each director was asked to create a short inspired by the emotions and intensity of their chosen aria. True to form, the result is a bizarre, moving, and spellbinding.  "With all of these wonderful visuals," Roger Ebert said, "it's sort of the first music video of opera."

Claire Niveau (Geneviève Bujold) is in love with handsome Beverly. Or does she love Elliot? It's uncertain because brothers Beverly and Elliot Mantle are identical twins sharing the same medical practice, apartment and women – including unsuspecting Claire. In portrayals that won the New York Film Critics Circle Best Actor Award, Jeremy Irons plays twin gynecologists whose emotional dependency collapses into mind games, madness and murder. David Cronenberg (The Fly) won the Los Angeles Film Critics Awards Best Director honors for melding split-screen techniques, body doubles and Iron's uncanny acting into an eerie, fact-based tale.

For his tenth feature, Terry Gilliam (Time Bandits, Twelve Monkeys) adapted Mitch Cullin's celebrated cult novel Tideland, a work he once described as "Alice in Wonderland meets Psycho through the eyes of Amélie." To escape her unhappy life in a remote part of Texas, nine-year-old Jeliza-Rose dreams up an elaborate fantasy world. But the reality of having junkie parents - played by Jeff Bridges (The Big Lebowski) and Jennifer Tilly (Bound) - and the influence of her eccentric neighbours begins to encroach, turning her daydreams ever darker. A rich slice of Southern Gothic blurring whimsical fantasy with unsettling reality, Tideland is among Gilliam's most personal works - indeed, with its shifts between the amusing and the macabre, expressive camerawork and striking special effects, the film could be the very definition of Gilliamesque!

In the mid-16th century, after annihilating the Incan empire, Gonzalo Pizarro (Allejandro Repullés) leads his army of conquistadors over the Andes into the heart of the most savage environment on Earth in search of the fabled City of Gold, El Dorado. As the soldiers battle starvation, natives, the forces of nature, and each other, Don Lope de Aguirre (Klaus Kinski), "The Wrath of God," is consumed with visions of conquering all of South America and revolts, leading his own army down a treacherous river on a doomed quest into oblivion. Featuring a seething, controlled performance from Klaus Kinski, this masterpiece from director Werner Herzog is an unforgettable portrait of madness and power.

Warning: This film contains extended sequences of flashing lights that may impact people with photosensitive epilepsy. Viewer discretion is advised. New French Extremity auteur Gaspar Noé’s Lux Æterna (2019) is a hypnotic, nerve-frying descent into meta-filmmaking chaos. As Béatrice Dalle and Charlotte Gainsbourg prepare for a shoot, they discuss filmmaking war stories, witches, and burnings at the stake. What begins as a behind-the-scenes interlude quickly unravels into full-blown psychosis in Noé’s acclaimed Cannes Film Festival premiere.

Notable for its stunning cinematography, minimal dialogue, and outstanding animal performances, director Jean-Jacques Annaud's (Quest For Fire, The Name of the Rose) astonishing tale of wilderness survival has thrilled and charmed audiences and critics all over the world. Set in 19th-century British Columbia, The Bear follows the story of a young cub and an adult grizzly as they join forces to survive the perils inherent in their mountain habitat. With each passing obstacle, the two bears further develop a friendship that can only make them stronger – but will it be enough for them to overcome their most deadly enemy?