Oh, who cares how much of this is really true or not. Ma Barker's Killer Brood is how things should have been. And after seeing this wild, hilarious, and consistently over-the-top B-movie bio-pic, it's damn near impossible to think of Ma Barker any other way than as played by everyone's favorite scenery-chewing little old lady, LURENE TUTTLE: "Shoot him, Herman! Shoot him!"

In this candid 20-minute long interview we’re exclusively sharing with you over on Night Flight Plus, Romero talks about his influences and gives a detailed account of origins of Night of the Living Dead. This segment was created by Stuart Samuels, the original writer of Night Flight, for his excellent film Midnight Movies: From the Margin to the Mainstream and offers a unique look at his creative process.

Featuring Chris Rock, Lorne Elliott, Rosie O'Donnell and more...

A hapless hitchhiker (Larry Hankin) gets advice on his road technique from a fairytale frog.

The Ramones, Cabaret Voltaire, J. Geils Band, Rockwell, and The Monsters all make an appearance in Night Flight's Take Off to Rock and Horror from October 25th, 1986. On the flip side of this seasonal episode, Night Flight includes filmmaker Dan Carbone's post-apocalyptic title DOT in its short horror film collection of "Mini Chillers" a surrealist b&w film sought after by Night Flight purists.

A bar mitsvah band director searches for a new singer.

Life sucks for Stanley Coopersmith (Clint Howard, Ice Cream Man), a teenage outcast who's bullied by everybody at the strict military academy he was sent to after his parents died. But when Stanley discovers the crypt of a 16th Century Satanist beneath the school's chapel, he creates a computerized Black Mass that unleashes unholy revenge upon his tormenters. Now, all Hell is breaking loose!

Now here's a title most women would probably agree with. A transitional film for director JOSEPH P. MAWRA -- who would cut his teeth on the depraved Olga films -- All Men Are Apes! has lived in the shadows for too long and deserves to take its place as one of the genuine little nuggets to be mined from the Sixties sexploitation field.

In this freaky follow-up to Slumber Party Massacre (written and directed by Deborah Brock), Courtney (Crystal Bernard) is tormented by dreams of the infamous Driller Killer returning to wreak havoc... only to find that (bad) dreams really do come true when the murderous monster is reincarnated as an evil rocker!

This biographical film from director Tony Palmer tells the story of one of the most important and influential composers of the 20th century. Featuring rare documents, photographs, and previously unseen film footage, the documentary includes reflections from Igor Stravinsky’s three children, along with contributions from the late Madame Vera Stravinsky. Included in the film are important performances from Les Noces and Petrushka, along with priceless footage of Igor Stravinsky himself.

Two "expressionistic wackos" argue over a glass of juice.

On March 18th 1972, Leonard Cohen began a 20-city European tour, beginning in Dublin and ending in Jerusalem on April 21st.  Director Tony Palmer’s intimate concert portrait captures both the artistry of a musician at a moment when his work had assumed profound cultural and personal significance. Long lost 16mm prints were restored for this release, not seen since 1972.

A teenager named Kurrat mysteriously disappears from a German boys' school. Then a teacher is found dead; the mystery grows.

Decline of Western Civilization III, the final entry in Spheeris’ influential documentary series, follows the lives of the homeless teenagers that made up the Los Angeles gutter punk scene. The film’s harrowing depiction of poverty among teenagers and the relationships she formed during its production moved the director to become a foster parent.

In Volume 3 of Dance International, Mica Paris talks about her new album "Contribution," a label profile of Tam Tam Records, the home of "A Homeboy, A Hippie and A Funki Dredd" and "Soho," Tonka sound system goes to the beach and we answer what is THE NEW JERSEY SOUND? Check out the hottest dance label in America, Nu Groove, and Michiko Koshino talks to us in her London shop Spring '91 collection shot exclusively at Kaos weekender. Aveda interviewed at home and in performance at New York's Palladium Club and the The new musical phenomenon exposed: Jazz Rap!

The first entry in the Decline series sheds a light on Los Angeles’ punk scene of the late 1970s. Featuring interviews and performances by some of the most seminal acts of the era like Black Flag and The Germ, Spheeris’ intimate conversations set the stage for a series that would feature all the highs and lows, as well as few breakfasts, of the bleeding edge of of LA’s music scene.

"War babies. They want to be different. They don't want to belong to any mass society. They have their own-type clubs, their own 'in' groups." Thus Malamondo, an elegant look at early-Sixties' teenage angst and "way out youth," Euro-style, set to the delirious musical musings of a young ENNIO MORRICONE! "Teenage swingers" ski in the nude in the Swiss Alps! (Skinny-skiing?) At a summer resort in Italy, "the children of the post-war rich" interrupt their boredom to play Who Wants-to-Slaughter-a Pig, and quickly learn that "waste and destruction aren't so hip after all!" And students in Northern Italy race to the beach at lunch time and "let off steam" with a sea-side striptease!

Night Flight takes you for an exclusive look inside "Joe Coleman’s Carnival," the artist’s curated exhibition at Jeffrey Deitch Projects in New York City. Filmed on-site in June 2025, this special hour-long presentation follows Coleman as he personally guides Night Flight through the gallery, revealing works that directly connect him to the carnival world, including his portrait of Tod Browning (Freaks) and a world-renowned collection from sideshow legend Johnny Eck, all culminating in his magnum opus: a life-size biographical portrait of his wife and muse, Whitney Ward. “I believe that the carnival is a kind of profane, holy place,” Coleman says, “where the private desires, fantasies, and fears of a society are given uninhibited free expression.”

This enthralling documentary chronicles the fall of the Atari Corporation and investigates one of the biggest mysteries of all time, dubbed “The Great Video Game Burial of 1983.” In the early 1980s, Atari supposedly buried nearly a million copies of “E.T. the Extra Terrestrial” -- one of the company’s biggest commercial failures and often cited as one of the worst games ever released -- in a New Mexican desert landfill. Over time, reports of this strange mass burial became a sort of urban legend. Decades later, a crew attempts to separate fact from fiction by digging up all of the old game cartridges and shedding light on this fascinating mystery.

When four degenerate thugs rape and murder a young waitress in part of their rape and murder spree, they are arrested, but get away with though a legal technicality. The brother of one of the rape/murder victims decides to become vigilante and kill the four degenerates by himself.

From director Lewis Teague (Cujo) and screenwriter John Sayles (The Howling) comes an unstoppable thriller with bite. A family returning from Florida decides their pet baby alligator is too much to handle and flushes him down the toilet. Meanwhile, Slade Laboratories is conducting secret experiments with animals and disposing of them in the sewer. The alligator, fending for itself, begins to feed on the dead animals, and grows. Now, twelve years later, after several mysterious murders, David Madison (Robert Forster, Jackie Brown) is on the case to find out who ... or what ... is killing people.

A special program containing the ultimate highlights from the critically acclaimed nationally broadcast music/comedy cable program that literally revolutionized rock & roll television during its three year run. New Wave Theatre established its music guru host the late Peter Ivers as one of cable's top stars in America and as the voice and vision of the LA music renaissance, it put LA's bands on the national map with its own brand of anarchy, comedy and 'live taped' format.