Assassin Of Youth, the third major marijuana film of the 1930s, borrowed its title from an article written by Harry Anslinger, the head of the Federal Bureau of Narcotics, who succeeded in criminalizing the drug in 1937. Assassin of Youth, along with Marijuana and Reefer Madness, convinced the public that dope turned kids into sex crazed murderers. And with the evidence so compellingly presented here, who could doubt it?
From director IRVIN S. YEAWORTH, the man who made The Blob, 4-D Man, and Dinosaurus, comes the “True-Life Story” of Fred Garland, a liquor-lovin’ producer, talent agent, swindler, and “complete bum” who gets hooked on heroin and ends up becoming… a preacher! Shot in 1952 as Twice Convicted, the film was eventually transformed into The Flaming Teenage when additional non-Yeaworth footage was added of Teenage Alcoholics making damn fool...Read More
"Organized narcotics traffic is big business, and to get to the top, you've got to go to the bottom!" says sourpuss Lt. Lacey (a particularly dour, soon-to-be-dead PAUL KELLY) in this wonderfully lurid cross between a JD flick, Reefer Madness, and Dragnet from the pre-rock-'n'-roll be-bob bleakness of the 1950s, in which the search for a teenage junkie uncovers a small town festering with high-school hipsters eager to get Hooked.
Here’s an odd but nonetheless fascinating time capsule of late- Sixties social unrest filtered through the mind of Florida-based sexploitation producer-director HARRY KERWIN. Yup, the man who made Strange Rampage, My Third Wife George, and Girls Come Too - and who was also the brother of Blood Feast star Bill Kerwin wanted to tap into the same youth market companies Like AlP were so good at exploiting. But lacking the funds to make ...Read More
"War babies. They want to be different. They don't want to belong to any mass society. They have their own-type clubs, their own 'in' groups." Thus Malamondo, an elegant look at early-Sixties' teenage angst and "way out youth," Euro-style, set to the delirious musical musings of a young ENNIO MORRICONE! "Teenage swingers" ski in the nude in the Swiss Alps! (Skinny-skiing?) At a summer resort in Italy, "the children of the post-war ...Read More
Join some terrified teens spending a night in a haunted house and get spooked by a mad doctor and his ghoulish gang when the Monsters Crash The Pajama Party, a 1965 spook show theatrical featurette complete with Werewolf, Gorilla in a fur coat, and goofy gimmick! Beware, they might get you.
Of all the filmmakers who toiled in the world of exploitation, no one made films as consistently rude, offensive, and jaw-droppingly outrageous as roadshow pioneer DWAIN ESPER, the man who made Maniac (1934) and Marijuana (1936). Written by Mrs. Esper, HILDEGARDE STADIE (who allegedly based the main character on an opium-smoking uncle), and filled with enough plot for a dozen exploitation movies, Narcotic claims to be dedicated to "Th...Read More
Fans of vintage educational shorts will no doubt enjoy this feature produced by a company called Police Science, which combines elements of the juvenile delinquency and classroom-scare genres, and presents them in the manner of a police training film. Sternly narrated by ART GILMORE (and re-released in 1962 as The Dread Persuasion), The Narcotic Story chronicles the life of Joyce, a former "hype" -- classic drug slander for a user -- ...Read More
Reefer Madness is a 1936 American propaganda film revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness due to marijuana addiction. The film was directed by Louis Gasnier and featured a cast of mainly little-known actors.
“The Film That’s Scorchin’ The Nation’s Screens!” The She who Shoulda Said ‘No’! is honeypot LILA LEEDS (Lady in the Lake, Moonrise) who was busted for doing doobies with rugged Robert Mitchum just months before this updated upgrade of Reefer Madness. Cashing in on the notoriety of “The Screen’s Newest Blonde Bomb,” KROGER BABB, “America’s Fearless Showman,” promoted the film as “The Story of Lila Leeds and Her Expose of the Ma...Read More
Before he became known for distributing such drive-in epics as I Drink Your Blood, I Eat Your Skin, and I Spit on Your Grave, JERRY GROSS directed two fascinating little quickies - Girl on A Chain Gang (’65) and Teenage Mother (’67) - that are textbook examples of classic old-school exploitation. In fact. shot-on-Long-Island Teenage Mother seems to take its inspiration from a half dozen old roadshow films, updated for the Sixties, a...Read More
Beatniks? What beatniks? Two-bit punks, a closet rock-&-roll star, and an out-of-his-mind psycho: yes. Beatniks: no. Though The Beatniks was probably a last-minute title change to replace a less exploitable moniker, it didn’t make much of a difference to the audiences of 1960. After all, to a world emerging from the Eisenhower era, bohemian artists and beat-generation poets were seen as little more than socially maladjusted misfits in...Read More
It’s not often one gets to see a cinematic Sex Goddess of the Forties wallowing in Sixties drug culture, but that’s exactly what happens when Miss Columbia Pictures, RITA HAYWORTH herself, enters The Naked Zoo. And, yup, it’s quite a spectacle.
"Are you beat?" asks coffee-shop impresario Mr. T. "Oh, sure, man," his sleazy friend Sid replies."Cool, way out, and long gone, dad!" Actually, although they’re right in the middle of Beatsville U.S.A. - complete with beat poets, chess games, bongo-and-flute music, and beatnik babes in black leotards - they’re both phonies. Sidney - played by instantly-recognizable character actor NED GLASS (the guy who’s always sneezing in Charade) ...Read More
Musician Richard Carlson is haunted by a ghostly girlfriend in director Bert I. Gordon's 72-Minute feature length Chiller-Diller from 1960.