Me, Myself and I
- 05:28
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synopsis
The triplet in the title basically give it away already: identity in the digital age, especially in the face of image production and reproduction processes, is subject to incessant multiplication. Or to put it another way: the ego, what one could also call the “digital subject”, is now subject to a technologically fuelled tendency to splinter, while also being shrouded in a nebulous illusion of unity. Claudia Larcher's "Me, myself and I" does nothing less than cause this moment of fragmentation and simultaneous resynthesis to collide productively. The experimental arrangement is as simple as it is captivating: Larcher has added 350 photographs of herself (up to the age of 24) to a GAN (Generative Adversarial Network) which then spits forth a continuously deforming flow of images containing perspectives on identity that go beyond the original photographs.
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