Two American GIs and the sole survivors of a battle on an isolated island must put aside their differences in order to evade the Japanese and survive.

Peter Falk's first film! And not a bad one at that. The whole opening scene features free-form prose set to a bongo beat -- then long-gone Nico (Falk) gets hungry for kicks and kills some kid by feeding him a hamburger filled with ground glass. And the plot takes off from there. The ads said "A Motion Picture That Peels Off the Dirty Sweaters Covering the Raw Emotions of Youth!" It's a bongo-blastin', beat generation bloodbath.

Arguably the only anime ever made inspired by both Hello Kitty and Thomas Pynchon’s The Crying of Lot 49, TAMALA 2010 is a futuristic techno fever dream that flows back and forth in time, following the adorable wide-eyed kitty Tamala. Escaping into space, she’s waylaid by the God of Death and crash-lands near Hate City on the Planet Q, where she meets a new boyfriend, goes bowling and shopping in a thrift store – and realizes she may be the latest reincarnation of an ancient Greek cat cult with ties to the omnipresent Catty & Co. A heady, conceptual work of psychedelic sci-fi, influenced by the style of classic manga and anime such as Osamu Tezuka’s Astro Boy and Takashi Murakami’s postmodern art movement Superflat, TAMALA 2010 is also a savage take on modern consumer culture.

Prim and proper Diane (legendary Scream Queen, Brinke Stevens) gets one hell of a deal when she rents an old house from a creepy realtor played by Michael Berryman (The Hills Have Eyes). The house begins to take possession of her and Diane transforms into a smoking, drinking, chainsaw-wielding seductress. In desperation, a priest is called in, and he calls up the powers of a local pizza delivery boy (Eddie Deezen). Then it's a battle against the walking dead, virgin sacrifice, the demons of Hell, and a pizza that bites back!

One of the most shocking and demented thrillers of the 1970s. William Shatner stars as Matt Stone, a deranged gigolo who preys on rich women, unable to control his murderous psychosexual urges. Directed by legendary exploitation filmmaker William Grefé, and co-starring Jenifer Bishop, Ruth Roman, Harold "Oddjob" Sakata (Goldfinger) and William Kerwin (Herschell Gordon Lewis' Blood Feast), Impulse is being presented in a beautiful new master from Grindhouse Releasing, lovingly restored in 4K from rare archival 35mm film elements.

Labelled the "MTV of Opera," this kaleidoscope of work features the music of some of the greatest composers of all time visually interpreted by ten of the most innovative filmmakers in cinema. In 1987, producer Don Boyd brought together 10 of the world's most revered directors, including Nicolas Roeg, Robert Altman, Jean Luc Goddard, and Julien Temple, in order to pay homage to the opera. Each director was asked to create a short inspired by the emotions and intensity of their chosen aria. True to form, the result is a bizarre, moving, and spellbinding.  "With all of these wonderful visuals," Roger Ebert said, "it's sort of the first music video of opera."

Set in the underbelly of 1980s Modesto, California, Warm Blood uses the real-life diary of a teenage runaway named Red (newcomer Haley Isaacson) returning home to find her father. In his narrative feature debut, director Rick Charnoski’s history as a skate video director informs the frenetic storytelling style, as he combines Red’s nihilist musings with a collage of documentary and B-movie meta-narratives that paint a seedy picture of life on the outskirts of town. Talk-radio bits and punk music underscore the auditory cacophony of doom, while frequent Kelly Reichardt collaborator Christopher Blauvelt (First Cow, The Bling Ring) lends his immersive, naturalist lens shooting on gritty 16mm film.

Celebratory, shocking and raw, this film is as close to the story of the anarcho-punk band as you're going to get... Crass were an art collective and punk band that formed in Essex in 1977, and disbanded in 1984. They promoted anarchism and a movement of resistance that awakened and appealed to many. Director Brandon Spivey tells the tale of Crass's "Reality Asylum," the story and the inspiration behind the band's subversively defiant single through interviews with Crass co-founders Steve Ignorant and Penny Rimbaud, and Small Wonder record label owner Pete Stennett. 

Teenage Runaway Bonnie (Candice Rialson) has escaped the clutches of her controlling brother, only to become immediately embroiled in a twisted web of sexual manipulation. Initially convinced to aid in a carjacking, Bonnie is then taken in by a lecherous lesbian artist who hopes to groom her into a sapphic lover, only to have her plans thwarted by the perverse advances of a local gallery owner whose bizarre proclivities include the keeping of an unusual assortment of 'pets.' A truly unparalleled exploitation film viewing experience, Raphael Nussbaum's PETS veers between moments of overwrought melodrama and jarring bouts of unhinged sleaze.

Just prior to Faster, Pussycat! Kill! Kill!, producer/director/co-writer and cinematographer Russ Meyer first unleashed his singular vision of full-throttle violence and vengeance with this 1965 shocker: When a trio of psycho bikers launches a sexual assault and murder spree in a desert town, the local veterinarian (Alex Rocco of The Godfather fame in his screen debut) teams with a rage-ravaged vixen (the incredible Haji in her own first film role) to settle the score.

The director of Tribulation 99 and Sonic Outlaws returns with his grandest work to date! Spectres of the Spectrum plunders Baldwin's treasure trove of early television shows, industrial and educational films, Hollywood movies, advertisements and cartoons, combining these with live-action footage, no-budget special effects, and relentless narration to generate a wholly original paranoid science-fiction epic. BooBoo, a young telepath, and her father, Yogi, are revolutionaries pitted against the "New Electromagnetic Order." Their story, set in the year 2007 in a blighted Nevada outpost, is interwoven with a history of the development of electromagnetic technologies, from X-rays to atom bombs, from television to the Internet.

A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles.

Upon its release in 1991, Tribulation 99 became an instant counter-culture classic. Craig Baldwin's "pseudo-pseudo-documentary" presents a factual chronicle of US intervention in Latin America in the form of the ultimate far-right conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac. A delirious vortex of hard truths, deadpan irony, and archival mash-ups—industrials, graphs, cartoons, movies from Hollywood B to Mexican Z—Tribulation 99 constructs a truly perverse vision of American imperialism.

It's the year "1985" and the proprietors of new television channel called "Tunnel Vision", which is notably free of censorship) are under a government investigation led by a Senator who wishes to shut down the network due to its widespread negative effects on the population. During the hearing, the committee examines a typical day or programming which includes shows, programs, commercials, news, and much more, and what they discover will surely crack you up in this outrageous and irreverent spoof of 1970's movies and television in the tradition of Kentucky Fried Movie and Amazon Women on the Moon!

Master filmmaker Sidney Lumet (The Verdict, Dog Day Afternoon, Serpico) delivers "one of his greatest achievements" (Roger Ebert) with this riveting and compelling suspense thriller. Oscar®-winner* Philip Seymour Hoffman (Capote) is Andy, an overextended payroll executive who lures his younger brother, Hank (Ethan Hawke, Training Day), into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank's real mom and pop, and when the seemingly perfect crime goes awry, the damage sends them hurtling toward a shattering clash that may obliterate their already precarious lives.

Teenage Runaway Bonnie (Candice Rialson) has escaped the clutches of her controlling brother, only to become immediately embroiled in a twisted web of sexual manipulation. Initially convinced to aid in a carjacking, Bonnie is then taken in by a lecherous lesbian artist who hopes to groom her into a sapphic lover, only to have her plans thwarted by the perverse advances of a local gallery owner whose bizarre proclivities include the keeping of an unusual assortment of 'pets.' A truly unparalleled exploitation film viewing experience, Raphael Nussbaum's PETS veers between moments of overwrought melodrama and jarring bouts of unhinged sleaze.

It's the year "1985" and the proprietors of new television channel called "Tunnel Vision", which is notably free of censorship) are under a government investigation led by a Senator who wishes to shut down the network due to its widespread negative effects on the population. During the hearing, the committee examines a typical day or programming which includes shows, programs, commercials, news, and much more, and what they discover will surely crack you up in this outrageous and irreverent spoof of 1970's movies and television in the tradition of Kentucky Fried Movie and Amazon Women on the Moon!